The House of Wittgenstein : a family at war Part 7

RIGHT: Ludwig at Cambridge, 1946.

BELOW: A late portrait of Paul, c. 1960.

Ludwig on his deathbed at Dr. and Mrs. Bevan's house in Cambridge, April 1951.

The Wittgenstein family grave at the Zentralfriedhof, Vienna--final resting place of Karl, Leopoldine, Hermine and Rudolf Wittgenstein and their servant Rosalie Hermann.

From these p.r.i.c.kly beginnings Paul put Prokofiev at his ease by telling him that as far as the commission was concerned he could compose whatever he wished at his own discretion. Meyerhold's wife was enraptured with Paul's musicians.h.i.+p, and explained to Prokofiev afterward "how he played with such love. I felt for his spirit that such a man should have lost his arm in the war." But Prokofiev was not impressed and replied to her: "I don't see any special talent in his left hand. It may be that his misfortune has turned out to be a stroke of good luck, for with only his left hand he is unique but maybe with both hands he would not have stood out from a crowd of mediocre pianists."

Paul liked Meyerhold and his wife despite his preconceptions about their Bolshevism, but they were never to meet again. In 1938 the Stalinists closed down Meyerhold's theater in Moscow and murdered Zinaida. Meyerhold was arrested, tortured and shot in prison on charges of "Trotskyite activism."

In January 1931, four months after Paul's first meeting with Prokofiev, he accidentally slipped in the street in Vienna, fracturing his thigh and rupturing a blood vessel, causing a hematoma. On the 20th he performed the Korngold Concerto in Vienna with his leg in a bandage and was still hobbling about in a splint in March when he read in the newspaper that Prokofiev was coming to play in Vienna. Straightaway he sent a letter urging the composer not to stay at the Hotel Imperial but at his Palais instead: You will have your own room with your own piano, no one will bother you. It is a principle of mine that guests in this house have only to say if they wish to be woken in the morning, if they want coffee or tea, if they will be in for dinner etc., other than that they live here as if they were at a hotel or pension.

Prokofiev spent a happy time with Paul playing Schubert duets on the piano and as soon as he was back in Paris began to concentrate on his left-hand concerto. Paul had asked him for something that was "clearer than Strauss and less childish (from a technical point of view) than Franz Schmidt." Ent.i.tled Piano Concerto No. 4 it was finished in sketch form by the end of July 1931, but the composer was not altogether happy with it. The work is emotionally detached and one senses that Prokofiev's heart was not in it. Right from the start, he harbored plans (initially kept secret from Paul) to turn the piece into a two-handed concerto as soon as the Wittgenstein exclusivity contract had expired. On September 11 he sent the score to Paul with an accompanying note, showing that he was unsure of his reaction: I hope the concerto will prove satisfactory to you from a pianistic point of view and in terms of the balance between piano and orchestra. I am at a loss to guess what musical impression it will make on you. A difficult problem! You are a musician of the 19th Century--I am one of the 20th. I have tried to make it as straightforward as possible; you, for your part, must not judge too quickly, and if certain pa.s.sages seem at first indigestible, do not rush to judgement, but wait a while. If you have any suggestions for improving the work, please do not hesitate to tell me them.

If Prokofiev's autobiography can be believed, Paul wrote back bluntly: "Thank you for your concerto, but I do not understand a single note and I shall not play it." The letter has since disappeared, and although Paul may have written those words there was certainly more to his letter than that, as the composer and pianist remained on warm and cordial terms. In an exchange three years later Prokofiev wrote to ask if he would mind his transforming the piece into a concerto for two hands. "Given the excellent relations.h.i.+p that exists between us and not wanting to do something that might be disagreeable to you I thought I should consult you on this matter first." Paul replied that Prokofiev was wrong if he thought the concerto had not pleased him. "That is not fair," he wrote. "Your concerto, or at least a considerable part of it, is comprehensible to me, but there is an enormous difference between a poem that displeases me and one whose meaning I cannot fully grasp."

Paul responded to the delivery of Prokofiev's score with a note to confirm that he would be sending him $3,000 as the second installment of his fee. Prokofiev wrote back to correct him. "You don't owe me $3,000 but $2,250--that is $2,500 minus the 10% that Kugel [your agent] is taking." Until that moment Paul had no idea that Prokofiev and Astroff had settled for $5,000. He had taken his agent's word for it that the fee was $6,000 payable in two installments. When he discovered the plot to rob him of $1,000 he flew into a rage and sacked his agent on the spot. For a short while he signed himself to the music writer and impresario Paul Bechert, and when Bechert ran off to America in December 1932 leaving all his debts unpaid, Paul was temporarily without representation of any kind.

Many hours were spent poring over Prokofiev's score, but Paul never understood the music and consequently never performed it. The first performance (with Siegfried Rapp as pianist) took place in Berlin in September 1956--three and a half years after the composer's death. As to the proposed two-handed version, Prokofiev never got around to making it, and remained equivocal about the quality of the work: "I have not formed any definite opinion about it myself," he wrote in his autobiography. "Sometimes I like it, sometimes I do not."

LOVE STORY

There were reasons why Paul was in such an excitable state at the time of the Ravel debacle that few could have guessed. His girlfriend was in serious trouble. Ba.s.sia Moscovici, a beautiful young Rumanian, is said to have been a singer, though no record of any of her public performances survives. Her father was a modest jeweler and watchmaker from Bucharest, and it is possible that Paul first met her as early as November 1928, when he stayed at the Athenee Palace Hotel in Bucharest while rehearsing and performing the left-handed concerto by Bortkiewicz. In the autumn of 1930 Ba.s.sia moved to Vienna, where he put her up as a kept woman in a villa on the Vegaga.s.se in Vienna's 19th District. It seems unlikely that he ever intended to marry her as she was born of a humble Jewish family and he, with his nervous temperament, was fundamentally unsuited to married life, but in 1931 her name was registered in the Austrittsbucher Austrittsbucher of the Jewish community in Vienna as a person who, on February 25, had voluntarily left the Jewish faith. It is therefore possible that her subsequent conversion to Roman Catholicism and her adoption of the confirmation name Pauline were intended to clear a way for marriage to Paul. In the event a cruel twist denied her this chance. of the Jewish community in Vienna as a person who, on February 25, had voluntarily left the Jewish faith. It is therefore possible that her subsequent conversion to Roman Catholicism and her adoption of the confirmation name Pauline were intended to clear a way for marriage to Paul. In the event a cruel twist denied her this chance.

In the summer of 1931, Ba.s.sia discovered that she was pregnant with his baby. Paul, in desperation, turned to his sisters for help and Gretl, with her big heart and bossy inclinations, took command of the crisis by arranging for the twenty-one-year-old Rumanian to undergo a secret and illegal abortion. Ba.s.sia desperately wanted to have the baby but was browbeaten by Gretl into believing that abortion was the only possible and acceptable course of action. The dangerous, late and incompetent backstreet operation went badly wrong.

