The Crossing Part 62

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"He is charming, your cousin," said she. "Let him sleep, by all means, until after Ma.s.s. Then you must come with us to Madame Chouteau's, my mother's. Her children and grandchildren dine with her every Sunday."

"Madame Chouteau, my mother-in-law, is the queen regent of St. Louis, Mr. Ritchie," said Monsieur Gratiot, gayly. "We are all afraid of her, and I warn you that she is a very determined and formidable personage.

She is the widow of the founder of St. Louis, the Sieur Laclede, although she prefers her own name. She rules us with a strong hand, dispenses justice, settles disputes, and--sometimes indulges in them herself. It is her right."

"You will see a very pretty French custom of submission to parents,"

said Madame Gratiot. "And afterwards there is a ball."

"A ball!" I exclaimed involuntarily.

"It may seem very strange to you, Mr. Ritchie, but we believe that Sunday was made to enjoy. They will have time to attend the ball before you send them down the river?" she added mischievously, turning to her husband.

"Certainly," said he, "the loading will not be finished before eight o'clock."

Presently Madame Gratiot went off to Ma.s.s, while I walked with Monsieur Gratiot to a storehouse near the river's bank, whence the skins, neatly packed and numbered, were being carried to the boats on the sweating shoulders of the negroes, the half-breeds, and the Canadian boatmen,--bulky bales of yellow elk, from the upper plains of the Missouri, of buffalo and deer and bear, and priceless little packages of the otter and the beaver trapped in the green shade of the endless Northern forests, and brought hither in pirogues down the swift river by the red tribesmen and Canadian adventurers.

Afterwards I strolled about the silent village. Even the cabarets were deserted. A private of the Spanish Louisiana Regiment in a dirty uniform slouched behind the palings in front of the commandant's quarters,--a quaint stone house set against the hill, with dormer windows in its curving roof, with a wide porch held by eight st.u.r.dy hewn pillars; here and there the m.u.f.fled figure of a prowling Indian loitered, or a barefooted negress shuffled along by the fence crooning a folk-song. All the world had obeyed the call of the church bell save these--and Nick. I bethought myself of Nick, and made my way back to Monsieur Gratiot's.

I found my cousin railing at Benjy, who had extracted from the saddle-bags a wondrous gray suit of London cut in which to array his master. Clothes became Nick's slim figure remarkably. This coat was cut away smartly, like a uniform, towards the tails, and was brought in at the waist with an infinite art.

"Whither now, my conquistador?" I said.

"To Ma.s.s," said he.

"To Ma.s.s!" I exclaimed; "but you have slept through the greater part of it."

"The best part is to come," said Nick, giving a final touch to his neck-band. Followed by Benjy's adoring eyes, he started out of the door, and I followed him perforce. We came to the little church, of upright logs and plaster, with its crudely s.h.i.+ngled, peaked roof, with its tiny belfry crowned by a cross, with its porches on each side shading the line of windows there. Beside the church, a little at the back, was the cure's modest house of stone, and at the other hand, under spreading trees, the graveyard with its rough wooden crosses. And behind these graves rose the wooded hill that stretched away towards the wilderness.

What a span of life had been theirs who rested here! Their youth, perchance, had been spent amongst the crooked streets of some French village, streets lined by red-tiled houses and crossing limpid streams by quaint bridges. Death had overtaken them beside a monster tawny river of which their imaginations had not conceived, a river which draws tribute from the remote places of an unknown land,--a river, indeed, which, mixing all the waters, seemed to symbolize a coming race which was to conquer the land by its resistless flow, even as the Mississippi bore relentlessly towards the sea.

These were my own thoughts as I listened to the tones of the priest as they came, droningly, out of the door, while Nick was exchanging jokes in doubtful French with some half-breeds leaning against the palings.

Then we heard benches sc.r.a.ping on the floor, and the congregation began to file out.

Those who reached the steps gave back, respectfully, and there came an elderly lady in a sober turban, a black mantilla wrapped tightly about her shoulders, and I made no doubt that she was Monsieur Gratiot's mother-in-law, Madame Chouteau, she whom he had jestingly called the queen regent. I was sure of this when I saw Madame Gratiot behind her.

Madame Chouteau indeed had the face of authority, a high-bridged nose, a determined chin, a mouth that shut tightly. Madame Gratiot presented us to her mother, and as she pa.s.sed on to the gate Madame Chouteau reminded us that we were to dine with her at two.

