Tom Swift and His Photo Telephone Part 27
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"Because, in the first place this man, or some of his friends, will be on the watch. When he goes into the place to telephone there'll be a look-out, I'm sure, and he'd either put off talking to Mrs. Damon, or he'd escape before we had any evidence against him."
"You see I've got to get evidence that will stand in the courts to convict this fellow, and if he's scared off before we get that, the game will be up."
"That's what my photo telephone will do--it will get the evidence, just as a dictaphone does. In fact, I'm thinking of working it out on those lines, after I clear up this business."
"Just suppose we had detectives stationed at all the telephones near the sawmill, where this fellow would be likely to go. In the first place no one has seen him, as far as we know, so there's no telling what sort of a chap he is. And you can't go up to a perfect stranger and arrest him because you think he is the man who has spirited away Mr. Damon."
"Another thing. Until this fellow has talked, and made his offer to Mrs. Damon, to restore her husband, in exchange for certain papers, we have no hold over him."
"But he has done that, Tom. You heard him, and you have his voice down on the wax cylinder."
"Yes, but I haven't had a glimpse of his face. That's what I want, and what I'm going to get. Suppose he does go into the telephone booth, and tell Mrs. Damon an address where she is to send the papers. Even if a detective was near at hand he might not catch what was said. Or, if he did, on what ground could he arrest a man who, very likely, would be a perfect stranger to him? The detective couldn't say: 'I take you into custody for telephoning an address to Mrs. Damon.' That, in itself, is no crime."
"No, I suppose not," admitted Ned. "You've got this all thought out, Tom."
"I hope I have. You see it takes quite a combination to get evidence against a criminal--evidence that will convict him.
That's why I have to be so careful in setting my trap."
"I see, Tom. Well, it's about time for us to get busy; isn't it?"
"It sure is. There's lots to do. First we'll go see the telephone people."
Tom explained to the 'phone manager the necessity for what he was about to do. The manager at once agreed to let the young inventor have a free hand. He was much interested in the photo telephone, and Tom promised to give his company a chance to use it on their lines, later.
The telephone near the sawmill was easily located. It was in a general store, and the instrument was in a booth. To this instrument Tom attached his sending plate, and he also subst.i.tuted for the ordinary incandescent light, a powerful tungsten one, that would give illumination enough to cause the likeness to be transmitted over the wire.
The same thing was done to a number of the public telephones in that vicinity, each one being fitted up so that the picture of whoever talked would be transmitted over the wire when Tom turned the switch. To help the plan further the telephone manager marked a number of other 'phones, "Out of Order," for the time being.
"Now, I think we're done!" exclaimed the young inventor, with a sigh, late that night. He and Ned and the line manager had worked hard.
"Yes," answered the young banker, "the traps are set. The question is: Will our rat be caught?"
CHAPTER XXI
THE PHOTO TELEPHONE
Tom Swift was taking, as he afterward confessed, "a mighty big chance." But it seemed the only way. He was working against cunning men, and had to be as cunning as they.
True, the man he hoped to capture, through the combination of his photo telephone and the phonograph, might go to some other instrument than one of those Tom had adjusted. But this could not be helped. In all he had put his new attachment on eight 'phones in the vicinity of the sawmill. So he had eight chances in his favor, and as many against him as there were other telephones in use.
"It's a mighty small margin in our favor," sighed Tom.
"It sure is," agreed Ned. They were at Mrs. Damon's house, waiting for the call to come in.
"But we couldn't do anything else," went on Tom.
"No," spoke Ned, "and I have a great deal of hope in the proverbial Swift luck, Tom."
"Well, I only hope it holds good this time!" laughed the young inventor.
"There are a good many things that can go wrong," observed Ned.
"The least little slip-up may spoil your traps, Tom."
"I know it, Ned. But I've got to take the chance. We've just got to do something for Mrs. Damon. She's wearing herself out by worrying," he added in a low voice, for indeed the wife of his friend felt the absence of her husband greatly. She had lost flesh, she ate scarcely anything, and her nights were wakeful ones of terror.
