The Crossing Part 4

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"His what?"

"De place whah he lib at, in de country."

"And why isn't the master there?"

I remember that Breed gave a wink, and led me out of the window onto a gallery above the one where we had found the master the night before.

He pointed across the dense foliage of the garden to a strip of water gleaming in the morning sun beyond.

"See dat boat?" said the negro. "Sometime de Ma.r.s.e he tek ar ride in dat boat at night. Sometime gentlemen comes heah in a pow'ful hurry to git away, out'n de harbor whah de English is at."

By that time I was dressed, and marvellously uncomfortable in Master Nick's clothes. But as I was going out of the door, Breed hailed me.

"Ma.r.s.e Dave,"--it was the first time I had been called that,--"Ma.r.s.e Dave, you ain't gwineter tell?"

"Tell what?" I asked.

"Bout'n de boat, and Marsa agwine away nights."

"No," said I, indignantly.

"I knowed you wahn't," said Breed. "You don' look as if you'd tell anything."

We found the master pacing the lower gallery. At first he barely glanced at me, and nodded. After a while he stopped, and began to put to me many questions about my life: when and how I had lived. And to some of my answers he exclaimed, "Good G.o.d!" That was all. He was a handsome man, with hands like a woman's, well set off by the lace at his sleeves. He had fine-cut features, and the white linen he wore was most becoming.

"David," said he, at length, and I noted that he lowered his voice, "David, you seem a discreet lad. Pay attention to what I tell you. And mark! if you disobey me, you will be well whipped. You have this house and garden to play in, but you are by no means to go out at the front of the house. And whatever you may see or hear, you are to tell no one. Do you understand?"

"Yes, sir," I said.

"For the rest," said he, "Breed will give you food, and look out for your welfare."

And so he dismissed me. They were lonely days after that for a boy used to activity, and only the damp garden paths and lawns to run on. The creek at the back of the garden was stagnant and marshy when the water fell, and overhung by leafy boughs. On each side of the garden was a high brick wall. And though I was often tempted to climb it, I felt that disobedience was disloyalty to my father. Then there was the great house, dark and lonely in its magnificence, over which I roamed until I knew every corner of it.

I was most interested of all in the pictures of men and women in quaint, old-time costumes, and I used during the great heat of the day to sit in the drawing-room and study these, and wonder who they were and when they lived. Another amus.e.m.e.nt I had was to climb into the deep windows and peer through the blinds across the front garden into the street.

Sometimes men stopped and talked loudly there, and again a rattle of drums would send me running to see the soldiers. I recall that I had a poor enough notion of what the fighting was all about. And no wonder.

But I remember chiefly my insatiable longing to escape from this prison, as the great house soon became for me. And I yearned with a yearning I cannot express for our cabin in the hills and the old life there.

I caught glimpses of the master on occasions only, and then I avoided him; for I knew he had no wish to see me. Sometimes he would be seated in the gallery, tapping his foot on the floor, and sometimes pacing the garden walks with his hands opening and shutting. And one night I awoke with a start, and lay for a while listening until I heard something like a splash, and the sc.r.a.ping of the bottom-boards of a boat. Irresistibly I jumped out of bed, and running to the gallery rail I saw two dark figures moving among the leaves below. The next morning I came suddenly on a strange gentleman in the gallery. He wore a flowered dressing-gown like the one I had seen on the master, and he had a jolly, round face. I stopped and stared.

"Who the devil are you?" said he, but not unkindly.

"My name is David Trimble," said I, "and I come from the mountains."

He laughed.

"Mr. David Trimble-from-the-mountains, who the devil am I?"

"I don't know, sir," and I started to go away, not wis.h.i.+ng to disturb him.

"Avast!" he cried. "Stand fast. See that you remember that."

"I'm not here of my free will, sir, but because my father wishes it. And I'll betray nothing."

Then he stared at me.

"How old did you say you were?" he demanded.

"I didn't say," said I.

"And you are of Scotch descent?" said he.

"I didn't say so, sir."

"You're a rum one," said he, laughing again, and he disappeared into the house.

