Marzio's Crucifix, and Zoroaster Part 16

"Let us see, Don Paolo. There are some bad priests in the world, I suppose; are there not?"

"It is to be feared-"

"Yes, there are. There are bad priests in all forms of religion. Yet they say ma.s.s. Of course, very often the people know that they are bad. Do you think that the ma.s.s is less efficacious for the salvation of those who attend it, provided that they themselves pray with the same earnestness?"

"No; certainly not. For otherwise it would be necessary that the people should ascertain whether the priest is in a state of grace every time he celebrates; and since their salvation would then, depend upon that, they would be committing a sin if they did not examine the relative morality of different priests and select the most saintly one."

"Well then, so much the more is it indifferent whether the inanimate vessels we use are chiselled by a saint or an unbeliever. Their use sanctifies them, not the moral goodness of the artist. For, by your own argument, we should otherwise he committing a sin if we did not find out the most saintly men and set them to silver-chiselling instead of ordaining them bishops and archbishops. It would take a long time to build a church if you only employed masons who were in a state of grace."

"Well, but would you not prefer that the artist should be a good man?"

"For his own sake, Don Paolo, for his own sake. The thing he makes is not at all less worthy if he is bad. Are there not in many of our churches pillars that stood in Roman temples? Is not the canopy over the high altar in Saint Peter's made of the bronze roof of the Pantheon? And besides, what is goodness? We are all bad, but some are worse than others. It is not our business to judge, or to distribute commissions for works of art to those whom we think the best among men, as one gives medals and prizes to industrious and well-behaved children."

"That is very clear, and very true," answered the priest.

He did not really want to discuss the question of Marzio's belief or unbelief. Perhaps, if he had not been disturbed in mind by the events of the morning he would have avoided the subject, as he had often done before when the Cardinal had questioned him. But to-day he was not quite himself, and being unable to tell a falsehood of any kind he had spoken more of idle truth than he had wished. He felt that he had perhaps been unjust to his brother. He looked ill at ease, and the Cardinal noticed it, for he was a kindly man and very fond of his secretary.

"You must not let the matter trouble you," said the prelate, after a pause. "I am an inquisitive old man, as you know, and I like to be acquainted with my friends' affairs. But I am afraid I have annoyed you-"

"Oh! Your Eminence could never-"

"Never intentionally," interrupted the Cardinal. "But it is human to err, and it is especially human to bore one's fellow-creatures with inquisitive questions. We all have our troubles, Don Paolo, and I am yours. Some day, perhaps, you will be a cardinal yourself-who knows? I hope so. And then you will have an excellent secretary, who will be much too good, even for you, and whom you can torture by the hour together with inquiries about his relations. Well, if it is only for your sake, Sor Marzio shall never have any fewer commissions, even if he turn out more in earnest with his socialism than most of those fellows."

"You are too kind," said Paolo simply.

He was very grateful for the kindly words, for he knew that they were meant and not said merely in jest. The idea that he had perhaps injured Marzio in the Cardinal's estimation was very painful to him, in spite of what he had felt that morning. Moreover, the prelate's plain, common-sense view of the case rea.s.sured him, and removed a doubt that had long ago disturbed his peace of mind. On reflection it seemed true enough, and altogether reasonable, but Paolo knew in his heart what a sensation of repulsion, not to say loathing, he would experience if he should ever be called upon to use in the sacred services a vessel of his brother's making. The thought that those long, cruel fingers of Marzio's had hammered and worked out the delicate design would pursue him and disturb his thoughts. The sound of Marzio's voice, mocking at all the priest held holy, would be in his ears and would mingle with the very words of the canon.

But then, provided that he himself were not obliged to use his brother's chalices, what could it matter? The Cardinal did not know the artist, and whatever picture he might make to himself of the man would be shadowy and indistinct. The feeling, then, was his own and quite personal. It would be the height of superst.i.tious folly to suppose that any evil principle could be attached to the silver and gold because they were chiselled by impious hands. A simple matter this, but one which had many a time distressed Don Paolo.

There was a long pause after the priest's last words, during which the prelate looked at him from time to time, examined his own white hands, and turned his great ruby ring round his finger.

"Let us go to work," he said at length, as though dismissing the subject of the conversation from his mind.

