The Romance of a Plain Man Part 20
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"It's just as well, Ben Starr," she said, "that you're engaged to me for this dance, and not to a timid lady."
It wasn't my dance, I knew; in fact, I had not had sufficient boldness to ask her for one, and I discovered the next minute, when she sent away rather impatiently a youth who approached, that she had taken such glorious possession merely from some indomitable instinct to give people pleasure.
"Shall we sit down and talk a little over there under the smilax?" she asked, "or would you rather dance? If you'd like to dance," she added with a sparkle in her face, "I am not afraid."
"Well, I am," I retorted, "I shall never dance again."
"How serious that sounds--but since you've made the resolution I hope you'll keep it. I like things to be kept."
"There's no chance of my breaking it. I never made but one other solemn vow in my life."
"And you've kept that?"
"I am keeping it now."
She sat down, arranging her white draperies under the festoons of smilax, her left hand, from which a big feather fan drooped, resting on her knees, her small, white-slippered foot moving to the sound of the waltz.
"Was it a vow not to grow any more?" she asked with a soft laugh.
"It was," I leaned toward her and the fragrance of the white rose, drooping a little in her wreath of plaits, filled my nostrils, "that I would not stay common."
Her lashes, which had been lowered, were raised suddenly, and I met her eyes. "O Ben Starr, Ben Starr," she said, "how well you have kept it!"
"Do you remember the stormy night when you would not let me take your wet cap because I was a common boy?".
"How hateful I must have been!"
"On that night I determined that I would not grow up to be a common man.
That was why I ran away, that was why I went into the tobacco factory, that was why I started to learn Johnson's Dictionary by heart--why I drudged over my Latin, why I went into stocks, why--"
Her eyes had not left my face, but unfurling the big feather fan, she waved it slowly between us. I, who had, in the words of Dr. Theophilus, "no small wits in my head," who could stand, dumb and a clown, in a ballroom, who could even trip up my partner, had found words that could arrest the gaze of the woman before me. To talk at all I must talk of big things, and it was of big things that I now spoke--of poverty, of struggle, of failure, of aspiration. My mind, like my body, was not rounded to the lighter graces, the rippling surface, that society requires. In my everyday clothes, among men, I was at no loss for words, but the high collar and the correctly tied cravat I wore seemed to strangle my throat, until those starry eyes, seeking big things also, had looked into mine. Then I forgot my fruitless efforts at conversation, I forgot the height of my collar, the stiffness of my s.h.i.+rt, the size of my hands and my feet. I forgot that I was a plain man, and remembered only that I was a man. The merely social, the trivial, the commonplace, dropped from my thoughts. My dignity,--the dignity that George Bolingbroke had called that of size,--was restored to me; and beyond the rosy lights and the disturbing music, we stood a man and a woman together. Our consciousness had left the surface of life. We had become acutely aware of each other and aware, too, of the silence in which our eyes wavered and met.
"That was why I starved and sweated and drudged and longed," I added, while her fan waved with its large, slow movement between us, "that was why--"
Her lips parted, she leaned slightly forward, and I saw in her face what I had never seen in the face of a woman before--the bloom of a soul.
"And you've done this all your life?"
"Since that stormy evening."
"You have won--already you have won--"
"Not yet. I am beginning and I may win in the end if I keep steady, if I don't lose my head. I shall win in the end--perhaps--"
"You will win what?"
"A fortune it may be, or it may be even the thing that has made the fortune seem worth the having."
"And that is?" she asked simply.
"It is too long a story. Some day, if you will listen, I may tell you, but not now--"
The dance stopped, she rose to her feet, and George Bolingbroke, rus.h.i.+ng excitedly to where we stood, claimed the coming Virginia reel as his own.
"Some day you shall tell me the long story, Ben Starr," she said, as she gave me her hand.
I watched her take her place in the Virginia reel, watched the dance begin, watched her full, womanly figure, in its soft white draperies, glide between the lines, with her head held high, her hand in George Bolingbroke's, her white slippers skimming the polished floor. Then turning away, I walked slowly down the length of the two drawing-rooms, and said "Good-night" to Miss Mitty and Miss Matoaca near the door. As I pa.s.sed into the hall, I heard a woman's voice murmur distinctly:--
"Yes, he is a magnificent animal, but he has no social manner."
CHAPTER XII
I WALK INTO THE COUNTRY AND MEET WITH AN ADVENTURE
My sleep that night was broken by dreams of roses and pink-shaded lamps.
For the first time in my life my brain and body alike refused rest, and the one was illumined as by the rosy glow of a flame, while the other was scorched by a fever which kept me tossing sleeplessly between Mrs.
Clay's lavender-scented sheets. At last when the sun rose, I got out of bed, and hurriedly dressing, went up Franklin Street, and turned into one of the straight country roads which led through bronzed levels of broomsedge. Eastward the sun was ploughing a purple furrow across the sky, and toward the south a single golden cloud hung over some thin stretches of pine. The ghost of a moon, pale and watery, was riding low, after a night of high frolic, and as the young dawn grew stronger, I watched her melt gradually away like a face that one sees through smoke.
