Theocritus Bion and Moschus Rendered into English Prose Part 19
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I--THE LAMENT FOR ADONIS
This poem was probably intended to be sung at one of the spring celebrations of the festival of Adonis, like that described by Theocritus in his fifteenth idyl.
Woe, woe for Adonis, he hath perished, the beauteous Adonis, dead is the beauteous Adonis, the Loves join in the lament. No more in thy purple raiment, Cypris, do thou sleep; arise, thou wretched one, sable-stoled, and beat thy b.r.e.a.s.t.s, and say to all, 'He hath perished, the lovely Adonis!'
Woe, woe for Adonis, the Loves join in the lament!
Low on the hills is lying the lovely Adonis, and his thigh with the boar's tusk, his white thigh with the boar's tusk is wounded, and sorrow on Cypris he brings, as softly he breathes his life away.
His dark blood drips down his skin of snow, beneath his brows his eyes wax heavy and dim, and the rose flees from his lip, and thereon the very kiss is dying, the kiss that Cypris will never forego.
To Cypris his kiss is dear, though he lives no longer, but Adonis knew not that she kissed him as he died.
Woe, woe for Adonis, the Loves join in the lament!
A cruel, cruel wound on his thigh hath Adonis, but a deeper wound in her heart doth Cytherea bear. About him his dear hounds are loudly baying, and the nymphs of the wild wood wail him; but Aphrodite with unbound locks through the glades goes wandering,--wretched, with hair unbraided, with feet unsandaled, and the thorns as she pa.s.ses wound her and pluck the blossom of her sacred blood. Shrill she wails as down the long woodlands she is borne, lamenting her a.s.syrian lord, and again calling him, and again. But round his navel the dark blood leapt forth, with blood from his thighs his chest was scarlet, and beneath Adonis's breast, the s.p.a.ces that afore were snow-white, were purple with blood.
Woe, woe for Cytherea, the Loves join in the lament!
She hath lost her lovely lord, with him she hath lost her sacred beauty. Fair was the form of Cypris, while Adonis was living, but her beauty has died with Adonis! Woe, woe for Cypris, the mountains all are saying, and the oak-trees answer, Woe for Adonis. And the rivers bewail the sorrows of Aphrodite, and the wells are weeping Adonis on the mountains. The flowers flush red for anguish, and Cytherea through all the mountain-knees, through every dell doth shrill the piteous dirge.
Woe, woe for Cytherea, he hath perished, the lovely Adonis!
And Echo cried in answer, He hath perished, the lovely Adonis. Nay, who but would have lamented the grievous love of Cypris? When she saw, when she marked the unstaunched wound of Adonis, when she saw the bright red blood about his languid thigh, she cast her arms abroad and moaned, 'Abide with me, Adonis, hapless Adonis abide, that this last time of all I may possess thee, that I may cast myself about thee, and lips with lips may mingle. Awake Adonis, for a little while, and kiss me yet again, the latest kiss! Nay kiss me but a moment, but the lifetime of a kiss, till from thine inmost soul into my lips, into my heart, thy life-breath ebb, and till I drain thy sweet love-philtre, and drink down all thy love. This kiss will I treasure, even as thyself; Adonis, since, ah ill-fated, thou art fleeing me, thou art fleeing far, Adonis, and art faring to Acheron, to that hateful king and cruel, while wretched I yet live, being a G.o.ddess, and may not follow thee! Persephone, take thou my lover, my lord, for thy self art stronger than I, and all lovely things drift down to thee. But I am all ill-fated, inconsolable is my anguish, and I lament mine Adonis, dead to me, and I have no rest for sorrow.
'Thou diest, O thrice-desired, and my desire hath flown away as a dream. Nay, widowed is Cytherea, and idle are the Loves along the halls! With thee has the girdle of my beauty perished. For why, ah overbold, didst thou follow the chase, and being so fair, why wert thou thus overhardy to fight with beasts?'
So Cypris bewailed her, the Loves join in the lament:
Woe, woe for Cytherea, he hath perished the lovely Adonis!
A tear the Paphian sheds for each blood-drop of Adonis, and tears and blood on the earth are turned to flowers. The blood brings forth the rose, the tears, the wind-flower.
Woe, woe for Adonis, he hath perished; the lovely Adonis!
No more in the oak-woods, Cypris, lament thy lord. It is no fair couch for Adonis, the lonely bed of leaves! Thine own bed, Cytherea, let him now possess,--the dead Adonis. Ah, even in death he is beautiful, beautiful in death, as one that hath fallen on sleep. Now lay him down to sleep in his own soft coverlets, wherein with thee through the night he shared the holy slumber in a couch all of gold, that yearns for Adonis, though sad is he to look upon. Cast on him garlands and blossoms: all things have perished in his death, yea all the flowers are faded. Sprinkle him with ointments of Syria, sprinkle him with unguents of myrrh. Nay, perish all perfumes, for Adonis, who was thy perfume, hath perished.
