A Midsummer Drive Through the Pyrenees Part 9

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One striking specialty this district has, however; and from the train windows we watch closely for a specimen. This is the shepherd on stilts, the _Xicanque_, immortalized by Rosa Bonheur and mentioned by many travelers. He is peculiar to this region; perched on these wooden supports, at a perilous height above the ground, he stalks gravely over the landscape, enabled to behold a horizon of triple range and to outstride the fleetest of his vagrant flock. When so inclined, he is quite able, it is said, to skillfully execute a _pas seul_ or even a jig,--with every appropriate flourish of his timber limbs and with surprising grace and _abandon_. His stilts are strapped to the thigh, not the knee, for greater freedom, and he mounts from his cabin-roof in the early morning and lives in the air throughout the day. A third stilt forms a seat, and makes of his silhouette a ludicrous and majestic tripod. This genius's chief amus.e.m.e.nt is startlingly domestic: it is knitting stockings; and engaged in this peaceful art he sits with dignity and whiles away the hours. How he manoeuvres when he accidentally drops a needle, I have not been able to learn.

A dignitary of Bordeaux arranged a fete and procession in these Landes on one occasion; triumphal arches were erected, hung with flowers and garlands; and the feature of the parade was a sedate platoon of these heron-like shepherds engaged for the occasion, dressed in skins, decked with white hoods and mantles, preceded by a band of music, and stalking by fours imposingly down the line of march.

II.

We are nearing the Pyrenees now, and entering the ancient and famous province of Bearn, once a noted centre of mediaeval chivalry. Beam did not become part of France until almost modern times.[13] For seven hundred years preceding, its successive rulers held their brilliant court unfettered and unpledged. "Ours," declared its barons and prelates in a.s.sembly, "is a free country, which owes neither homage nor servitude to any one." The life of the province was its own, separated entirely from that of the kingdom. It had its own succession, its own wars and feuds, its own love of country. It has a national history in miniature.

"If I have excused myself from bearing arms upon either side," said one of its rulers, replying to the royal remonstrances, "I have, as I think, good reasons for it: the wars between England and France no way concern me, for I hold my country of Bearn from G.o.d, my sword and by inheritance. I have not therefore any cause to enter into the service or incur the hatred of either of these kings."

[13] In 1620.

There is a pleasant old legend which touches the true note of Bearn.

Toward the year 1200, three of its rulers, in turn misgoverning, were in turn deposed by the barons. The heirs next in line were the infant twins of one William de Moncade. "It was agreed," as Miss Costello relates it; "that one of these should fill the vacant seat of sovereignty of Bearn, and two of the _prudhommes_ were deputed to visit their father with the proposition. On their arrival at his castle, the sages found the children asleep, and observed with attention their infant demeanor. Both were beautiful, strong and healthy; and it was a difficult matter to make an election between two such attractive and innocent creatures. They were extremely alike, and neither could be p.r.o.nounced superior to the other; the _prudhommes_ were strangely puzzled, for they had been so often deceived that they felt it to be most important that they should not err this time. As they hung in admiration over the sleeping babes, one of them remarked a circ.u.mstance that at once decided their preference and put an end to their vacillation: one of the little heroes held his hand tightly closed; the tiny, mottled palm of the other was wide open as it lay upon his snowy breast. 'He will be a liberal and bold knight,' said one of the Bearnais, 'and will best suit us as a head.' This infant was accordingly chosen, given up by his parents to the wise men, and carried off in triumph to be educated among his future subjects. The event proved their sagacity, and the object of their choice lived to give them good laws and prosperity."

III.

The past of Bearn, like an ellipse, curves around two foci. One is the town of Orthez,[14] the other, the later city of Pau. The hero, the central figure, of one is Gaston Phoebus, Count of Foix; that of the other, Henry of Navarre.

[14] Anciently written Ortayse, afterward Orthes.

These are the two great names of Bearn. Each lights up a distinctive epoch,--Gaston, the fourteenth century, Henry, the sixteenth.

