The Pretty Lady Part 40
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"That's the tone I like to hear," said she, smiling. "I felt sure I could count on you not to indulge in too much nonsense. Well, I'm going to try the next avatar just to remind fate of my existence. I think fate's forgotten me, and I can stand anything but that. I've lost Carly, and I've lost Queen.... Oh, G.J.! Isn't it awful to think that when I offered you Queen she'd already gone, and it was only her dead body I was offering you? ... And I've lost my love. And I've failed, and I shall never be any more good here. I swore I would see a certain thing through, and I haven't seen it through, and I can't! But I've told you all this before.... What's left? Even my unhappiness is leaving me. Unless I kill myself I shall cease to exist. Don't you understand? Yes, you do."
After a marked pause she added:
"And I may overtake Queen."
"There's one thing I don't understand," he said, "as we're being frank with each other. Why do you tell me? Has it occurred to you that you're really making me a party to this scheme of yours?"
He spoke with a perfectly benevolent detachment deriving from hers.
And as he spoke he thought of a man whom he had once known and who had committed suicide, and of all that he had read about suicides and what he had thought of them. Suicides had been incomprehensible to him, and either despicable or pitiable. And he said to himself: "Here is one of them! (Or is it an illusion?) But she has made all my notions of suicide seem ridiculous."
She answered his spoken question with vivacity: "Why do I tell you? I don't know. That's the point I've been arguing to myself all night and all day. _I'm_ not telling you. Something _in_ me is forcing me to tell you. Perhaps it's much more important that you should comprehend me than that you should be spared the pa.s.sing worry that I'm causing you by showing you the inside of my head. You're the only friend I have left. I knew you before I knew Carly. I practically committed suicide from my particular world at the beginning of the war. I was going back to my particular world--you remember, G.J., in that little furnished flat--I was going back to it, but you wouldn't let me. It was you who definitely cut me off from my past. I might have been gadding about safely with Sarah Churcher and her lot at this very hour, but you would have it otherwise, and so I finished up with neurasthenia. You commanded and I obeyed."
"Well," he said, ignoring all her utterance except the last words, "obey me again."
"What do you want me to do?" she demanded wistfully and yet defiantly.
Her features were tending to disappear in the tide of night, but she happened to sit up and lean forward and bring them a little closer to him. "You've no right to stop me from doing what I want to do. What right have you to stop me? Besides, you can't stop me. Nothing can stop me. It is settled. Everything is arranged."
He, too, sat up and leaned forward. In a voice rendered soft by the realisation of the fact that he had indeed known her before Carlos Smith knew her and had imagined himself once to be in love with her, and of the harshness of her destiny and the fading of her glory, he said simply and yet, in spite of himself, insinuatingly:
"No! I don't claim any right to stop you. I understand better, perhaps, than you think. But let me come down again next week-end. Do let me," he insisted, still more softly.
Even while he was speaking he expected her to say, "You're only suggesting that in order to gain time."
But she said:
"How can you be sure it wouldn't be my inquest and funeral I should be 'letting' you come down to?"
He replied:
"I could trust you."
A delicate night-gust charged with the scent of some plant came in at the open window and deranged ever so slightly a glistening lock on her forehead. G.J., peering at her, saw the masculinity melt from her face. He saw the mysterious resurrection of the girl in her, and felt in himself the sudden exciting outflow from her of that temperamental fluid whose springs had been dried up since the day when she learnt of her widowhood. She flushed. He looked away into the dark water, as though he had profanely witnessed that which ought not to be witnessed. Earlier in the interview she had inspired him with shyness.
He was now stirred, agitated, thrilled--overwhelmed by the effect on her of his own words and his own voice. He was afraid of his power, as a prophet might be afraid of his power. He had worked a miracle--a miracle infinitely more convincing than anything that had led up to it. The miracle had brought back the reign of reality.
"Very well," she quivered.
And there was a movement and she was gone. He glanced quickly behind him, but the room lay black.... A transient pallor on the blackness, and the door banged. He sat a long time, solemn, gazing at the serrated silhouette of the town against a sky that obstinately held the wraith of daylight, and listening to the everlasting murmur of the invisible weir. Not a sound came from the town, not the least sound.
When at length he stumbled out, he saw the figure of the landlord smoking the pipe of philosophy, and waiting with a landlord's fatalism for the last guest to go to bed. And they talked of the weather.
Chapter 41
THE ENVOY
The next night G.J., having been hailed by an acquaintance, was talking at the top of the steps beneath the portal of a club in Piccadilly. It was after ten by the clocks, and nearly, but not quite, dark. A warm, rather heavy, evening shower had ceased. This was the beginning of the great macintosh epoch, by-product of the war, when the paucity of the means of vehicular locomotion had rendered macintoshes permissible, even for women with pretensions to smartness; and at intervals stylish girls on their way home from unaccustomed overtime, pa.s.sed the doors in transparent macintoshes of pink, yellow or green, as scornful as military officers of the effeminate umbrella, whose use was being confined to clubmen and old dowdies.
