The White Moll Part 14
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Rhoda Gray's lips tightened a little, as she hurried along. Old Nicky Viner still lived in the same disreputable tenement in which he had lived on the night of that murder two years ago, and she could not ward off the thought that it had been--yes, and was--an ideal place for a murder, from the murderer's standpoint! The neighborhood was one of the toughest in New York, and the tenement itself was frankly nothing more than a den of crooks. True, she had visited there more than once, had visited Nicky Viner there; but she had gone there then as the White Moll, to whom even the most abandoned would have touched his cap.
To-night it was very different--she went there as a woman. And yet, after all--she amended her own thoughts, smiling a little seriously--surely she could disclose herself as the White Moll there again to-night if the actual necessity arose, for surely crooks, pokegetters, s.h.i.+llabers and lags though they were, and though the place teemed with the dregs of the underworld, no one of them, even for the reward that might be offered, would inform against her to the police!
And yet--again the mental pendulum swung the other way--she was not so confident of that as she would like to be. In a general way there could be no question but that she could count on the loyalty of those who lived there; but there were always those upon whom one could never count, those who were dead to all sense of loyalty, and alive only to selfish gain and interest--a human trait that, all too unfortunately, was not confined to those alone who lived in that shadowland outside the law. Her face, beneath the thick veil, relaxed a little. Well, she certainly did not intend to make a test case of it and disclose herself there as the White Moll, if she could help it! She would enter the tenement unnoticed if she could, and make her way to Nicky Viner's two miserable rooms on the second floor as secretively as she could. And, knowing the place as she did, she was quite satisfied that, if she were careful enough and cautious enough, she could both enter and leave without being seen by any one except, of course, Nicky Viner.
She walked on quickly. Five minutes, ten minutes pa.s.sed; and now, in a narrow street, lighted mostly by the dull, yellow glow that seeped up from the sidewalk through bas.e.m.e.nt entrances, queer and forbidding portals to sinister interiors, or filtered through the dirty windows of uninviting little shops that ran the gamut from Chinese laundries to oyster dens, she halted, drawn back in the shadows of a doorway, and studied a tenement building that was just ahead of her. That was where old Nicky Viner lived. A smile of grim whimsicality touched her lips.
Not a light showed in the place from top to bottom. From its exterior it might have been uninhabited, even long deserted. But to one who knew, it was quite the normal condition, quite what one would expect. Those who lived there confined their activities mostly to the night; and their exodus to their labors began when the labors of the world at large ended--with the fall of darkness.
For a little while she watched the place, and kept glancing up and down the street; and then, seizing her opportunity when for half a block or more the street was free of pedestrians, she stole forward and reached the tenement door. It was half open, and she slipped quickly inside into the hall.
She stood here for a moment motionless; listening, striving to accommodate her eyes to the darkness, and instinctively her hand went to her pocket for the rea.s.suring touch of her revolver. It was black back there in the hallway of Gypsy Nan's lodging; she had not thought that any greater degree of blackness could exist; but it was blacker here.
Only the sense of touch promised to be of any avail. If one could have moved as noiselessly as a shadow moves, one could have pa.s.sed another within arm's-length unseen. And so she listened, listened intently.
And there was very little sound. Once she detected a footstep from the interior of some room as it moved across a bare floor; once she heard a door creak somewhere upstairs; and once, from some indeterminate direction, she thought she heard voices whispering together for a moment.
She moved suddenly then, abruptly, almost impulsively, but careful not to make the slightest noise. She dared not remain another instant inactive. It was what she had expected, what she had counted upon as an ally, this darkness, but she was not one who laughed, even in daylight, at its psychology. It was beginning to attack her now; her imagination to magnify even the actual dangers that she knew to be around her. And she must fight it off before it got a hold upon her, and before panic voices out of the blackness began to shriek and clamor in her ears, as she knew they would do with pitifully little provocation, urging her to turn and flee incontinently.
The staircase, she remembered, was at her right; and feeling out before her with her hands, she reached the stairs, and began to mount them.
She went slowly, very slowly. They were bare, the stairs, and unless one were extremely careful they would creak out through the silence with a noise that could be heard from top to bottom of the tenement. But she was not making any noise; she dared not make any noise.
Halfway up she halted and pressed her body close against the wall. Was that somebody coming? She held her breath in expectation. There wasn't a sound now, but she could have sworn she had heard a footstep on the hallway above, or on the upper stairs. She bit her lips in vexation.
