Carolina Chansons Part 11

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The Marquis de la Fayette, under the name of Gilbert du Motier, sailed from Bordeaux on the 26th of March, 1777, accompanied by the Baron Kalb and several French Army Officers. On the 14th of June, 1777, he first landed in America on North Island in Winyah Bay, near Georgetown, S.C., and was received at the house of Major Huger. In a letter to his wife, written soon after his landing, La Fayette says, "I first saw and judged of the life of the country at the house of a Major Huger." Detailed accounts of La Fayette's landing and reception still exist.

NOTE ON THEODOSIA BURR

TO ACCOMPANY "THE PRIEST AND THE PIRATE"

In 1801 Theodosia, daughter of Aaron Burr, Vice-President of the United States, married Joseph Alston of "The Oaks," Hobcaw Barony, S.C. They had one son, Aaron Burr Alston, who died in 1812, the same year that Joseph Alston was elected Governor of the State. On December 30th, 1812, at the urgent solicitation of her father, who had just returned from Europe, and who awaited her eagerly in New York, Theodosia set sail from Georgetown, S.C., in the pilot-boat schooner, "Patriot." Those on board were never seen again.

The vessel, which was being fitted out as a privateer, was carrying dismounted guns under her deck, and may have foundered in the severe gale of January 1st, 1813.

In 1869, however, a Dr. W.C. Pool attended a fisher family at Naggs Head, Kittyhawk, N.C. In the fisherman's hut hung an oil painting of a beautiful woman, which had been taken from an abandoned pilot-built schooner that drifted onto the North Carolina coast in that vicinity in January, 1813. No one was aboard and the vessel had evidently been looted. Ladies' clothes were found in great disorder in the cabin.

There was also a story told by a dying sailor who confessed that he had seen the crew of such a boat walk the plank, and that among them was a beautiful woman who walked into the sea with a Bible or prayer-book in her hand.

The painting is in the possession of the Burr-Alston connection, and is thought by them, on account of its striking family resemblance, to be a picture of Theodosia Burr. The painting story has often been scouted, but there is too much circ.u.mstantial evidence to ignore it in treating the legend.

NOTE TO "THE LAST CREW"

The "Fish-Boat" of the Confederate Navy, which exhaustive research indicates to have been the first submarine vessel to sink an enemy s.h.i.+p in time of war, was designed by Horace L. Hundley in 1863. This boat was twenty feet long, three and one-half feet wide, and five feet deep. Her motive power consisted of eight men whose duty it was to turn the crank of the propeller shaft by hand until the target had been reached. When this primitive craft was closed for diving there was only sufficient air to support life for half an hour. Since the torpedo was attached to the boat itself there was no chance of escape. The only hope was to reach and destroy the enemy vessel before the crew were suffocated or drowned.

Five successive volunteer crews died without reaching their objectives.

But the sixth crew was successful in sinking the Federal blockading s.h.i.+p "Housatonic," their own craft being caught and crushed beneath the foundering vessel. These crews went to certain death in the night time, in such secrecy that it was often months before their own families knew the names of the men. And now, with the lapse of scarcely more than half a century, it has been possible to find the names of only sixteen of those who paid the price.

Because no nation of any time can point to a more inspiring example of self-sacrifice, and because now, in a country reunited and indissoluble, the traditions of both the North and the South are a common, glorious heritage, the poem, which presents the final episode in the drama, is written as a memorial to all who gave their lives in the venture.

D.H.

NOTE ON POE

TO ACCOMPANY "EDGAR ALLAN POE" AND "ALCHEMY"

In May, 1828, Poe enlisted in the army under the name of Edgar A. Perry, and was a.s.signed to Battery "H" of the First Artillery at Fort Independence. In October his battery was ordered to Fort Moultrie, Charleston, S.C. Poe spent a whole year on Sullivan's Island. Professor C. Alphonso Smith, the well-known Poe authority, says, "So far as I know, this was the only tropical background that Poe had ever seen."

That the susceptible nature of the young poet was vastly impressed by the weirdness and melancholy scenery of the Carolina coast country, there can be very little doubt. The dank tarns and funereal woodlands of his landscapes, or at least the strong suggestion of them, may all be found here, and the scene of _The Goldbug_ is definitely laid on Sullivan's Island. Here are dim family vaults, and tracts of country in which the House of Usher might well stand.

"Dim vales and shadowy floods And cloudy-looking woods Whose forms we can't discover, From the tears that drip all over"

was written while Poe was in the army at Fort Moultrie, and appeared in his second volume in 1829. There are later echoes.

"Around by lifting winds forgot Resignedly beneath the sky The melancholy waters lie."

H.A.

"MARSH TACKIES"

"Marsh Tackies" is the name given by the negroes to the little, wild horses of the Carolina coast country's swamps and sea islands. Early traditions say that these horses were found by the English when they first came and that they are the descendants of runaways from the Spanish settlements to the South about St. Augustine, or horses turned loose by DeSoto upon his ill-fated march to the Mississippi. These horses pick up a precarious living in out-of-the-way sections along the coast, and are occasionally taken and broken in by the negroes. They are the "poor horse trash" of the section.

BIBLIOGRAPHY

Alstons and Allstons of South Carolina S.C. GRAVES Annual Report of the Am. Hist. a.s.s. 1913 Aaron Burr, Memoirs, Life, and Letters Charleston Courier OLD FILES Charleston Mercury OLD FILES Charleston the Place and the People RAVENEL Colonial History of South Carolina LAWSON Defense of Charleston Harbor JOHNSON Diary from Dixie CHESTNUT Edgar Allan Poe WOODBURY Edgar Allan Poe, How to Know Him SMITH Edgar Allen Poe HARRISON Mobile Mercury OLD FILES Proceedings of the American Philos. Soc. VOL. XXVI Pirates, The Carolina HUGHSON, JOHNS HOPKINS PRESS PAMPHLET Submarines PAMPHLET, SMYTHE, A.T., JR.

South Carolina Historical and Genealogical Magazine VOL. XIV Theodosia PIDGIN

Carolina Chansons Part 11

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Carolina Chansons Part 11 summary

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