The Four Million Part 20
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Donovan went to the hind wheel and looked up at James Williams.
"Come down, old sport," he said, pleasantly. "We've got you. Back to Sleepytown for yours. It ain't a bad idea, hidin' on a Rubberneck, though. I'll remember that."
Softly through the megaphone came the advice of the conductor:
"Better step off, sir, and explain. The car must proceed on its tour."
James Williams belonged among the level heads. With necessary slowness he picked his way through the pa.s.sengers down to the steps at the front of the car. His wife followed, but she first turned her eyes and saw the escaped tourist glide from behind the furniture van and slip behind a tree on the edge of the little park, not fifty feet away.
Descended to the ground, James Williams faced his captors with a smile.
He was thinking what a good story he would have to tell in Cloverdale about having been mistaken for a burglar. The Rubberneck coach lingered, out of respect for its patrons. What could be a more interesting sight than this?
"My name is James Williams, of Cloverdale, Missouri," he said kindly, so that they would not be too greatly mortified. "I have letters here that will show--"
"You'll come with us, please," announced the plainclothes man. "'Pinky'
McGuire's description fits you like flannel washed in hot suds. A detective saw you on the Rubberneck up at Central Park and 'phoned down to take you in. Do your explaining at the station-house."
James Williams's wife--his bride of two weeks--looked him in the face with a strange, soft radiance in her eyes and a flush on her cheeks, looked him in the face and said:
"Go with 'em quietly, 'Pinky,' and maybe it'll be in your favour."
And then as the Glaring-at-Gotham car rolled away she turned and threw a kiss--his wife threw a kiss--at some one high up on the seats of the Rubberneck.
"Your girl gives you good advice, McGuire," said Donovan. "Come on, now."
And then madness descended upon and occupied James Williams. He pushed his hat far upon the back of his head.
"My wife seems to think I am a burglar," he said, recklessly. "I never heard of her being crazy; therefore I must be. And if I'm crazy, they can't do anything to me for killing you two fools in my madness."
Whereupon he resisted arrest so cheerfully and industriously that cops had to be whistled for, and afterwards the reserves, to disperse a few thousand delighted spectators.
At the station-house the desk sergeant asked for his name.
"McDoodle, the Pink, or Pinky the Brute, I forget which," was James Williams's answer. "But you can bet I'm a burglar; don't leave that out. And you might add that it took five of 'em to pluck the Pink. I'd especially like to have that in the records."
In an hour came Mrs. James Williams, with Uncle Thomas, of Madison Avenue, in a respect-compelling motor car and proofs of the hero's innocence--for all the world like the third act of a drama backed by an automobile mfg. co.
After the police had sternly reprimanded James Williams for imitating a copyrighted burglar and given him as honourable a discharge as the department was capable of, Mrs. Williams rearrested him and swept him into an angle of the station-house. James Williams regarded her with one eye. He always said that Donovan closed the other while somebody was holding his good right hand. Never before had he given her a word of reproach or of reproof.
"If you can explain," he began rather stiffly, "why you--"
"Dear," she interrupted, "listen. It was an hour's pain and trial to you. I did it for her--I mean the girl who spoke to me on the coach. I was so happy, Jim--so happy with you that I didn't dare to refuse that happiness to another. Jim, they were married only this morning--those two; and I wanted him to get away. While they were struggling with you I saw him slip from behind his tree and hurry across the park. That's all of it, dear--I had to do it."
Thus does one sister of the plain gold band know another who stands in the enchanted light that s.h.i.+nes but once and briefly for each one. By rice and satin bows does mere man become aware of weddings. But bride knoweth bride at the glance of an eye. And between them swiftly pa.s.ses comfort and meaning in a language that man and widows wot not of.
THE ROMANCE OF A BUSY BROKER
Pitcher, confidential clerk in the office of Harvey Maxwell, broker, allowed a look of mild interest and surprise to visit his usually expressionless countenance when his employer briskly entered at half past nine in company with his young lady stenographer. With a snappy "Good-morning, Pitcher," Maxwell dashed at his desk as though he were intending to leap over it, and then plunged into the great heap of letters and telegrams waiting there for him.
