The Magic Skin Part 14

"I sat beside her in the cramped back seat of the vehicle; all the way I could feel her breath on me and the contact of her perfumed glove; I saw distinctly all her exceeding beauty; I inhaled a vague scent of orris-root; so wholly a woman she was, with no touch of womanhood. Just then a sudden gleam of light lit up the depths of this mysterious life for me. I thought all at once of a book just published by a poet, a genuine conception of the artist, in the shape of the statue of Polycletus.

"I seemed to see that monstrous creation, at one time an officer, breaking in a spirited horse; at another, a girl, who gives herself up to her toilette and breaks her lovers' hearts; or again, a false lover driving a timid and gentle maid to despair. Unable to a.n.a.lyze Foedora by any other process, I told her this fanciful story; but no hint of her resemblance to this poetry of the impossible crossed her--it simply diverted her; she was like a child over a story from the _Arabian Nights_.

"'Foedora must be s.h.i.+elded by some talisman,' I thought to myself as I went back, 'or she could not resist the love of a man of my age, the infectious fever of that splendid malady of the soul. Is Foedora, like Lady Delacour, a prey to a cancer? Her life is certainly an unnatural one.'

"I shuddered at the thought. Then I decided on a plan, at once the wildest and the most rational that lover ever dreamed of. I would study this woman from a physical point of view, as I had already studied her intellectually, and to this end I made up my mind to spend a night in her room without her knowledge. This project preyed upon me as a thirst for revenge gnaws at the heart of a Corsican monk. This is how I carried it out. On the days when Foedora received, her rooms were far too crowded for the hall-porter to keep the balance even between goers and comers; I could remain in the house, I felt sure, without causing a scandal in it, and I waited the countess' coming soiree with impatience.

As I dressed I put a little English penknife into my waistcoat pocket, instead of a poniard. That literary implement, if found upon me, could awaken no suspicion, but I knew not whither my romantic resolution might lead, and I wished to be prepared.

"As soon as the rooms began to fill, I entered the bedroom and examined the arrangements. The inner and outer shutters were closed; this was a good beginning; and as the waiting-maid might come to draw back the curtains that hung over the windows, I pulled them together. I was running great risks in venturing to manoeuvre beforehand in this way, but I had accepted the situation, and had deliberately reckoned with its dangers.

"About midnight I hid myself in the embrasure of the window. I tried to scramble on to a ledge of the wainscoting, hanging on by the fastening of the shutters with my back against the wall, in such a position that my feet could not be visible. When I had carefully considered my points of support, and the s.p.a.ce between me and the curtains, I had become sufficiently acquainted with all the difficulties of my position to stay in it without fear of detection if undisturbed by cramp, coughs, or sneezings. To avoid useless fatigue, I remained standing until the critical moment, when I must hang suspended like a spider in its web.

The white-watered silk and muslin of the curtains spread before me in great pleats like organ-pipes. With my penknife I cut loopholes in them, through which I could see.

"I heard vague murmurs from the salons, the laughter and the louder tones of the speakers. The smothered commotion and vague uproar lessened by slow degrees. One man and another came for his hat from the countess'

chest of drawers, close to where I stood. I s.h.i.+vered, if the curtains were disturbed, at the thought of the mischances consequent on the confused and hasty investigations made by the men in a hurry to depart, who were rummaging everywhere. When I experienced no misfortunes of this kind, I augured well of my enterprise. An old wooer of Foedora's came for the last hat; he thought himself quite alone, looked at the bed, and heaved a great sigh, accompanied by some inaudible exclamation, into which he threw sufficient energy. In the boudoir close by, the countess, finding only some five or six intimate acquaintances about her, proposed tea. The scandals for which existing society has reserved the little faculty of belief that it retains, mingled with epigrams and trenchant witticisms, and the clatter of cups and spoons. Rastignac drew roars of laughter by merciless sarcasms at the expense of my rivals.

"'M. de Rastignac is a man with whom it is better not to quarrel,' said the countess, laughing.

"'I am quite of that opinion,' was his candid reply. 'I have always been right about my aversions--and my friends.h.i.+ps as well,' he added.

