The Tempting of Tavernake Part 54

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She looked at his workman's clothes.

"What have you been doing?" she asked, sharply.

"Working," Tavernake answered, "good work, too. I am the better for it.

Don't mind my clothes, Beatrice. I have been mad for a time, but after all it has been a healthy madness."

"It was a strange thing that you did," she said,--"you disappeared."



He nodded.

"Some day," he told her, "I may, perhaps, be able to make you understand. Just now I don't think that I could."

"It was Elizabeth?" she whispered, softly.

"It was Elizabeth," he admitted.

They said no more then till they reached the hall. She stopped at the door and put out her hand timidly.

"I shall see you afterwards?" she ventured.

"Do you mind my coming to the performance?" he asked.

She hesitated.

"A few moments ago," she remarked, smiling, "I was dreading your coming.

Now I think that you had better. It will be all over at ten o'clock, and I shall look for you outside. You are living in Norwich?"

"I shall be here for to-night, at any rate," he answered.

"Very well, then," she said, "afterwards we will have a talk."

Tavernake pa.s.sed through the scattered knot of loiterers at the door and bought a seat for himself in the little music-hall, which, notwithstanding the professor's boast, was none too well filled. It was a place of the old-fas.h.i.+oned sort, with small tables in the front, and waiters hurrying about serving drinks. The people were of the lowest order, and the atmosphere of the room was thick with tobacco smoke.

A young woman in a flaxen wig and boy's clothes was singing a popular ditty, marching up and down the stage, and interspersing the words o f her song with grimaces and appropriate action. Tavernake sat down with a barely-smothered groan. He was beginning to realize the tragedy upon which he had stumbled. A comic singer followed, who in a dress suit several sizes too large for him gave an imitation of a popular Irish comedian. Then the curtain went up and the professor was seen, standing in front of the curtain and bowing solemnly to a somewhat unresponsive audience. A minute later Beatrice came quietly in and sat by his side.

There was nothing new about the show. Tavernake had seen the same thing before, with the exception that the professor was perhaps a little behind the majority of his fellow-craftsmen. The performance was finished in dead silence, and after it was over, Beatrice came to the front and sang. She was a very unusual figure in such a place, in a plain black evening gown, with black gloves and no jewelry, but they encored her heartily, and she sang a song from the musical comedy in which Tavernake had first seen her. A sudden wave of reminiscence stirred within him. His thoughts seemed to go back to the night when he had waited for her outside the theatre and they had had supper at Imano's, to the day when he had left the boarding-house and entered upon his new life. It was more like a dream than ever now.

He rose and quitted the place immediately she had finished, waiting in the street until she appeared. She came out in a few minutes.

"Father is going to a supper," she announced, "at the inn where he has a room for receiving people. Will you come home with me for an hour? Then we can go round and fetch him."

"I should like to," Tavernake answered.

Her lodgings were only a few steps away--a strange little house in a narrow street. She opened the front door and ushered him in.

"You understand, of course," she said, smiling, "that we have abandoned the haunts of luxury altogether."

He looked around at the tiny room with its struggling fire and horsehair sofa, linoleum for carpet, oleographs for pictures, and he s.h.i.+vered, not for his own sake but for hers. On the sideboard were some bread and cheese and a bottle of ginger beer.

"Please imagine," she begged, taking the pins from her hat, "that you are in those dear comfortable rooms of ours down at Chelsea. Draw that easy-chair up to what there is of the fire, and listen. You smoke still?"

"I have taken to a pipe," he admitted.

"Then light it and listen," she went on, smoothing her hair for a minute in front of the looking-gla.s.s. "You want to know about Elizabeth, of course."

"Yes," he said, "I want to know."

"Elizabeth, on the whole," Beatrice continued, "got out of all her troubles very well. Her husband's people were wild with her, but Elizabeth was very clever. They were never able to prove that she had exercised more than proper control over poor Wenham. He died two months after they took him to the asylum. They offered Elizabeth a lump sum to waive all claims to his estate, and she accepted it. I think that she is now somewhere on the Continent."

"And you?" he asked. "Why did you leave the theatre?"

"It was a matter of looking after my father," she explained. "You see, while he was there with Elizabeth he had too much money and nothing to do. The consequence was that he was always--well, I suppose I had better say it--drinking too much, and he was losing all his desire for work. I made him promise that if I could get some engagements he would come away with me, so I went to an agent and we have been touring like this for quite a long time."

"But what a life for you!" Tavernake exclaimed. "Couldn't you have stayed on at the theatre and found him something in London?"

She shook her head.

"In London," she said, "he would never have got out of his old habits.

And then," she went on, hesitatingly, "you understand that the public want something else besides the hypnotism--"

Tavernake interrupted her ruthlessly.

"Of course I understand," he declared, "I was there to-night. I understood at once why you were not very anxious for me to go. The people cared nothing at all about your father's performance. They simply waited for you. You would get the same money if you went round without him."

She nodded, a trifle shamefacedly.

"I am so afraid some one will tell him," she confessed. "They nearly always ask me to leave out his part of the performance. They have even offered me more money if I would come alone. But you see how it is. He believes in himself, he thinks he is very clever and he believes that the public like his show. It is the only thing which helps him to keep a little self-respect. He thinks that my singing is almost unnecessary."

Tavernake looked into that faint glimmer of miserable fire. He was conscious of a curious feeling in his throat. How little he knew of life! The pathos of what she had told him, the thought of her bravely traveling the country and singing at third-rate music-halls, never taking any credit to herself, simply that her father might still believe himself a man of talent, appealed to him irresistibly. He suddenly held out his hand.

"Poor little Beatrice!" he exclaimed. "Dear little sister!"

The hand he gripped was cold, she avoided his eyes.

"You--you mustn't," she murmured. "Please don't!"

He held out his other hand and half rose, but her lips suddenly ceased to quiver and she waved him back.

"No, Leonard," she begged, "please don't do or say anything foolish.

Since we do meet again, though, like this, I am going to ask you one question. What made you come to me and ask me to marry you that day?"

He looked away; something in her eyes accused him.

"Beatrice," he confessed, "I was a thick-headed ignorant fool, without understanding. I came to you for safety. I was afraid of Elizabeth, I was afraid of what I felt for her. I wanted to escape from it."

She smiled piteously.

"It wasn't a very brave thing to do, was it?" she faltered.

"It was mean," he admitted. "It was worse than that. But, Beatrice," he went on, "I was missing you horribly. You did leave a big empty place when you went away. I am not going to excuse myself about Elizabeth. I lived through a time of the strangest, most marvelous emotions one could dream of. Then the thing came to an end and I felt as though the bottom had gone out of life. I suppose--I loved her," he continued hesitatingly. "I don't know. I only know that she filled every thought of my brain, that she lived in every beat of my heart, that I would have gone down into h.e.l.l to help her. And then I understood. That morning she told me something of the truth about herself, not meaning to--unconsciously--justifying herself all the time, not realizing that every word she said was d.a.m.nable. And then there didn't seem to be anything else left, and I had only one desire. I turned my back upon everything and I went back to the place where I was born, a little fis.h.i.+ng village. For the last thirty miles I walked. I shall never forget it. When I got there, what I wanted was work, work with my hands.

The Tempting of Tavernake Part 54

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The Tempting of Tavernake Part 54 summary

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