He reclines, the delicate Adonis, in his raiment of purple, and around him the Loves are weeping, and groaning aloud, clipping their locks for Adonis. And one upon his shafts, another on his bow is treading, and one hath loosed the sandal of Adonis, and another hath broken his own feathered quiver, and one in a golden vessel bears water, and another laves the wound, and another from behind him with his wings is fanning Adonis.
Woe, woe for Cytherea, the Loves join in the lament!
Every torch on the lintels of the door has Hymenaeus quenched, and hath torn to shreds the bridal crown, and Hymen no more, Hymen no more is the song, but a new song is sung of wailing.
'Woe, woe for Adonis,' rather than the nuptial song the Graces are shrilling, lamenting the son of Cinyras, and one to the other declaring, He hath perished, the lovely Adonis.
And woe, woe for Adonis, shrilly cry the Muses, neglecting Paeon, and they lament Adonis aloud, and songs they chant to him, but he does not heed them, not that he is loth to hear, but that the Maiden of Hades doth not let him go.
Cease, Cytherea, from thy lamentations, to-day refrain from thy dirges. Thou must again bewail him, again must weep for him another year.
II--THE LOVE OF ACHILLES
Lycidas sings to Myrson a fragment about the loves of Achilles and Deidamia.
Myrson. Wilt thou be pleased now, Lycidas, to sing me sweetly some sweet Sicilian song, some wistful strain delectable, some lay of love, such as the Cyclops Polyphemus sang on the sea-banks to Galatea?
Lycidas. Yes, Myrson, and I too fain would pipe, but what shall I sing?
Myrson. A song of Scyra, Lycidas, is my desire,--a sweet love- story,--the stolen kisses of the son of Peleus, the stolen bed of love how he, that was a boy, did on the weeds of women, and how he belied his form, and how among the heedless daughters of Lycomedes, Deidamia cherished Achilles in her bower. {176}
Lycidas. The herdsman bore off Helen, upon a time, and carried her to Ida, sore sorrow to OEnone. And Lacedaemon waxed wroth, and gathered together all the Achaean folk; there was never a h.e.l.lene, not one of the Mycenaeans, nor any man of Elis, nor of the Laconians, that tarried in his house, and shunned the cruel Ares.
But Achilles alone lay hid among the daughters of Lycomedes, and was trained to work in wools, in place of arms, and in his white hand held the bough of maidenhood, in semblance a maiden. For he put on women's ways, like them, and a bloom like theirs blushed on his cheek of snow, and he walked with maiden gait, and covered his locks with the snood. But the heart of a man had he, and the love of a man.
From dawn to dark he would sit by Deidamia, and anon would kiss her hand, and oft would lift the beautiful warp of her loom and praise the sweet threads, having no such joy in any other girl of her company. Yea, all things he essayed, and all for one end, that they twain might share an undivided sleep.
Now he once even spake to her, saying -
'With one another other sisters sleep, but I lie alone, and alone, maiden, dost thou lie, both being girls unwedded of like age, both fair, and single both in bed do we sleep. The wicked Nysa, the crafty nurse it is that cruelly severs me from thee. For not of thee have I ... '
III--THE SEASONS
Cleodamus and Myrson discuss the charms of the seasons, and give the palm to a southern spring.
Cleodamus. Which is sweetest, to thee, Myrson, spring, or winter or the late autumn or the summer; of which dost thou most desire the coming? Summer, when all are ended, the toils whereat we labour, or the sweet autumn, when hunger weighs lightest on men, or even idle winter, for even in winter many sit warm by the fire, and are lulled in rest and indolence. Or has beautiful spring more delight for thee? Say, which does thy heart choose? For our leisure lends us time to gossip.
Myrson. It beseems not mortals to judge the works of G.o.d; for sacred are all these things, and all are sweet, yet for thy sake I will speak out, Cleodamus, and declare what is sweeter to me than the rest. I would not have summer here, for then the sun doth scorch me, and autumn I would not choose, for the ripe fruits breed disease.
The ruinous winter, bearing snow and frost, I dread. But spring, the thrice desirable, be with me the whole year through, when there is neither frost, nor is the sun so heavy upon us. In springtime all is fruitful, all sweet things blossom in spring, and night and dawn are evenly meted to men.
IV--THE BOY AND LOVE
A fowler, while yet a boy, was hunting birds in a woodland glade, and there he saw the winged Love, perched on a box-tree bough. And when he beheld him, he rejoiced, so big the bird seemed to him, and he put together all his rods at once, and lay in wait for Love, that kept hopping, now here, now there. And the boy, being angered that his toil was endless, cast down his fowling gear, and went to the old husbandman, that had taught him his art, and told him all, and showed him Love on his perch. But the old man, smiling, shook his head, and answered the lad, 'Pursue this chase no longer, and go not after this bird. Nay, flee far from him. 'Tis an evil creature. Thou wilt be happy, so long as thou dost not catch him, but if thou comest to the measure of manhood, this bird that flees thee now, and hops away, will come uncalled, and of a sudden, and settle on thy head.'
V--THE TUTOR OF LOVE
Theocritus Bion and Moschus Rendered into English Prose Part 19
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Theocritus Bion and Moschus Rendered into English Prose Part 19 summary
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