The acquaintance sought advice from G.J. about the shutting up of households for Belgian refugees. G.J. answered absently, not concealing that he was in a hurry. He had, in fact, been held up within three minutes of the scene of his secret idyll, and was anxious to arrive there. He had promised himself this surprise visit to Christine as some sort of recompense and narcotic for the immense disturbance of spirit which he had suffered at Wrikton.
That morning Concepcion had been invisible, but at his early breakfast he had received a note from her, a brief but masterly composition, if ever so slightly theatrical. He was conscious of tenderness for Concepcion, of sympathy with her, of a desire to help to restore her to that which by misfortune she had lost. But the first of these sentiments he resolutely put aside. He was determined to change his mood towards her for the sake of his own tranquillity; and he had convinced himself that his wise, calm, common sense was capable of saving her from any tragic and fatal folly. He had her in the hollow of his hand; but if she was expecting too much from him she would be gradually disappointed. He must have peace; he could not allow a bomb to be thrown into his habits; he was a bachelor of over fifty whose habits had the value of inestimable jewels and whose perfect independence was the most precious thing in the world. At his age he could not marry a volcano, a revolution, a new radio-active element exhibiting properties which were an enigma to social science.
Concepcion would turn his existence into an endless drama of which she alone, with her deep-rooted, devilish talent for the sensational, would always choose the setting, as she had chosen the window and the weir. No; he must not mistake affectionate sympathy for tenderness, nor tolerate the s.e.xual exploitation of his pity.
As he listened and talked to the acquaintance his inner mind s.h.i.+fted with relief to the vision of Christine, contented and simple and compliant in her nest--Christine, at once restful and exciting, Christine, the exquisite symbol of acquiescence and response. What a contrast to Concepcion! It had been a bold and sudden stroke to lift Christine to another plane, but a stroke well justified and entirely successful, fulfilling his dream.
At this moment he noticed a figure pa.s.s the doorway in whose shadow he was, and he exclaimed within himself incredulously:
"That is Christine!"
In the shortest possible delay he said "Good-night" to his acquaintance, and jumped down the steps and followed eastwards the figure. He followed warily, for already the strange and distressing idea had occurred to him that he must not overtake her--if she it was.
It was she. He caught sight of her again in the thick obscurity by the prison-wall of Devons.h.i.+re House. He recognised the peculiar brim of the new hat and the new "military" umbrella held on the wrist by a thong.
What was she doing abroad? She could not be going to a theatre. She had not a friend in London. He was her London. And la mere Gaston was not with her. Theoretically, of course, she was free. He had laid down no law. But it had been clearly understood between them that she should never emerge at night alone. She herself had promulgated the rule, for she had a sense of propriety and a strong sense of reality.
She had belonged to the cla.s.s which respectable, broadminded women, when they bantered G.J., always called "the pretty ladies," and as a postulant for respectability she had for her own satisfaction to mind her p's and q's. She could not afford not to keep herself above suspicion.
She had been a courtesan. Did she look like one? As an individual figure in repose, no! None could have said that she did. He had long since learnt that to decide always correctly by appearance, and apart from environment and gesture, whether an unknown woman was or was not a wanton, presented a task beyond the powers of even the completest experience. But Christine was walking in Piccadilly at night, and he soon perceived that she was discreetly showing the demeanour of a courtesan at her profession--she who had hated and feared the pavement! He knew too well the signs--the waverings, the turns of the head, the variations in speed, the scarcely perceptible hesitations, the unmistakable air of wandering with no definite objective.
Near Dover Street he hastened through the thin, reflecting mire, amid beams of light and illuminated numbers that advanced upon him in both directions thundering or purring, and crossed Piccadilly, and hurried ahead of her, to watch her in safety from the other side of the thoroughfare. He could hardly see her; she was only a moving shadow; but still he could see her; and in the long stretch of gloom beneath the facade of the Royal Academy he saw the shadow pause in front of a military figure, which by a flank movement avoided the shadow and went resolutely forward. He lost her in front of the Piccadilly Hotel, and found her again at the corner of Air Street. She swerved into Air Street and crossed Regent Street; he was following. In Denman Street, close to Shaftesbury Avenue, she stood still in front of another military figure--a common soldier as it proved--who also rebuffed her.
The thing was flagrant. He halted, and deliberately let her go from his sight. She vanished into the dark crowds of the Avenue.
In horrible humiliation, in atrocious disgust, he said to himself:
"Never will I set eyes on her again! Never! Never!"
