Condensed Novels: New Burlesques Part 2
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I could with difficulty restrain myself. Rage, indignation, and jealousy filled my heart almost to bursting. I understood it all; that rascally Scotchman had made the most of his time, and dared to get ahead of me! I did not mind being taken for the King, but to be confounded with this infernal descendant of a gamekeeper--was too much!
Yet with a superhuman effort I remained calm--and even smiled.
"You are not well?" said the Princess earnestly. "I thought you were taking too much of the Strasbourg pie at supper! And you are not going, surely--so soon?" she added, as I rose.
"I must go at once," I said. "I have forgotten some important business at Bock."
"Not boar hunting again?" she said poutingly.
"No, I'm hunting a red dear," I said with that playful subtlety which would make her take it as a personal compliment, though I was only thinking of that impostor, and longing to get at him, as I bowed and withdrew.
In another hour I was before Black Michael's castle at Bock. These are lightning changes, I know--and the sovereignty of Trulyruralania WAS somewhat itinerant--but when a kingdom and a beautiful Princess are at stake, what are you to do? Fritz had begged me to take him along, but I arranged that he should come later, and go up unostentatiously in the lift. I was going by way of the moat. I was to succor the King, but I fear my real object was to get at Rupert of Glasgow.
I had noticed the day before that a large outside drain pipe, decreed by the Bock County Council, ran from the moat to the third floor of the donjon keep. I surmised that the King was imprisoned on that floor.
Examining the pipe closely, I saw that it was really a pneumatic dispatch tube, for secretly conveying letters and dispatches from the castle through the moat beyond the castle walls. Its extraordinary size, however, gave me the horrible conviction that it was to be used to convey the dead body of the King to the moat. I grew cold with horror--but I was determined.
I crept up the pipe. As I expected, it opened funnel-wise into a room where the poor King was playing poker with Black Michael. It took me but a moment to dash through the window into the room, push the King aside, gag and bind Black Michael, and lower him by a stout rope into the pipe he had destined for another. Having him in my power, I lowered him until I heard his body splash in the water in the lower part of the pipe. Then I proceeded to draw him up again, intending to question him in regard to Rupert of Glasgow. But this was difficult, as his saturated clothing made him fit the smooth pipe closely. At last I had him partly up, when I was amazed at a rush of water from the pipe which flooded the room. I dropped him and pulled him up again with the same result. Then in a flash I saw it all. His body, acting like a piston in the pipe, had converted it into a powerful pump. Mad with joy, I rapidly lowered and pulled him up again and again, until the castle was flooded--and the moat completely drained! I had created the diversion I wished; the tenants of the castle were disorganized and bewildered in trying to escape from the deluge, and the moat was accessible to my friends. Placing the poor King on a table to be out of the water, and tying up his head in my handkerchief to disguise him from Michael's guards, I drew my sword and plunged downstairs with the cataract in search of the miscreant Rupert. I reached the drawbridge, when I heard the sounds of tumult and was twice fired at,--once, as I have since learned, by my friends, under the impression that I was the escaping Rupert of Glasgow, and once by Black Michael's myrmidons, under the belief that I was the King. I was struck by the fact that these resemblances were confusing and unfortunate! At this moment, however, I caught sight of a kilted figure leaping from a lower window into the moat. Some instinct impelled me to follow it. It rapidly crossed the moat and plunged into the forest, with me in pursuit. I gained upon it; suddenly it turned, and I found myself again confronted with MYSELF--and apparently the King! But that very resemblance made me recognize the Scotch pretender, Rupert of Glasgow. Yet he would have been called a "braw laddie," and his handsome face showed a laughing good humor, even while he opposed me, claymore in hand.
"Bide a wee, Maister Rupert Razorbill," he said lightly, lowering his sword, "before we slit ane anither's weasands. I'm no claimin' any descent frae kings, and I'm no acceptin' any auld wife's clavers against my women forbears, as ye are! I'm just paid gude honest siller by Black Michael for the using of ma face and figure--sic time as his Majesty is tae worse frae trink! And I'm commeesioned frae Michael to ask ye what price YE would take to join me in performing these duties--turn and turn aboot. Eh, laddie--but he would pay ye mair than that daft beggar, Spitz."
Rage and disgust overpowered me. "And THIS is my answer," I said, rus.h.i.+ng upon him.
I have said earlier in these pages that I was a "strong" swordsman. In point of fact, I had carefully studied in the transpontine theatres that form of melodramatic mediaeval sword-play known as "two up and two down." To my disgust, however, this wretched Scotchman did not seem to understand it, but in a twinkling sent my sword flying over my head.
Before I could recover it, he had mounted a horse ready saddled in the wood, and, shouting to me that he would take my "compleements" to the Princess, galloped away. Even then I would have pursued him afoot, but, hearing shouts behind me, I turned as Spitz and Fritz rode up.
"Has the King escaped to Kohlslau?" asked Fritz, staring at me.
"No," I said, "but Rupert of Glasgow"--
"--Rupert of Glasgow," growled Spitz. "We've settled him! He's gagged and bound and is now on his way to the frontier in a close carriage."
"Rupert--on his way to the frontier?" I gasped.
"Yes. Two of my men found him, disguised with a handkerchief over his face, trying to escape from the castle. And while we were looking for the King, whom we supposed was with you, they have sent the rascally Scotchman home."
"Fool!" I gasped. "Rupert of Glasgow has just left me! YOU HAVE DEPORTED YOUR OWN KING." And overcome by my superhuman exertions, I sank unconscious to the ground.
