Marzio's Crucifix, and Zoroaster Part 10

"Yes-it is quite true. But do not suppose that I think any the worse of you on that account, Sor Marzio."

With this taunt, delivered in a voice that expressed the most profound contempt, Gianbattista went back to his seat and took up his hammer as though nothing had happened. Don Paolo drew a long breath of relief. As for Marzio, his teeth chattered with rage. His weakness had been betrayed at last, and by Gianbattista. All his life he had succeeded in concealing the physical fear which his words belied. He had cultivated the habit of offering to face danger, speaking of it in a quiet way, as he had observed that brave men did. He had found it good policy to tell people that he was not afraid of them, and his bearing had hitherto saved him from physical violence. Now he felt as though all his nerves had been drawn out of his body. He had been terrified, and he knew that he had shown it. Gianbattista's words stung in his ears like the sting of wasps.

"You shall never enter this room again," he hissed out between his teeth. The young man shrugged his shoulders as though he did not care. Don Paolo sat down again and grasped his umbrella.

"Gianbattista," said the priest, "I am grateful to you for your friends.h.i.+p, my boy. But it is very wrong to be violent-"

"It is one of the seven deadly sins!" cried Marzio, finding his voice at last, and by a strange accident venting his feelings in a sentence which might have been spoken by a confessor to a penitent.

Gianbattista could not help laughing, but he shook his head as though to explain that it was not his fault if he was violent with such a man.

"It is very wrong to threaten people, Tista," repeated Don Paolo; "and besides it does not hurt me, what Marzio says. Let us all be calm. Marzio, let us discuss this matter reasonably. Tista, do not be angry at anything that is said. There is nothing to be done but to look at the question quietly."

"It is very well for you to talk like that," grumbled Marzio, pretending to busy himself over his model in order to cover his agitation.

"It is of no use to talk in any other way," answered the priest "I return to the subject. I only want to convince you that you will find it impossible to carry out your determination by force. You have only to ask the very man you have hit upon, the Avvocato Garnesecchi, and he will tell you the same thing. He knows the law better than you or I. He will refuse to be a party to such an attempt. Ask him, if you do not believe me."

"Yes; a pretty position you want to put me in, by the body of a dog! To ask a man to marry my daughter by force! A fine opinion he would conceive of my domestic authority! Perhaps you will take upon yourself to go and tell him-won't you, dear Paolo? It would save me the trouble."

"I think that is your affair," answered Don Paolo, taking him in earnest. "Nevertheless, if you wish it-"

"Oh, this is too much!" cried Marzio, his anger rising again. "It is not enough that you thwart me at every turn, but you come here to mock me, to make a figure of me! Take care, Paolo, take care! You may go too far."

"I would not advise you to go too far, Sor Marzio," put in Gianbattista, turning half round on his stool.

"Cannot I speak without being interrupted? Go on with your work, Tista, and let us talk this matter out. I tell you, Paolo, that I do not want your advice, and that I have had far too much of your interference. I will inquire into this matter, so far as it concerns the law, and I will show you that I am right, in spite of all your surmises and prophecies. A man is master in his own house and must remain so, whatever laws are made. There is no law which can force a man to submit to the dictation of his brother-even if his brother is a priest."

Marzio spoke more calmly than he had done hitherto, in spite of the sneer in the last sentence. He had broken down, and he felt that Paolo and Gianbattista were too much for him. He desired no repet.i.tion of the scene which had pa.s.sed, and he thought the best thing to be done was to temporise for a while.

"I am glad you are willing to look into the matter," answered Don Paolo. "I am quite sure you will soon be convinced."

