Sixes and Sevens Part 21

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The delight of the miller's life was his little daughter, Aglaia.

That was a brave name, truly, for a flaxen-haired toddler; but the mountaineers love sonorous and stately names. The mother had encountered it somewhere in a book, and the deed was done. In her babyhood Aglaia herself repudiated the name, as far as common use went, and persisted in calling herself "Dums." The miller and his wife often tried to coax from Aglaia the source of this mysterious name, but without results. At last they arrived at a theory. In the little garden behind the cottage was a bed of rhododendrons in which the child took a peculiar delight and interest. It may have been that she perceived in "Dums" a kins.h.i.+p to the formidable name of her favourite flowers.

When Aglaia was four years old she and her father used to go through a little performance in the mill every afternoon, that never failed to come off, the weather permitting. When supper was ready her mother would brush her hair and put on a clean ap.r.o.n and send her across to the mill to bring her father home. When the miller saw her coming in the mill door he would come forward, all white with the flour dust, and wave his hand and sing an old miller's song that was familiar in those parts and ran something like this:

"The wheel goes round, The grist is ground, The dusty miller's merry.

He sings all day, His work is play, While thinking of his dearie."

Then Aglaia would run to him laughing, and call:

"Da-da, come take Dums home;" and the miller would swing her to his shoulder and march over to supper, singing the miller's song. Every evening this would take place.

One day, only a week after her fourth birthday, Aglaia disappeared.

When last seen she was plucking wild flowers by the side of the road in front of the cottage. A little while later her mother went out to see that she did not stray too far away, and she was already gone.

Of course every effort was made to find her. The neighbours gathered and searched the woods and the mountains for miles around. They dragged every foot of the mill race and the creek for a long distance below the dam. Never a trace of her did they find. A night or two before there had been a family of wanderers camped in a grove near by.

It was conjectured that they might have stolen the child; but when their wagon was overtaken and searched she could not be found.

The miller remained at the mill for nearly two years; and then his hope of finding her died out. He and his wife moved to the Northwest.

In a few years he was the owner of a modern mill in one of the important milling cities in that region. Mrs. Strong never recovered from the shock caused by the loss of Aglaia, and two years after they moved away the miller was left to bear his sorrow alone.

When Abram Strong became prosperous he paid a visit to Lakelands and the old mill. The scene was a sad one for him, but he was a strong man, and always appeared cheery and kindly. It was then that he was inspired to convert the old mill into a church. Lakelands was too poor to build one; and the still poorer mountaineers could not a.s.sist.

There was no place of wors.h.i.+p nearer than twenty miles.

The miller altered the appearance of the mill as little as possible.

The big overshot-wheel was left in its place. The young people who came to the church used to cut their initials in its soft and slowly decaying wood. The dam was partly destroyed, and the clear mountain stream rippled unchecked down its rocky bed. Inside the mill the changes were greater. The shafts and millstones and belts and pulleys were, of course, all removed. There were two rows of benches with aisles between, and a little raised platform and pulpit at one end.

On three sides overhead was a gallery containing seats, and reached by a stairway inside. There was also an organ--a real pipe organ--in the gallery, that was the pride of the congregation of the Old Mill Church. Miss Phoebe Summers was the organist. The Lakelands boys proudly took turns at pumping it for her at each Sunday's service.

The Rev. Mr. Banbridge was the preacher, and rode down from Squirrel Gap on his old white horse without ever missing a service. And Abram Strong paid for everything. He paid the preacher five hundred dollars a year; and Miss Phoebe two hundred dollars.

Thus, in memory of Aglaia, the old mill was converted into a blessing for the community in which she had once lived. It seemed that the brief life of the child had brought about more good than the three score years and ten of many. But Abram Strong set up yet another monument to her memory.

Out from his mills in the Northwest came the "Aglaia" flour, made from the hardest and finest wheat that could be raised. The country soon found out that the "Aglaia" flour had two prices. One was the highest market price, and the other was--nothing.

Wherever there happened a calamity that left people dest.i.tute--a fire, a flood, a tornado, a strike, or a famine, there would go hurrying a generous consignment of the "Aglaia" at its "nothing" price. It was given away cautiously and judiciously, but it was freely given, and not a penny could the hungry ones pay for it. There got to be a saying that whenever there was a disastrous fire in the poor districts of a city the fire chief's buggy reached the scene first, next the "Aglaia"

flour wagon, and then the fire engines.

So this was Abram Strong's other monument to Aglaia. Perhaps to a poet the theme may seem too utilitarian for beauty; but to some the fancy will seem sweet and fine that the pure, white, virgin flour, flying on its mission of love and charity, might be likened to the spirit of the lost child whose memory it signalized.

There came a year that brought hard times to the c.u.mberlands. Grain crops everywhere were light, and there were no local crops at all.

Mountain floods had done much damage to property. Even game in the woods was so scarce that the hunters brought hardly enough home to keep their folk alive. Especially about Lakelands was the rigour felt.

As soon as Abram Strong heard of this his messages flew; and the little narrow-gauge cars began to unload "Aglaia" flour there. The miller's orders were to store the flour in the gallery of the Old Mill Church; and that every one who attended the church was to carry home a sack of it.

Two weeks after that Abram Strong came for his yearly visit to the Eagle House, and became "Father Abram" again.

That season the Eagle House had fewer guests than usual. Among them was Rose Chester. Miss Chester came to Lakelands from Atlanta, where she worked in a department store. This was the first vacation outing of her life. The wife of the store manager had once spent a summer at the Eagle House. She had taken a fancy to Rose, and had persuaded her to go there for her three weeks' holiday. The manager's wife gave her a letter to Mrs. Rankin, who gladly received her in her own charge and care.