Ba.s.sia became extremely ill and she was still not fully recovered in the late autumn of 1931 when she discovered a swelling on her shoulder caused by rhabdomyosarcoma--a cancer that was spreading through the muscles of her upper arm. At the beginning of November she underwent an operation to have the tumor removed from her shoulder, after which Gretl tried to persuade her to go for a period of recuperation somewhere outside the city. Distrusting her motives, Ba.s.sia insisted on remaining close to Paul, but Gretl, determined as always to have her way, booked her into a sanatorium at Mauer bei Amstetten in the Dunkelsteinerwald fifty miles to the west of Vienna, sending an ambulance to her flat in the Ve-gaga.s.se to pick her up and take her there. The hospital, a well-known clinic for nervous or mentally disordered patients--which was opened in 1902 by the Emperor Franz Joseph with the infamous words "It must be nice being an idiot in Mauer"--was not to Ba.s.sia's liking. After a few days she discharged herself and returned to the city, complaining to Paul that Gretl was some kind of evil spirit. By then the cancer had spread to her lungs, the wound from her operation was infected and she was suffering a high fever. Gretl, she claimed, had forced her to have the abortion and deliberately sent her to a dirty hospital where her condition had worsened. None of this, she argued, would have happened if she had only been allowed to have the baby.

At this stage only Gretl and Paul knew that she was dying of cancer. The doctors had not informed Ba.s.sia of the severity of her condition. Paul became extremely solicitous, "touchingly good" according to his sister, and Gretl, in a spirit of reconciliation (if not driven by feelings of guilt), offered to take Ba.s.sia into her house at the Kundmannga.s.se for a month. By mid-January 1932 everyone, including the patient herself, knew that she was going to die and there would be no question of her moving out of Gretl's house. Through January, February and March, as Ba.s.sia's condition worsened, the relations.h.i.+p between her and Gretl gradually improved, with the occasional smile pa.s.sing between them. Gretl herself was far from well, suffering from acute fibrillations in her chest, and she spent most of the day lying down. When Marga Deneke came to visit her she recorded: "Putting out her hand to greet me, [Gretl] explained that the doctors were strict in their rules about her heart trouble and remained semi-rec.u.mbent lying like a statue on the folds of a red and golden shawl, surrounded by a blaze of coloured flowers."

Gretl rose only for Ba.s.sia, hoping to prepare her in some mental or philosophical way for death, but was unsure how to go about it. Ba.s.sia's visions or presentiments of her own death struck Gretl as fey and comical and she regretted not being able to take them more seriously. By mid-March Ba.s.sia was thin, pale and gaunt. The last vestiges of beauty had forsaken her, but she struggled on with Paul in constant vigil at her side. On April 22 she was visited by Ludwig's friend Marguerite Respinger, who wrote: "Ba.s.sia has been in agony since yesterday evening. She will die soon. I am thinking only of Paul..." That evening her decline was so severe that Paul stayed with her throughout the night, holding her hand until the moment of death. Miss Respinger returned the following morning to pay her respects. "It made a great impression on me," she wrote. "Not because it was frightening to see a dead person; but to lie there with such a peaceful expression, I wondered: what type of human being would one have to be? Good."

Hermine returned from the Hochreit to find Ba.s.sia's mother, Esther Kirchen, holding her dead daughter's hand and speaking to her as though she were still alive, tenderly informing her how pretty she once was, and how sad that she had not been looking so pretty of late--a spectacle that Hermine found both touching and gruesome. She spoke only a little to her brother about it and afterward reported cryptically to Ludwig: "Paul has lost a lot and he admits it. I am not sure though whether he thinks the same as me when he admits it..."

Paul undertook all the necessary arrangements and two days later, on Monday, April 25, 1932, Ba.s.sia was buried in a prestigious spot close to the main gates at Vienna's Zentralfriedhof. She left no will, but 14,000 Austrian schillings (worth twenty-eight times the average monthly wage) were registered in her possession--presumably a gift from Paul. After the funeral, demonstrably heartbroken, Paul presented Gretl with a glittering tiara and each of the servants in her house with a "most handsome present" for having looked after Ba.s.sia; but his distrust of Gretl never healed. Even though she had done so much to help, he continued in his belief that her interference had been detrimental. They discussed their relations.h.i.+p together and both acknowledged that it could never work. Aside from the simple fact that Paul's and Gretl's att.i.tudes to life were entirely opposed, Hermine also thought she detected unpleasant undertones between them. "Paul can only lose here but we cannot change it."

HIS AMERICAN DEBUT

At the time of Ba.s.sia's demise Paul's nerves--never his strongest attri bute--were strained to their uttermost and, as a direct consequence, his piano playing became inaccurate and aggressive. A Polish tour at the end of the year produced an adverse response from the critics. Pawel Rytel of the Warsaw Gazette Warsaw Gazette wrote: "Despite our admiration for the artist we have to stress that there were shortcomings." The wrote: "Despite our admiration for the artist we have to stress that there were shortcomings." The Warsaw Courier Warsaw Courier similarly hinted: "Performances by single-handed pianists should not be judged in the same light as two-handed interpretations, but nevertheless I have to say that the pedal was overused." "Obviously one hand cannot replace two," said the critic similarly hinted: "Performances by single-handed pianists should not be judged in the same light as two-handed interpretations, but nevertheless I have to say that the pedal was overused." "Obviously one hand cannot replace two," said the critic of Polska Zbrojna of Polska Zbrojna, while the journal Robotnik Robotnik noted: "As to those compositions composed especially for him, Paul Wittgenstein was expected to play them impeccably but the general impression was not good for reasons of faulty pedalling and lack of technical skill among other things." The critics may have demurred, but audiences did not seem to mind how roughly he played. Even in Poland his concerts were cheered to the rafters as his hypnotic stage presence continued to exert its effect over listeners, in spite of playing that was rough, nervy and inaccurate. noted: "As to those compositions composed especially for him, Paul Wittgenstein was expected to play them impeccably but the general impression was not good for reasons of faulty pedalling and lack of technical skill among other things." The critics may have demurred, but audiences did not seem to mind how roughly he played. Even in Poland his concerts were cheered to the rafters as his hypnotic stage presence continued to exert its effect over listeners, in spite of playing that was rough, nervy and inaccurate.

It took him nearly two years from Ba.s.sia's death to refind his form and, when it happened, his return was spectacular. An American tour in November 1934 took him to Boston, New York, Detroit, Cleveland, Los Angeles and Montreal. Everywhere he was greeted by a blaze of publicity, packed houses and rave reviews. At a concert in New York he was recalled to the stage for five encores. His performances astonished both critics and audiences. A review in the New York Herald Tribune New York Herald Tribune is typical of many: is typical of many: Doubtless the greatest tribute that one could pay to Paul Wittgenstein, the famous one-armed pianist, is a simple statement of the fact that after the first few moments of wondering how the devil he accomplished it, one almost forgot that one was listening to a player whose right sleeve hung empty at his side. One found oneself engrossed by the sensitivity of the artist's phrasing and the extent to which his incredible technique was subordinated to the delivery of the musical thought.