Marzio was silent, and it was evident that the interview was at an end. Don Paolo was tolerably well satisfied, for he had gained at least one point in forcing his brother to examine the question. He remained a moment in his seat, reviewing the situation, and asking himself whether there was anything more to be said. He wished indeed that he could produce some deeper impression on the artist. It was not enough, from the moral point of view, that Marzio should be made to see the impossibility of his scheme, although it was as much as could be expected. The good man wished with all his heart that Marzio could be softened a little, that he might be made to consider his daughter's feelings, to betray some sign of an affection which seemed wholly dead, to show some more human side of his character. But the situation at present forbade Don Paolo from making any further effort. The presence of Gianbattista, who had suddenly const.i.tuted himself the priest's defender, was a constraint. Alone with his brother, Marzio might possibly have exhibited some sensibility, but while the young man who had violently silenced him a few moments earlier was looking on, the chiseller would continue to be angry, and would not forget the humiliation he had suffered. There was nothing more to be done at present, and Don Paolo prepared to take his departure, gathering his cloak around him, and smoothing the felt of his three-cornered hat while he held his green umbrella under his arm.

"Are you going already, Don Paolo?" asked Gianbattista, rising to open the door.

"Yes, I must go. Good-bye, Marzio. Bear me no ill-will for pressing you to be cautious. Good-bye, Tista." He pressed the young man's hand warmly, as though to thank him for his courageous defence, and then left the workshop. Marzio paid no attention to his departure. When the door was closed, and as Gianbattista was returning to his bench, the artist dropped his modelling tools and faced his apprentice.

"You may go too," he said in a low tone, as though he were choking. "I mean you may go for good. I do not need you any longer."

He felt in his pocket for his purse, opened it, and took out some small notes.

"I give you an hour to take your things from my house," he continued. "There are your wages-you shall not tell the priest that I cheated you."

Gianbattista stood still in the middle of the room while Marzio held out the money to him. A hot flush rose to his young forehead, and he seemed on the point of speaking, but the words did not pa.s.s his lips. With a quick step he came forward, took the notes from Marzio's hand, and crumpling them in his fingers, threw them in his face with all his might. Then he turned on his heel, spat on the floor of the room, and went out before Marzio could find words to resent the fresh insult.

The door fell back on the latch and Marzio was alone. He was very pale, and for a moment his features worked angrily. Then a cruel smile pa.s.sed over his face. He stooped down, picked up the crumpled notes, counted them, and replaced them in his purse. The economical instinct never forsook him, and he did the thing mechanically. Glancing at the bench his eyes fell on the pointed punch which Gianbattista had taken up in his anger. He felt it carefully, handled it, looked at it, smiled again and put it into his pocket.

"It is not a bad one," he muttered. "How many cherubs' eyes I have made with that thing!"

He turned to the slate and examined the rough model he had made in wax, flat still, and only indicated by vigorous touches, the red material smeared on the black surface all around it by his fingers. There was force in the figure, even in its first state, and there was a strange pathos in the bent head, the only part as yet in high relief. But Marzio looked at it angrily. He turned it to the light, closed his eyes a moment, looked at it again, and then, with an incoherent oath, his long, discoloured hand descended on the model, and, with a heavy pressure and one strong push, flattened out what he had done, and smeared it into a shapeless ma.s.s upon the dark stone.

"I shall never do it," he said in a low voice. "They have destroyed my idea."

For some minutes he rested his head in his hand in deep thought. At last he rose and went to a corner of the workshop in which stood a heavily ironed box. Marzio fumbled in his pocket till he found a key, bright from always being carried about with him, and contrasting oddly with the rusty lock into which he thrust it. It turned with difficulty in his nervous fingers, and he raised the heavy lid. The coffer was full of packages wrapped in brown paper. He removed one after another till he came to a wooden case which filled the whole length and breadth of the safe. He lifted it out carefully and laid it on the end of the bench. The cover was fastened down by screws, and he undid them one by one until it moved and came off in his hands. The contents were wrapped carefully in a fine towel, which had once been white, but which had long grown yellow with age. Marzio unfolded the covering with a delicate touch as though he feared to hurt what was within. He took out a large silver crucifix, raising it carefully, and taking care not to touch the figure. He stood it upon the bench before him, and sat down to examine it.