Paolo fetched a large portfolio of papers and established himself at the writing-table, while the Cardinal examined the doc.u.ments one by one, and dictated what he had to say about them to his secretary. During two hours or more the two men remained steadily at their task. When the last paper was read and the last note upon it written out, the Cardinal rose from his arm-chair and went to the window. There was no sound in the room but that of the sand rattling upon the stiff surface, as Paolo poured it over the wet ink in the old-fas.h.i.+oned way, shook it about and returned it to the little sandbox by the inkstand. Suddenly the old churchman turned round and faced the priest.

"One of these days, when you and I are asleep out there at San Lorenzo, there will be a fight, my friend," he said.

"About what, Eminence?" asked the other.

"About silver chalices, perhaps. About many things. It will be a great fight, such as the world has never seen before."

"I do not understand," said Don Paolo.

"Your brother represents an idea," answered the Cardinal. "That idea is the subversion of all social principle. It is an idea which must spread, because there is an enormous number of depraved men in the world who have a very great interest in the destruction of law. The watchword of that party will always be 'there is no G.o.d,' because G.o.d is order, and they desire disorder. They will, it is true, always be a minority, because the greater part of mankind are determined that order shall not be destroyed. But those fellows will fight to the death, because they know that in that battle there will be no quarter for the vanquished. It will be a mighty struggle and will last long, but it will be decisive, and will perhaps never be revived when it is once over. Men will kill each other where-ever they meet, during months and years, before the end comes, for all men who say that there is a G.o.d in Heaven will be upon the one side, and all those who say there is no G.o.d will be upon the other."

"May we not be alive to see anything so dreadful!" exclaimed Don Paolo devoutly.

"No, you and I shall not see it. But those little children who are playing with chestnuts down there in the court-they will see it. The world is uneasy and dreads the very name of war, lest war should become universal if it once breaks out. Tell your brother that."

"It is what he longs for. He is always speaking of it."

"Then it is inevitable. When many millions like him have determined that there shall be evil done, it cannot long be warded off. Their blood be on their own heads."

When Don Paolo had climbed again to his lonely lodging, half an hour later, he pondered long upon what the Cardinal had said to him, and the longer he thought of it, the more truth there seemed to be in the prediction.

CHAPTER X

Gianbattista reached the church in which he was to do his work, and superintended the unloading of the carts. It was but a little after one o'clock, and he expected to succeed in putting up the grating before night. The pieces were carefully carried to the chapel where they were to be placed, and laid down in the order in which they would be needed. It took a long time to arrange them, and the apprentice was glad he had advised Maria Luisa and Lucia to come late. It would have wearied them, he reflected, to a.s.sist at the endless fitting and s.c.r.e.w.i.n.g of the joints, and they would have had no impression of the whole until they were tired of looking at the details.

For hours he laboured with the men, not allowing anything to be done without his supervision, and doing more himself than any of the workmen. He grew hot and interested as the time went on, and he began to doubt whether the work could be finished before sunset. The workmen themselves, who preferred a job of this kind to the regular occupation of the studio, seemed in no hurry, though they did what was expected of them quietly and methodically. Each one of them was calculating, as nearly as possible, the length of time needed to drive a screw, to lift a piece into position, to finish off a shank till it fitted closely in the prepared socket. Half an hour wasted by driblets to-day, would ensure them for the morrow the diversion of an hour or two in coming to the church and returning from it.

From time to time Gianbattista glanced towards the door, and as the hours advanced his look took the same direction more often. At last, as the rays of the evening sun fell through the western window, he heard steps, and was presently rewarded by the appearance of the Signora Pandolfi, followed closely by Lucia. They greeted Gianbattista from a distance, for the church being under repairs was closed to the public, and had not been in use for years, so that the sound of voices did not seem unnatural nor irreverent.

"It is not finished," said Gianbattista, coming forward to meet them; "but you can see what it will be like. Another hour will be enough."

At that moment Don Paolo suddenly appeared, walking fast up the aisle in pursuit of the two women. They all greeted him with an exclamation of surprise.

"Eh!" he exclaimed, "you are astonished to see me? I was pa.s.sing and saw you go in, and as I knew about the grating, I guessed what you came for and followed you. Is Marzio here?"

"No," answered Gianbattista. "He said he might perhaps come, but I doubt it. I fancy he wants to be alone."