Few dared to question what Paul was doing or whether the piano was worth playing with only one hand. One notable exception was the distinguished English critic Ernest Newman. Writing in the Sunday Times Sunday Times, after a Proms performance of Ravel's concerto, he wondered whether Paul--as Hermine and Gretl had frequently suggested--was attempting the impossible: I have every sympathy with Paul Wittgenstein in a loss of an arm during the war, and the profoundest admiration for the courage that enabled him to work up a one-handed technique afterwards. All the same I wish composers would stop writing one-hand con certos for him, or at any rate inflicting them on us ... The thing simply cannot be done; the composer is not only hampered in the orchestral portion of his work by consideration of the limitations of the pianist but even in the purely pianistic portions he is driven to a series of makes.h.i.+fts and fakes that soon become tiresome. This concerto will certainly not help the fast-declining reputation of Ravel. From another point of view, it is true, the regrettable physical disability of Herr Wittgenstein may have half saved the work as a concerto for only one hand can, in the nature of things, be at worst only half as bad as it might otherwise have been.

After three hectic months in America, Paul returned exhausted to Vienna on February 2, 1935, with just a week to prepare a new concerto by Franz Schmidt that was being premiered with the Vienna Philharmonic as part of the composer's sixtieth-birthday celebrations at the Grosser Musikvereinsaal. Hermine heard him practicing in his room and reported that the piece held little interest for her. "It seems to me that one could continue with the sort of compositions one hears today. It's a shame that he cannot commission anything really good these days." Paul was of a different view. "The first and second movements I think are really great great music," he wrote to his friend Donald Francis Tovey. The third movement he found a little light so he made some alterations to enrich it that the composer approved and the concert was a storming success--perhaps the greatest single success of his entire career. Schmidt conducted a program consisting entirely of his own works, including the premiere of his great masterpiece, the Fourth Symphony, and fourteen German-speaking newspapers carried reviews extolling the concerto and Paul's inspirational performance of it. With the Ravel concerto, the American tour and now this widely lauded achievement, Paul's career despite its many breaks had reached another high peak. At the same time as all this his personal life was, once again, on the verge of major crisis. music," he wrote to his friend Donald Francis Tovey. The third movement he found a little light so he made some alterations to enrich it that the composer approved and the concert was a storming success--perhaps the greatest single success of his entire career. Schmidt conducted a program consisting entirely of his own works, including the premiere of his great masterpiece, the Fourth Symphony, and fourteen German-speaking newspapers carried reviews extolling the concerto and Paul's inspirational performance of it. With the Ravel concerto, the American tour and now this widely lauded achievement, Paul's career despite its many breaks had reached another high peak. At the same time as all this his personal life was, once again, on the verge of major crisis.

FURTHER COMPLICATIONS

What the forty-seven-year-old Paul did not realize, as he boarded the Majestic Majestic at Cherbourg bound for New York on October 24, 1934, was that one of his piano students, an attractive, dark-haired, eighteen-year-old, half-blind Beethoven enthusiast, was pregnant with his child. at Cherbourg bound for New York on October 24, 1934, was that one of his piano students, an attractive, dark-haired, eighteen-year-old, half-blind Beethoven enthusiast, was pregnant with his child.

Hilde was the daughter of Franz Schania, an amateur pianist, zither player and a left-wing Roman Catholic, who had worked first for a large brewery at Schwechat, near Vienna, and later as a health inspector for the Wiener Stadtische Stra.s.senbahn, the city tram network. He may have been head of a small department, or maybe not. In any case he was considered nicht standesgemdss nicht standesgemdss (not of the right cla.s.s) by Paul's family, who put it about that he was a humble bus conductor: "a (not of the right cla.s.s) by Paul's family, who put it about that he was a humble bus conductor: "a Stra.s.senbahn Kontrolleur--a. Stra.s.senbahn Kontrolleur--a. man who checked tram tickets--very, very small beer" is how Ji s...o...b..rough later described him. After the First War, in which Herr Schania got his head stuck between a cannon and a rock face at the battle of Isonzo, he became a dedicated socialist and suffered severe depressions. His wife Stefanie, who worked as secretary for a wood-chopping firm, was also depressed. She separated from her husband in 1933 and is said to have taken her own life in January 1936. Hilde was brought up with her elder sister Kathe, first at Rannersdorf and afterward in a council flat in one of "Red Vienna's" new socialist housing experiments on the Geyschlagerga.s.se in the 15th District. man who checked tram tickets--very, very small beer" is how Ji s...o...b..rough later described him. After the First War, in which Herr Schania got his head stuck between a cannon and a rock face at the battle of Isonzo, he became a dedicated socialist and suffered severe depressions. His wife Stefanie, who worked as secretary for a wood-chopping firm, was also depressed. She separated from her husband in 1933 and is said to have taken her own life in January 1936. Hilde was brought up with her elder sister Kathe, first at Rannersdorf and afterward in a council flat in one of "Red Vienna's" new socialist housing experiments on the Geyschlagerga.s.se in the 15th District.

At the age of five, after an attack of measles and diphtheria, Hilde's optic nerve was damaged; her eyesight waned and continued to do so until she was completely blind. When Paul first met her she was partially sighted but so adept at disguising it that he was unaware of any problem. In later life when her sight was considerably worse she still managed to look people in the eye, played the piano with confidence and walked briskly around the house without cras.h.i.+ng into things. Visitors were often unaware of her blindness. Some even believed that she was faking it. Her poor vision forced her to stare intently with large dark eyes into people's faces. Men found this attractive in the same way, a generation earlier, as Mahler, Zem-linsky, Klimt, Kokoschka, Werfel and Gropius had fallen for the charms of Alma Schindler, "the loveliest girl in Vienna," whose slight deafness forced her to gaze intently upon men's lips as they spoke.

In the autumn of 1934, Hilde enrolled as a piano student at the New Vienna Conservatoire. Paul had longed to teach advanced pupils since his successes with Ludwig's friend Rudolf Koder in June 1929. His performing schedule was stressful and he never succeeded in controlling his nerves. He was bad at relaxing and needed some sort of supplementary work to fill the hours between practicing and performing. From 1932 he worked as an unpaid a.s.sistant music critic on the Neues Wiener Journal. Neues Wiener Journal. His intemperate reviews had to be reined in by the editor from time to time, but the fact that he would never send an invoice made him an attractive employee. His intemperate reviews had to be reined in by the editor from time to time, but the fact that he would never send an invoice made him an attractive employee.

Though he affected to despise the critics, Paul's admiration for Leschetizky and Labor enabled him to place "great teachers" on an equal plain with "great performers" and his experiences with Rudolf Koder encouraged him to take on several private pupils. In October 1930 he applied, with Franz Schmidt's support, for an unsalaried post at the Hochschule fur Musik. Erich Korngold recommended that he send a formal application to the professorial staff: I lost my right arm in the war and have had to train myself up exclusively as a left-hand pianist; in this capacity I have given concerts over a number of years both at home and abroad. Although I have had to modify in some respects the standard piano technique taught me by Leschetizky, I believe nonetheless that I am capable of successfully teaching two-handed students ...