Miss Chester was not very strong. She was about twenty, and pale and delicate from an indoor life. But one week of Lakelands gave her a brightness and spirit that changed her wonderfully. The time was early September when the c.u.mberlands are at their greatest beauty. The mountain foliage was growing brilliant with autumnal colours; one breathed aerial champagne, the nights were deliciously cool, causing one to snuggle cosily under the warm blankets of the Eagle House.

Father Abram and Miss Chester became great friends. The old miller learned her story from Mrs. Rankin, and his interest went out quickly to the slender lonely girl who was making her own way in the world.

The mountain country was new to Miss Chester. She had lived many years in the warm, flat town of Atlanta; and the grandeur and variety of the c.u.mberlands delighted her. She was determined to enjoy every moment of her stay. Her little h.o.a.rd of savings had been estimated so carefully in connection with her expenses that she knew almost to a penny what her very small surplus would be when she returned to work.

Miss Chester was fortunate in gaining Father Abram for a friend and companion. He knew every road and peak and slope of the mountains near Lakelands. Through him she became acquainted with the solemn delight of the shadowy, tilted aisles of the pine forests, the dignity of the bare crags, the crystal, tonic mornings, the dreamy, golden afternoons full of mysterious sadness. So her health improved, and her spirits grew light. She had a laugh as genial and hearty in its feminine way as the famous laugh of Father Abram. Both of them were natural optimists; and both knew how to present a serene and cheerful face to the world.

One day Miss Chester learned from one of the guests the history of Father Abram's lost child. Quickly she hurried away and found the miller seated on his favourite rustic bench near the chalybeate spring. He was surprised when his little friend slipped her hand into his, and looked at him with tears in her eyes.

"Oh, Father Abram," she said, "I'm so sorry! I didn't know until to-day about your little daughter. You will find her yet some day-- Oh, I hope you will."

The miller looked down at her with his strong, ready smile.

"Thank you, Miss Rose," he said, in his usual cheery tones. "But I do not expect to find Aglaia. For a few years I hoped that she had been stolen by vagrants, and that she still lived; but I have lost that hope. I believe that she was drowned."

"I can understand," said Miss Chester, "how the doubt must have made it so hard to bear. And yet you are so cheerful and so ready to make other people's burdens light. Good Father Abram!"

"Good Miss Rose!" mimicked the miller, smiling. "Who thinks of others more than you do?"

A whimsical mood seemed to strike Miss Chester.

"Oh, Father Abram," she cried, "wouldn't it be grand if I should prove to be your daughter? Wouldn't it be romantic? And wouldn't you like to have me for a daughter?"

"Indeed, I would," said the miller, heartily. "If Aglaia had lived I could wish for nothing better than for her to have grown up to be just such a little woman as you are. Maybe you are Aglaia," he continued, falling in with her playful mood; "can't you remember when we lived at the mill?"

Miss Chester fell swiftly into serious meditation. Her large eyes were fixed vaguely upon something in the distance. Father Abram was amused at her quick return to seriousness. She sat thus for a long time before she spoke.

"No," she said at length, with a long sigh, "I can't remember anything at all about a mill. I don't think that I ever saw a flour mill in my life until I saw your funny little church. And if I were your little girl I would remember it, wouldn't I? I'm so sorry, Father Abram."

"So am I," said Father Abram, humouring her. "But if you cannot remember that you are my little girl, Miss Rose, surely you can recollect being some one else's. You remember your own parents, of course."

"Oh, yes; I remember them very well--especially my father. He wasn't a bit like you, Father Abram. Oh, I was only making believe: Come, now, you've rested long enough. You promised to show me the pool where you can see the trout playing, this afternoon. I never saw a trout."

Late one afternoon Father Abram set out for the old mill alone. He often went to sit and think of the old days when he lived in the cottage across the road. Time had smoothed away the sharpness of his grief until he no longer found the memory of those times painful. But whenever Abram Strong sat in the melancholy September afternoons on the spot where "Dums" used to run in every day with her yellow curls flying, the smile that Lakelands always saw upon his face was not there.

The miller made his way slowly up the winding, steep road. The trees crowded so close to the edge of it that he walked in their shade, with his hat in his hand. Squirrels ran playfully upon the old rail fence at his right. Quails were calling to their young broods in the wheat stubble. The low sun sent a torrent of pale gold up the ravine that opened to the west. Early September!--it was within a few days only of the anniversary of Aglaia's disappearance.

The old overshot-wheel, half covered with mountain ivy, caught patches of the warm sunlight filtering through the trees. The cottage across the road was still standing, but it would doubtless go down before the next winter's mountain blasts. It was overrun with morning glory and wild gourd vines, and the door hung by one hinge.

Father Abram pushed open the mill door, and entered softly. And then he stood still, wondering. He heard the sound of some one within, weeping inconsolably. He looked, and saw Miss Chester sitting in a dim pew, with her head bowed upon an open letter that her hands held.

Father Abram went to her, and laid one of his strong hands firmly upon hers. She looked up, breathed his name, and tried to speak further.

"Not yet, Miss Rose," said the miller, kindly. "Don't try to talk yet.

There's nothing as good for you as a nice, quiet little cry when you are feeling blue."

It seemed that the old miller, who had known so much sorrow himself, was a magician in driving it away from others. Miss Chester's sobs grew easier. Presently she took her little plain-bordered handkerchief and wiped away a drop or two that had fallen from her eyes upon Father Abram's big hand. Then she looked up and smiled through her tears.

Miss Chester could always smile before her tears had dried, just as Father Abram could smile through his own grief. In that way the two were very much alike.

The miller asked her no questions; but by and by Miss Chester began to tell him.

Sixes and Sevens Part 21

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Sixes and Sevens Part 21 summary

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