The Cross of Berny Part 25

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"Oh! they are not in the little room adjoining yours; but through this little room you can look into the large saloon where they all stay and have music ... will madame permit me to pa.s.s through?"

"Which way?"

"This way. There is a little door behind this toilet-table; I open it, go in, get up on the table and look at the Turks."

The child rolled aside the toilet-table, entered the little room, and in a few minutes came running back to me and exclaimed:

"Oh! they are so beautiful! does not madame wish to see them?"

"No."

In a short time she returned again.

"The musicians are all asleep," she said ... "but, madame, the Turks are crazy--they don't sleep--they don't speak--they make horrible faces--they roll their eyes--they have such funny ways--one of them looks like my uncle when he has the fever--Oh! that one must be crazy, madame-- ... look, he is going to dance! now he is going to die!"

The absurd prattle of the child finally aroused my curiosity. I went into the little room, and, mounting the table beside her, looked through a crevice in the wooden part.i.tion and clearly saw everything in the large saloon. It was hung up to a certain height with rich Turkish stuffs. The floor was covered by a superb Smyrna carpet. In one recess of the room the musicians were sleeping with their bizarre musical instruments tightly clasped in their arms. A dozen Turks, magnificently dressed, were seated on the soft carpet in Oriental fas.h.i.+on, that is to say, after the manner of tailors. They were supported by piles of cus.h.i.+ons of all sizes and shapes, and seemed to be plunged in ecstatic oblivion.

One of these dreamy sons of Aurora attracted my attention by his brilliant costume and flas.h.i.+ng arms. By the pale light of the exhausted lamps and the faint rays of dawning day, almost obscured by the heavy drapery of the windows, I could scarcely distinguish the features of this splendid Mussulman, at the same time I thought I had seen him before. I had seen but few pachas during my life, but I certainly had met this one somewhere, I looked attentively and saw that his hands were whiter than those of his compatriots--this was a suspicious fact. After closely watching this doubtful infidel, this amateur barbarian, I began to suspect civilization and Europeanism.... One of the musicians asleep near the window, turned over and his long guitar--a _guzla_, I think it is called--caught in the curtain and drew it a little open; the sunlight streamed in the room and an accusing ray fell upon the face of the spurious young Turk.... It was Edgar de Meilhan! A little cup filled with a greenish conserve rested on a cus.h.i.+on near by. I remembered that he had often spoken to me of the wonderful effects of has.h.i.+sh, and of the violent desire he had of experiencing this fascinating stupefaction; he had also told me of one of his college friends who had been living in Smyrna for some years; an original, who had taken upon himself the mission of re-barbarizing the East. This friend had sent him a number of Indian poinards and Turkish pipes, and had promised him some tobacco and has.h.i.+sh. This modern and amateur Turk was named Arthur Granson.... I asked the innkeeper's little daughter if she knew the name of the man who had hired the saloon? She said yes, that he was named Monsieur Granson.... This name and this meeting explained everything.

O Valentine! I will be sincere to the end, ... and confess that Edgar was wonderfully handsome in this costume!... the magnificent oriental stuff, the Turkish vest, embroidered in gold and silver, the yatagans, pistols and poinards studded with jewels, the turban draped with inimitable art--all these things gave him a majestic, superb, imposing aspect!... which at first astonished me, ... for we are all children when we first see beautiful objects, ... but he had a stupid look....

No, never did a sultan of the opera, throwing his handkerchief to his bayadere ... a German prince of the gymnasium complimented by his court--a provincial Bajazet listening to the threatening declarations of Roxana--never did they display in the awkwardness of their roles, in the stiffness of their movements, an att.i.tude more absurdly ridiculous, an expression of countenance more ideally stupid. It is difficult to comprehend how a brilliant mind could so completely absent itself from its dwelling-place without leaving on the face it was wont to animate, a single trace, a faint ray of intelligence! Edgar had his eyes raised to the ceiling, ... and for an instant I think I caught his look, ... but Heavens! what a look! May I never meet such another! I shall add one more incident to my recital--important in itself but distasteful to me to relate--I will tell it in as few words as possible: Edgar was leaning on two piles of cus.h.i.+ons; he seemed to be absorbed in the contemplation of invisible stars; he was awake, but a beautiful African slave, dressed like an Indian queen, was sleeping at his feet!

