The Heavenly Twins Part 66

The Tenor took up his violin, and examined it. "Where did you study?" he asked.

"Everywhere," was the ungraciously vague reply.

"I wish you would play again," the Tenor said, taking no notice of his ill-humour. "It would be a rare treat for a hermit like me."

"No," was the blunt rejoinder. "I don't want to make music. I want to explore."

"Well, make yourself at home," the Tenor said, humouring him good-naturedly.

"_Make_ me at home," the Boy replied. "Confidential relations, you know. You may smoke if you like."

"Oh, thank you," the Tenor answered politely, sitting down in his easy-chair, from which he had risen to look at the violin, and taking up his pipe again.

The Boy was rummaging about now, and, finding much to interest him, he presently recovered his temper, and began to banter his host. But even this outlet was scarcely sufficient for his superfluous life and energy, so he emphasized his remarks by throwing a stray cus.h.i.+on or two at the Tenor; he jumped over the chairs instead of walking round them, and performed an occasional _pas seul_, or pirouette, in various parts of the room. When these innocent amus.e.m.e.nts palled upon him, he took up his violin and played a plaintive air, to which he chanted:

"There was a merry dromedary Waltzing on the plain; Dromedary waltzing, dromedary prancing.

And all the people said, it is a sign of rain, When they saw the good beast dancing;"

executing grotesque steps himself at the same time in ill.u.s.tration.

"Oh, Boy, forbear!" the Tenor exclaimed at last, "or you will be the death of me."

"That's it," the Boy responded cheerfully. "I mean to be life or death to you."

After this he sat down on a high-backed chair, with his hands in his pockets, his legs stretched out before him, and his chin on his chest, looking up from under his eyebrows at the Tenor thoughtfully. It was an interval of great gravity, and when he spoke again the Tenor looked for something serious.

"I say," he began at last.

The Tenor took his pipe from his mouth and waited, interrogatively.

"I say, I'm hungry."

The Tenor looked his dismay.

"Boys always are, you know," the youth added, encouragingly.

"And if there should be nothing in the house!" the poor Tenor e.j.a.c.u.l.a.t.ed.

"I'll go and see."

He returned quite crestfallen. "There _is_ nothing," he said; "at least nothing but bread--no b.u.t.ter even."

"I don't believe you," said the Boy, rousing himself from his indolent att.i.tude.

"Boy, you mustn't say you don't believe me."

"But I don't," said the Boy. "I don't believe you know where to look. Are the servants out?"

"Yes, my solitary attendant doesn't sleep here."

"Then I'll go and look myself."

"Oh, do, if you like," said the Tenor, much amused. And thinking the Boy would enjoy himself best if he were left to rummage at his own sweet will, he took up a book, brushed his hand back over his s.h.i.+ning hair, and was soon absorbed, But presently he was startled by a wild cry of distress from the kitchen, and, jumping up hastily, he went to see what was the matter.

He found the Boy standing at one end of the kitchen, clutching a vegetable dish, and gazing with a set expression of absolute horror at some object quite at the other end. The Tenor strained his own eyes in the same direction, but could not at first make anything out. At last, however, he distinguished a s.h.i.+ning black thing moving, which proved to be a small c.o.c.kroach.

"Well, you _are_ a baby!" he exclaimed.

"I'm not," the Boy snapped. "It's an idiosyncrasy. I can't bear creepy crawly things. They give me fits."

"I begin to perceive, Boy, that you have a reason for everything," the Tenor observed, as he disposed of the innocent object of the Boy's abhorrence.

"Put it out of sight," the latter entreated, looking nauseated.

But as soon as the Tenor had accomplished his mandate, his good humour returned, and he began to beam again. "What a duffer you are!" he said, taking the lid off the dish he held in his hand. "You have no imagination.

You never lifted a dish cover. Why, I've found a dozen eggs--fresh, for I broke one into a cup to see; and here are a whole lot of cold potatoes."

"It doesn't sound appetizing; cold potatoes and raw eggs!"

"Sound! It isn't sound you judge by in matters of this kind. Just you wait, and you shall see, smell, and taste."

"Well, if it please you," the Tenor answered lazily. "I see something already. You have lighted a fire."

"Yes, and I've used all the dry sticks," said the Boy, with great glee.

"Won't the old woman _swear_ when she comes in the morning!"

The Tenor returned to his book, reflecting, as he prepared to resume it, on the wonderful provision of nature which endows the growing animal not only with such strong instincts of self-preservation, but with the power to gratify them, and to take itself off at the same time and be happy in so doing, thus saving those who have outgrown these natural proclivities from some of their less agreeable consequences.

Presently a hot red face appeared at the door. "Did you say you liked your eggs turned?" the Boy wanted to know.

"I didn't say; but I do, if you're frying them."

"And hard or soft?"

"Oh, soft."

"How many can you eat?"

"Half-a-dozen at least," the Tenor returned at random.

"And I can eat three"--with great gravity--"that will make nine, and leave three for your breakfast in the morning. I daresay you won't want more after such a late supper, I don't think I should myself."

"But do you mean me to understand that the voracity of the growing animal will be satisfied with less than I can eat?"

"Well, you see," the Boy explained apologetically, "the heat of the fire has taken a lot out of me."

"But the waste must be repaired."

"Yes, but the expenditure has been followed by a certain amount of exhaustion, and the power to repair the waste has yet to be generated; it will come as a sort of reaction of the organs which can only set in after a proper period of repose--a sort of interregnum of their energies, you know."