'Perhaps my enemies are quite as useful to me as my friends. I have made a particular study of modern phraseology, and of the natural craft that is used in all attack or defence. Official eloquence is one of our perfect social products.

"'One of your friends is not clever, so you speak of his integrity and his candor. Another's work is heavy; you introduce it as a piece of conscientious labor; and if the book is ill written, you extol the ideas it contains. Such an one is treacherous and fickle, slips through your fingers every moment; bah! he is attractive, bewitching, he is delightful! Suppose they are enemies, you fling every one, dead or alive, in their teeth. You reverse your phraseology for their benefit, and you are as keen in detecting their faults as you were before adroit in bringing out the virtues of your friends. This way of using the mental lorgnette is the secret of conversation nowadays, and the whole art of the complete courtier. If you neglect it, you might as well go out as an unarmed knight-banneret to fight against men in armor. And I make use of it, and even abuse it at times. So we are respected--I and my friends; and, moreover, my sword is quite as sharp as my tongue.'

"One of Foedora's most fervid wors.h.i.+pers, whose presumption was notorious, and who even made it contribute to his success, took up the glove thrown down so scornfully by Rastignac. He began an unmeasured eulogy of me, my performances, and my character. Rastignac had overlooked this method of detraction. His sarcastic encomiums misled the countess, who sacrificed without mercy; she betrayed my secrets, and derided my pretensions and my hopes, to divert her friends.

"'There is a future before him,' said Rastignac. 'Some day he may be in a position to take a cruel revenge; his talents are at least equal to his courage; and I should consider those who attack him very rash, for he has a good memory----'

"'And writes Memoirs,' put in the countess, who seemed to object to the deep silence that prevailed.

"'Memoirs of a sham countess, madame,' replied Rastignac. 'Another sort of courage is needed to write that sort of thing.'

"'I give him credit for plenty of courage,' she answered; 'he is faithful to me.'

"I was greatly tempted to show myself suddenly among the railers, like the shade of Banquo in Macbeth. I should have lost a mistress, but I had a friend! But love inspired me all at once, with one of those treacherous and fallacious subtleties that it can use to soothe all our pangs.

"If Foedora loved me, I thought, she would be sure to disguise her feelings by some mocking jest. How often the heart protests against a lie on the lips!

"Well, very soon my audacious rival, left alone with the countess, rose to go.

"'What! already?' asked she in a coaxing voice that set my heart beating. 'Will you not give me a few more minutes? Have you nothing more to say to me? will you never sacrifice any of your pleasures for me?'

"He went away.

"'Ah!' she yawned; 'how very tiresome they all are!'

"She pulled a cord energetically till the sound of a bell rang through the place; then, humming a few notes of _Pria che spunti_, the countess entered her room. No one had ever heard her sing; her muteness had called forth the wildest explanations. She had promised her first lover, so it was said, who had been held captive by her talent, and whose jealousy over her stretched beyond his grave, that she would never allow others to experience a happiness that he wished to be his and his alone.

"I exerted every power of my soul to catch the sounds. Higher and higher rose the notes; Foedora's life seemed to dilate within her; her throat poured forth all its richest tones; something well-nigh divine entered into the melody. There was a bright purity and clearness of tone in the countess' voice, a thrilling harmony which reached the heart and stirred its pulses. Musicians are seldom unemotional; a woman who could sing like that must know how to love indeed. Her beautiful voice made one more puzzle in a woman mysterious enough before. I beheld her then, as plainly as I see you at this moment. She seemed to listen to herself, to experience a secret rapture of her own; she felt, as it were, an ecstasy like that of love.

"She stood before the hearth during the execution of the princ.i.p.al theme of the _rondo_; and when she ceased her face changed. She looked tired; her features seemed to alter. She had laid the mask aside; her part as an actress was over. Yet the faded look that came over her beautiful face, a result either of this performance or of the evening's fatigues, had its charms, too.

"'This is her real self,' I thought.

