Ghost Stories of an Antiquary Volume I Part 7
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He was, as one might expect in Denmark, kindly received, and access to all that he wished to see was made as easy for him as possible. The doc.u.ments laid before him were far more numerous and interesting than he had at all antic.i.p.ated. Besides official papers, there was a large bundle of correspondence relating to Bishop Jorgen Friis, the last Roman Catholic who held the see, and in these there cropped up many amusing and what are called 'intimate' details of private life and individual character. There was much talk of a house owned by the Bishop, but not inhabited by him, in the town. Its tenant was apparently somewhat of a scandal and a stumbling-block to the reforming party. He was a disgrace, they wrote, to the city; he practised secret and wicked arts, and had sold his soul to the enemy. It was of a piece with the gross corruption and superst.i.tion of the Babylonish Church that such a viper and blood-sucking _Troldmand_ should be patronized and harboured by the Bishop. The Bishop met these reproaches boldly; he protested his own abhorrence of all such things as secret arts, and required his antagonists to bring the matter before the proper court--of course, the spiritual court--and sift it to the bottom. No one could be more ready and willing than himself to condemn Mag Nicolas Francken if the evidence showed him to have been guilty of any of the crimes informally alleged against him.
Anderson had not time to do more than glance at the next letter of the Protestant leader, Rasmus Nielsen, before the record office was closed for the day, but he gathered its general tenor, which was to the effect that Christian men were now no longer bound by the decisions of Bishops of Rome, and that the Bishop's Court was not, and could not be, a fit or competent tribunal to judge so grave and weighty a cause.
On leaving the office, Mr Anderson was accompanied by the old gentleman who presided over it, and, as they walked, the conversation very naturally turned to the papers of which I have just been speaking.
Herr Scavenius, the Archivist of Viborg, though very well informed as to the general run of the doc.u.ments under his charge, was not a specialist in those of the Reformation period. He was much interested in what Anderson had to tell him about them. He looked forward with great pleasure, he said, to seeing the publication in which Mr Anderson spoke of embodying their contents. 'This house of the Bishop Friis,' he added, 'it is a great puzzle to me where it can have stood. I have studied carefully the topography of old Viborg, but it is most unlucky--of the old terrier of the Bishop's property which was made in 1560, and of which we have the greater part in the Arkiv--just the piece which had the list of the town property is missing. Never mind. Perhaps I shall some day succeed to find him.'
After taking some exercise--I forget exactly how or where--Anderson went back to the Golden Lion, his supper, his game of patience, and his bed.
On the way to his room it occurred to him that he had forgotten to talk to the landlord about the omission of Number 13 from the hotel board, and also that he might as well make sure that Number 13 did actually exist before he made any reference to the matter.
The decision was not difficult to arrive at. There was the door with its number as plain as could be, and work of some kind was evidently going on inside it, for as he neared the door he could hear footsteps and voices, or a voice, within. During the few seconds in which he halted to make sure of the number, the footsteps ceased, seemingly very near the door, and he was a little startled at hearing a quick hissing breathing as of a person in strong excitement. He went on to his own room, and again he was surprised to find how much smaller it seemed now than it had when he selected it. It was a slight disappointment, but only slight. If he found it really not large enough, he could very easily s.h.i.+ft to another. In the meantime he wanted something--as far as I remember it was a pocket-handkerchief--out of his portmanteau, which had been placed by the porter on a very inadequate trestle or stool against the wall at the farthest end of the room from his bed. Here was a very curious thing: the portmanteau was not to be seen. It had been moved by officious servants; doubtless the contents had been put in the wardrobe. No, none of them were there. This was vexatious. The idea of a theft he dismissed at once.
Such things rarely happen in Denmark, but some piece of stupidity had certainly been performed (which is not so uncommon), and the _stuepige_ must be severely spoken to. Whatever it was that he wanted, it was not so necessary to his comfort that he could not wait till the morning for it, and he therefore settled not to ring the bell and disturb the servants.
He went to the window--the right-hand window it was--and looked out on the quiet street. There was a tall building opposite, with large s.p.a.ces of dead wall; no pa.s.sers-by; a dark night; and very little to be seen of any kind.
The light was behind him, and he could see his own shadow clearly cast on the wall opposite. Also the shadow of the bearded man in Number 11 on the left, who pa.s.sed to and fro in s.h.i.+rtsleeves once or twice, and was seen first brus.h.i.+ng his hair, and later on in a nightgown. Also the shadow of the occupant of Number 13 on the right. This might be more interesting.
Number 13 was, like himself, leaning on his elbows on the window-sill looking out into the street. He seemed to be a tall thin man--or was it by any chance a woman?--at least, it was someone who covered his or her head with some kind of drapery before going to bed, and, he thought, must be possessed of a red lamp-shade--and the lamp must be flickering very much. There was a distinct playing up and down of a dull red light on the opposite wall. He craned out a little to see if he could make any more of the figure, but beyond a fold of some light, perhaps white, material on the window-sill he could see nothing.
