A Duel Part 13

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After a while she asked, without turning her head--

"If you were to make a will, what would you put in it?"

"I'll show you."

"When?"

"Now. There's a secret hiding-place in this room. If you tried do you think that you could find it?"



"I'd find it fast enough."

"Then find it."

"What sort of place is it?"

"That's asking for a.s.sistance. I'll give you this much. It's in the wall, concealed by a panel of wood. Now I've given you the scent, follow it to a finish--if you can."

"In a room like this there might be fifty hiding-places."

"There might."

"It would take days to examine it thoroughly; however long it might take me I'd find it. I'd strip the walls of everything before I'd give it up."

"I don't think you need go so far as that just yet. Look round; you've hawk's eyes; I've given you a hint; can't you make a likely guess, like the sharp-witted child who is playing hide-and-seek?"

Isabel's glances were travelling round the room searchingly, resting here and there, allowing nothing to escape them. When they had traversed the whole apartment from floor to ceiling in one direction they returned in another.

"You are not tricking me? There really is a secret hiding-place?"

"There really is."

"And you say it's behind a panel in the wall?"

"That's it."

Her eyes in their return journey had reached the great wooden fireplace. Although she did not know it, it was a fine specimen of old carving. What she did notice were the rounded posts which served as pillars. There were four, two longer and two shorter, each supporting a shelf on which there were ornaments. She wondered if the posts would turn. Probably something recurred to her mind which she had read about a movable post, though she could not have said just what it was or where she had read it.

She had a notion that she would try if the posts in the fireplace turned, when she was stopped by a remark which came from the man in the bed.

"You're looking in the wrong place; so as I don't want your search to occupy you days, I'll tell you where it is." Even as he spoke it struck her--rather as a vague suspicion than anything else--that he did not want her to pay too much attention to the fireplace. She waited for him to continue, which he did at once. "You see the bracket in the corner on my left. Go to it. Take down the vase which stands upon it, then lift the bracket out of its socket." She did as he told her.

"You see the boss just at the top of the socket. That releases the catch. Press it, then slide upwards that part of the panel which is immediately at your right."

Again she followed his directions. A portion of the woodwork, three or four inches wide, and about a foot in length, yielding to her touch, disclosed an open s.p.a.ce behind.

"There's an envelope in it, a blue envelope; take it out."

There was an envelope, apparently nothing else. On the front was an inscription, whose crabbed characters had apparently been written by a feminine hand. "This envelope contains Cuthbert Grahame's will, and is not to be opened till after his death."

The two flaps at the back were secured by big red seals.

"Never mind what it says. I'm Cuthbert Grahame, and I tell you to open the envelope, although I don't happen to be dead. Take out the paper which you'll find inside. Read it; you can read it aloud if you like."

She read it aloud. The handwriting was identical with the cramped caligraphy on the envelope.

"'I give and bequeath all the property of which I die possessed, both in real and personal estate, to Margaret Wallace, absolutely, for her sole use and benefit.--CUTHBERT GRAHAME.

Witnesses, NANNIE FORESHAW, DAVID TWELVES, M.D., Edin.'"

With the exception of a date at the top that was all the paper contained.

"That is the will you broke by marrying me, or, if you prefer it, which I broke by marrying you. There isn't much to be said for the phraseology--it wasn't drafted in a lawyer's office.

Nannie wrote it down to my dictation--at that table over by the window there. She doesn't write a very excellent fist, but it'll serve. That's as sound a will as if it had been drawn by a council of lawyers, and, to the lay mind, a good deal plainer than they'd have made it."

"Do you mean to say that what's on this paper is enough to put Margaret Wallace into undisputed possession of a quarter of a million of money?"

"It would have been if I hadn't married you; my marriage has made it so much waste-paper. You may tear it up, or keep it if you please; it makes no difference. I intend to make another will."

"What are you going to put in it?"

"Exactly what's in that, only the date will be different. It's the date in that which renders it nugatory."

"Aren't you going to leave me anything?"

"Why should I?"

"Dr. Twelves told me that if I married you I should have twenty thousand pounds."

"I'm not responsible for what Dr. Twelves may a.s.sert."

"You are--in a way, and you know it. Because he only brought me up so that you might die in peace, and, I expect, at your own express command."

Mr. Grahame was silent, possibly considering her words.

"A cheque for a hundred pounds would amply repay you for what you've done--or I might make it a hundred guineas."

"A hundred guineas! Listen to me--you're my husband."

"You've observed that on some previous occasion."

"And I'm your wife."

"That also has already become ancient history."

"I want you to understand just the way in which I see it. I'm the mistress of this house, and no one sets foot in it--or in your room--without my express sanction and approval."

"Won't any one? We shall see."

"We _shall_ see! I'll write you just the will you want, as Nannie did, if you'll let me add a sentence leaving me--say, five thousand pounds. It ought to be more--twenty thousand was what Dr. Twelves promised--and you can make it as much more as you like, but I'll do it if you make it that." As, when she stopped, he was silent, she again went on: "If you don't let me add such a sentence you shall make no will at all--as sure as I'm alive I swear you shan't. I'll have my bed brought in here to stop you doing it at night--you may trust me to take care you don't do it by day. As your wife I've my rights, and you're a helpless man. I mean to take advantage of my rights--to the fullest possible extent!--and of your helplessness. You ought to know by now that in such a matter I'm the sort of woman that keeps her word."

"I have a sort of notion that you might do your best in that direction--from what I've seen--and heard--of you."

A Duel Part 13

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A Duel Part 13 summary

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