"She set her foot on a bronze bar of the fender as if to warm it, took off her gloves, and drew over her head the gold chain from which her bejeweled scent-bottle hung. It gave me a quite indescribable pleasure to watch the feline grace of every movement; the supple grace a cat displays as it adjusts its toilette in the sun. She looked at herself in the mirror and said aloud ill-humoredly--'I did not look well this evening, my complexion is going with alarming rapidity; perhaps I ought to keep earlier hours, and give up this life of dissipation. Does Justine mean to trifle with me?' She rang again; her maid hurried in.

Where she had been I cannot tell; she came in by a secret staircase.

I was anxious to make a study of her. I had lodged accusations, in my romantic imaginings, against this invisible waiting-woman, a tall, well-made brunette.

"'Did madame ring?'

"'Yes, twice,' answered Foedora; 'are you really growing deaf nowadays?'

"'I was preparing madame's milk of almonds.'

"Justine knelt down before her, unlaced her sandals and drew them off, while her mistress lay carelessly back on her cus.h.i.+oned armchair beside the fire, yawned, and scratched her head. Every movement was perfectly natural; there was nothing whatever to indicate the secret sufferings or emotions with which I had credited her.

"'George must be in love!' she remarked. 'I shall dismiss him. He has drawn the curtains again to-night. What does he mean by it?'

"All the blood in my veins rushed to my heart at this observation, but no more was said about curtains.

"'Life is very empty,' the countess went on. 'Ah! be careful not to scratch me as you did yesterday. Just look here, I still have the marks of your nails about me,' and she held out a silken knee. She thrust her bare feet into velvet slippers bound with swan's-down, and unfastened her dress, while Justine prepared to comb her hair.

"'You ought to marry, madame, and have children.'

"'Children!' she cried; 'it wants no more than that to finish me at once; and a husband! What man is there to whom I could----? Was my hair well arranged to-night?'

"'Not particularly.'

"'You are a fool!'

"'That way of crimping your hair too much is the least becoming way possible for you. Large, smooth curls suit you a great deal better.'

"'Really?'

"'Yes, really, madame; that wavy style only looks nice in fair hair.'

"'Marriage? never, never! Marriage is a commercial arrangement, for which I was never made.'

"What a disheartening scene for a lover! Here was a lonely woman, without friends or kin, without the religion of love, without faith in any affection. Yet however slightly she might feel the need to pour out her heart, a craving that every human being feels, it could only be satisfied by gossiping with her maid, by trivial and indifferent talk.... I grieved for her.

"Justine unlaced her. I watched her carefully when she was at last unveiled. Her maidenly form, in its rose-tinged whiteness, was visible through her s.h.i.+ft in the taper light, as dazzling as some silver statue behind its gauze covering. No, there was no defect that need shrink from the stolen glances of love. Alas, a fair form will overcome the stoutest resolutions!

"The maid lighted the taper in the alabaster sconce that hung before the bed, while her mistress sat thoughtful and silent before the fire.

Justine went for a warming-pan, turned down the bed, and helped to lay her mistress in it; then, after some further time spent in punctiliously rendering various services that showed how seriously Foedora respected herself, her maid left her. The countess turned to and fro several times, and sighed; she was ill at ease; faint, just perceptible sounds, like sighs of impatience, escaped from her lips. She reached out a hand to the table, and took a flask from it, from which she shook four or five drops of some brown liquid into some milk before taking it; again there followed some painful sighs, and the exclamation, '_Mon Dieu_!'

"The cry, and the tone in which it was uttered, wrung my heart. By degrees she lay motionless. This frightened me; but very soon I heard a sleeper's heavy, regular breathing. I drew the rustling silk curtains apart, left my post, went to the foot of the bed, and gazed at her with feelings that I cannot define. She was so enchanting as she lay like a child, with her arm above her head; but the sweetness of the fair, quiet visage, surrounded by the lace, only irritated me. I had not been prepared for the torture to which I was compelled to submit.

"'_Mon Dieu_!' that sc.r.a.p of a thought which I understood not, but must even take as my sole light, had suddenly modified my opinion of Foedora.

Trite or profoundly significant, frivolous or of deep import, the words might be construed as expressive of either pleasure or pain, of physical or of mental suffering. Was it a prayer or a malediction, a forecast or a memory, a fear or a regret? A whole life lay in that utterance, a life of wealth or of penury; perhaps it contained a crime!