This strange spectacle filled my heart with joy. Instead of being indignant, I was delighted at this insult to myself. Edgar evidently forgot me, and truly he had a right to forget me; I was not engaged to him as I had been to Roger. A young poet has a right to dress like a Turk, and amuse himself with his friends, to suit his own fancy; but a n.o.ble prince has no right to scandalize the public when the dignity of his rank has to be striven after and recovered; when the glory of his name is to be kept untarnished. Oh! this disgusting sight gave rise to no angry feeling in my bosom, I at once comprehended the advantages of the situation. No more sacrifice, no more remorse, no more hypocrisy! I was free; my future was restored to me. Oh, the good Edgar! Oh, the dear poet! How I loved him ... for not loving me!!

I told the little girl to run quickly and bring me a servant. When the man came I handed him six louis to sharpen his wits, and then solemnly gave him my orders: "When they ring for you in that saloon, do you tell that young Turk with a red vest on ... you will remember him?" "Yes, madame." "You will tell him that the countess his mother is waiting here for him, in room No. 7, at the end of the corridor." "Ah! the lady who was weeping so bitterly?" "The same one." "Madame may rely upon me."

I then paid my bill, and, inquiring the quickest way of leaving Havre, I fled from the hotel. Walking along Grande Rue de Paris, I saw with pleasure that the city was filled with strangers, who had come to take part in the festivities that were taking place at Havre, and that I could easily mingle in this great crowd and leave the town without being observed. Uneasy and agitated, I hurried along, and just as I was pa.s.sing the theatre I heard some one call me. Imagine my alarm when I distinctly heard some one call: "Mlle. Irene! Mlle. Irene!" I was so frightened that I could scarcely move. The call was repeated, and I saw my faithful Blanchard rus.h.i.+ng towards me, breathless and then I recognised the supplicating voice ... I turned around and weeping, she exclaimed: "I know everything, Mlle., you are going to America! Take me with you. This is the first time I have ever been separated from you since your birth!" I had left the poor woman at Pont de l'Arche, and she, thinking I was going to America, had followed me. "Be quiet and follow me," said I, forgetting to tell her that I was not going to America. I reached the wharf and jumped into a boat; the unhappy Blanchard, who is a hydrophobe, followed me. "You are afraid?" said I.

"Oh, no, Mlle., I am afraid on the Seine, but at sea it is quite a different thing." The touching delicacy of this ingenious conceit moved me to tears. Wis.h.i.+ng to shorten the agony of this devoted friend, I told the oarsman to row us into the nearest port, instead of going further by water, as I had intended, in order to avoid the Rouen route and the Prince, the steamboat and M. de Meilhan. As soon as we landed I sent my faithful companion to the nearest village to hire a carriage, "I must be in Paris, to-morrow," said I. "Then we are not going to America?" "No."

"So much the better," said she, as she trotted off in high glee to look for a carriage. I remained alone, gazing at the ocean. Oh! how I enjoyed the sight! How I would love to live on this charming, terrible azure desert! I was so absorbed in admiration that I soon forgot my worldly troubles and the rain tribulations of my obscure life. I was intoxicated by its wild perfume, its free, invigorating air! I breathed for the first time! With what delight I let the sea-breeze blow my hair about my burning brow! How I loved to gaze on its boundless horizon! How much--laugh at my vanity--how much I felt at home in this immensity! I am not one of those modest souls that are oppressed and humiliated by the grandeur of Nature; I only feel in harmony with the sublime, not through myself, but through the aspirations of my mind. I never feel as if there was around me, above me, before me, too much air, too much height, too much s.p.a.ce. I like the boundless, luminous horizon to render solitude and liberty invisible to my eyes.

I know not if every one else is impressed as I was upon seeing the ocean for the first time. I felt released from all ties, purified of all hatred, and even of all earthly love; I was freed, calm, strong, armed, ready to brave all the evils of life, like a being who had received from G.o.d a right to disdain the world. The ocean and the sky have this good effect upon us--they wean us from worldly pleasures.

Upon reaching Paris, I went at once to your father's to inquire about you, and had my uneasiness about you set at rest. You must have left Geneva by this time; I hope soon to receive a letter from you. I am not staying with my cousin. I am living in my dear little garret. I wish a long time to elapse before I again become Mlle. de Chateaudun. I wish time to recover from the rude shocks I have had. What do you think of my last experience? What a perfect success was my theory of discouragement!