Now came a distant step in the street, and its approach seemed to recall Number 13 to a sense of his exposed position, for very swiftly and suddenly he swept aside from the window, and his red light went out.
Anderson, who had been smoking a cigarette, laid the end of it on the window-sill and went to bed.
Next morning he was woken by the _stuepige_ with hot water, etc. He roused himself, and after thinking out the correct Danish words, said as distinctly as he could:
'You must not move my portmanteau. Where is it?'
As is not uncommon, the maid laughed, and went away without making any distinct answer.
Anderson, rather irritated, sat up in bed, intending to call her back, but he remained sitting up, staring straight in front of him. There was his portmanteau on its trestle, exactly where he had seen the porter put it when he first arrived. This was a rude shock for a man who prided himself on his accuracy of observation. How it could possibly have escaped him the night before he did not pretend to understand; at any rate, there it was now.
The daylight showed more than the portmanteau; it let the true proportions of the room with its three windows appear, and satisfied its tenant that his choice after all had not been a bad one. When he was almost dressed he walked to the middle one of the three windows to look out at the weather. Another shock awaited him. Strangely un.o.bservant he must have been last night. He could have sworn ten times over that he had been smoking at the right-hand window the last thing before he went to bed, and here was his cigarette-end on the sill of the middle window.
He started to go down to breakfast. Rather late, but Number 13 was later: here were his boots still outside his door--a gentleman's boots. So then Number 13 was a man, not a woman. Just then he caught sight of the number on the door. It was 14. He thought he must have pa.s.sed Number 13 without noticing it. Three stupid mistakes in twelve hours were too much for a methodical, accurate-minded man, so he turned back to make sure. The next number to 14 was number 12, his own room. There was no Number 13 at all.
After some minutes devoted to a careful consideration of everything he had had to eat and drink during the last twenty-four hours, Anderson decided to give the question up. If his eyes or his brain were giving way he would have plenty of opportunities for ascertaining that fact; if not, then he was evidently being treated to a very interesting experience. In either case the development of events would certainly be worth watching.
During the day he continued his examination of the episcopal correspondence which I have already summarized. To his disappointment, it was incomplete. Only one other letter could be found which referred to the affair of Mag Nicolas Francken. It was from the Bishop Jorgen Friis to Rasmus Nielsen. He said:
'Although we are not in the least degree inclined to a.s.sent to your judgement concerning our court, and shall be prepared if need be to withstand you to the uttermost in that behalf, yet forasmuch as our trusty and well-beloved Mag Nicolas Francken, against whom you have dared to allege certain false and malicious charges, hath been suddenly removed from among us, it is apparent that the question for this time falls. But forasmuch as you further allege that the Apostle and Evangelist St John in his heavenly Apocalypse describes the Holy Roman Church under the guise and symbol of the Scarlet Woman, be it known to you,' etc.
Search as he might, Anderson could find no sequel to this letter nor any clue to the cause or manner of the 'removal' of the _casus belli_. He could only suppose that Francken had died suddenly; and as there were only two days between the date of Nielsen's last letter--when Francken was evidently still in being--and that of the Bishop's letter, the death must have been completely unexpected.
In the afternoon he paid a short visit to Hald, and took his tea at Baekkelund; nor could he notice, though he was in a somewhat nervous frame of mind, that there was any indication of such a failure of eye or brain as his experiences of the morning had led him to fear.
At supper he found himself next to the landlord.
'What,' he asked him, after some indifferent conversation, 'is the reason why in most of the hotels one visits in this country the number thirteen is left out of the list of rooms? I see you have none here.'
The landlord seemed amused.
'To think that you should have noticed a thing like that! I've thought about it once or twice myself, to tell the truth. An educated man, I've said, has no business with these superst.i.tious notions. I was brought up myself here in the high school of Viborg, and our old master was always a man to set his face against anything of that kind. He's been dead now this many years--a fine upstanding man he was, and ready with his hands as well as his head. I recollect us boys, one snowy day--'
Here he plunged into reminiscence.
'Then you don't think there is any particular objection to having a Number 13?' said Anderson.
'Ah! to be sure. Well, you understand, I was brought up to the business by my poor old father. He kept an hotel in Aarhuus first, and then, when we were born, he moved to Viborg here, which was his native place, and had the Phoenix here until he died. That was in 1876. Then I started business in Silkeborg, and only the year before last I moved into this house.'
Then followed more details as to the state of the house and business when first taken over.
'And when you came here, was there a Number 13?'
'No, no. I was going to tell you about that. You see, in a place like this, the commercial cla.s.s--the travellers--are what we have to provide for in general. And put them in Number 13? Why, they'd as soon sleep in the street, or sooner. As far as I'm concerned myself, it wouldn't make a penny difference to me what the number of my room was, and so I've often said to them; but they stick to it that it brings them bad luck.