"Yes," replied Don Paolo thoughtfully, "I daresay he wants to be alone."

"He has had a good many emotions to-day," remarked Gianbattista. "We shall see how he will be this evening. Of course, you have heard the news, Don Paolo? Besides, you see I am at work, so that the first great difference has been settled. Lucia managed it-she has an eloquence, that young lady! She could preach better than you, Don Paolo."

"She is a little angel," exclaimed the priest, tapping his niece's dark cheek with his white hand.

"That is four to-day!" cried Lucia, laughing. "First mamma, then papa-figure to yourself papa!-then Tista, and now Uncle Paolo. Eh! if the wings don't grow before the Ave Maria-"

She broke off with a pretty motion of her shoulders, showing her white teeth and turning to look at Gianbattista. Then the young man took them to see the grating. A good portion of it was put up, and it produced a good effect. The whole thing was about ten or twelve feet high, consisting of widely-set gilt bars, between which were fastened large arabesques and scrolls. On each side of the gate, in the middle, an angel supported a metal drapery, of which the folds were in reality of separate pieces, but which, as it now appeared, all screwed together in its place, had a very free and light effect. It was work of a conventional kind and of a conventional school, but even here Marzio's great talent had shown itself in his rare knowledge of effects and free modelling; the high lights were carefully chosen and followed out, and the deep shadows of the folds in dull gold gave a richness to the drapery not often found in this species of decoration. The figures of the angels, too, were done by an artist's hand-conventional, like the rest, but free from heaviness or anatomical defects.

"It is not bad," said Don Paolo, in a tone which surprised every one. He was not often slow to praise his brother's work.

"How, not bad? Is that all you say?" asked Gianbattista, in considerable astonishment. He felt, too, that as Marzio and he worked together, he deserved acme part of the credit. "It is church decoration of course, and not a 'piece,' as we say, but I would like to see anybody do better."

"Well, well, Tista, forgive me," he answered, "The fact is, Marzio showed me something to-day so wonderful, that I see no beauty in anything else-or, at least, not so much beauty as I ought to see. I went in to find him again, you know, just as Lucia was leaving, and he showed me a crucifix-a marvel, a wonder!-he said he had had it a long time, put away in a box."

"I never saw it," said Tista.

"I did!" exclaimed Lucia. She regretted the words as soon as she had spoken them, and bit her lip. She had not told her mother what she had told Gianbattista.

"When did you see it? Is it so very beautiful?" asked the Signora Pandolfi.

"Oh, I only saw it through the door, when I went," she answered quickly. "The door was open, but I knocked and I saw him hide it. But I think it was very fine-splendid! What did you talk about, Uncle Paolo? You have not told us about your visit. I whispered to you that everything was settled, but you looked as though you did not understand. What did you say to each other?"

"Oh, nothing-nothing of any importance," said Don Paolo in some embarra.s.sment. He suddenly recollected that, owing to his brother's strange conduct, he had left the studio without saying a word about the errand which had brought him. "Nothing," he repeated. "We talked about the crucifix, and Marzio gave a very long explanation of the way it was made. Besides, as Lucia says, she had told me that everything was settled, and Marzio spoke very quietly."

This was literally true. Marzio's words had been gentle enough. It was his action that had at first startled Don Paolo, and had afterwards set him thinking and reflecting on the events of those few minutes. But he would not for anything in the world have allowed any of his three companions to know what had happened. He was himself not sure. Marzio had excused the position of his hand by saying that the sun was in his eyes. There was something else in his eyes, thought Paolo; a look of hatred and of eager desire for blood which it was horrible to remember. Perhaps he ought not to remember it, for he might, be mistaken, after all, and it was a great sin to suspect any one of wis.h.i.+ng to commit such a crime; but nevertheless; and in spite of his desire that it might not have been true, Don Paolo was conscious of having received the impression, and he was sure that it had not been the result of any foolish fright. He was not a cowardly, man, and although his physical courage had rarely been put to the test, no one who knew him would have charged him with the contemptible timidity which imagines danger gratuitously, and is afraid where no fear is. He was of a better temper than Marzio, who had been startled so terribly by a slight noise when his back was turned. And yet he had been profoundly affected by the scene of the morning, and had not yet entirely recovered his serenity.