Franz Schmidt had warned Paul that the academy had enough piano teachers already and that his request was likely to be rejected. In the minutes of the professorial staff committee meeting it was recorded: "Both Hofrat Dr. Marx and Professor Mairecker referred to Wittgenstein's remarkable musical talent (upon which the Rector agreed) and to his already proven teaching abilities, whereas others warned of his nervousness that almost amounted to an illness."

As expected Paul was turned down, but a year later he was accepted for the post of unpaid professor of piano at the New Vienna Conservatoire, a private music-teaching establishment that had rented a few tuition rooms from the Gesellschaft der Musikfreunde, the distinguished Viennese music society, at the Musikverein on the Himmelpfortga.s.se. By all accounts Paul was an unconventional teacher. He would not allow his students to take holidays and when the Conservatoire was closed required them to attend lessons at the Palais or, in the summer, at his house at Neuwaldegg. "I love teaching," he said. "When I have a gifted student to work with I find my greatest happiness." He did not pull his pupils' hair or box their ears as Ludwig had done, but he often lost his temper with them. If they played wrongly he would flick their hands off the keys as they were playing, and throw away or tear up their music. Most of all he deplored them repeating mistakes that they had once learned to correct.

During the lesson and while you played Professor always had to be walking about, up and down the enormous Saal [one student remembered]. In the Neuwaldegger Palais, the dream summer house, he would march right out into the surrounding Wiener Wald and disappear. You might have thought he had gone and would not hear you, but the slightest carelessness on your part would bring him back like lightning and thunder with his shoes covered in mud. He did not worry about his dirty shoes, he was completely unaware of it.

Much of the time was spent working out correct fingering, and the student would have to sit silently while Paul closed his eyes and the stump of his arm twitched with his thinking. He could still feel the fingers of his right hand and was able to work out the best fingering by imagining them moving across the keys. To choose a new piece students would be asked to sight-read the ba.s.s line while Paul played the right-hand part with his left hand--and then again the other way round. Maybe it was during just such an exercise that his seduction of Hilde Schania took place. Hilde later remembered Hermine sitting in as a silent chaperone on some of her lessons, but she cannot have been there all of the time.

The trauma of Gretl's interference in Ba.s.sia's abortion two years earlier increased Paul's determination that there should be no abortion this time around, that the baby should be born and that his sisters and brother should know nothing whatsoever about it. Hilde was moved into a flat in a small house on the Gersthoferstra.s.se overlooking the Turken-schanzplatz. It was registered in her father's name, but Paul paid the rent and put a maid at her disposal. On May 24, 1935, a daughter, Elizabeth, was born--named apparently after the late Empress "Sisi," who was stabbed to death by an anarchist as she boarded a steams.h.i.+p on Lake Geneva in September 1898. It may be calculated that the period from Hilde's first formal piano lesson to the less formal consummation of their relations.h.i.+p was a brief one. She had joined as a student of the Conservatoire in the autumn of 1934 and was delivered of her baby at the end of May 1935. Elizabeth's conception must have occurred soon after Hilde's first lesson with Paul.

The secret of Hilde and the new baby was well guarded. Only the Wittgenstein servants knew of it and they were well trained to secrecy. On most evenings Paul's chauffeur drove to and from Hilde's villa in the Gersthoferstra.s.se. He knew where he was supposed to go without having to be asked. One month after Elizabeth was born Hilde played a Beethoven sonata in a concert of Paul's students at the Conservatoire, but after that she seems to have given up her lessons as well as her ambitions to play in public. Less than two years later, on March 10, 1937, their secret still intact, she gave birth to another daughter, Johanna.

Hilde's father was not impressed. Franz Schania, quiet and withdrawn, seething with irritation and bad temper, was three and a half years younger than Paul, and disliked him intensely. He could never forgive him for seducing and impregnating his daughter, for refusing to marry her, and later for failing to buy him a smart house in Vienna. He referred to him, always with a sneer, as "Herr Graf" (Sir Count). Paul, in his turn, avoided contact with Hilde's family.

RISING TENSIONS

Ludwig's effect on both men and women continued to override people's frustrations at not being able to understand his philosophy. When Marga first met him as she and Paul were walking up the staircase that separated the bachelors' quarters from the main part of the Palais, he appeared in a greasy, oil-stained uniform carrying a clarinet in a stocking, but she remembered him still as "extremely handsome with the neck of a Greek G.o.d--fresh in colouring--his fair hair sprang up like a wreath of flames, there was a very serious look in his deep blue eyes." This description correlates with another, slightly h.o.m.os.e.xual, one that the philosophy student and, later, distinguished Buddhist thinker John Niemeyer Findlay has left: At the age of 40 [Ludwig Wittgenstein] looked like a youth of 20, with a G.o.dlike beauty, always an important feature at Cambridge ... like Apollo who had bounded into life out of his own statue, or perhaps like the Norse G.o.d Baldur, blue eyed and fair haired... an extraordinary atmosphere surrounded him, something philosophically saintly that was also very distant and impersonal: he was the philosophe Soleil... philosophe Soleil... the tea one drank with him tasted like nectar. the tea one drank with him tasted like nectar.

From 1933 to 1935 Ludwig--tense, stammering, sweating like the Prophet Muhammad as he proclaimed the Koran at Medina--dictated two books of his philosophy to his students at Cambridge. These came to be known as the Blue Blue and and Brown Brown books. As Ludwig himself conceded, "I think it's very difficult to understand them." To a small but ardent group of Cambridge disciples Ludwig was G.o.d. That they did not understand him was of small concern, because what mattered to them was to be close to his presence, to be part of his inner circle and to be able to witness the spectacle of his thinking. His lectures were exclusive events to which only the chosen were admitted, and the books. As Ludwig himself conceded, "I think it's very difficult to understand them." To a small but ardent group of Cambridge disciples Ludwig was G.o.d. That they did not understand him was of small concern, because what mattered to them was to be close to his presence, to be part of his inner circle and to be able to witness the spectacle of his thinking. His lectures were exclusive events to which only the chosen were admitted, and the Blue Blue and and Brown Brown books, which circulated among them, came to be regarded with the same reverence and mystical fascination as the apocalypse gospels that pa.s.sed surrept.i.tiously under the togas of ancient Christians in the period of Rome's decline. books, which circulated among them, came to be regarded with the same reverence and mystical fascination as the apocalypse gospels that pa.s.sed surrept.i.tiously under the togas of ancient Christians in the period of Rome's decline.