That day, when Breed brought me my dinner on my gallery, he did not speak of a visitor. You may be sure I did not mention the circ.u.mstance.

But Breed always told me the outside news.

"Dey's gittin' ready fo' a big fight, Ma.r.s.e Dave," said he. "Mister Moultrie in the fo't in de bay, an' Ma.r.s.e Gen'l Lee tryin' for to boss him. Dey's Rebels. An' Ma.r.s.e Admiral Parker an' de King's reg'ments fixin' fo' to tek de fo't, an' den Charlesto'n. Dey say Mister Moultrie ain't got no mo' chance dan a treed 'possum."

"Why, Breed?" I asked. I had heard my father talk of England's power and might, and Mister Moultrie seemed to me a very brave man in his little fort.

"Why!" exclaimed the old negro. "You ain't neber read no hist'ry books.

I knows some of de gentlemen wid Mister Moultrie. Dey ain't no soldiers.

Some is fine gentlemen, to be suah, but it's jist foolishness to fight dat fleet an' army. Ma.r.s.e Gen'l Lee hisself, he done sesso. I heerd him."

"And he's on Mister Moultrie's side?" I asked.

"Sholy," said Breed. "He's de Rebel gen'l."

"Then he's a knave and a coward!" I cried with a boy's indignation.

"Where did you hear him say that?" I demanded, incredulous of some of Breed's talk.

"Right heah in dis house," he answered, and quickly clapped his hand to his mouth, and showed the whites of his eyes. "You ain't agwineter tell dat, Ma.r.s.e Dave?"

"Of course not," said I. And then: "I wish I could see Mister Moultrie in his fort, and the fleet."

"Why, honey, so you kin," said Breed.

The good-natured negro dropped his work and led the way upstairs, I following expectant, to the attic. A rickety ladder rose to a kind of tower (cupola, I suppose it would be called), whence the bay spread out before me like a picture, the white islands edged with the whiter lacing of the waves. There, indeed, was the fleet, but far away, like toy s.h.i.+ps on the water, and the bit of a fort perched on the sandy edge of an island. I spent most of that day there, watching anxiously for some movement. But none came.

That night I was again awakened. And running into the gallery, I heard quick footsteps in the garden. Then there was a lantern's flash, a smothered oath, and all was dark again. But in the flash I had seen distinctly three figures. One was Breed, and he held the lantern; another was the master; and the third, a stout one m.u.f.fled in a cloak, I made no doubt was my jolly friend. I lay long awake, with a boy's curiosity, until presently the dawn broke, and I arose and dressed, and began to wander about the house. No Breed was sweeping the gallery, nor was there any sign of the master. The house was as still as a tomb, and the echoes of my footsteps rolled through the halls and chambers. At last, prompted by curiosity and fear, I sought the kitchen, where I had often sat with Breed as he cooked the master's dinner. This was at the bottom and end of the house. The great fire there was cold, and the pots and pans hung neatly on their hooks, untouched that day. I was running through the wet garden, glad to be out in the light, when a sound stopped me.

It was a dull roar from the direction of the bay. Almost instantly came another, and another, and then several broke together. And I knew that the battle had begun. Forgetting for the moment my loneliness, I ran into the house and up the stairs two at a time, and up the ladder into the cupola, where I flung open the cas.e.m.e.nt and leaned out.

There was the battle indeed,--a sight so vivid to me after all these years that I can call it again before me when I will. The toy men-o'-war, with sails set, ranging in front of the fort. They looked at my distance to be pressed against it. White puffs, like cotton b.a.l.l.s, would dart one after another from a s.h.i.+p's side, melt into a cloud, float over her spars, and hide her from my view. And then presently the roar would reach me, and answering puffs along the line of the fort.

And I could see the mortar sh.e.l.ls go up and up, leaving a scorched trail behind, curve in a great circle, and fall upon the little garrison.

Mister Moultrie became a real person to me then, a vivid picture in my boyish mind--a hero beyond all other heroes.

The Crossing Part 4

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The Crossing Part 4 summary

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