Why was she doing it? Not for money. She could only be doing it from the nostalgia of adventurous debauch. She was the slave of her temperament, as the drunkard is the slave of his thirst. He had told her that he would be out of town for the week end, on committee business. He had distinctly told her that she must on no account expect him on the Monday night. And her temperament had roused itself from the obscene groves of her subconsciousness like a tiger and come up and driven her forth. How easy for her to escape from la mere Gaston if she chose! And yet--would she dare, even at the bidding of the tiger, to introduce a stranger into the flat? Unnecessary, he reflected. There were a hundred accommodating dubious interiors between Shaftesbury Avenue and Leicester Square. He understood; he neither accused nor pardoned; but he was utterly revolted, and wounded not merely in his soul but in the most sensitive part of his soul--his pride. He called himself by the worst epithet of opprobrium: Simpleton! The bold and sudden stroke had now become the fatuous caprice of a d.a.m.ned fool. Had he, at his age, been capable of overlooking the elementary axiom: once a wrong 'un, always a wrong 'un? Had he believed in reclamation? He laughed out his disgust ...
No! He did not blame her. To blame her would have been ridiculous. She was only what she was, and not worth blame. She was nothing at all.
How right, how cursedly right, were the respectable dames in the accent of amused indifference which they employed for their precious phrase, "the pretty ladies"! Well, he would treat her generously--but through his lawyer.
And in the desolation, the dismay, the disillusion, the nausea which ravaged him he was unwillingly conscious of fragments of thoughts that flickered like transient flames far below in the deep mines of his being.... "You are an astounding woman, Con." ... "Do you want me to go to the bad altogether?" ... In offering him Queen had not Concepcion made the supreme double sacrifice of attempting to bring together, at the price of her own separation from both of them, the two beings to whom she was most profoundly attached? It was a marvellous deed.... Worry, volcanoes, revolutions--was he afraid of them?... Were they not the very essence of life?... A figure of n.o.bility!... Sitting there now by the window over the river, listening to the weir.... "I shall never be any more good." ... But she never had a gesture that was not superb.... Was he really encrusted in habits? Really like men whom he knew and despised at his club?... She loved him.... And what rich, flattering love was her love compared to--!... She was young.... Tenderness.... Such were the flames of dim promise that nickered immeasurably beneath the dark devastation of his mind. He ignored them, but he could not ignore them. He extinguished them, but they were continually relighted.... A wedding?... What sort of a wedding?... Poor Carlos, pathetically buried under the ruthless happiness of others! What a shame!... Poor Carlos!
(Nice enough little cocotte, nothing else! But, of course, incurable!... He remembered all her crimes now. How she had been late in dressing for their first dinner. Her inexplicable vanis.h.i.+ng from the supper-party, never explained, but easily explicable now, perhaps.
And so on and so on.... Simpleton! a.s.s!)
He had walked heedless of direction. He was near Lechford House.
Many of its windows were lit. The great front doors were open. A commissionaire stood on guard in front of them. To the railings was affixed a newly-painted notice: "No person will be allowed to enter these premises without a pa.s.s. To this rule there is no exception."
Lechford House had been "taken over" in its entirety by a Government department that believed in the virtue of mystery and of long hours.
He looked up at the higher windows. He could not distinguish the chimney amid the newly-revealed stars. He thought of Queen, the white woman. Evidently he had never understood Queen, for if Concepcion admired her she was worth admiration. Concepcion never made a mistake in a.s.sessing fundamental character.
The complete silent absorption of Lechford House into the war-machine rather dismayed him. He had seen not a word as to the affair in the newspapers--and Lechford House was one of the final strongholds of privilege! He strolled on into the quietness of the Park--of which one of the gate-keepers said to him that it would be shutting in a few minutes.
He was in solitude, and surrounded by London. He stood still, and the vast sea of war seemed to be closing over him. The war was growing, or the sense of its measureless scope was growing. It had sprung, not out of this crime or that, but out of the secret invisible roots of humanity, and it was widening to the limits of evolution itself.
It transcended judgment. It defied conclusions and rendered equally impossible both hope and despair. His pride in his country was intensified as months pa.s.sed; his faith in his country was not lessened. And yet, wherein was the efficacy of grim words about British tenacity? The great new Somme offensive was not succeeding in the North. Was victory possible? Was victory deserved? In his daily labour he was brought into contact with too many instances of official selfishness, folly, ignorance, stupidity, and sloth, French as well as British, not to marvel at times that the conflict had not come to an ignominious end long ago through simple lack of imagination. He knew that he himself had often failed in devotion, in rect.i.tude, in sheer grit.
The supreme lesson of the war was its revelation of what human nature actually was. And the solace of the lesson, the hope for triumph, lay in the fact that human nature must be substantially the same throughout the world. If we were humanly imperfect, so at least was the enemy.
Perhaps the frame of society was about to collapse. Perhaps Queen, deliberately courting destruction, and being destroyed, was the symbol of society. What matter? Perhaps civilisation, by its n.o.bility and its elements of reason, and by the favour of destiny, would be saved from disaster after frightful danger, and Concepcion was its symbol....
The Pretty Lady Part 40
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The Pretty Lady Part 40 summary
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