Paul was probably unaware of Ludwig's Christ-like status among the philosophers of Cambridge or of the fact that he was living some of the time with Francis Skinner, a man twenty-three years his junior, but in neither case would he have minded. He was not censorious. On the rare occasions when they met, the two brothers got on well. Their correspondence during this period is of a mainly frivolous nature. They sent each other newspaper cuttings, pictures and articles that they thought would amuse. Paul posted Viennese delicacies, unprocurable in England, to Ludwig and, on one occasion, a letter from the wife of a rotten composer, Max Oberleithner, inviting him to contribute his favorite recipe to a musicians' cookery book she was compiling. Paul refused to admit to her that scrambled eggs with lots of pepper was what he liked best, but Ludwig drafted a comical response ("Greetings to you from Dr. Ludwig Wittgenstein") in which he asked Frau Oberleithner if he, as a philosopher, might be permitted to make some contribution to her anthology for "Is not philosophy music and music philosophy?" "My favourite food," he added, "is tomatoes in mayonnaise ... If you should decide to honour me with inclusion in your little book, please quote my full name as I do not wish to be confused with the pianist, Paul Wittgenstein, who may well enter your Pantheon but with whom I have no connection whatsoever."

The brothers' relations.h.i.+p worked because of a tacit agreement between them never to discuss politics or philosophy as on both subjects they profoundly disagreed. Paul, an ardent fan of Schopenhauer, regarded Ludwig's branch of linguistic philosophy as pure nonsense, and like all Austrians at that time who divided themselves between the ultra-right and ultra-left wings, Paul and Ludwig stood at opposite poles of the political spectrum.

Some of Ludwig's students in Cambridge believed him to be a Stalinist. "The important thing," he said of Stalinist Russia, "is that the people have work ... work ... Tyranny doesn't make me feel indignant." In 1933 he started taking Russian lessons and within two years had decided that he wanted to live in the Soviet Union with Francis Skinner. It has been suggested that he served as a recruiting agent for Soviet spies at Cambridge and, though the evidence is inconclusive, his close contact with many known communists and communist agents has long been regarded as suspicious. In 1935 friends arranged for Ludwig to see Ivan Maisky at the Emba.s.sy in London, where he succeeded in persuading the Soviet Amba.s.sador of his need for a Russian visa. On a three-week visit to the Soviet Union in September he tried to find himself work as a laborer on a collective farm, but, according to one source, the "Russians told him his own work was a useful contribution and he ought to go back to Cambridge." On his return he reported, "One Tyranny doesn't make me feel indignant." In 1933 he started taking Russian lessons and within two years had decided that he wanted to live in the Soviet Union with Francis Skinner. It has been suggested that he served as a recruiting agent for Soviet spies at Cambridge and, though the evidence is inconclusive, his close contact with many known communists and communist agents has long been regarded as suspicious. In 1935 friends arranged for Ludwig to see Ivan Maisky at the Emba.s.sy in London, where he succeeded in persuading the Soviet Amba.s.sador of his need for a Russian visa. On a three-week visit to the Soviet Union in September he tried to find himself work as a laborer on a collective farm, but, according to one source, the "Russians told him his own work was a useful contribution and he ought to go back to Cambridge." On his return he reported, "One could could live there, but only if one was aware the whole time that one could never speak one's mind." But this alone was not enough to put him off. "I am a communist at heart," he told his friend Roland Hutt, and for several years he continued to play with the idea of emigration to the Soviet Union. live there, but only if one was aware the whole time that one could never speak one's mind." But this alone was not enough to put him off. "I am a communist at heart," he told his friend Roland Hutt, and for several years he continued to play with the idea of emigration to the Soviet Union.

Paul's politics were, in contrast, far to the right. He supported the Austro-fascist Heimwehr, the army of the young swashbuckling aristocrat Prince Ernst Rudiger von Starhemberg, by secretly supplying funds to his campaign for a Heimwehr dictators.h.i.+p. He paid for huge billboard posters to be erected all around Vienna and for newspaper advertis.e.m.e.nts urging patriotic Austrians to support the Prince after the Rote Aufstand Rote Aufstand or "Red Uprising" of February 1934. He also financed a sanatorium on behalf of Prince von Starhemberg's paramilitary commander, Major Baron Karg-Bebenburg. or "Red Uprising" of February 1934. He also financed a sanatorium on behalf of Prince von Starhemberg's paramilitary commander, Major Baron Karg-Bebenburg.

Austria's economy had rallied in the mid-1920s when the krone was replaced by the schilling at a rate of 1:10,000, but there remained high unemployment and an extremely volatile political atmosphere, continually tested by the presence of several private armies. On the left there was the Republikanische Schutzbund (Republican Defense League) run by the Social Democrats and on the right the Frontkampfer (Battle-Front Veterans) that eventually merged into the Heimwehr (Home Defense). As well as these opposing paramilitary forces was the rapidly growing illegal army of brown-s.h.i.+rt n.a.z.i fascists whose aim was to unite Austria with Germany in a pan-German anti-Semitic Reich under Adolf Hitler, as well as several armed Marxist groups trying to foment communist revolution among the workers.

Violent clashes between these opposing forces were as frequent as they were inevitable. In January 1927 a fight among Schutzbund and Frontkampfer troops at Schattendorf, Burgenland, resulted in the shooting of a man and child. When the Frontkampfer paramilitaries responsible were acquitted in court, angry left-wing demonstrators took to the streets, 89 of whom were killed and 600 wounded on the Ringstra.s.se as the Ministry of Justice building went up in flames. The s...o...b..roughs were at their villa in the country when all this was going on, feeling nervous that the red towns of Steyrermuhl a few miles to the north and Ebensee to the south might stage a "pincer movement" and take Gmunden by force.

In May 1932 a very small but charismatic right-winger called Engelbert Dollfuss, known as the "Millimetternich," became chancellor of Austria at the head of a bickering coalition government. His aim was to make Austria prosperous, drawing it out of the Great Depression, while containing the threat of Hitler's National Socialist movement on the one hand and the agitation of the Marxists on the other. Eight months later Hitler was voted chancellor of Germany by democratic election. Knowing that the Berlin Fuhrer's chief aim was to join Germany with Austria, Chancellor Dollfuss's immediate response was to declare a state of emergency and suspend the Austrian parliament in favor of his own authoritarian Austro-fascist rule by decree. Gretl wrote to her son Thomas to say that the transition from democracy to dictators.h.i.+p had been painless and to tell him a Dollfuss joke that was doing the rounds in Vienna at the time: "He has had an accident: He fell off the ladder while he was picking strawberries." Soon Dollfuss would establish his Stdndestaat Stdndestaat and outlaw the National Socialists, the communists and all jokes about his size. and outlaw the National Socialists, the communists and all jokes about his size.