When I came to, I found myself in a wagon lit, speeding beyond the Trulyruralania frontier. On my berth was lying a missive with the seal of the S'helpburgs. Tearing it open I recognized the handwriting of the Princess Flirtia.
MY DEAR RUPERT,--Owing to the confusion that arises from there being so many of you, I have concluded to accept the hand of the Duke Michael.
I may not become a Queen, but I shall bring rest to my country, and Michael a.s.sures me in his playful manner that "three of a kind," "even of the same color," do not always win at poker. It will tranquilize you somewhat to know that the Lord Chancellor a.s.sures me that on examining the records of the dynasty he finds that my ancestor Rupert never left his kingdom during his entire reign, and that consequently your ancestress has been grossly maligned. I am sending typewritten copies of this to Rupert of Glasgow and the King. Farewell.
FLIRTIA.
Once a year, at Christmastide, I receive a simple foreign hamper via Charing Cross, marked "Return empty." I take it in silence to my own room, and there, opening it, I find--unseen by any other eyes but my own--a modest pate de foie gras, of the kind I ate with the Princess Flirtia. I take out the pate, replace the label, and have the hamper reconveyed to Charing Cross.
THE STOLEN CIGAR CASE
By A. CO--N D--LE
I found Hemlock Jones in the old Brook Street lodgings, musing before the fire. With the freedom of an old friend I at once threw myself in my usual familiar att.i.tude at his feet, and gently caressed his boot.
I was induced to do this for two reasons: one, that it enabled me to get a good look at his bent, concentrated face, and the other, that it seemed to indicate my reverence for his superhuman insight. So absorbed was he even then, in tracking some mysterious clue, that he did not seem to notice me. But therein I was wrong--as I always was in my attempt to understand that powerful intellect.
"It is raining," he said, without lifting his head.
"You have been out, then?" I said quickly.
"No. But I see that your umbrella is wet, and that your overcoat has drops of water on it."
I sat aghast at his penetration. After a pause he said carelessly, as if dismissing the subject: "Besides, I hear the rain on the window.
Listen."
I listened. I could scarcely credit my ears, but there was the soft pattering of drops on the panes. It was evident there was no deceiving this man!
"Have you been busy lately?" I asked, changing the subject. "What new problem--given up by Scotland Yard as inscrutable--has occupied that gigantic intellect?"
He drew back his foot slightly, and seemed to hesitate ere he returned it to its original position. Then he answered wearily: "Mere trifles--nothing to speak of. The Prince Kupoli has been here to get my advice regarding the disappearance of certain rubies from the Kremlin; the Rajah of Pootibad, after vainly beheading his entire bodyguard, has been obliged to seek my a.s.sistance to recover a jeweled sword. The Grand d.u.c.h.ess of Pretzel-Brauntswig is desirous of discovering where her husband was on the night of February 14; and last night"--he lowered his voice slightly--"a lodger in this very house, meeting me on the stairs, wanted to know why they didn't answer his bell."
I could not help smiling--until I saw a frown gathering on his inscrutable forehead.
"Pray remember," he said coldly, "that it was through such an apparently trivial question that I found out Why Paul Ferroll Killed His Wife, and What Happened to Jones!"
I became dumb at once. He paused for a moment, and then suddenly changing back to his usual pitiless, a.n.a.lytical style, he said: "When I say these are trifles, they are so in comparison to an affair that is now before me. A crime has been committed,--and, singularly enough, against myself. You start," he said. "You wonder who would have dared to attempt it. So did I; nevertheless, it has been done. I have been ROBBED!"
"YOU robbed! You, Hemlock Jones, the Terror of Peculators!" I gasped in amazement, arising and gripping the table as I faced him.
"Yes! Listen. I would confess it to no other. But YOU who have followed my career, who know my methods; you, for whom I have partly lifted the veil that conceals my plans from ordinary humanity,--you, who have for years rapturously accepted my confidences, pa.s.sionately admired my inductions and inferences, placed yourself at my beck and call, become my slave, groveled at my feet, given up your practice except those few unremunerative and rapidly decreasing patients to whom, in moments of abstraction over MY problems, you have administered strychnine for quinine and a.r.s.enic for Epsom salts; you, who have sacrificed anything and everybody to me,--YOU I make my confidant!"
I arose and embraced him warmly, yet he was already so engrossed in thought that at the same moment he mechanically placed his hand upon his watch chain as if to consult the time. "Sit down," he said. "Have a cigar?"
"I have given up cigar smoking," I said.
"Why?" he asked.
I hesitated, and perhaps colored. I had really given it up because, with my diminished practice, it was too expensive. I could afford only a pipe. "I prefer a pipe," I said laughingly. "But tell me of this robbery. What have you lost?"
He arose, and planting himself before the fire with his hands under his coattails, looked down upon me reflectively for a moment. "Do you remember the cigar case presented to me by the Turkish Amba.s.sador for discovering the missing favorite of the Grand Vizier in the fifth chorus girl at the Hilarity Theatre? It was that one. I mean the cigar case. It was incrusted with diamonds."
"And the largest one had been supplanted by paste," I said.
"Ah," he said, with a reflective smile, "you know that?"
"You told me yourself. I remember considering it a proof of your extraordinary perception. But, by Jove, you don't mean to say you have lost it?"
Condensed Novels: New Burlesques Part 2
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Condensed Novels: New Burlesques Part 2 summary
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