It was a work of rare beauty, which he had made more than ten years before. With the strange reticent instinct which artists sometimes feel about their finest works, he had finished it in secret, working at night alone, and when it was done he had put it away. It was his greatest feat, he had said to himself, and, as from time to time he took it out and looked at it, he gradually grew less and less inclined to show it to any one, resolving to leave it in its case, until it should be found after his death. It had seemed priceless to him, and he would not sell it. With a fantastic eccentricity of reasoning he regarded it as a sacred thing, to part with which would be a desecration. So he kept it. Then, taking it out again, it had seemed less good to him, as his mind became occupied with other things, and he had fancied he should do better yet. At last he screwed it up in a wooden case and put it at the bottom of his strong box, resolving never to look at it again. Many years had pa.s.sed since he had laid eyes upon it.

The idea which had come to him when Paolo had communicated the order to him on the previous evening, had seemed absolutely new. It had appeared to him as a glorification of the work he had executed in secret so long ago. Time, and the habit of dissatisfaction had effaced from his mind the precise image of the work of the past, and the emotions of the present had seemed something new to him. He had drawn and modelled during many hours, and yet he was utterly disappointed with the new result. He felt the innate consciousness of having done it before, and of having done it better.

And now the wonderful masterpiece of his earlier years stood before him-the tall and ma.s.sive ebony cross, bearing the marvellous figure of the dead Saviour. A ray of sunlight fell through the grated window upon the dying head, illuminating the points of the thorns in the crown, the falling locks of hair, the tortured hands, and casting a shadow of death beneath the half-closed eyes.

For several minutes Marzio sat motionless on his stool, realising the whole strength and beauty of what he had done ten years before. Then he wanted to get a better view of it. It was not high enough above him, for it was meant to stand upon an altar. He could not see the face. He looked about for something upon which to make it stand, but nothing was near. He pushed away his stool, and turning the cross a little, so that the sunlight should strike it at a better angle, he kneeled down on the floor, his hands resting on the edge of the bench, and he looked up at the image of the dead Christ.

CHAPTER VII

When Don Paolo left the workshop, he immediately crossed over and entered the street door of Marzio's house, intending to tell Maria Luisa and Lucia the result of the interview. He had not got to the top of the first flight of stairs when he heard Gianbattista's step behind him, and turning he saw the young man's angry face.

"What is the matter, Tista?" asked the priest, stopping on the steps and laying his hand on the iron railing.

"I am discharged, turned out, insulted by that animal!" answered the apprentice hotly. "He is like a piece of wood! You might as well talk to a wall! You had only just closed the door when he pulled out his purse, counted my wages, and told me to take my things from his house in an hour. I threw the money in his face-the beast!"

"Hush, Tista," said Don Paolo. "Do not be angry-we will arrange it all before night. He cannot do without you, and after all it is my fault. Calm yourself, Tista, my boy-we will soon set that straight."

"Yes-in an hour I will have left the house. Then it will be straight enough, as you call it. Oh! I would like to strangle him! Dear Don Paolo, n.o.body but you can arrange this affair-"

"Hush, hush, Tista. I cannot hear you talk in this way. Come, we will go back to Marzio. He will listen to reason-"

"Do you know what he said to me not a quarter of an hour before you came in?" asked Gianbattista quickly, laying his hand on the priest's arm. "He said I might have Lucia and welcome if I would kill you! Do you understand? I wish you could have seen the look in his eyes!"

"No, no, my boy-he was angry. He did not mean it."

"Mean it! Bacchus! He would kill you himself if he were not such a dastardly coward!"

Don Paolo shook his head with an incredulous smile, and looked kindly into the young man's eyes.

"You have all lost your heads over this unfortunate affair, Tista. You are all talking of killing each other and yourselves as though it were as simple as 'good-morning.' It is very wrong to talk of such things, and besides, you know, it is not really worth while-"

"It seems simple enough to me," answered the young man, frowning and clenching his hand.

"Come with me," urged the other, making as though he would descend the steps. "Come back to the workshop, and we will talk it all over."

"Wait a minute, Don Paolo. There is one thing-one favour I want to ask of you." Gianbattista lowered his voice. "You can do it for us-I am sure you will. I will call Lucia, and we will go with you-"

"Where?" asked the priest, not understanding the look of the young man.

"To church, of course. You can marry us in ten minutes, and the thing will be all over. Then we can laugh at Sor Marzio."

Don Paolo smiled.