In February 1934, Prince von Starhemberg's private Heimwehr army helped the Dollfuss government to crush what was left of the now-banned socialist Schutzbund. On the 12th a forced search of socialist premises in Linz led to violent clashes between left-and right-wing paramilitaries that quickly spread to Vienna, Graz, Judenburg and other towns. In the capital armed members of the Schutzbund barricaded themselves into several of the city's Gemeindebauten Gemeindebauten (council housing-estate buildings), the most famous of which, the half-mile-long Karl Marx Hof, nicknamed the Ringstra.s.se des Proletariats, came under heavy artillery fire. The socialists were roundly beaten; but the action, which lasted several days and cost many lives, left many of those on the right still feeling nervous of the threat of socialist uprising. Anton Groller, the Wittgensteins' business factotum, recommended that they take Liechtenstein citizens.h.i.+p to save the family fortune in the event of a socialist takeover, but Paul refused on the grounds that he was an "Austrian with his heart and soul" and thought only ill of those who changed their citizens.h.i.+p for purely financial reasons. His brother-in-law, Helene's husband Max Salzer, trustee of the foreign fortune, expressed her fear that by taking Liech tenstein citizens.h.i.+p he might miss some of the hunting season at Hochreit, and thus Herr Groller's idea was roundly rejected. (council housing-estate buildings), the most famous of which, the half-mile-long Karl Marx Hof, nicknamed the Ringstra.s.se des Proletariats, came under heavy artillery fire. The socialists were roundly beaten; but the action, which lasted several days and cost many lives, left many of those on the right still feeling nervous of the threat of socialist uprising. Anton Groller, the Wittgensteins' business factotum, recommended that they take Liechtenstein citizens.h.i.+p to save the family fortune in the event of a socialist takeover, but Paul refused on the grounds that he was an "Austrian with his heart and soul" and thought only ill of those who changed their citizens.h.i.+p for purely financial reasons. His brother-in-law, Helene's husband Max Salzer, trustee of the foreign fortune, expressed her fear that by taking Liech tenstein citizens.h.i.+p he might miss some of the hunting season at Hochreit, and thus Herr Groller's idea was roundly rejected.

On the first day of the uprising Paul went shopping in the center of Vienna, unaware of the turmoil that was going on elsewhere in the city, but his twenty-two-year-old nephew, Ji s...o...b..rough, a.s.signed to the charitable Wiener Freiwilligen Rettungsgesellschaft (Viennese Voluntary Rescue Society), spent the day working as an ambulance porter and was very upset by the sight of bleeding agitators on the Floridsdorfer Bridge. He was decorated for his efforts with a medal pinned to his chest by Prince Ernst von Starhemberg in person.

Starhemberg had joined the Heimwehr as a young man and in the 1920s signed up with Hitler's National Socialist movement, taking part in the failed Beer-Hall Putsch of November 1923. Soon afterward he became disaffected with the n.a.z.is and returned to Austria. In 1930 he became head of the Heimwehr, into which he sank most of his fortune (derived from eighteen landed estates), and was soon bankrupted by it, but with donations from Paul, from Fritz Mandl (arms dealer), Benito Mussolini (Italian dictator) and other Austrian millionaires he continued to control the 20,000-man Heimwehr as though it were his own private army. His was the main political voice against Hitler. "Fascism in Austria is represented by the Heimwehr and no one else," he said. "The n.a.z.i Party in Austria is therefore superfluous."

In 1933 he allied his forces to those of Dollfuss's so-called Christian Democrat Party to form the Vaterlandische Front (Fatherland Front). His political rallies, his anti-Marxist rhetoric, the Front heil! Front heil! salute and salute and Kruck-enkreuz Kruck-enkreuz symbol in a white circle on a red background have much in common with Hitler's National Socialism. His and Hitler's parties were both fascist and anti-democratic, but the two leaders remained virulently opposed to one another. Hitler called Starhemberg a "traitor," and the prince called Hitler a "liar in charge of a Brown rabble." The anti-Semites who were expelled from Starhemberg's army usually filtered off to join the National Socialists, leaving the Heimwehr with a core support of Austrian patriots (ex-soldiers, war veterans, aristocrats and Catholics) who strove for an independent Austria with dreams of a restored Hapsburg monarchy. symbol in a white circle on a red background have much in common with Hitler's National Socialism. His and Hitler's parties were both fascist and anti-democratic, but the two leaders remained virulently opposed to one another. Hitler called Starhemberg a "traitor," and the prince called Hitler a "liar in charge of a Brown rabble." The anti-Semites who were expelled from Starhemberg's army usually filtered off to join the National Socialists, leaving the Heimwehr with a core support of Austrian patriots (ex-soldiers, war veterans, aristocrats and Catholics) who strove for an independent Austria with dreams of a restored Hapsburg monarchy.

We have much in common with the German n.a.z.is [Prince von Starhemberg said in a speech]. We are equally enemies of democracy and have many of the same ideas about economic reconstruction, but we in the Heimwehr stand for Austrian independence and support of the Catholic Church. We object to the exaggerated racial theories of the n.a.z.is, as we do to their schemes for a semi-pagan German national religion.

With the crus.h.i.+ng of the main core of Marxist socialist resistance in February 1934, Starhemberg and Dollfuss were able to concentrate their efforts on resisting the threat of Hitler, who had been covertly arming and financing Austrian n.a.z.is in order to destabilize the government. In recent months they had dynamited civic buildings, railway lines and power stations and were held responsible for several a.s.sa.s.sinations and lynchings. Hermine wrote to Ludwig a few days after the uprising: "Who knows what the future will bring? We've only in fact silenced the one hostile party; the other--the national socialists--are more vicious and more hostile than ever. What shall we do with this one? Is it possible that a fight to the finish can end well?"

On July 25, Hitler was attending a performance of Wagner's Rheingold Rheingold at the Bayreuth Festival with his friend Friedelind Wagner, the composer's granddaughter. After the performance one of his aides informed him of the success of the Austrian n.a.z.i plot to a.s.sa.s.sinate Engelbert Dollfuss. The tiny Austrian chancellor had been shot in the throat at a range of two feet by a rabble of n.a.z.is dressed in Austrian army uniforms who had broken into the Federal Chancellery that evening. There he had been left to bleed slowly to death. According to Friedelind Wagner, Hitler, who was already in an overexcited state because of the opera, "could scarcely wipe the delight from his face" when the news was broken to him. at the Bayreuth Festival with his friend Friedelind Wagner, the composer's granddaughter. After the performance one of his aides informed him of the success of the Austrian n.a.z.i plot to a.s.sa.s.sinate Engelbert Dollfuss. The tiny Austrian chancellor had been shot in the throat at a range of two feet by a rabble of n.a.z.is dressed in Austrian army uniforms who had broken into the Federal Chancellery that evening. There he had been left to bleed slowly to death. According to Friedelind Wagner, Hitler, who was already in an overexcited state because of the opera, "could scarcely wipe the delight from his face" when the news was broken to him.

