Master of the Vineyard Part 1

Master of the Vineyard.

by Myrtle Reed.

I

The Hill of the Muses

[Sidenote: From the Top of the Hill]

The girl paused among the birches and drew a long breath of relief. It was good to be outdoors after the countless annoyances of the day; to feel the earth springing beneath her step, the keen, crisp air bringing the colour to her cheeks, and the silence of the woods ministering to her soul.

From the top of the hill she surveyed her little world. Where the small white houses cl.u.s.tered in the valley, far below her, she had spent her five-and-twenty years, shut in by the hills, and, more surely, by the iron bars of circ.u.mstance. To her the heights had always meant escape, for in the upper air and in solitude she found detachment--a sort of heavenly perspective upon the affairs of the common day.

Down in the bare, brown valley the river lay asleep. Grey patches of melting snow still filled the crevices along its banks, and fragments of broken crystal moved slowly toward the ultimate sea. The late afternoon sun touched the sharp edges, here and there to a faint iridescence.

"The river-G.o.d dreams of rainbows," thought Rosemary, with a smile.

[Sidenote: The Valley]

Only one house was near the river; the others were set farther back. The one upon the sh.o.r.e was the oldest and largest house in the valley, severely simple in line and with a certain air of stateliness. The broad, Colonial porch looked out upon the river and the hills beyond it, while all around, upon the southern slope between the opposite hills and the valley, were the great vineyards of the Marshs', that had descended from father to son during the century that had elapsed since the house was built.

The gnarled and twisted vines scarcely showed now, upon the grey-brown background of the soil, but in a few places, where the snow had not yet melted, the tangled black threads were visible. Like the frame surrounding a tapestry, great pines bordered the vineyard save on the side nearest the valley, for the first of the Marshs, who had planted the vineyard and built the house, had taken care to protect his vines from the north-east storms.

The clanging notes of a bell, mellowed by distance, came faintly from the valley below. Rosemary took out the thin, old watch that had been her mother's and her mother's mother's before her, and set the hands at four upon the pale gold dial. Then she drew up the worn gold chain that hung around her neck, under her gown, and, with the key that dangled from it, wound the watch. In an hour or so, probably, it would stop, but it was pleasant to hear the cheerful little tick while she waited.

[Sidenote: The Red Ribbon]

The doors of the white schoolhouse in the valley burst open and the tide of exuberant youth rushed forth. Like so many ants, the children swarmed and scattered, their shrill voices sounding afar. Rosemary went to a hollow tree, took out a small wooden box, opened it, and unwound carefully a wide ribbon of flaming scarlet, a yard or more in length.

Digging her heels into the soft earth, she went down to the lowest of the group of birches, on the side of the hill that overlooked the valley, and tied the ribbon to a drooping bough. Then she went back to the top of the hill, where a huge log, rolled against two trees, made a comfortable seat for two people.

Five minutes of the allotted twenty had pa.s.sed since Rosemary had set her watch. At twenty minutes past four, or, at the most, twenty-five, he would come. For three years and more he had never failed to answer the signal, nor, indeed, to look for it when he brushed the chalk from his clothes and locked the door of the schoolhouse behind him.

A kindly wind, in pa.s.sing, took the ribbon and made merry with it. In and out among the bare boughs of the birches it fluttered like a living thing, and Rosemary laughed aloud, as she had not done for many days.

The hill, the scarlet signal, and the man who was coming symbolised, to her, the mysterious world of Romance.

[Sidenote: World of Romance]

Sometimes the birches were shy dryads, fleeing before the wrath of some unknown G.o.d. At other times, they were the Muses, for, as it happened, there were nine in the group and no others upon the hill. The vineyard across the valley was a tapestry, where, from earliest Spring until the grapes were gathered colour and light were caught and imprisoned within the web. At the bend in the river, where the rushes grew thickly, the river-G.o.d kept his harp, which answered with shy, musical murmurings to every vagrant wind.

