Lucy Maud Montgomery Short Stories, 1909 to 1922 Part 33
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Oddly enough, I did not do this without some reluctance, in spite of the fact that I was as much in love with Marian Lindsay as it was possible to be through the medium of a picture. I thought of the girl I had seen in the pine wood and felt an inward shrinking from a step that might divide me from her forever. But I rated myself for this nonsense. It was in the highest degree unlikely that I should ever meet the girl of the pines again. If she were still living she was probably some other man's wife. I would think no more about it.
Peter whistled when he heard what I had to say.
"Of course I'll do it, old man," he said obligingly. "But I warn you I don't think it will be much use. Marian isn't the sort of girl to open up a correspondence in such a fas.h.i.+on. However, I'll do the best I can for you."
"Do. Tell her I'm a respectable fellow with no violent bad habits and all that. I'm in earnest, Peter. I want to make that girl's acquaintance, and this seems the only way at present. I can't get off just now for a trip east. Explain all this, and use your cousinly influence in my behalf if you possess any."
Peter grinned.
"It's not the most graceful job in the world you are putting on me, Curtis," he said. "I don't mind owning up now that I was pretty far gone on Marian myself two years ago. It's all over now, but it was bad while it lasted. Perhaps Marian will consider your request more favourably if I put it in the light of a favour to myself. She must feel that she owes me something for wrecking my life."
Peter grinned again and looked at the one photo he had contrived to rescue from the fire. It was a pretty, snub-nosed little girl. She would never have consoled me for the loss of Marian Lindsay, but every man to his taste.
In due time Peter sought me out to give me his cousin's answer.
"Congratulations, Curtis. You've out-Caesared Caesar. You've conquered without even going and seeing. Marian agrees to a friendly correspondence with you. I am amazed, I admit--even though I did paint you up as a sort of Sir Galahad and Lancelot combined. I'm not used to seeing proud Marian do stunts like that, and it rather takes my breath."
I wrote to Marian Lindsay after one farewell dream of the girl under the pines. When Marian's letters began to come regularly I forgot the other one altogether.
Such letters--such witty, sparkling, clever, womanly, delightful letters! They completed the conquest her picture had begun. Before we had corresponded six months I was besottedly in love with this woman whom I had never seen. Finally, I wrote and told her so, and I asked her to be my wife.
A fortnight later her answer came. She said frankly that she believed she had learned to care for me during our correspondence, but that she thought we should meet in person, before coming to any definite understanding. Could I not arrange to visit Croyden in the summer?
Until then we would better continue on our present footing.
I agreed to this, but I considered myself practically engaged, with the personal meeting merely to be regarded as a sop to the Cerberus of conventionality. I permitted myself to use a decidedly lover-like tone in my letters henceforth, and I hailed it as a favourable omen that I was not rebuked for this, although Marian's own letters still retained their pleasant, simple friendliness.
Peter had at first tormented me mercilessly about the affair, but when he saw I did not like his chaff he stopped it. Peter was always a good fellow. He realized that I regarded the matter seriously, and he saw me off when I left for the east with a grin tempered by honest sympathy and understanding.
"Good luck to you," he said. "If you win Marian Lindsay you'll win a pearl among women. I haven't been able to grasp her taking to you in this fas.h.i.+on, though. It's so unlike Marian. But, since she undoubtedly has, you are a lucky man."
I arrived in Croyden at dusk and went to Uncle Tom's. There I found them busy with preparations for a party to be given that night in honour of a girl friend who was visiting my cousin Edna. I was secretly annoyed, for I wanted to hasten at once to Marian. But I couldn't decently get away, and on second thoughts I was consoled by the reflection that she would probably come to the party. I knew she belonged to the same social set as Uncle Tom's girls. I should, however, have preferred our meeting to have been under different circ.u.mstances.
From my stand behind the palms in a corner I eagerly scanned the guests as they arrived. Suddenly my heart gave a bound. Marian Lindsay had just come in.
I recognized her at once from her photograph. It had not flattered her in the least; indeed, it had not done her justice, for her exquisite colouring of hair and complexion were quite lost in it. She was, moreover, gowned with a taste and smartness eminently admirable in the future Mrs. Eric Curtis. I felt a thrill of proprietary pride as I stepped out from behind the palms. She was talking to Aunt Grace; but her eyes fell on me. I expected a little start of recognition, for I had sent her an excellent photograph of myself; but her gaze was one of blankest unconsciousness.
I felt something like disappointment at her non-recognition, but I consoled myself by the reflection that people often fail to recognize other people whom they have seen only in photographs, no matter how good the likeness may be. I waylaid Edna, who was pa.s.sing at that time, and said, "Edna I want you to introduce me to the girl who is talking to your mother."
Edna laughed.
"So you have succ.u.mbed at first sight to our Croyden beauty? Of course I'll introduce you, but I warn you beforehand that she is the most incorrigible flirt in Croyden or out of it. So take care."
It jarred on me to hear Marian called a flirt. It seemed so out of keeping with her letters and the womanly delicacy and fineness revealed in them. But I reflected that women sometimes find it hard to forgive another woman who absorbs more than her share of lovers, and generally take their revenge by dubbing her a flirt, whether she deserves the name or not.
We had crossed the room during this reflection. Marian turned and stood before us, smiling at Edna, but evincing no recognition whatever of myself. It is a piquant experience to find yourself awaiting an introduction to a girl to whom you are virtually engaged.
"Dorothy dear," said Edna, "this is my cousin, Mr. Curtis, from Vancouver. Eric, this is Miss Armstrong."