The young lady had been Maxwell's stenographer for a year. She was beautiful in a way that was decidedly unstenographic. She forewent the pomp of the alluring pompadour. She wore no chains, bracelets or lockets. She had not the air of being about to accept an invitation to luncheon. Her dress was grey and plain, but it fitted her figure with fidelity and discretion. In her neat black turban hat was the gold-green wing of a macaw. On this morning she was softly and shyly radiant. Her eyes were dreamily bright, her cheeks genuine peachblow, her expression a happy one, tinged with reminiscence.
Pitcher, still mildly curious, noticed a difference in her ways this morning. Instead of going straight into the adjoining room, where her desk was, she lingered, slightly irresolute, in the outer office. Once she moved over by Maxwell's desk, near enough for him to be aware of her presence.
The machine sitting at that desk was no longer a man; it was a busy New York broker, moved by buzzing wheels and uncoiling springs.
"Well--what is it? Anything?" asked Maxwell sharply. His opened mail lay like a bank of stage snow on his crowded desk. His keen grey eye, impersonal and brusque, flashed upon her half impatiently.
"Nothing," answered the stenographer, moving away with a little smile.
"Mr. Pitcher," she said to the confidential clerk, "did Mr. Maxwell say anything yesterday about engaging another stenographer?"
"He did," answered Pitcher. "He told me to get another one. I notified the agency yesterday afternoon to send over a few samples this morning.
It's 9.45 o'clock, and not a single picture hat or piece of pineapple chewing gum has showed up yet."
"I will do the work as usual, then," said the young lady, "until some one comes to fill the place." And she went to her desk at once and hung the black turban hat with the gold-green macaw wing in its accustomed place.
He who has been denied the spectacle of a busy Manhattan broker during a rush of business is handicapped for the profession of anthropology. The poet sings of the "crowded hour of glorious life." The broker's hour is not only crowded, but the minutes and seconds are hanging to all the straps and packing both front and rear platforms.
And this day was Harvey Maxwell's busy day. The ticker began to reel out jerkily its fitful coils of tape, the desk telephone had a chronic attack of buzzing. Men began to throng into the office and call at him over the railing, jovially, sharply, viciously, excitedly. Messenger boys ran in and out with messages and telegrams. The clerks in the office jumped about like sailors during a storm. Even Pitcher's face relaxed into something resembling animation.
On the Exchange there were hurricanes and landslides and snowstorms and glaciers and volcanoes, and those elemental disturbances were reproduced in miniature in the broker's offices. Maxwell shoved his chair against the wall and transacted business after the manner of a toe dancer. He jumped from ticker to 'phone, from desk to door with the trained agility of a harlequin.
In the midst of this growing and important stress the broker became suddenly aware of a high-rolled fringe of golden hair under a nodding canopy of velvet and ostrich tips, an imitation sealskin sacque and a string of beads as large as hickory nuts, ending near the floor with a silver heart. There was a self-possessed young lady connected with these accessories; and Pitcher was there to construe her.
"Lady from the Stenographer's Agency to see about the position," said Pitcher.
Maxwell turned half around, with his hands full of papers and ticker tape.
"What position?" he asked, with a frown.
"Position of stenographer," said Pitcher. "You told me yesterday to call them up and have one sent over this morning."
"You are losing your mind, Pitcher," said Maxwell. "Why should I have given you any such instructions? Miss Leslie has given perfect satisfaction during the year she has been here. The place is hers as long as she chooses to retain it. There's no place open here, madam.
Countermand that order with the agency, Pitcher, and don't bring any more of 'em in here."
The silver heart left the office, swinging and banging itself independently against the office furniture as it indignantly departed.
Pitcher seized a moment to remark to the bookkeeper that the "old man"
seemed to get more absent-minded and forgetful every day of the world.
The rush and pace of business grew fiercer and faster. On the floor they were pounding half a dozen stocks in which Maxwell's customers were heavy investors. Orders to buy and sell were coming and going as swift as the flight of swallows. Some of his own holdings were imperilled, and the man was working like some high-geared, delicate, strong machine--strung to full tension, going at full speed, accurate, never hesitating, with the proper word and decision and act ready and prompt as clockwork. Stocks and bonds, loans and mortgages, margins and securities--here was a world of finance, and there was no room in it for the human world or the world of nature.
When the luncheon hour drew near there came a slight lull in the uproar.
The Four Million Part 20
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The Four Million Part 20 summary
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