The Prisoner Part 29

"What do you mean?" Lydia was insisting, with an iteration that sounded like repeated onslaughts, a mental pounce, to shake it out of her. "What do you mean?"

Miss Amabel wore the dignified Addington aloofness.

"I am very sorry," said she. "I have been indiscreet."

"But you'll tell me, now you've begun," panted Lydia. "You'll have to tell me or I shall go crazy."

"We must both control ourselves," said Miss Amabel, with a further retreat to the decorum of another generation. "You are not going crazy, Lydia. We are both tired and we feel the heat. And I shall not tell you."

Lydia ran out of the room. There was no other word for the quickness of her going. She fled like running water, and having worn no hat, she found herself bareheaded in the street, hurrying on to Esther's. An instinct told her she could only do her errand, make her a.s.sault, it seemed, on those who knew what she did not, if she never paused to weigh the difficulties: her hatreds, too, for they had to be weighed. Lydia was sure she hated Madame Beattie and Esther. She would not willingly speak to them, she had thought, after her last encounters. But now she was letting the knocker fall on Esther's door, and had asked the discreet maid with the light eyelashes, who always somehow had an air of secret knowledge and amus.e.m.e.nt, if Madame Beattie were at home, and gave her name. The maid, with what seemed to Lydia's raw consciousness an ironical courtesy, invited her into the library and left her there in its twilight tranquillity. Lydia stood still, holding one of her pathetically small, hard-worked hands over her heart, and shortly, to her grat.i.tude, Sophy was back and asked her to go up to Madame Beattie's room.

The maid accompanying her, Lydia went, with her light step, afraid of itself lest it turn coward, and in the big dark room at the back of the house, its gloom defined by the point of light from a shaded reading candle, she was left, and stood still, almost wis.h.i.+ng for Sophy whose footfalls lessened on the stairs. There were two bits of light in the room, the candle and Madame Beattie's face. Madame Beattie had taken off her toupee, and for Lydia she had not troubled to put it on. She lay on the bed against pillows, a down quilt drawn over her feet, regardless of the seasonable warmth, and a disorder of paper-covered books about her.

One she held in her ringed hand, and now she put it down, her eyegla.s.ses with it, and turned the candle so that the light from the reflector fell on Lydia's face.

"I wasn't sure which girl it was," she said, in a tone of mild good-nature. "It's not the good one. It's you, mischief. Come and sit down."

Madame Beattie did not apologise for giving audience in her bedchamber.

In the old royal days before the downfall of her kingdom she had accorded it to greater than Lydia French. Lydia's breath came so fast now that it hurt her. She stepped forward, but she did not take the low chair which really had quite a comfortable area left beyond Madame Beattie's corset and stockings. She stood there in the circle of light and said desperately:

"What was it about your necklace?"

She had created an effect. Madame Beattie herself gasped.

"For G.o.d's sake, child," said she, "what do you know about my necklace?"

"I don't know anything," said Lydia. "And I want to know everything that will help Jeff."

She broke down here, and cried bitterly. Madame Beattie lay there looking at her, at first with sharp eyes narrowed, as if she rather doubted whose emissary Lydia might be. Then her face settled into an astonished yet astute calm and wariness.

"You'll have to sit down," said she. "It's a long story." So Lydia sank upon the zone left by the corset and stockings. "Who's been talking to you?" asked Madame Beattie: but Lydia looked at her and dumbly shook her head. "Jeff?"

"No. Oh, no!"

"His father?"

"Farvie? Not a word."

Madame Beattie considered.

"What business is it of yours?" she asked.

Lydia winced. She was used to softness from Anne and the colonel. But she controlled herself. If she meant to enter on the task of exonerating Jeffrey, she must, she knew, make herself impervious to snubs.

"Anne and I are doing all we can to help Jeffrey," she said. "He doesn't know it. Farvie doesn't know it. But there's something about a necklace.

And it had ever so much to do with Jeffrey and his case. And I want to know."

Madame Beattie chuckled. Her worn yellowed face broke into satirical lines, hateful ones, Lydia thought. She was like a jeering unpleasant person carved for a cathedral and set up among the saints.