Alas! too perfect. First trial: Western despair and champagne! Second trial: Eastern despair and has.h.i.+sch!--Not to speak of the consolatory accessories, snowy-armed beauties and ebony-armed slaves! I would be very unsophisticated indeed if I did not consider myself sufficiently enlightened. I implore you not to speak to me of your hero whom you wish me to marry; I am determined never to marry. I shall love an image, cherish a star. The little light has returned. I see it s.h.i.+ning as I write to you. Yes, these poetic loves are all-sufficient for my wounded soul. One thing disturbs me; they have cut down the large trees in front of my window. To-morrow, perhaps, I shall at last see the being that dwells in this fraternal garret.... Valentine--suppose it should be my long-sought ideal!... I tremble! perhaps a third disenchantment awaits me.... Good-night, my dear Valentine, I embrace you. I am very tired, but very happy ... it is so delightful to be relieved of all uneasiness, to feel that you are not compelled to console any one.

IRENE DE CHATEAUDUN.

x.x.x.

EDGAR DE MEILHAN _to the_ PRINCE DE MONBERT, Poste Restante (Rouen).

PARIS, July 27th 18--.

My dear Roger, at the risk of bringing down upon my head the ridicule merited by men who fire a pistol above their heads after having left on their table the night before the most thrilling adieux to the world, I must confess that I have not gone; you have a perfect right to drive me out of Europe; I promised to go to America, and you can compel me to fulfil my promise; be clement, do not overpower me with ridicule; do not riddle me with the fire of your mocking artillery; my sorrow, even though I remain in the old world, is none the less crus.h.i.+ng.

I must tell you how it all happened.

As all my life I have never been able to comprehend the division of time, and it's a toss-up whether I distinguish day from night, I turned my back on the best hotel in Havre, and stopped at one nearest the wharf, from whence I could see the smoke-stacks of the Ontario, about to sail for New York. I was leaning on the balcony, in the melancholy att.i.tude of Raphael's portrait, gazing at the swell of the ocean, with that feeling of infinite sadness which the strongest heart must yield to in the presence of that immensity formed of drops of bitter water, like human tears. I followed, listlessly, with my eyes the movements of a strange group which had just landed from the Portsmouth packet. They were richly-dressed Orientals, followed by negro servants and women enveloped in long veils.

One of these Turks looked up as he pa.s.sed under my window, saw me, and exclaimed in very correct French, with a decided Parisian accent: "Why, it's Edgar de Meilhan!" and, regardless of Oriental dignity, he dashed into the inn, bounded into my room, rubbed my face against his crisp black beard, punched me in the stomach with the carved hilts of a complete collection of yataghans and kandjars, and finally said, seeing my uncertainty: "Why! don't you know me, your old college chum, your playmate in childhood, Arthur Granson! Does my turban make such a change in me? So much the better! Or are you mean enough to stick to the letter of the proverb which pretends that friends are not Turks? By Allah and his prophet Mahomet, I shall prove to you that Turks are friends."

During this flood of words I had in truth recognised Arthur Granson, a good and odd young fellow, whom I am very fond of, and who would surely please you, for he is the most paradoxical youth to be found in the five divisions of the globe. And, what is very rare, he acts out his paradoxes, a whim which his great independence of character and above all a large fortune permit him to indulge, for gold is liberty; the only slaves are the poor.

"This much is settled, I will install myself here with my living palette of local colors;" and without giving me time to answer him, he left me to give the necessary orders for lodging his suite.

When he returned, I said to him: "What does this strange masquerade mean? The carnival has been over for some time, and will not return immediately, as we are hardly through the summer." "It is not a masquerade," replied Arthur, with a dogmatic coolness and transcendental gravity which at any other time would have made me laugh. "It is a complete system, which I shall unfold to you."

Whereupon my friend, taking off his Turkish slippers, crossed his legs on the divan in the approved cla.s.sic att.i.tude of the Osmanli, and running his fingers through his beard, spoke as follows:

"During my travels I have observed that no people appreciate the peculiar beauties of the country they inhabit. No one admires his own physiognomy; every one would like to resemble some one else. Spaniards and Turks make endless excuses for being handsome and picturesque. The Andalusian apologizes to you for not wearing a coat and round hat. The Arnaout, whose costume is the most gorgeous and elegant that has ever been worn by the human form divine, sighs as he gazes at your overcoat, and consults with himself upon the advisability of shooting you to get possession of it, in the first mountain gorge where he may meet you alone or poorly attended. Civilization is the natural enemy of beauty.

