The Street of Seven Stars Part 39

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"Somebody who wished to kill you, or me?"

"Both of us, I believe. It was done by a woman--a girl, Anita. A girl I had been living with."

A brutal way to tell her, no doubt, but admirably courageous. For he was quivering with dread when he said it--the courage of the man who faces a cannon. And here, where a less-poised woman would have broken into speech, Anita took the refuge of her kind and was silent. Stewart watched her as best he could in the darkness, trying to gather further courage to go on. He could not see her face, but her fingers, touching the edge of the chair, quivered.

"May I tell you the rest?"

"I don't think I want to hear it."

"Are you going to condemn me unheard?"

"There isn't anything you can say against the fact?"

But there was much to say, and sitting there in the darkness he made his plea. He made no attempt to put his case. He told what had happened simply; he told of his loneliness and discomfort. And he emphasized the lack of sentiment that prompted the arrangement.

Anita spoke then for the first time: "And when you tried to terminate it she attempted to kill you!"

"I was acting the beast. I brought her up here, and then neglected her for you."

"Then it was hardly only a business arrangement for her."

"It was at first. I never dreamed of any thing else. I swear that, Anita. But lately, in the last month or two, she--I suppose I should have seen that she--"

"That she had fallen in love with you. How old is she?"

"Nineteen."

A sudden memory came to Anita, of a slim young girl, who had watched her with wide, almost childish eyes.

"Then it was she who was in the compartment with you on the train coming up?"

"Yes."

"Where is she now?"

"In Vienna. I have not heard from her. Byrne, the chap who came up to see me after the--after the accident, sent her away. I think he's looking after her. I haven't heard from him."

"Why did you tell me all this?"

"Because I love you, Anita. I want you to marry me."

"What! After that?"

"That, or something similar, is in many men's lives. They don't tell it, that's the difference. I 'm not taking any credit for telling you this.

I'm ashamed to the bottom of my soul, and when I look at your bandaged arm I'm suicidal. Peter Byrne urged me to tell you. He said I couldn't get away with it; some time or other it would come out. Then he said something else. He said you'd probably understand, and that if you married me it was better to start with a clean slate."

No love, no pa.s.sion in the interview now. A clear statement of fact, an offer--his past against hers, his future with hers. Her hand was steady now. The light in the priest's house had been extinguished. The chill of the mountain night penetrated Anita's white furs; and set her--or was it the chill?--to s.h.i.+vering.

"If I had not told you, would you have married me?"

"I think so. I'll be honest, too. Yes."

"I am the same man you would have married. Only--more honest."

"I cannot argue about it. I am tired and cold."

Stewart glanced across the valley to where the cl.u.s.ter of villas hugged the mountain-side There was a light in his room; outside was the little balcony where Marie had leaned against the railing and looked down, down. Some of the arrogance of his new virtue left the man. He was suddenly humbled. For the first time he realized a part of what Marie had endured in that small room where the light burned.

"Poor little Marie!" he said softly.

The involuntary exclamation did more for him than any plea he could have made. Anita rose and held out her hand.

"Go and see her," she said quietly. "You owe her that. We'll be leaving here in a day or so and I'll not see you again. But you've been honest, and I will be honest, too. I--I cared a great deal, too."

"And this has killed it?"

"I hardly comprehend it yet. I shall have to have time to think."

"But if you are going away--I'm afraid to leave you. You'll think this thing over, alone, and all the rules of life you've been taught will come--"

"Please, I must think. I will write you, I promise."

He caught her hand and crushed it between both of his.

"I suppose you would rather I did not kiss you?" humbly.

"I do not want you to kiss me."

He released her hand and stood looking down at her in the darkness. If he could only have crushed her to him, made her feel the security of his love, of his sheltering arms! But the barrier of his own building was between them. His voice was husky.

"I want you to try to remember, past what I have told you, to the thing that concerns us both--I love you. I never loved the other woman. I never pretended I loved her. And there will be nothing more like that."

"I shall try to remember."

Anita left Semmering the next day, against the protests of the doctor and the pleadings of the chaperon. She did not see Stewart again. But before she left, with the luggage gone and the fiacre at the door, she went out on the terrace, and looked across to the Villa Waldheim, rising from among its cl.u.s.tering trees. Although it was too far to be certain, she thought she saw the figure of a man on the little balcony standing with folded arms, gazing across the valley to the Kurhaus.

Having promised to see Marie, Stewart proceeded to carry out his promise in his direct fas.h.i.+on. He left Semmering the evening of the following day, for Vienna. The strain of the confession was over, but he was a victim of sickening dread. To one thing only he dared to pin his hopes.

Anita had said she cared, cared a great deal. And, after all, what else mattered? The story had been a jolt, he told himself. Girls were full of queer ideas of right and wrong, bless them! But she cared. She cared!

He arrived in Vienna at nine o'clock that night. The imminence of his interview with Marie hung over him like a cloud. He ate a hurried supper, and calling up the Doctors' Club by telephone found Peter's address in the Siebensternstra.s.se. He had no idea, of course, that Marie was there. He wanted to see Peter to learn where Marie had taken refuge, and incidentally to get from Peter a fresh supply of moral courage for the interview. For he needed courage. In vain on the journey down had he clothed himself in armor of wrath against the girl; the very compartment in the train provoked softened memories of her. Here they had bought a luncheon, there Marie had first seen the Rax. Again at this station she had curled up and put her head on his shoulder for a nap. Ah, but again, at this part of the journey he had first seen Anita!

He took a car to the Siebensternstra.s.se. His idea of Peter's manner of living those days was exceedingly vague. He had respected Peter's reticence, after the manner of men with each other. Peter had once mentioned a boy he was looking after, in excuse for leaving so soon after the accident. That was all.

The house on the Siebensternstra.s.se loomed large and unlighted. The street was dark, and it was only after a search that Stewart found the gate. Even then he lost the path, and found himself among a group of trees, to touch the lowest branches of any of which resulted in a shower of raindrops. To add to his discomfort some one was walking in the garden, coming toward him with light, almost stealthy steps.

Stewart by his tree stood still, waiting. The steps approached, were very close, were beside him. So intense was the darkness that even then all he saw was a blacker shadow, and that was visible only because it moved. Then a hand touched his arm, stopped as if paralyzed, drew back slowly, fearfully.

"Good Heavens!" said poor Harmony faintly.

The Street of Seven Stars Part 39

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The Street of Seven Stars Part 39 summary

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