But to Hitler's intense irritation the coup plot failed to establish a National Socialist government in Vienna. Government troops quickly regained control of the building, several of the conspirators were hanged and a new chancellor, a monochrome lawyer called Kurt von Schuschnigg, was quickly installed. Hitler's ambitions to unite Austria with Germany were far from over. For four years he continued to play a cat-and-mouse game with Schuschnigg that culminated in the latter's ignominious concessions in the spring of 1938. On February 12, Hitler had invited Schuschnigg to private talks at his mountain retreat, the Berghof, situated above Berchtesgaden, high on the German border, with grand, sweeping views across the Austrian countryside. As Schuschnigg arrived at the frontier he was informed that Hitler had invited several of his military generals to attend the meeting. With hindsight, he should have refused to continue, or at least have insisted that Austrian generals be present too, but he did neither. During the fraught exchange that followed, he was insulted, threatened and humiliated by Hitler, who finally presented him with an agreement to sign that stipulated, among other things, that the Austrian Chancellor sack his Chief of Staff and alter the structure of his cabinet to include several named n.a.z.is in key positions. Hitler specifically demanded that the Austrian n.a.z.i Arthur Seyss-Inquart be appointed minister of the interior in charge of home security.

Fearing a full-scale invasion, Schuschnigg capitulated. He was now barely in control of his new German puppet government and his position was weakened to such a degree that he had no choice but to turn to the country. A plebiscite was set for March 13, at which the people would vote for or against an independent Austria. Those under twenty-four years old were excluded from partic.i.p.ating on the grounds that they were most likely to want Anschluss. Anschluss. Hitler cried foul and dispatched troops to the Austrian border, sending an ultimatum to Schuschnigg that demanded the immediate cancellation of the plebiscite and a complete handover of power to the Austrian National Socialists. Schuschnigg resigned that evening, and in the chaos that followed, a n.a.z.i faction took over the Ministry of the Interior, which controlled the police. The Austrian president Wilhelm Miklas stood out alone against Hitler's demand that Seyss-Inquart be appointed Austrian chancellor. The Germans, impatient for results, published a fake telegram purporting to come from the Austrian government requesting German military a.s.sistance, whereupon Hitler-claiming moral responsibility--signed the order for his troops to move in. President Miklas, now convinced that the game was up, begrudgingly signed the order appointing Seyss-Inquart chancellor. Hitler cried foul and dispatched troops to the Austrian border, sending an ultimatum to Schuschnigg that demanded the immediate cancellation of the plebiscite and a complete handover of power to the Austrian National Socialists. Schuschnigg resigned that evening, and in the chaos that followed, a n.a.z.i faction took over the Ministry of the Interior, which controlled the police. The Austrian president Wilhelm Miklas stood out alone against Hitler's demand that Seyss-Inquart be appointed Austrian chancellor. The Germans, impatient for results, published a fake telegram purporting to come from the Austrian government requesting German military a.s.sistance, whereupon Hitler-claiming moral responsibility--signed the order for his troops to move in. President Miklas, now convinced that the game was up, begrudgingly signed the order appointing Seyss-Inquart chancellor.

While all this was going on Gretl s...o...b..rough was bobbing about on the Atlantic Ocean with her maid Elizabeth Faustenhammer aboard the SS Manhattan Manhattan bound for New York. Things were not altogether well with her. She had been feeling less than rich and desperately needed to sell her art collection. Before leaving for New York she had arranged for the bulk of it to be packed into sealed crates and sent to a depot in Vienna awaiting s.h.i.+pment. The Heritage Office had granted her an export license and her purpose in going to New York was to arrange for the sale of the pictures as soon as they arrived. By the time her s.h.i.+p reached port on March 18 the country of her birth had ceased to exist--no longer Austria but Ost-mark, a province of the German Reich. If rumors of Hitler's bound for New York. Things were not altogether well with her. She had been feeling less than rich and desperately needed to sell her art collection. Before leaving for New York she had arranged for the bulk of it to be packed into sealed crates and sent to a depot in Vienna awaiting s.h.i.+pment. The Heritage Office had granted her an export license and her purpose in going to New York was to arrange for the sale of the pictures as soon as they arrived. By the time her s.h.i.+p reached port on March 18 the country of her birth had ceased to exist--no longer Austria but Ost-mark, a province of the German Reich. If rumors of Hitler's Anschluss Anschluss had not already reached her on board s.h.i.+p she would certainly have read all about it in the newspapers on the day of her arrival. "Reich Troops Pour Through Austria" was the had not already reached her on board s.h.i.+p she would certainly have read all about it in the newspapers on the day of her arrival. "Reich Troops Pour Through Austria" was the New York Times New York Times front-page headline on that day. This was followed by a long article containing excerpts from a speech of Field Marshal Hermann Goring: "The Greater German Reich has risen. Seventy-five million Germans are united under the banner of the swastika cross. The longings of all Germans for a thousand years have been fulfilled." front-page headline on that day. This was followed by a long article containing excerpts from a speech of Field Marshal Hermann Goring: "The Greater German Reich has risen. Seventy-five million Germans are united under the banner of the swastika cross. The longings of all Germans for a thousand years have been fulfilled."

What Gretl would not have been able to read in the New York newspapers was the news that her export license had been withdrawn by the new regime and that the sealed crates containing her paintings had been returned to her modern rectangular house on the Kundmannga.s.se.

PATRIOT IN TROUBLE

On March 11, 1938--"Austria's longest day"--troops of the German Eighth Army were lined up along the north side of the Austro-German frontier nervously poised for orders to begin Operation Otto. They had no idea what sort of resistance to expect as they crossed the border into Austrian territory but would have been delighted to learn that welcoming swastikas were being unfurled in towns and cities throughout the land in preparation for their arrival. Arthur Seyss-Inquart, not officially chancellor of Austria until the early hours of March 12, was in command of internal affairs and elements of his National Socialist police force, working with Heinrich Himmler's unofficial agents, were given free rein to make sweeping preparations for the German Wehrmacht's imminent mobilization. Any potential threat of resistance had to be neutralized before the German troops advanced. In Vienna the arrest, imprisonment or deportation of all Austrians suspected of the crime of patriotism began in earnest. In the first wave 76,000 men and women were taken in for questioning and 6,000 rumored to have been supporters of Austrian independence or of Schuschnigg's plebiscite, were summarily sacked from their jobs in government, education and other branches of the civil service.

Prince Ernest von Starhemberg's Heimwehr and the Vaterlandische Front were primary targets as being the most likely to mount a military resistance to the Wehrmacht. Starhemberg slipped over the border into Switzerland with his Jewish wife, the actress Nora Gregor; Emil Fey, the ex-head of the Vienna Heimwehr, was said to have shot himself--though evidence suggests he was murdered--while Paul's friend Prince Franz Windisch-Gratz, Starhemberg's ADC, fled to France. Kurt von Schusch-nigg, ignoring advice to flee the country, was held under house arrest in Vienna. In 1941 he was interned in the concentration camp at Sachsenhausen where it was erroneously reported that he had witnessed his fifteen-year-old son being cudgeled to death by camp guards while employed as a " death-transport commando" burying the bodies of several thousand Russian POWs who had been murdered by Himmler's Schutzstaffel or SS.

