Lives of the Poets Part 43

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"Whether our English audience have been pleased, hitherto, with acorns, as he calls it, or with bread, is the next question; that is, whether the means which Shakespeare and Fletcher have used, in their plays, to raise those pa.s.sions before named, be better applied to the ends by the Greek poets than by them. And, perhaps, we shall not grant him this wholly: let it be granted, that a writer is not to run down with the stream, or to please the people by their usual methods, but rather to reform their judgments, it still remains to prove that our theatre needs this total reformation.

"The faults, which he has found in their designs, are rather wittily aggravated in many places than reasonably urged; and as much may be returned on the Greeks, by one who were as witty as himself.

"They destroy not, if they are granted, the foundation of the fabrick: only take away from the beauty of the symmetry: for example, the faults in the character of the king, in King and No King, are not, as he makes them, such as render him detestable, but only imperfections which accompany human nature, and are, for the most part, excused by the violence of his love; so that they destroy not our pity or concernment for him: this answer may be applied to most of his objections of that kind.

"And Rollo committing many murders, when he is answerable but for one, is too severely arraigned by him; for, it adds to our horrour and detestation of the criminal; and poetick justice is not neglected neither; for we stab him in our minds for every offence which he commits; and the point, which the poet is to gain on the audience, is not so much in the death of an offender as the raising an horrour of his crimes.

"That the criminal should neither be wholly guilty, nor wholly innocent, but so partic.i.p.ating of both as to move both pity and terrour, is certainly a good rule, but not perpetually to be observed; for that were to make all tragedies too much alike; which objection he foresaw, but has not fully answered.

"To conclude, therefore; if the plays of the ancients are more correctly plotted, ours are more beautifully written. And, if we can raise pa.s.sions as high on worse foundations, it shows our genius in tragedy is greater; for in all other parts of it the English have manifestly excelled them."

The original of the following letter is preserved in the library at Lambeth, and was kindly imparted to the publick by the reverend Dr. Vyse.

Copy of an original letter from John Dryden, esq. to his sons in Italy, from a MS. in the Lambeth library, marked N. 933, p. 56.

(_Superscribed_)

"All' ill.u.s.trissimo Sig're Carlo Dryden, Camariere d'Honore a S.S.

"In Roma.

"Franca per Mantoua.

"DEAR SONS,

"Sept. the 3d, our style.

"Being now at sir William Bowyer's in the country, I cannot write at large, because I find myself somewhat indisposed with a cold, and am thick of hearing, rather worse than I was in town. I am glad to find, by your letter of July 26th, your style, that you are both in health; but wonder you should think me so negligent as to forget to give you an account of the s.h.i.+p in which your parcel is to come. I have written to you two or three letters concerning it, which I have sent by safe hands, as I told you, and doubt not but you have them before this can arrive to you.

Being out of town, I have forgotten the s.h.i.+p's name, which your mother will inquire, and put it into her letter, which is joined with mine. But the master's name I remember: he is called Mr. Ralph Thorp; the s.h.i.+p is bound to Leghorn, consigned to Mr. Peter and Mr. Thomas Ball, merchants.

I am of your opinion, that by Tonson's means almost all our letters have miscarried for this last year.

But, however, he has missed of his design in the dedication, though he had prepared the book for it; for in every figure of Aeneas he has caused him to be drawn like king William, with a hooked nose. After my return to town, I intend to alter a play of sir Robert Howard's, written long since, and lately put by him into my hands; 'tis called the Conquest of China by the Tartars. It will cost me six weeks' study, with the probable benefit of a hundred pounds. In the mean time, I am writing a song for St.

Cecilia's Feast, who, you know, is the patroness of musick.

This is troublesome, and no way beneficial; but I could not deny the stewards of the feast, who came in a body to me to desire that kindness, one of them being Mr. Bridgman, whose parents are your mother's friends. I hope to send you thirty guineas between Michaelmas and Christmas, of which I will give you an account when I come to town. I remember the counsel you give me in your letter; but dissembling, though lawful in some cases, is not my talent; yet, for your sake, I will struggle with the plain openness of my nature, and keep in my just resentments against that degenerate order. In the mean time I flatter not myself with any manner of hopes, but do my duty, and suffer for G.o.d's sake; being a.s.sured, beforehand, never to be rewarded, though the times should alter. Towards the latter end of this month, September, Charles will begin to recover his perfect health, according to his nativity, which, casting it myself, I am sure is true, and all things. .h.i.therto have happened accordingly to the very time that I predicted them: I hope, at the same time, to recover more health, according to my age. Remember me to poor Harry, whose prayers I earnestly desire. My Virgil succeeds in the world beyond its desert or my expectation.

You know the profits might have been more; but neither my conscience nor my honour would suffer me to take them: but I never can repent of my constancy, since I am thoroughly persuaded of the justice of the cause for which I suffer. It has pleased G.o.d to raise up many friends to me amongst my enemies, though they who ought to have been my friends are negligent of me. I am called to dinner, and cannot go on with this letter, which I desire you to excuse; and am

"Your most affectionate father,

"JOHN DRYDEN."

[Footnote 92: The life of Dryden is written with more than Johnson's usual copiousness of biography, and with peculiar vigour and justness of criticism. "None, perhaps, of the Lives of the Poets," says the Edinburgh Review, for October, 1808, "is ent.i.tled to so high a rank. No prejudice interfered with his judgment; he approved his politics; he could feel no envy of such established fame; he had a mind precisely formed to relish the excellencies of Dryden--more vigorous than refined; more reasoning than impa.s.sioned." Edinburgh Review, xxv. p. 117. Many dates, however, and little facts have been rectified by Mr. Malone, in his most minute Account of the Life and Writings of John Dryden; and sir Walter Scott, in the life prefixed to his edition of Dryden's works, has been still more industrious in the collection of incidents and contemporary writings, that can only interest the antiquary. Those to whom Johnson's life seems not sufficiently ample, we refer to the above works. For an eulogy on Dryden's powers, as a satirist, see the notes on the Pursuits of Literature. ED.]