All its creations are ugly. Barbarism--or rather relative barbarism--has found the secret of form and color. Man living so near to Nature imitates her harmony, and finds the types of his garments and his utensils in his surroundings. Mathematics have not yet developed their straight lines, dry angles and painful aridity. Now-a-days, picturesque traditions are lost, the long pantaloon has invaded the universe; frightful fas.h.i.+on-plates circulate everywhere; now, I refuse to believe that man's taste has become perverted to such a degree that if he were shown costumes combining elegance with richness, he would not prefer them to hideous modern rags. Having made these judicious and profound reflections, I felt as if I had been enlightened from above, and the secret of my earthly mission revealed to me; I had come into the world to preach costume, and, as you see, I preach it by example. Reflecting that Turkey is the country most menaced by the overcoat and stove-pipe hat, I went to Constantinople to bring about a reaction in favor of the embroidered vest and the turban. My grave studies upon the subject, my fortune and my taste have enabled me to attain the _ne plus ultra_ of style.

"I doubt whether a Sultan ever possessed so splendid or so characteristic a wardrobe. I discovered among the bazaars of the cities least infected by the modern spirit, some tailors with a profound contempt for Frank fas.h.i.+ons, who, with their tremulous hands, performed marvels of cutting and embroidery. I will show you caftans braided in a miserable little out-of-the-way village of Asia Minor, by some poor devils whom you would not trust with your dog, which surpa.s.s, in intricacy of design, the purest arabesques of the Alhambra, and in color, the most gorgeous peac.o.c.k tails of Eugene Delacroix or Narciso Ruy Diaz de la Pena, a great painter, who out of commiseration for the commonalty only makes use of a quarter of his name.

"I am happy to say that my apostles.h.i.+p has not been without fruit. I have brought back to the dolman more than one young Osmanli about to rig himself out at Buisson's; I have saved more than one horse of the Nedji race from the insult of an English saddle; more than one tipsy Turk addicted to champagne has returned to opium at my suggestion. Some Georgians who were about to be admitted to the b.a.l.l.s of the European emba.s.sies are indebted to me for being shut up closer than ever. I impressed upon these degenerate Orientals the disastrous results of such a breach of propriety. I persuaded the Sultan Abdul Medjid to give up the idea of introducing the guillotine into his empire. Without flattering myself, I think I have done a great deal of good, and if there were only a few more gay fellows like myself we should prevent people from making guys of themselves--And what are you doing, my dear Edgar?" "I am going to America, and I am waiting for the Ontario to get up steam," "That's a good idea! You can become a savage and resuscitate the last Mohican of Fenimore Cooper. I already see you, with a blue turtle on your breast, eagle's feathers in your scalp, and moccasins worked with porcupine quills. You will be very handsome; with your sad air you will look as if you were weeping over your dead race. If I had not been away for four years, I would accompany you, but I was in such a hurry to put my affairs in order, that I have returned to France by way of England, in order to avoid the quarantine. I will admit you to my religion; you shall become my disciple; I preserve barbaric costumes, you shall preserve savage costumes. It is not so handsome, but it is more characteristic. There were some Indians on our steamer; I studied them; they are the people to suit you. But, before your departure, we will indulge in an Eastern orgie in the purest style." "My dear Granson, I am not in a humor to take part in an orgie, even though it be an Eastern orgie; I am desperately sad." "Very well; I see that you are; some heart sorrow; you Occidentals are always in a state of torment about some woman; which would never occur if they were all shut up; it is dangerous to let such animals wander about. I am delighted that you are so sad and melancholy. I can now prove to you the superior efficacy of my exhilarating means. I found at Cairo, in the Teriaki Square, opposite the hospital for the insane--wasn't it a profoundly philosophical idea to establish in such a place dealers in happiness?--an old scamp, dry as a papyrus of the time of Amenoteph, shrivelled as the beards of the Pschent of the G.o.ddess Isis; this cabalistic druggist possessed the true receipt for the preparation of has.h.i.+sch; besides, he seemed old enough to have gotten it direct from the Old Man of the Mountain, if he were not himself the Prince of a.s.sa.s.sins who lived in the time of Saint Louis; this skeleton in a parchment case furnished me with a quant.i.ty of paradise, under the guise of green paste, in little j.a.panese cups done up in silver wire. I intend to initiate you into these hypercelestial delights. I shall give you a box of happiness, which will make you forget all the false coquettes in the world."