The October wind, blowing with a biting edge over the broomsedge, bent the blood-red tops of the sumach like pointed flames toward the road.
For me a new light shone on the landscape--a light that seemed to have its part in the high wind, in the waving broomsedge, and in the rising sun. For the first time since those old days in the churchyard I felt with every fibre of me, with every beat of my pulses, with every drop of my blood, that it was good to be alive--that it was worth while every bit of it. My starved boyhood, the drudgery in the tobacco factory, the breathless nights in the Old Market, the hours when, leaning over Johnson's Dictionary, I had been obliged to pinch myself to keep wide awake--the squalor out of which I had come, and the future into which I was going--all these were a part to-day of this strange new ecstasy that sang in the wind and moved in the waving broomsedge.
And through it all ran my thoughts: "How fragrant the white rose was in her hair! How tremulous her mouth! Are her eyes grey or green, and is it only the heavy shadow of her lashes that makes them appear black at times, as if they changed colour with her thoughts? Is it possible that she could ever love me? If I make a fortune will that bring me any nearer to her? Obscure as I am my cause is hopeless, but even if I were rich and powerful, should I ever dare to ascend the steps of that house where I had once delivered marketing at the kitchen door?"
The memory of the spring morning when I had first gone there with my basket on my arm returned to me, and I saw myself again as a ragged, barefooted boy resting beneath the silvery branches of the great sycamore. Even then I had dreamed of her; all through my life the thought of her had run like a thread of gold. I remembered her as she had stood in our little kitchen on that stormy October evening, holding her mop of a m.u.f.f in her cold little hands, and looking back at me with her sparkling defiant gaze. Then she came to me in her red shoes, dancing over the coloured leaves in the churchyard, and a minute later, as she had knelt in the box-bordered path patiently building her houses of moss and stones. As a child she had stirred my imagination, as a woman she had filled and possessed my thoughts. Always I had seen her a little above, a little beyond, but still beckoning me on.
The next instant my thoughts dropped back to the evening before, and I went over word for word every careless phrase she had spoken. Was she merely kind to the boor in her house? or had there been a deeper meaning in her divine smile--in her suddenly lifted eyes? "O Ben Starr, you have won!" she had said, and had the thrill in her voice, the tremor of her bosom under its fall of lace, meant that her heart was touched? Modest or humble I had never been. The will to fight--the exaggerated self-importance, the overweening pride of the strong man who has made his way by buffeting obstacles, were all mine; and yet, walking there that morning in the high wind between the rolling broomsedge and the blood-red sumach, I was aware again of the boyish timidity with which I had carried my market basket so many years ago to her kitchen doorstep.
She had said of me last night that I was no longer "common." Was that because she had read in my glance that I had kept myself pure for her sake?--that for her sake I had made myself strong to resist as well as to achieve? Would Miss Mitty's or Miss Matoaca's verdict, I wondered, have been as merciful, as large as hers? "A magnificent animal, but with no social manner," the voice had said of me, and the words burned now, hot with shame, in my memory. The recollection of my fall in the dance, of the crying lips of the pretty girl in pink tarlatan, while she stood holding her ruined flounce, became positive agony. What did she think of my boorishness? Was I, for her also, merely a magnificent animal? Had she noticed how ill at ease I felt in my evening clothes? O young Love, young Love, your sharpest torments are not with arrows, but with pin p.r.i.c.ks!
A trailing blackberry vine, running like a crimson vein close to the earth, caught my foot, and I stooped for a minute. When I looked up she was standing clear against the reflected light of the sunrise, where a low hill rose above the stretches of broomsedge. Her sorrel mare was beside her, licking contentedly at a bright branch of sa.s.safras; and I saw that she had evidently dismounted but the moment before. As I approached, she fastened her riding skirt above her high boots, and kneeling down on the dusty roadside, lifted the mare's foot and examined it with searching and anxious eyes. Her three-cornered riding hat had slipped to her shoulders, where it was held by a broad black band of elastic, and I saw her charming head, with its wreath of plaits, defined against the golden cloud that hung above the thin stretch of pines. At my back the full sunrise broke, and when she turned toward me, her gaze was dazzled for a moment by the flood of light.
"Let me have a look," I said, as I reached her, "is the mare hurt?"
"She went lame a few minutes ago. There's a stone in her foot, but I can't get it out."
"Perhaps I can."
Rising from her knees, she yielded me her place, and then stood looking down on me while I removed the stone.
"She'll still limp, I fear, it was a bad one," I said as I finished.
Without replying, she turned from me and ran a few steps along the road, calling, "Come, Dolly," in a caressing voice. The mare followed with difficulty, flinching as she put her sore foot to the ground.
"See how it hurts her," she said, coming back to me. "I'll have to lead her slowly--there's no other way."
"Why not ride at a walk?"
The Romance of a Plain Man Part 20
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