Again, the hill was a tower, and she a captive princess, who had refused to marry except for love, and Love tarried strangely upon the way. Or, sometimes, she was the Elaine of an unknown Launcelot, safely guarding his s.h.i.+eld. She placed in the woods all the dear people of the books, held forever between the covers and bound to the printed page, wondering if they, too, did not long for freedom.

The path up the hill wound in and out among the trees, and so it happened that Rosemary heard m.u.f.fled footsteps before she saw him coming. A wayfaring squirrel, the first of his family to venture out, scampered madly up a tree and looked down upon the girl with questioning, fearful eyes. She rose from the log and looked up, with her hands outstretched in unconscious pleading.

[Sidenote: He Comes]

"Oh," she murmured, "don't be afraid of me!"

"I'm not," answered a man's voice. "I a.s.sure you I'm not."

"I wasn't speaking to you," she laughed, as she went to meet him.

"No?" he queried, flushed and breathless from the climb. "I wonder if there is anyone else for whom you wave red ribbons from your fortress!"

"Take it down, will you please?"

"Wait until I get three full breaths--then I will."

She went back to the log while he awkwardly untied the ribbon, rolled it up, in clumsy masculine fas.h.i.+on, and restored it to the wooden box in the hollow tree. "Aren't you cold?" he asked, as he sat down beside her.

"No--I'm too vividly alive to be cold, ever."

"But what's the use of being alive unless you can live?" he inquired, discontentedly.

She sighed and turned her face away. The colour vanished from her cheeks, the youth from her figure. Pensively, she gazed across the valley to the vineyard, where the black, knotted vines were blurred against the soil in the fast-gathering twilight. His eyes followed hers.

[Sidenote: Rosemary]

"I hate them," he said, pa.s.sionately. "I wish I'd never seen a grape!"

"Were the children bad to-day?" she asked, irrelevantly.

"Of course. Aren't they always bad? What's the use of caging up fifty little imps and making 'em learn the multiplication table when they don't even aspire to the alphabet? Why should I have to teach 'em to read and write when they're determined not to learn? Why do I have to grow grapes when it would be the greatest joy of my life to know that I'd never have to see, touch, taste, or even smell another grape in this world or the next?"

She turned toward him. A late Winter sunset s.h.i.+mmered in the west like some pale, transparent cloth of gold hung from the walls of heaven, but the kindly light lent no beauty to her face. Rosemary's eyes were grey and l.u.s.treless, her hair ashen, and almost without colour. Her features were irregular and her skin dull and lifeless. She had not even the indefinable freshness that is the divine right of youth. Her mouth drooped wistfully at the corners, and even the half-discouraged dimple in her chin looked like a dent or a scar.

The bare hands that lay listlessly in her lap were rough and red from much uncongenial toil. He looked at her for a moment, still absorbed in himself, then, as he noted the pathos in every line of her face and figure, the expression of his face subtly changed. His hand closed quickly over hers.

[Sidenote: Their Moods]

"Forgive me, Rosemary--I'm a brute. I have no right to inflict my moods upon you."

"Why not? Don't I bring mine to you?"

"Sometimes--not often."

"Let's get them out where we can look them over," she suggested, practically. "What do you hate most?"

"Grapes," he replied, readily, "and then children who aren't interested in the alphabet. All day I've been saying: 'See the cat. Can the cat run? Yes, the cat can run.' Of course they could repeat it after me, but they couldn't connect it in any way with the printed page. I sympathised strongly with an unwashed child of philosophical German lineage who inquired, earnestly: 'Teacher, what's the good of dat?'"

"What else do you hate?"

"Being tied up. Set down in one little corner of the world and being obliged to stay in it. I know to a certainty just what's going to happen to-morrow and next day and the day after that. Point out any day on the calendar, months ahead, and I can tell you just what I'll be doing.

Nothing is uncertain but the weather."

[Sidenote: His Looks]

"Some people pray for anchorage," she said.