Sixes and Sevens Part 2
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"Oh, it'll take time to work the game this way. I told you it would cost you more. We'll have to wait till spring. There'll be a new city directory out then. Very likely your sister's name and address will be in it."
Meeks rid himself of the city detective at once. On the next day some one advised him to consult Shamrock Jolnes, New York's famous private detective, who demanded fabulous fees, but performed miracles in the way of solving mysteries and crimes.
After waiting for two hours in the anteroom of the great detective's apartment, Meeks was shown into his presence. Jolnes sat in a purple dressing-gown at an inlaid ivory chess table, with a magazine before him, trying to solve the mystery of "They." The famous sleuth's thin, intellectual face, piercing eyes, and rate per word are too well known to need description.
Meeks set forth his errand. "My fee, if successful, will be $500,"
said Shamrock Jolnes.
Meeks bowed his agreement to the price.
"I will undertake your case, Mr. Meeks," said Jolnes, finally. "The disappearance of people in this city has always been an interesting problem to me. I remember a case that I brought to a successful outcome a year ago. A family bearing the name of Clark disappeared suddenly from a small flat in which they were living. I watched the flat building for two months for a clue. One day it struck me that a certain milkman and a grocer's boy always walked backward when they carried their wares upstairs. Following out by induction the idea that this observation gave me, I at once located the missing family. They had moved into the flat across the hall and changed their name to Kralc."
Shamrock Jolnes and his client went to the tenement house where Mary Snyder had lived, and the detective demanded to be shown the room in which she had lived. It had been occupied by no tenant since her disappearance.
The room was small, dingy, and poorly furnished. Meeks seated himself dejectedly on a broken chair, while the great detective searched the walls and floor and the few sticks of old, rickety furniture for a clue.
At the end of half an hour Jolnes had collected a few seemingly unintelligible articles--a cheap black hat pin, a piece torn off a theatre programme, and the end of a small torn card on which was the word "left" and the characters "C 12."
Shamrock Jolnes leaned against the mantel for ten minutes, with his head resting upon his hand, and an absorbed look upon his intellectual face. At the end of that time he exclaimed, with animation:
"Come, Mr. Meeks; the problem is solved. I can take you directly to the house where your sister is living. And you may have no fears concerning her welfare, for she is amply provided with funds--for the present at least."
Meeks felt joy and wonder in equal proportions.
"How did you manage it?" he asked, with admiration in his tones.
Perhaps Jolnes's only weakness was a professional pride in his wonderful achievements in induction. He was ever ready to astound and charm his listeners by describing his methods.
"By elimination," said Jolnes, spreading his clues upon a little table, "I got rid of certain parts of the city to which Mrs. Snyder might have removed. You see this hatpin? That eliminates Brooklyn. No woman attempts to board a car at the Brooklyn Bridge without being sure that she carries a hatpin with which to fight her way into a seat. And now I will demonstrate to you that she could not have gone to Harlem. Behind this door are two hooks in the wall. Upon one of these Mrs. Snyder has hung her bonnet, and upon the other her shawl.
You will observe that the bottom of the hanging shawl has gradually made a soiled streak against the plastered wall. The mark is clean-cut, proving that there is no fringe on the shawl. Now, was there ever a case where a middle-aged woman, wearing a shawl, boarded a Harlem train without there being a fringe on the shawl to catch in the gate and delay the pa.s.sengers behind her? So we eliminate Harlem.
"Therefore I conclude that Mrs. Snyder has not moved very far away.
On this torn piece of card you see the word 'Left,' the letter 'C,'
and the number '12.' Now, I happen to know that No. 12 Avenue C is a first-cla.s.s boarding house, far beyond your sister's means--as we suppose. But then I find this piece of a theatre programme, crumpled into an odd shape. What meaning does it convey. None to you, very likely, Mr. Meeks; but it is eloquent to one whose habits and training take cognizance of the smallest things.
"You have told me that your sister was a scrub woman. She scrubbed the floors of offices and hallways. Let us a.s.sume that she procured such work to perform in a theatre. Where is valuable jewellery lost the oftenest, Mr. Meeks? In the theatres, of course. Look at that piece of programme, Mr. Meeks. Observe the round impression in it. It has been wrapped around a ring--perhaps a ring of great value. Mrs. Snyder found the ring while at work in the theatre. She hastily tore off a piece of a programme, wrapped the ring carefully, and thrust it into her bosom. The next day she disposed of it, and, with her increased means, looked about her for a more comfortable place in which to live.
When I reach thus far in the chain I see nothing impossible about No.
12 Avenue C. It is there we will find your sister, Mr. Meeks."
Shamrock Jolnes concluded his convincing speech with the smile of a successful artist. Meeks's admiration was too great for words.
Together they went to No. 12 Avenue C. It was an old-fas.h.i.+oned brownstone house in a prosperous and respectable neighbourhood.
They rang the bell, and on inquiring were told that no Mrs. Snyder was known there, and that not within six months had a new occupant come to the house.
When they reached the sidewalk again, Meeks examined the clues which he had brought away from his sister's old room.
"I am no detective," he remarked to Jolnes as he raised the piece of theatre programme to his nose, "but it seems to me that instead of a ring having been wrapped in this paper it was one of those round peppermint drops. And this piece with the address on it looks to me like the end of a seat coupon--No. 12, row C, left aisle."
Shamrock Jolnes had a far-away look in his eyes.
"I think you would do well to consult Juggins," said he.
"Who is Juggins?" asked Meeks.
"He is the leader," said Jolnes, "of a new modern school of detectives. Their methods are different from ours, but it is said that Juggins has solved some extremely puzzling cases. I will take you to him."
They found the greater Juggins in his office. He was a small man with light hair, deeply absorbed in reading one of the bourgeois works of Nathaniel Hawthorne.
The two great detectives of different schools shook hands with ceremony, and Meeks was introduced.
"State the facts," said Juggins, going on with his reading.
When Meeks ceased, the greater one closed his book and said:
"Do I understand that your sister is fifty-two years of age, with a large mole on the side of her nose, and that she is a very poor widow, making a scanty living by scrubbing, and with a very homely face and figure?"
"That describes her exactly," admitted Meeks. Juggins rose and put on his hat.
"In fifteen minutes," he said, "I will return, bringing you her present address."
Shamrock Jolnes turned pale, but forced a smile.
Within the specified time Juggins returned and consulted a little slip of paper held in his hand.
"Your sister, Mary Snyder," he announced calmly, "will be found at No. 162 Chilton street. She is living in the back hall bedroom, five flights up. The house is only four blocks from here," he continued, addressing Meeks. "Suppose you go and verify the statement and then return here. Mr. Jolnes will await you, I dare say."
Meeks hurried away. In twenty minutes he was back again, with a beaming face.
"She is there and well!" he cried. "Name your fee!"
"Two dollars," said Juggins.
When Meeks had settled his bill and departed, Shamrock Jolnes stood with his hat in his hand before Juggins.
"If it would not be asking too much," he stammered--"if you would favour me so far--would you object to--"
"Certainly not," said Juggins pleasantly. "I will tell you how I did it. You remember the description of Mrs. Snyder? Did you ever know a woman like that who wasn't paying weekly instalments on an enlarged crayon portrait of herself? The biggest factory of that kind in the country is just around the corner. I went there and got her address off the books. That's all."
III
WITCHES' LOAVES
Miss Martha Meacham kept the little bakery on the corner (the one where you go up three steps, and the bell tinkles when you open the door).
Sixes and Sevens Part 2
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Sixes and Sevens Part 2 summary
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- Related chapter:
- Sixes and Sevens Part 1
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