[Footnote 93: Mr. Malone has lately proved, that there is no satisfactory evidence for this date. The inscription on Dryden's monument says only "natus 1632." See Malone's Life of Dryden, prefixed to his Critical and Miscellaneous Prose Works, p. 5. note. C.]

[Footnote 94: Of c.u.mberland. Ibid. p. 10. C.]

[Footnote 95: Mr. Malone has furnished us with a detailed account of our poet's circ.u.mstances, from which it appears, that although he was possessed of a sufficient income, in the early part of his life, he was considerably embarra.s.sed at its close. See Malone's Life, p. 440.]

[Footnote 96: Mr. Derrick's Life of Dryden was prefixed to a very beautiful and correct edition of Dryden's Miscellanies, published by the Tonsons, in 1760,4 vols. 8vo. Derrick's part, however, was poorly executed, and the edition never became popular. C.]

[Footnote 97: He went off to Trinity college, and was admitted to a bachelor's degree in Jan. 1653-4, and in 1657 was made M.A.]

[Footnote 98: This is a mistake; his poem on the death of lord Hastings appeared in a volume ent.i.tled Tears of the Muses on the death of Henry Lord Hastings. 8vo. 1649. M.]

[Footnote 99: The order of his plays has been accurately ascertained by Mr. Malone. C.]

[Footnote 100: The duke of Guise was his first attempt in the drama, but laid aside, and afterwards new modelled. See Malone, p. 51.]

[Footnote 101: See Malone, p. 91.]

[Footnote 102: He did not obtain the laurel till Aug. 18, 1670, but Mr.

Malone informs us, the patent had a retrospect, and the salary commenced from the Midsummer after Davenant's death. C.]

[Footnote 103: Downes says it was performed on a very unlucky day, viz.

that on which the duke of Monmouth landed in the west; and he intimates, that the consternation into which the kingdom was thrown by this event, was a reason why it was performed but six times, and was in general ill received. H.]

[Footnote 104: This is a mistake. It was set to musick by Purcell, and well received, and is yet a favourite entertainment. H.]

[Footnote 105: Johnson has here quoted from memory. Warburton is the original relater of this anecdote, who says he had it from Southern himself. According to him, Dryden's usual price had been _four guineas_, and he made Southern pay _six_. In the edition of Southern's plays, 1774, we have a different deviation from the truth, _five_ and _ten_ guineas.

M.]

[Footnote 106: Dr. Johnson, in this a.s.sertion, was misled by Langbaine.

Only one of these plays appeared in 1678. Nor were there more than three in any one year. The dates are now added from the original editions. R.]

[Footnote 107: It was published in 1672. R.]

[Footnote 108: This remark, as Mr. Malone observes, is founded upon the erroneous dates with which Johnson was supplied by Langbaine. The Rehearsal was played in 1671, but not published till the next year; The Wild Gallant was printed in 1669, The Maiden Queen in 1668, Tyrannick Love in 1670; the two parts of Granada were performed in 1669 and 1670, though not printed till 1672. Additions were afterwards made to The Rehearsal, and among these are the parodies on a.s.signation, which are not to be found in Buckingham's play as it originally appeared. Mr. Malone denies that there is any allusion to Marriage a-la-mode. See Malone, p.

100. J. B.]

[Footnote 109: It is mentioned by A. Wood, Athen, Oxon. vol. ii. p. 804.

2nd ed. C.]

[Footnote 110: Dryden translated two entire epistles, Canace to Macareus, and Dido to Aeneas. Helen to Paris was translated by him and lord Mulgrave. Malone, J.B.]

[Footnote 111: Azaria and Hushai was written by Samuel Pordage, a dramatick writer of that time.]

[Footnote 112: Dr. John Reynolds, who lived temp. Jac. I. was at first a zealous papist, and his brother William as earnest a protestant; but by mutual disputation each converted the other. See Fuller's Church History, p. 47. book x. II.]

[Footnote 113: This is a mistake. See Malone, p. 194, &c.]

[Footnote 114: All Dryden's biographers have misdated this poem, which Mr. Malone's more accurate researches prove to have been published on the 4th of Oct. 1682.]

[Footnote 115: Albion and Albanius must, however, be excepted. R.]

[Footnote 116: This story has been traced to its source, and clearly proved to be a fabrication, by Mr. Malone. See Malone's Life, 347.]

[Footnote 117: An earlier account of Dryden's funeral than that above cited, though without the circ.u.mstances that preceded it, is given by Edward Ward, who, in his London Spy, published in 1706, relates, that on the occasion there was a performance of solemn musick at the college, and that at the procession, which himself saw, standing at the end of Chancery lane, Fleet street, there was a concert of hautboys and trumpets. The day of Dryden's interment, he says, was Monday, the 13th of May, which, according to Johnson, was twelve days after his decease, and shows how long his funeral was in suspense. Ward knew not that the expense of it was defrayed by subscription; but compliments lord Jefferies for so pious an undertaking. He also says, that the cause of Dryden's death was an inflammation in his toe, occasioned by the flesh growing over the nail, which, being neglected, produced a mortification in his leg. H.]

[Footnote 118: In the register of the College of Physicians, is the following entry: "May 3, 1700. Comitiis Censoriis ordinariis. At the request of several persons of quality, that Mr. Dryden might be carried from the College of Physicians to be interred at Westminster, it was unanimously granted by the president and censors."

Lives of the Poets Part 43

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