"I'll tell you about my necklace," said she. "I'm perfectly willing to.

Perhaps you can do something about it. Something for me, too."

It was a strange, vivid picture: that small arc of light augmenting the dusk about them, and Lydia sitting rapt in expectation while Madame Beattie's yellowed face lay upon the obscurity, an amazing portraiture against the dark. It was a picture of a perfect consistency, of youth and innocence and need coming to the sybil for a reading of the leaves of life.

"You see, my dear," said Madame Beattie, "years ago I had a necklace given me--diamonds." She said it with emotion even. No one ever heard her rehea.r.s.e her triumphs on the lyric stage. They were the foundation of such dignity as her life had known; but the gewgaws time had flung at her she did like, in these lean years, to finger over. "It was given me by a Royal Personage. He had to do a great many clever things to get ahead of his government and his exchequer to give me such a necklace.

But he did."

"Why did he?" Lydia asked.

It was an innocent question designed to keep the sybil going. Madame Beattie's eyes narrowed slightly. You could see what she had been in the day of her power.

"He had to," said she, with an admiringly dramatic simplicity. "I wanted it."

"But--" began Lydia, and Madame Beattie put up a small hand with a gesture of reb.u.t.tal.

"Well, time went on, and he needed the necklace back. However, that doesn't belong to the story. Some years ago, just before your Jeff got into trouble, I came over here to the States. I was singing then more or less." A concentrated power, of even a n.o.ble sort, came into her face.

There was bitterness too, for she had to remember how disastrous a venture it had been. "I needed money, you understand. I couldn't have got an audience over there. I thought here they might come to hear me--to say they'd heard me--the younger generation--and see my jewels. I hadn't many left. I'd sold most of them. Well, I was mistaken. I couldn't get a house. The fools!" Scorn ate up her face alive and opened it out, a sneering mask. They were fools indeed, she knew, who would not stir the ashes of such embers in search of one spark left. "I'm a very strong woman. But I rather broke down then. I came here to Esther. She was the only relation I had, except my stepsister, and she was off travelling. Susan was always ashamed of me. She went to Europe on purpose. Well, I came here. And Esther wished I was at the bottom of the sea. But she liked my necklace, and she stole it."

Esther, as Lydia had seen her sitting in a long chair and eating candied fruit, had been a figure of such civilised worth, however odious, that Lydia said involuntarily, in a loud voice:

"She couldn't. I don't believe it."

"Oh, but she did," said Madame Beattie, looking at her with the coolness of one who holds the cards. "She owned she did."

"To you?"

"To Jeff. He was madly in love with her then. Married, you understand, but frightfully in love. Yes, she owned it. I always thought that was why he wasn't sorry to go to jail. If he'd stayed out there was the question of the necklace. And Esther. He didn't know what to do with her."

"But he made her give it back," said Lydia, out of agonised certainty that she must above all believe in him.

"He couldn't. She said she'd lost it."

Lydia stared at her, and her own face went white. Now the picture of youth and age confronting each other was of the sybil dealing inexorable hurts and youth anguished in the face of them.

"She said she'd lost it," Madame Beattie went on, in almost chuckling enjoyment of her tale. "She said it had bewitched her. That was true enough. She'd gone to New York. She came back by boat. Crazy thing for a woman to do. And she said she stayed on deck late, and stood by the rail and took the necklace out of her bag to hold it up in the moonlight. And it slipped out of her hands."

"Into the water?"

"She said so."

"You don't believe it." Lydia read that clearly in the contemptuous old face.

"Well, now, I ask you," said Madame Beattie, "was there ever such a silly tale? A young woman of New England traditions--yes, they're ridiculous, but you've got to reckon with them--she comes home on a Fall River boat and doesn't even stay in her cabin, but hangs round on decks and plays with priceless diamonds in the moonlight. Why, it's enough to make the cat laugh."

Madame Beattie, in spite of her cosmopolitan reign, was at least local enough to remember the feline similes Lydia put such dependence on, and she used this one with relish. Lydia felt the more at home.

"But what did she do with it?" she insisted.

"I don't know," said Madame Beattie idly. "Put it in a safety deposit in New York perhaps. Don't ask me."