Panic noises! That's what they were! That, and the thumping of her heart! Why was it that alarms and exaggerated fancies came and tried to unnerve her? What, after all, was there really to be afraid of? She had almost a clear two hours before she need even antic.i.p.ate any actual danger here, and, if Nicky Viner were in, she would be away from the tenement again in another fifteen minutes at the latest.
Rhoda Gray went on again, and gaining the landing, halted once more.
And here she smiled at herself with the tolerant chiding she would have accorded a child that was frightened without warrant. She could account for those whisperings and that footstep now. The door to the left, the one next to Nicky Viner's squalid, two-room apartment, was evidently partially open, and occasionally some one moved within; and the voices came from there too, and, low-toned to begin with, were naturally m.u.f.fled into whispers by the time they reached her.
She had only, then, to step the five or six feet across the narrow hall in order to reach Nicky Viner's door, and unless by some unfortunate chance whoever was in that room happened to come out into the hall at the same moment, she would--Yes, it was all right! She was trying Nicky Viner's door now. It was unlocked, and as she opened it for the s.p.a.ce of a crack, there showed a tiny c.h.i.n.k of light, so faint and meager that it seemed to shrink timorously back again as though put to rout by the ma.s.sed blackness--but it was enough to evidence the fact that Nicky Viner was at home. It was all simple enough now. Old Viner would undoubtedly make some exclamation at her sudden and stealthy entrance, but once she was inside without those in the next room either having heard or seen her, it would not matter.
Another inch she pushed the door open, another--and then another. And then quickly, silently, she tip-toed over the threshold and closed the door softly behind her. The light came from the inner room and shone through the connecting door, which was open, and there was movement from within, and a low, growling voice, petulant, whining, as though an old man were mumbling complainingly to himself. She smiled coldly. It was very like Nicky Viner--it was a habit of his to talk to himself, she remembered. And, also, she had never heard Nicky Viner do anything else but grumble and complain.
But she could not see fully into the other room, only into a corner of it, for the two doors were located diagonally across from one another, and her hand, in a startled way, went suddenly to her lips, as though mechanically to help choke back and stifle the almost overpowering impulse to cry out that arose within her. Nicky Viner was not alone in there! A figure had come into her line of vision in that other room, not Nicky Viner, not any of the gang--and she stared now in incredulous amazement, scarcely able to believe her eyes. And then, suddenly cool and self-possessed again, relieved in a curious way because the element of personal danger was as a consequence eliminated, she began to understand why she had been forestalled in her efforts at Perlmer's office when she had been so sure that she would be first upon the scene.
It was not Danglar, or the Cricket, or Skeeny, or any of the band who had forestalled her--it was the Adventurer. That was the Adventurer standing in there now, side face to her, in Nicky Viner's inner room!
X. ON THE BRINK
Rhoda Gray moved quietly, inch by inch, along the side of the wall to gain a point of vantage more nearly opposite the lighted doorway. And then she stopped again. She could see quite clearly now--that is, there was nothing now to obstruct her view; but the light was miserable and poor, and the single gas-jet that wheezed and flickered did little more than disperse the shadows from its immediate neighborhood in that inner room. But she could see enough--she could see the bent and ill-clad figure of Nicky Viner, as she remembered him, an old, gray-bearded man, wringing his hands in groveling misery, while the mumbling voice, now whining and pleading, now servile, now plucking up courage to indulge in abuse, kept on without even, it seemed, a pause for breath. And she could see the Adventurer, quite unmoved, quite debonair, a curiously patient smile on his face, standing there, much nearer to her, his right hand in the side pocket of his coat, a somewhat significant habit of his, his left hand holding a sheaf of folded, legal-looking doc.u.ments.
And then she heard the Adventurer speak.
"What a flow of words!" said the Adventurer, in a bored voice. "You will forgive me, my dear Mr. Viner, if I appear to be facetious, which I am not--but money talks."
"You are a thief, a robber!" The old gray-bearded figure rocked on its feet and kept wringing its hands. "Get out of here! Get out! Do you hear? Get out! You come to steal from a poor old man, and--"
"Must we go all over that again?" interrupted the Adventurer wearily.
"I have not come to steal anything; I have simply come to sell you these papers, which I am quite sure, once you control yourself and give the matter a little calm consideration, you are really most anxious to buy--at any price.
"It's a lie!" the other croaked hoa.r.s.ely. "Those papers are a lie! I am innocent. And I haven't got any money. None! I haven't any. I am poor--an old man--and poor."
Rhoda Gray felt the blood flush hotly to her cheeks. Somehow she could feel no sympathy for that cringing figure in there; but she felt a hot resentment toward that dapper, immaculately dressed and self-possessed young man, who stood there, silently now, tapping the papers with provoking coolness against the edge of the plain deal table in front of him. And somehow the resentment seemed to take a most peculiar phase.