Without listening to my repeated refusals, Granson begged me to call him henceforth Sidi-Mahmoud; had his room spread with Persian rugs, ottomans piled up in every direction, the walls cus.h.i.+oned to lean against, and perfumes scattered about; three or four dusky musicians placed themselves in a convenient recess with taraboucks, rebeks and guzlas--an Ethiopean, naked to the waist, served us the precious drug on a red lacquered waiter.

To accommodate Granson I swallowed several spoonfuls of this greenish confection, which, at first, seemed to be flavored with honey and pistachio. I had dressed myself--for Granson is one of those obstinate idiots that one is compelled to yield to in order to get rid of--in an Anatolian costume of fabulous richness, my friend insisting that when one ascends to Paradise he should not be annoyed by the slope of his sleeves.

In a few moments I felt a slight warmth in my stomach--my body threw off sparks and flared up like a bank-bill in the flame of a candle; I was subject to no law of nature; weight, bulk, opacity had entirely disappeared. I retained my form, but it became transparent; flexible, fluid objects pa.s.sed through me without inconveniencing me in the least; I could enlarge or decrease myself to suit any place I wished to occupy.

I could transport myself at will from one place to another. I was in an impossible world, lighted by a gleam of azure grotto, in the centre of a bouquet of fire-works formed of everchanging sheafs, luminous flowers with gold and silver foliage, and calices of rubies, sapphires and diamonds; fountains of melted moonbeams, throwing their spray over crystal vases, which sang with voices like a harmonica the arias of the greatest singers. A symphony of perfumes followed this first enchantment, which vanished in a shower of spangles at the end of a few seconds; the theme was a faint odor of iris and acacia bloom which pursued, avoided, crossed and embraced each other with delicious ease and grace. If anything in this world can give you an approximative idea of this exquisitely perfumed movement, it is the dance for the piccolos in the Almee of Felicien David.

As the movement increased in sweetness and charm, the two perfumes took the shape of the flowers from which they emanated; two irises and two bunches of acacia bloomed in a marvellously transparent onyx vase; soon the irises scintillated like two blue stars, the acacia flowers dissolved into a golden stream, the onyx vase a.s.sumed a female shape, and I recognised the lovely face and graceful form of Louise Guerin, but idealized, pa.s.sed to the state of Beatrice; I am not certain that there did not rise from her white shoulders a pair of angel's wings--she gazed so sadly and kindly at me that I felt my eyes fill with tears--she seemed to regret being in heaven; from the expression of her face one might have thought that she accused me, and at the same time entreated my forgiveness.

I will not take you through the various windings of this marvellous open-eyed dream; the monotonous harmony of the tarabouck and the rebek faintly reached my ear, and served as rhythm to this wonderful poem, which will, henceforth, make Homer, Virgil, Ariosto and Ta.s.so as wearisome to read as a table of logarithms. All my senses had changed places; I saw music and heard colors; I had new perceptions, as the denizens of a planet superior to ours must have; at will, my body was composed of a ray, a perfume or a sweet savor; I experienced the ecstasy of the angels fused in divine light, for the effect of has.h.i.+sch bears no resemblance whatever to that of wine and alcohol, by the use of which the people of the North debase and stupefy themselves; its intoxication is purely intellectual.

Little by little order was established in my brain. I began to observe objects around me.

The candles had burned down to the socket; the musicians slept, tenderly embracing their instruments. The handsome negress lay at my feet. I had taken her for a cus.h.i.+on. A pale ray of light appeared on the horizon; it was three o'clock in the morning. All at once a smoke-stack, puffing forth black smoke, crossed the bar; it was the _Ontario_ leaving its moorings.

A confusion of voices was heard in the next room; my mother, having in some way learnt of my projected exile, had broken through Granson's orders to admit no one, and was calling for me.

I was rather mortified at being caught in such an absurd dress; but my mother observed nothing; she had but one thought, that I was about to leave her for ever. I do not remember what she said, such things cannot be written, the endearments she bestowed upon me when I was only five or six years old; finally she wept. I promised to stay and return to Paris.

How can you refuse your mother anything when she weeps? Is she not the only woman whom we can never reproach?

After all, as you have said, Paris is the wildest desert; there you are completely alone. Indifferent and unknown people may value sands and swamps.

If my sorrow prove too tenacious, I shall ask my friend Arthur Granson for the address of the old Teriaki, and I shall send to Cairo for some boxes of forgetfulness. We will share them together if you wish.

Farewell, dear Roger, I am yours mind and heart,

EDGAR DE MEILHAN.

The Cross of Berny Part 25

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The Cross of Berny Part 25 summary

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