In two hours after leaving Bayonne, the train has come to Orthez. There is little splendor in the old town as one views it to-day; yet in Gaston's time it was the capital of Bearn, successor of the yet older Morlaas, and a centre for knights and squires and men-at-arms, a magnet for pilgrims and n.o.ble visitors from other countries, attracted by its fame. There were jousts, tourneys, hunts, banquets. The now broken walls of the old Castle of Moncade on the hill have sheltered more glittering merrymakings than those of Kenilworth or Fuenterrabia. But decay never surrenders an advantage once gained; the castle is dying now; dull modern commonplace has enfolded the once bright town below; and this Orthez is to-day at best but a lounging-place for the pessimist. We shall love better Pau, its rival and successor, still buoyant and prospering, rising not falling. "Good men study and wise men describe,"

avers Ruskin, in a more than half-truth, "only the growth and standing of things,--not their decay. Dissolution and putrescence are alike common and unclean ... in State or organism."

For all that, Orthez and its traditions are too significant to hasten by. Nowhere is the picture of mediaeval life more strongly illuminated; in no spot shall we more fitly pause to summon back the inner past of the Pyrenees we are approaching. But we would linger over it only as it was in its best days, and leave to others the drearier story of its decadence.

It is Froissart, the old historian and traveler, genial, story-loving Sir John, who tells us most about Orthez and Gaston. Orthez, as the capital of Bearn, was in his time, at its meridian, (it was afterward supplanted by Pau,) and Gaston Phoebus, known as the Count de Foix, was lord both of Beam and of the neighboring county of Foix. It was precisely five hundred years ago, come next St. Catherine's Day, that the old chronicler alighted from his horse here in Orthez. He was come on a visit to the count, well introduced, and seeking further material for his easy-going history of the times; knowing that foreign knights a.s.sembled in Orthez from all countries, and that there were few spots more alive to the sound of the world's doings or better informed in the varying gossip of wars and court-craft.

Froissart liked to write, "and it was very tiresome," he remarks, "to me to be idle, for I well know that when the time shall come when I shall be dead and rotten, this grand and n.o.ble history will be in much fas.h.i.+on and all n.o.ble and valiant persons will take pleasure in it and gain from it augmentation of profit." So, seeking fresh chapters, he had come to Orthez, where he was at once handsomely received by Count Gaston at this Castle of Moncade. Here he remained through the winter, affable and inquiring and observant, adding many pages to his history,--which, his host a.s.sured him, would in times to come be more sought after than any other; "'because,' added he, 'my fair sir, more gallant deeds of arms have been performed within these last fifty years, and more wonderful things have happened, than for three hundred years before. '"

"The style of Froissart," says Taine, who has so marvelously divined the inner spirit of those times, "artless as it is, deceives us. We think we are listening to the pretty garrulousness of a child at play; beneath this prattle we must distinguish the rude voice of the combatants, bear-hunters and hunters of men too, and the broad, coa.r.s.e hospitality of feudal manners. At midnight the Count of Foix came to supper in the great hall. 'Before him went twelve lighted torches, borne by twelve valets; and the same twelve torches were held before his table and gave much light unto the hall, which was full of knights and squires; and always there were plenty of tables laid out for any person who chose to sup.' It must have been an astonis.h.i.+ng sight to see those furrowed faces and powerful frames, with their furred robes and their justicoats streaked under the wavering flashes of the torches." And one of Froissart's characteristic anecdotes is cited, which merits giving even more in full: "On Christmas Day, when the Count de Foix was celebrating the feast with numbers of knights and squires, as is customary, the weather was piercing cold, and the count had dined, with many lords, in the hall. After dinner he rose and went into a gallery, which has a large staircase of twenty-four steps: in this gallery is a chimney where there is a fire kept when the count inhabits it, otherwise not; and the fire is never great, for he does not like it: it is not for want of blocks of wood, for Bearn is covered with wood in plenty to warm him if he had chosen it, but he has accustomed himself to a small fire. When in the gallery, he thought the fire too small, for it was freezing and the weather very sharp, and said to the knights around him: 'Here is but a small fire for this weather.' The Bourg d'Espaign instantly ran down stairs; for from the windows of the gallery, which looked into the court, he had seen a number of a.s.ses laden with billets of wood for the use of the house; and seizing the largest of these a.s.ses with his load, threw him over his shoulders and carried him up stairs, pus.h.i.+ng through the crowd of knights and squires who were around the chimney, and flung a.s.s and load with his feet upward on the dogs of the hearth, to the delight of the count and the astonishment of all."

IV.