She resented the fact that she should feel resentment, no matter what the man did or said. It was as though, instead of anger, impersonal anger, at this low, miserable act of his, she felt ashamed of him. Her hand clenched fiercely as she crouched there against the wall. It wasn't true! She felt nothing of the sort! Why should she be ashamed of him?
What was he to her? He was frankly a thief, wasn't he? And he was at his pitiful calling now--down to the lowest dregs of it. What else did she expect? Because he had the appearance of a gentleman, was it that her sense of grat.i.tude for what she owed him had made her, deep down in her soul, actually cherish the belief that he really was one--made her hope it, and nourish that hope into belief? Tighter her hand clenched. Her lips parted, and her breath came in short, hard inhalations. Was it true? Was it all only an added misery, where it had seemed there could be none to add to her life in these last few days? Was it true that there was no price she would not have paid to have found him in any role but this abased one that he was playing now?
The Adventurer broke the silence.
"Quite so, my dear Mr. Viner!" he agreed smoothly. "It would appear, then, from what you say that I have been mistaken--even stupidly so, I am afraid. And in that case, I can only apologize for my intrusion, and, as you so delicately put it, get out." He slipped the papers, with a philosophic shrug of his shoulders, into his inside coat pocket, and took a backward step toward the door. "I bid you good-night, then, Mr.
Viner. The papers, as you state, are doubtless of no value to you, so you can, of course, have no objection to my handing them over to the police, who--"
"No, no! Wait! Wait!" the other whispered wildly. "Wait!"
"Ah!" murmured the Adventurer.
"I--I'll"--the bent old figure was clawing at his beard--"I'll--"
"Buy them?" suggested the Adventurer pleasantly.
"Yes, I'll--I'll buy them. I--I've got a little money, only a little, all I've been able to save in years, a--a hundred dollars.
"How much did you say?" inquired the Adventurer coldly.
"Two hundred." The voice was a maudlin whine.
The Adventurer took another backward step toward the door.
"Three hundred!"
Another step.
"Five--a thousand!"
The Adventurer laughed suddenly.
"That's better!" he said. "Where you keep a thousand, you keep the rest.
Where is the thousand, Mr. Viner?"
The bent figure hesitated a moment; and then, with what sounded like a despairing cry, pointed to the table.
"It's there," he whimpered. "G.o.d's curses on you, for the thief you are."
Rhoda Gray found her eyes fixed in sudden, strained fascination on the table--as, she imagined, the Adventurer's were too. It was bare of any covering, nor were there any articles on its surface, nor, as far as she could see, was there any drawer. And now the Adventurer, his right hand still in his coat pocket, and bulging there where she knew quite well it grasped his revolver, stepped abruptly to the table, facing the other with the table between them.
The bent old figure still hesitated, and then, with the despairing cry again, grasped at the top of the table, and jerked it toward him. The surface seemed to slide sideways a little way, a matter of two or three inches, and then stick there; but the Adventurer, in an instant, had thrust the fingers of his left hand into the crevice. He drew out a number of loose banknotes, and thrust his fingers in again for a further supply.
"Open it wider!" he commanded curtly.
"I--I'm trying to," the other mumbled, and bent down to peer under the table. "It's stuck. The catch is underneath, and--"
It seemed to Rhoda Gray, gazing into that dimly lighted room, as though she were suddenly held spellbound as in some horrible and amazing trance. Like a hideous jack-in-the-box the gray head popped above the level of the table again, and quick as a flash, a revolver was thrust into the Adventurer's face; and the Adventurer, caught at a disadvantage, since his hand in his coat pocket was below the intervening table top, stood there as though instantaneously transformed into some motionless, inanimate thing, his fingers still gripping at another sheaf of banknotes that he had been in the act of scooping out from the narrow aperture.
And then again Rhoda Gray stared, and stared now as though bereft of her senses; and upon her crept, cold and deadly, a fear and a terror that seemed to engulf her very soul itself. That head that looked like a jack-in-the-box was gone; the gray beard seemed suddenly to be shorn away, and the gray hair too, and to fall and flutter to the table, and the bent shoulders were not bent any more, and it wasn't Nicky Viner at all--only a clever, a wonderfully clever, impersonation that had been helped out by the poor and meager light. And terror gripped at her again, for it wasn't Nicky Viner. Those narrowed eyes, that leering, gloating face, those working lips were Danglar's.
The White Moll Part 14
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The White Moll Part 14 summary
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