Paul's links to the Heimwehr may or may not have been known to n.a.z.i agents. His funding was supposedly secret, but a paper trail from the Heimwehr headquarters in Vienna or from Starhemberg's castle at Waxenberg near Linz may easily have led them to him. In any case Paul's strong patriotic views were never held back, so any number of informants could have tipped off the police. On March n n, the day before the German invasion, Paul was arrested, interrogated by police and sacked from his job as professor of piano at the Conservatoire. No criminal charges were brought against him. He was released under caution and probably kept under surveillance. It is possible that he was forced to swear the n.a.z.i oath, though hard to imagine his having done so with good grace. He was certainly ordered to fly a huge swastika flag from the Wittgenstein Palais. One of his students, Erna Otten, remembers bicycling to her lesson. There was a loud n.a.z.i demonstration going on in the Ringstra.s.se and she had to take the slip road. When she reached the Palais she saw the swastika flying from the building and remembered Paul's pained and contrite reaction: "As I entered the room, the professor apologised. I can still see him in front of me, how he placed his hand on his heart. He said he had not been able to do otherwise or they would have arrested him immediately."

On March II, the day of his sacking, Paul secured a letter of recommendation from his boss at the Conservatoire, Josef Reitler, and a week later had it translated into English by the official "sworn interpreter" to the Austrian law courts, Thomas H. Rash: Paul Wittgenstein was invited by me to the New Vienna Conservato-rium in 1931 and has up to this day conducted a pianoforte finis.h.i.+ng cla.s.s at this inst.i.tute with exceptional success, which has repeatedly received public acknowledgment and recognition.The prejudice that the one-armed pianist, to whom the greatest living composers have dedicated works written for the left hand alone, had to contend with were, thanks to his eminent artistic and pedagogic qualities in conjunction with his high seriousness, sense of responsibility and great energy, brilliantly overcome by Paul Wittgenstein. As is unavoidable in a conservatorium cla.s.s he had to test his abilities on pupils of average mediocrity. So much more remarkable are the results of his individualistic method of instruction. In this connection special mention must be made of one of Paul Wittgenstein's special characteristics: an idealism, which has become rare in these days. Both on the concert pla form and in the cla.s.sroom this beautiful idealism has been his guiding star. conservatorium cla.s.s he had to test his abilities on pupils of average mediocrity. So much more remarkable are the results of his individualistic method of instruction. In this connection special mention must be made of one of Paul Wittgenstein's special characteristics: an idealism, which has become rare in these days. Both on the concert pla form and in the cla.s.sroom this beautiful idealism has been his guiding star.In this painful hour of parting I but follow the dictates of my heart in testifying to the greatness of the artist and the merit of the man.(signed): Professor Josef Reitler Shortly before dawn on the morning after Professor Reitler wrote his testimonial, German troops started to move across the border. Hitler had slapped his thigh shouting, "Jetzt geht's los" "Jetzt geht's los" ("Let's be off now!"), giving the green light to Operation Otto. His soldiers proceeded with caution, fingers poised on their triggers, but were soon relieved to discover that the Austrian frontier guards had deserted their posts and obligingly dismantled their barriers before they left. Not a shot was fired in the whole operation and instead of resistance the German army's entry into Austria was feted with cheers, smiles, salutes, ("Let's be off now!"), giving the green light to Operation Otto. His soldiers proceeded with caution, fingers poised on their triggers, but were soon relieved to discover that the Austrian frontier guards had deserted their posts and obligingly dismantled their barriers before they left. Not a shot was fired in the whole operation and instead of resistance the German army's entry into Austria was feted with cheers, smiles, salutes, Heil Hitlers! Heil Hitlers! and the unfurling of thousands of swastika banners all the way to Vienna. and the unfurling of thousands of swastika banners all the way to Vienna.

At 3:50 that afternoon Hitler crossed the border at the place of his birth, Braunau-am-Inn. Austria was technically still an independent nation, Seyss-Inquart was chancellor, Wilhelm Miklas president, so the Fuhrer let it be known that he was entering the country, not as a conquering hero, but simply to "visit his mother's grave." His warm welcome, however, particularly from the good people of Linz, emboldened his heart and within two days the description of his actions s.h.i.+fted from the euphemistic-sounding Anschluss Anschluss (connection) to the more blatant (connection) to the more blatant Machtubernahme Machtubernahme (a.s.sumption of power). Cardinal Innitzer, head of the Austrian Catholic Church, who one week earlier had p.r.o.nounced, "as Austrian citizens, we stand and we fight for a free and independent Austria," now sent his warmest greetings to Hitler and ordered that all his churches be draped with swastika flags while the bells tolled to welcome the n.a.z.i hero. The next day Hitler's demagoguery at Vienna's Helden-platz was cheered by 200,000 ecstatic Austrian supporters and within a month an official plebiscite (from which Jews, socialists and Austro-fascists were prohibited from taking part) returned a vote of 99.73 percent in favor of the annexation. (a.s.sumption of power). Cardinal Innitzer, head of the Austrian Catholic Church, who one week earlier had p.r.o.nounced, "as Austrian citizens, we stand and we fight for a free and independent Austria," now sent his warmest greetings to Hitler and ordered that all his churches be draped with swastika flags while the bells tolled to welcome the n.a.z.i hero. The next day Hitler's demagoguery at Vienna's Helden-platz was cheered by 200,000 ecstatic Austrian supporters and within a month an official plebiscite (from which Jews, socialists and Austro-fascists were prohibited from taking part) returned a vote of 99.73 percent in favor of the annexation.

The Fuhrer promised the Austrian people free holidays for their children and cheap "Strength Through Joy" holidays for the workers; he pledged money to buy radio sets so that they could listen to his speeches, and money for fast roads, and money to rid them of unemployment. These were exciting and happy times for most of the Austrian people. Even those who had originally objected to Anschluss Anschluss were beginning to see the light. News that Hitler had canceled Schuschnigg's plebiscite of March 13 failed to reach the remote village of Tarrenz in time. In ignorance the inhabitants went ahead, voting 100 percent in favor of Austrian independence. Less than one month later 100 percent of the Tarrenz electorate recast their votes in favor of the German were beginning to see the light. News that Hitler had canceled Schuschnigg's plebiscite of March 13 failed to reach the remote village of Tarrenz in time. In ignorance the inhabitants went ahead, voting 100 percent in favor of Austrian independence. Less than one month later 100 percent of the Tarrenz electorate recast their votes in favor of the German Anschluss. Anschluss.

The joy was not, however, universal. Socialists, Austro-fascists and freemasons all came in for persecution and so did the Jews, who were especially vulnerable to unlicensed mob actions against them. Their shops were smashed, boarded up or daubed with red paint, and their owners pressurized into selling to Aryans. One unruly mob in the Prater forced a group of Jews to eat gra.s.s like cows on their hands and knees, others were made to lick the streets or scrub public lavatories with their prayer shawls, while crowds of Austrians gathered round to jeer. On March 17, Reinhard Heydrich, later an important architect of the Holocaust, ordered the arrest