Quant.i.ties of stories they have among them of men that have slept in a Number 13 and never been the same again, or lost their best customers, or--one thing and another,' said the landlord, after searching for a more graphic phrase.
'Then what do you use your Number 13 for?' said Anderson, conscious as he said the words of a curious anxiety quite disproportionate to the importance of the question.
'My Number 13? Why, don't I tell you that there isn't such a thing in the house? I thought you might have noticed that. If there was it would be next door to your own room.'
'Well, yes; only I happened to think--that is, I fancied last night that I had seen a door numbered thirteen in that pa.s.sage; and, really, I am almost certain I must have been right, for I saw it the night before as well.'
Of course, Herr Kristensen laughed this notion to scorn, as Anderson had expected, and emphasized with much iteration the fact that no Number 13 existed or had existed before him in that hotel.
Anderson was in some ways relieved by his certainty, but still puzzled, and he began to think that the best way to make sure whether he had indeed been subject to an illusion or not was to invite the landlord to his room to smoke a cigar later on in the evening. Some photographs of English towns which he had with him formed a sufficiently good excuse.
Herr Kristensen was flattered by the invitation, and most willingly accepted it. At about ten o'clock he was to make his appearance, but before that Anderson had some letters to write, and retired for the purpose of writing them. He almost blushed to himself at confessing it, but he could not deny that it was the fact that he was becoming quite nervous about the question of the existence of Number 13; so much so that he approached his room by way of Number 11, in order that he might not be obliged to pa.s.s the door, or the place where the door ought to be. He looked quickly and suspiciously about the room when he entered it, but there was nothing, beyond that indefinable air of being smaller than usual, to warrant any misgivings. There was no question of the presence or absence of his portmanteau tonight. He had himself emptied it of its contents and lodged it under his bed. With a certain effort he dismissed the thought of Number 13 from his mind, and sat down to his writing.
His neighbours were quiet enough. Occasionally a door opened in the pa.s.sage and a pair of boots was thrown out, or a bagman walked past humming to himself, and outside, from time to time, a cart thundered over the atrocious cobble-stones, or a quick step hurried along the flags.
Anderson finished his letters, ordered in whisky and soda, and then went to the window and studied the dead wall opposite and the shadows upon it.
As far as he could remember, Number 14 had been occupied by the lawyer, a staid man, who said little at meals, being generally engaged in studying a small bundle of papers beside his plate. Apparently, however, he was in the habit of giving vent to his animal spirits when alone. Why else should he be dancing? The shadow from the next room evidently showed that he was. Again and again his thin form crossed the window, his arms waved, and a gaunt leg was kicked up with surprising agility. He seemed to be barefooted, and the floor must be well laid, for no sound betrayed his movements. Sagforer Herr Anders Jensen, dancing at ten o'clock at night in a hotel bedroom, seemed a fitting subject for a historical painting in the grand style; and Anderson's thoughts, like those of Emily in the 'Mysteries of Udolpho', began to 'arrange themselves in the following lines':
When I return to my hotel, At ten o'clock p.m., The waiters think I am unwell; I do not care for them.
But when I've locked my chamber door, And put my boots outside, I dance all night upon the floor.
And even if my neighbours swore, I'd go on dancing all the more, For I'm acquainted with the law, And in despite of all their jaw, Their protests I deride.
Had not the landlord at this moment knocked at the door, it is probable that quite a long poem might have been laid before the reader. To judge from his look of surprise when he found himself in the room, Herr Kristensen was struck, as Anderson had been, by something unusual in its aspect. But he made no remark. Anderson's photographs interested him mightily, and formed the text of many autobiographical discourses. Nor is it quite clear how the conversation could have been diverted into the desired channel of Number 13, had not the lawyer at this moment begun to sing, and to sing in a manner which could leave no doubt in anyone's mind that he was either exceedingly drunk or raving mad. It was a high, thin voice that they heard, and it seemed dry, as if from long disuse. Of words or tune there was no question. It went sailing up to a surprising height, and was carried down with a despairing moan as of a winter wind in a hollow chimney, or an organ whose wind fails suddenly. It was a really horrible sound, and Anderson felt that if he had been alone he must have fled for refuge and society to some neighbour bagman's room.
The landlord sat open-mouthed.
'I don't understand it,' he said at last, wiping his forehead. 'It is dreadful. I have heard it once before, but I made sure it was a cat.'
'Is he mad?' said Anderson.
'He must be; and what a sad thing! Such a good customer, too, and so successful in his business, by what I hear, and a young family to bring up.'
Just then came an impatient knock at the door, and the knocker entered, without waiting to be asked. It was the lawyer, in _deshabille_ and very rough-haired; and very angry he looked.
'I beg pardon, sir,' he said, 'but I should be much obliged if you would kindly desist--'
Ghost Stories of an Antiquary Volume I Part 7
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Ghost Stories of an Antiquary Volume I Part 7 summary
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