"What if this fails?" asked Ned.
"Then I'm going to work that b.u.t.ton clue to the limit," replied Tom. "I'll go to Boylan and see what he and Peters have to say."
"If you'd done as I suggested you'd have gone to them first,"
spoke Ned. "You'll find they're mixed up in this."
"Maybe; but I doubt it. I tell you there isn't a clue leading to Peters--as yet."
"But there will be," insisted Ned. "You'll see that that I'm right this time."
"I can't see it, Ned. As a matter of fact, I would have gone to Boylan about that b.u.t.ton I found in my airs.h.i.+p only I've been so busy on this photo telephone, and in arranging the trap, that I haven't had time. But if this fails--and I'm hoping it won't--I'll get after him," and there was a grim look on the young inventor's face.
It was wearying and nervous work--this waiting. Tom and Ned felt the strain as they sat there in Mrs. Damon's library, near the telephone. It had been fitted up in readiness. Attached to the receiving wires was a sensitive plate, on which Tom hoped would be imprinted the image of the man at the other end of the wire--the criminal who, in exchange for the valuable land papers, would give Mr. Damon his liberty.
There was also the phonograph cylinder to record the man's voice.
Several times, while waiting for the call to come in, Tom got up to test the apparatus. It was in perfect working order.
As before, there was an extension telephone, so that Mrs. Damon could talk to the unknown, while Tom could hear as well. But he planned to take no part in the conversation unless something unforeseen occurred.
Mr. Damon was an enthusiastic photographer, and he had a dark room adjoining his library. It was in this dark room that Tom planned to develop the photo telephone plate.
On this occasion he was not going to use the metal plate in which, ordinarily, the image of the person talking appeared. That record was but a fleeting one, as in a mirror. This time Tom wanted a permanent picture that could, if necessary, be used in a court of justice.
Tom's plan was this: If the person who had demanded the papers came to one of the photo telephones, and spoke to Mrs. Damon, Tom would switch on the receiving apparatus. Thus, while the man was talking, his picture would be taken, though he would not know of the thing being done.
His voice would also be recorded on the wax cylinder, and he would be equally unaware of this.
When Tom had imprinted the fellow's image on the prepared plate, he would go quickly to the dark room and develop it. A wet print could be made, and with this as evidence, and to use in identification, a quick trip could be made to the place whence the man had telephoned. Tom hoped thus to capture him.
To this end he had his airs.h.i.+p in waiting, and as soon as he had developed the picture he planned to rush off to the vicinity of the sawmill, and make a prisoner of the man whose features would be revealed to him over the wire.
It was a hazardous plan--a risky one--but it was the best that he could evolve. Tom had instructed Mrs. Damon to keep the man in conversation as long as possible, in order to give the young inventor himself time to rush off in his airs.h.i.+p. But of course the man might get suspicious and leave. That was another chance that had to be taken.
"If I had thought of it in time," said Tom, musingly, as he paced up and down in the library waiting for the 'phone to ring, "if I had thought of it in time I would have rigged up two plates--one for a temporary, or looking-gla.s.s, picture, and the other for a permanent one. In that way I could rush off as soon as I got a glimpse of the fellow. But it's too late to do that now. I'll have to develop this plate."
Waiting is the most wearisome work there is. Tom and Ned found this to be the case, as they sat there, hoping each moment that the telephone bell would ring, and that the man at the other end of the wire would be the mysterious stranger. Mrs. Damon, too, felt the nervous strain.
"This is about the hour he called up yesterday," said Tom, in a low voice, after coming back from a trip to the window to see that his airs.h.i.+p was in readiness. He had brought Koku over to help in starting it, for he was using his most powerful and speedy craft, and the propellers were hard to turn.
Tom Swift and His Photo Telephone Part 27
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Tom Swift and His Photo Telephone Part 27 summary
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