After her the congregation, the well-to-do and the poor alike, poured out of the church and spread in merry groups over the gra.s.s: keel boatmen in tow s.h.i.+rts and party-colored worsted belts, the blacksmith, the shoemaker, the farmer of a small plot in the common fields in large cotton pantaloons and light-wove camlet coat, the more favored in skull-caps, linen small-clothes, cotton stockings, and silver-buckled shoes,--every man pausing, dipping into his tabatiere, for a word with his neighbor. The women, too, made a picture strange to our eyes, the matrons in jacket and petticoat, a Madras handkerchief flung about their shoulders, the girls in fresh cottonade or calamanco.

All at once cries of "'Polyte! 'Polyte!" were heard, and a nimble young man with a jester-like face hopped around the corner of the church, trundling a barrel. Behind 'Polyte came two rotund little men perspiring freely, and laden down with various articles,--a bird-cage with two yellow birds, a hat-trunk, an inlaid card box, a roll of scarlet cloth, and I know not what else. They deposited these on the gra.s.s beside the barrel, which 'Polyte had set on end and proceeded to mount, encouraged by the shouts of his friends, who pressed around the barrel.

"It's an auction," I said.

But Nick did not hear me. I followed his glance to the far side of the circle, and my eye was caught by a red ribbon, a blush that matched it.

A glance shot from underneath long lashes,--but not for me. Beside the girl, and palpably uneasy, stood the young man who had been called Gaspard.

"Ah," said I, "your angel of the tumbrel."

But Nick had pulled off his hat and was sweeping her a bow. The girl looked down, smoothing her ribbon, Gaspard took a step forward, and other young women near us t.i.ttered with delight. The voice of Hippolyte rolling his r's called out in a French dialect:--

"M'ssieurs et Mesdames, ce sont des effets d'un pauvre officier qui est mort. Who will buy?" He opened the hat-trunk, produced an antiquated beaver with a gold cord, and surveyed it with a covetousness that was admirably feigned. For 'Polyte was an actor. "M'ssieurs, to own such a hat were a patent of n.o.bility. Am I bid twenty livres?"

There was a loud laughter, and he was bid four.

"Gaspard," cried the auctioneer, addressing the young man of the tumbrel, "Suzanne would no longer hesitate if she saw you in such a hat.

And with the trunk, too. Ah, mon Dieu, can you afford to miss it?"

The crowd howled, Suzanne simpered, and Gaspard turned as pink as clover. But he was not to be bullied. The hat was sold to an elderly person, the red cloth likewise; a pot of grease went to a housewife, and there was a veritable scramble for the box of playing cards; and at last Hippolyte held up the wooden cage with the fluttering yellow birds.

"Ha!" he cried, his eyes on Gaspard once more, "a gentle present--a present to make a heart relent. And Monsieur Leon, perchance you will make a bid, although they are not gamec.o.c.ks."

Instantly, from somewhere under the barrel, a c.o.c.k crew. Even the yellow birds looked surprised, and as for 'Polyte, he nearly dropped the cage.

One elderly person crossed himself. I looked at Nick. His face was impa.s.sive, but suddenly I remembered his boyhood gift, how he had imitated the monkeys, and I began to shake with inward laughter. There was an uncomfortable silence.

"Peste, c'est la magie!" said an old man at last, searching with an uncertain hand for his snuff.

"Monsieur," cried Nick to the auctioneer, "I will make a bid. But first you must tell me whether they are c.o.c.ks or yellow birds."

"Parbleu," answered the puzzled Hippolyte, "that I do not know, Monsieur."

Everybody looked at Nick, including Suzanne.

"Very well," said he, "I will make a bid. And if they turn out to be gamec.o.c.ks, I will fight them with Monsieur Leon behind the cabaret. Two livres!"

There was a laugh, as of relief.

"Three!" cried Gaspard, and his voice broke.

Hippolyte looked insulted.

"M'ssieurs," he shouted, "they are from the Canaries. Diable, un berger doit etre genereux."

Another laugh, and Gaspard wiped the perspiration from his face.

"Five!" said he.

"Six!" said Nick, and the villagers turned to him in wonderment. What could such a fine Monsieur want with two yellow birds?

"En avant, Gaspard," said Hippolyte, and Suzanne shot another barbed glance in our direction.

"Seven," muttered Gaspard.

"Eight!" said Nick, immediately.

"Nine," said Gaspard.

"Ten," said Nick.

"Ten," cried Hippolyte, "I am offered ten livres for the yellow birds.

Une bagatelle! Onze, Gaspard! Onze! onze livres, pour l'amour de Suzanne!"

The Crossing Part 62

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The Crossing Part 62 summary

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