Gaston himself was a type of the time. He had its virtues and its vices, both magnified. Hence, hearing an eye-witness draw his character for us is to gain a direct if but partial insight into the character of his era. Froissart's moral perspective is often curiously blurred, and in the light of many of his anecdotes about the count his eulogium perhaps needs qualification: "Count Gaston Phoebus de Foix, of whom I am now speaking, was at that time fifty-nine years old; and I must say that although I have seen very many knights, kings, princes and others, I have never seen any so handsome, either in the form of his limbs and shape, or in countenance, which was fair and ruddy, with grey and amorous eyes that gave delight whenever he chose to express affection.

He was so perfectly formed, one could not praise him too much. He loved earnestly the things he ought to love, and hated those which it was becoming him so to hate. He was a prudent knight, full of enterprise and wisdom. He had never any men of abandoned character with him, reigned prudently, and was constant in his devotions. There were regular nocturnals from the Psalter, prayers, from the rituals to the Virgin, to the Holy Ghost, and from the burial service. He had every day distributed as alms at his gate five florins in small coin to all comers. He was liberal and courteous in his gifts; and well knew how to take when it was proper and to give back where he had confidence."

There is an obverse to the medallion. "The Count de Foix was very cruel to any person who incurred his indignation, never sparing them, however high their rank, but ordering them to be thrown over the walls, or confined on bread and water during his pleasure; and such as ventured to speak for their deliverance ran risks of similar treatment. It is a well-known fact that he confined in a deep dungeon his cousin-german, the Viscount de Chateaubon, during eight days; and he would not give him his liberty until he had paid down forty thousand francs."

And then in the very chapter with his eulogy, Sir John goes on to relate the count's brutal killing of his own son in a fit of rage and suspicion, and torturing fifteen retainers as possible accomplices of the innocent lad; and elsewhere tells of his stabbing his half-brother and letting him die in a dungeon of the tower, for refusing the surrender of a fortress. This was the other side of Gaston's character, and a side quite as representative. It was all in line with the time.

His reign was turbulent, magnificent, cruel, devout,--everything by extremes. The man is characteristic of the mode, and Orthez in this summarizes much of the life of the France of the Middle Ages.

V.

These old annalists scarcely pause to censure this spirit of crime, this hideous quickness to black deeds. They view it as a regrettable failing, perhaps, and glowingly point to the doer's lavish religiousness in return. Absolution covers a mult.i.tude of sins. To a generous son of the Church much might be forgiven. "Among the solemnities which the Count de Foix observes on high festivals," records his visitor, "he most magnificently keeps the feast of St. Nicholas, as I learnt from a squire of his household the third day after my arrival at Orthes. He holds this feast more splendidly than that of Easter, and has a most magnificent court, as I myself noticed, being present on that day. The whole clergy of the town of Orthes, with all its inhabitants, walk in procession to seek the count at the castle, who on foot returns with them to the church of St. Nicholas, where is sung the psalm _Benedictus Dominus, Deus meus, qui docet ma.n.u.s meas ad proelium et digitos meos ad bellum_, from the Psalter of David, which, when finished, recommences, as is done in the chapels of the pope or king of France on Christmas or Easter Days; for there were plenty of choristers. The Bishop of Pamiers sang the ma.s.s for the day; and I there heard organs play as melodiously as I have ever heard in any place. To speak briefly and truly, the Count de Foix was perfect in person and in mind; and no contemporary prince could be compared with him for sense, honor or liberality."

VI.

As to liberality, these robber barons were able to afford it. Mention is incidentally made in conversation of Count Gaston's store of florins in his Castle of Moncade at Orthez. Froissart instantly p.r.i.c.ks up his ears:

"'Sir,' said I to the knight, 'has he a great quant.i.ty of them?'

"'By my faith,' replied he, 'the Count de Foix has at this moment a hundred thousand, thirty times told; and there is not a year but he gives away sixty thousand; for a more liberal lord in making presents does not exist.'"

We can see the good Sir John's eyes glistening:

"'Ha, ha, holy Mary!' cried I, 'to what purpose does he keep so large a sum? Where does it come from? Are his revenues so great to supply him with it? To whom does he make these gifts? I should like to know this if you please.'

"He answered: 'To strangers, to knights and squires who travel through his country, to heralds, minstrels, to all who converse with him; none leave him without a present, for he would be angered should any one refuse it.'"