I suppose I bowed. Habit carries us mechanically through many impossible situations. I don't know what I looked like or what I said, if I said anything. I don't suppose I betrayed my dire confusion, for Edna went off unconcernedly without another glance at me.
Dorothy Armstrong! Gracious powers--who--where--why? If this girl was Dorothy Armstrong who was Marian Lindsay? To whom was I engaged? There was some awful mistake somewhere, for it could not be possible that there were two girls in Croyden who looked exactly like the photograph reposing in my valise at that very moment. I stammered like a schoolboy.
"I--oh--I--your face seems familiar to me, Miss Armstrong. I--I--think I must have seen your photograph somewhere."
"Probably in Peter Austin's collection," smiled Miss Armstrong. "He had one of mine before he was burned out. How is he?"
"Peter? Oh, he's well," I replied vaguely. I was thinking a hundred words to the second, but my thoughts arrived nowhere. I was staring at Miss Armstrong like a man bewitched. She must have thought me a veritable b.o.o.by. "Oh, by the way--can you tell me--do you know a Miss Lindsay in Croyden?"
Miss Armstrong looked surprised and a little bored. Evidently she was not used to having newly introduced young men inquiring about another girl.
"Marian Lindsay? Oh, yes."
"Is she here tonight?" I said.
"No, Marian is not going to parties just now, owing to the recent death of her aunt, who lived with them."
"Does she--oh--does she look like you at all?" I inquired idiotically.
Amus.e.m.e.nt glimmered but over Miss Armstrong's boredom. She probably concluded that I was some harmless lunatic.
"Like me? Not at all. There couldn't be two people more dissimilar.
Marian is quite dark. I am fair. And our features are altogether unlike. Why, good evening, Jack. Yes, I believe I did promise you this dance."
She bowed to me and skimmed away with Jack. I saw Aunt Grace bearing down upon me and fled incontinently. In my own room I flung myself on a chair and tried to think the matter out. Where did the mistake come in? How had it happened? I shut my eyes and conjured up the vision of Peter's room that day. I remembered vaguely that, when I had picked up Dorothy Armstrong's picture, I had noticed another photograph that had fallen face downward beside it. That must have been Marian Lindsay's, and Peter had thought I meant it.
And now what a position I was in! I was conscious of bitter disappointment. I had fallen in love with Dorothy Armstrong's photograph. As far as external semblance goes it was she whom I loved.
I was practically engaged to another woman--a woman who, in spite of our correspondence, seemed to me now, in the shock of this discovery, a stranger. It was useless to tell myself that it was the mind and soul revealed in those letters that I loved, and that that mind and soul were Marian Lindsay's. It was useless to remember that Peter had said she was pretty. Exteriorly, she was a stranger to me; hers was not the face which had risen before me for nearly a year as the face of the woman I loved. Was ever unlucky wretch in such a predicament before?
Well, there was only one thing to do. I must stand by my word. Marian Lindsay was the woman I had asked to marry me, whose answer I must shortly go to receive. If that answer were "yes" I must accept the situation and banish all thought of Dorothy Armstrong's pretty face.
Next evening at sunset I went to "Glenwood," the Lindsay place.
Doubtless, an eager lover might have gone earlier, but an eager lover I certainly was not. Probably Marian was expecting me and had given orders concerning me, for the maid who came to the door conveyed me to a little room behind the stairs--a room which, as I felt as soon as I entered it, was a woman's pet domain. In its books and pictures and flowers it spoke eloquently of dainty femininity. Somehow, it suited the letters. I did not feel quite so much the stranger as I had felt.
Nevertheless, when I heard a light footfall on the stairs my heart beat painfully. I stood up and turned to the door, but I could not look up. The footsteps came nearer; I knew that a white hand swept aside the _portiere_ at the entrance; I knew that she had entered the room and was standing before me.
With an effort I raised my eyes and looked at her. She stood, tall and gracious, in a ruby splendour of sunset falling through the window beside her. The light quivered like living radiance over a dark proud head, a white throat, and a face before whose perfect loveliness the memory of Dorothy Armstrong's laughing prettiness faded like a star in the sunrise, nevermore in the fullness of the day to be remembered.
Yet it was not of her beauty I thought as I stood spellbound before her. I seemed to see a dim little valley full of whispering pines, and a girl standing under their shadows, looking at me with the same great, greyish-blue eyes which gazed upon me now from Marian Lindsay's face--the same face, matured into gracious womanhood, that I had seen ten years ago; and loved--aye, loved--ever since. I took an unsteady step forward.
"Marian?" I said.
When I got home that night I burned Dorothy Armstrong's photograph.
The next day I went to my cousin Tom, who owns the fas.h.i.+onable studio of Croyden and, binding him over to secrecy, sought one of Marian's latest photographs from him. It is the only secret I have ever kept from my wife.
Before we were married Marian told me something.
"I always remembered you as you looked that day under the pines," she said. "I was only a child, but I think I loved you then and ever afterwards. When I dreamed my girl's dream of love your face rose up before me. I had the advantage of you that I knew your name--I had heard of you. When Peter wrote about you I knew who you were. That was why I agreed to correspond with you. I was afraid it was a forward--an unwomanly thing to do. But it seemed my chance for happiness and I took it. I am glad I did."
I did not answer in words, but lovers will know how I did answer.
Lucy Maud Montgomery Short Stories, 1909 to 1922 Part 33
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Lucy Maud Montgomery Short Stories, 1909 to 1922 Part 33 summary
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