With such sums at disposal, Gaston might well indulge his pa.s.sion for the chase and keep sixteen hundred hounds. His hospitality too was unbounded. When the Duke of Bourbon made a three-days' visit to Orthez, he was "magnificently entertained with dinners and suppers. The Count de Foix showed him good part of his state, which would recommend him to such a person as the Duke of Bourbon. On the fourth day, he took his leave and departed. The count made many presents to the knights and squires attached to the duke, and to such an extent that I was told this visit of the Duke of Bourbon cost him ten thousand francs.... Such knights and squires as returned through Foix and waited on the count were well received by him and received magnificent presents. I was told that this expedition, including the going to Castile and return, cost the Count de Foix, by his liberalities, upwards of forty thousand francs."

The King of France was entertained by Gaston at a dazzling banquet where no less than two hundred and fifty dishes covered the tables. But a succeeding Gaston outdid this in a lavish dinner, likewise to visiting royalty, of which a faithful record has come down to us from old doc.u.ments. There were twelve wide tables, each seven yards long. At the first, the count presiding, were seated the king and queen and the princes of the blood, at the others foreign knights and lords according to their rank and dignity. There were served seven elaborate courses, each course requiring one hundred and forty plates of silver. There were seven sorts of soup, then patties of capon, and the ham of the wild boar; then partridge, pheasant, peac.o.c.k, bittern, heron, bustard, gosling, woodc.o.c.k and swan. This was the third course, concluding with antelope and wild horse. An _entremet_ or spectacle followed, and then a course of small birds and game, this served on gold instead of silver.

Next appeared tarts and cakes and intricate pastries, and later, after another spectacle, comfits and great moulds of conserves in fanciful and curious forms,--the whole liberally helped down with varied wines, and joyously protracted with music, dancing and tableaux.

VII.

Gaston Phoebus died suddenly as he had lived violently. He was hunting near Orthez, three years after Froissart's visit, and to ward evening stopped at a country inn at Rion to sup. Within, the room was "strewed with rushes and green leaves; the walls were hung with boughs newly cut for perfume and coolness, as the weather was marvelously hot even for the month of August. He had no sooner entered this room than he said: 'These greens are very agreeable to me, for the day has been desperately hot.' When seated, he conversed with Sir Espaign du Lyon on the dogs that had best hunted; during which conversation his son Sir Evan and Sir Peter Cabestan entered the apartment, as the table had been there spread." He called for water to wash, and two squires advanced; a knight, the Bourg d'Espaign, (the hero of the Christmas Day exploit,) took the silver basin and another knight the napkin. "The count rose from his seat and stretched out his hands to wash; but no sooner had his fingers, which were handsome and long, touched the cold water, than he changed color, from an oppression at his heart, and his legs failing him, fell back on his seat, exclaiming, 'I am a dead man: Lord G.o.d, have mercy on me!'"

It is a significant comment on the period, that amid the commotion at the inn the first thought was of foul play. "The two squires who had brought water to wash in the basin said, to free themselves from any charge of having poisoned him: 'Here is the water; we have already drank of it, and will now again in your presence,' which they did, to the satisfaction of all. They put into his mouth bread and water and spices, with other comforting things, but to no purpose, for in less than half an hour he was dead, having surrendered his soul very quietly. G.o.d, out of his grace, was merciful to him."

He was entombed before the altar in the little church at Orthez, with imposing obsequies. No epitaph remains, but this of a preceding Gaston, buried in the same church, deserves note for its curious, jingling Latin rhyme:

"Continet haec fossa Gastonis principis ossa, n.o.bilis ac humilis aliis, pulvis sibi vilis, Subjectis parcens, hastes pro viribus arcens.

Da veniam, Christe, flos militiae fuit isle, Et virtute prec.u.m, confer sibi gaudia tec.u.m, Gastonis nomen gratum fert auribus omen, Mulcet prolatum, dulcescis saepe relatum,"

Two hundred years afterward, in the tumult of Protestant iconoclasm, Gaston Phoebus's tomb was broken open, its debris sold, piece by piece, and Montgomery's Huguenots derisively kicked the august skull about the streets of Orthez and used it for a bowling-ball:

"They hopped among the weeds and stones, And played at skittles with his bones."

VIII.

There are a few gleams of humor among these grim recounts. It was always tinged with the sardonic. Pitard, moralist and pedant, staying at the Bearnais court, fell into a dispute with a poet, Theophile:

"''T is a pity,' sneered Pitard, finally, 'that, having so much spirit, you know so little!'

"''T is a pity,' retorted Theophile, 'that, knowing so much, you have so little spirit!'"

A Midsummer Drive Through the Pyrenees Part 9

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