Love and Mr. Lewisham Part 29

"You never give me a _chance_ to understand."

"Don't I?"

"No!"

"Why!--At first I was always trying. Socialism, religion--all those things. But you don't care--you won't care. You won't have that I've thought over these things at all, that I care for these things! It wasn't any _good_ to argue. You just care for me in a way--and all the rest of me--doesn't matter! And because I've got a friend ..."

"Friend!"

"Yes--_friend!_"

"Why!--you hide her letters!"

"Because I tell you you wouldn't understand what they are about. But, pah! I won't argue. I _won't!_ You're jealous, and there's the end of the matter!"

"Well, who _wouldn't_ be jealous?"

He stared at her as if he found the question hard to see. The theme was difficult--invincibly difficult. He surveyed the room for a diversion. The note-book he had disinterred from her novelettes lay upon the table and reminded him of his grievance of rained hours. His rage exploded. He struck out abruptly towards fundamental things. He gesticulated forcibly. "This can't go on!" he cried, "this can't go on! How can I work? How can I do anything?"

He made three steps and stood in a clear s.p.a.ce.

"I won't _stand_, it--I won't go on at this!

Quarrels--bickerings--discomfort. Look there! I meant to work this morning. I meant to look up notes! Instead of which you start a quarrel--"

The gross injustice raised Ethel's voice to an outcry. "_I_ didn't start the quarrel--"

The only response to this was to shout, and Lewisham shouted. "You start a quarrel!" he repeated. "You make a s.h.i.+ndy! You spring a dispute--jealousy!--on me! How can I do anything? How can one stop in a house like this? I shall go out. Look here!--I shall go out. I shall go to Kensington and work there!"

He perceived himself wordless, and Ethel was about to speak. He glared about him, seeking a prompt climax. Instant action was necessary. He perceived Huxley's _Vertebrata_ upon the side-table. He clutched it, swayed it through a momentous arc, hurled it violently into the empty fireplace.

For a second he seemed to be seeking some other missile. He perceived his hat on the chest of drawers, seized it, and strode tragically from the room.

He hesitated with the door half closed, then opened it wide and slammed it vehemently. Thereby the world was warned of the justice of his rage, and so he pa.s.sed with credit into the street.

He went striding heedless of his direction through the streets dotted with intent people hurrying to work, and presently habit turned his feet towards the Brompton Road. The eastward trend of the morning traffic caught him. For a time, save for a rebellious ingredient of wonder at the back of his mind, he kept his anger white and pure. Why had he married her? was the text to which he clung. Why in the name of destiny had he married her? But anyhow he had said the decisive thing. He would not stand it! It must end. Things were intolerable and they must end. He meditated devastating things that he might presently say to her in pursuance of this resolution. He contemplated acts of cruelty. In such ways he would demonstrate clearly that he would not stand it. He was very careful to avoid inquiring what it was he would not stand.

How in the name of destiny had he come to marry her? The quality of his surroundings mingled in some way with the quality of his thoughts. The huge distended buildings of corrugated iron in which the Art Museum (of all places!) culminates, the truncated Oratory all askew to the street, seemed to have a similar quarrel with fate. How in the name of destiny? After such high prolusions!

He found that his thoughts had carried him past the lodge of the museum. He turned back irritably and went through the turnstile. He entered the museum and pa.s.sed beneath the gallery of Old Iron on his way to the Education Library. The vacant array of tables, the bays of attendant books had a quality of refuge....

So much for Lewisham in the morning. Long before midday all the vigour of his wrath was gone, all his pa.s.sionate conviction of Ethel's unworthiness. Over a pile of neglected geological works he presented a face of gloom. His memory presented a picture of himself as noisy, overbearing, and unfair. What on earth had it all been about?

By two o'clock he was on his way to Vigours', and his mood was acute remorse. Of the transition there can be no telling in words, for thoughts are more subtle than words and emotions infinitely vaguer. But one thing at least is definite, that a memory returned.

It drifted in to him, through the gla.s.s roof of the Library far above. He did not perceive it as a memory at first, but as an irritating obstacle to attention. He struck the open pages of the book before him with his flat hand. "d.a.m.n that infernal hurdy-gurdy!" he whispered.

Presently he made a fretful movement and put his hands over his ears.

Then he thrust his books from him, got up, and wandered about the Library. The organ came to an abrupt end in the middle of a bar, and vanished in the circ.u.mambient silence of s.p.a.ce.

Lewisham standing in a bay closed a book with a snap and returned to his seat.

Presently he found himself humming a languid tune, and thinking again of the quarrel that he had imagined banished from his mind. What in the name of destiny had it all been about? He had a curious sense that something had got loose, was sliding about in his mind. And as if by way of answer emerged a vision of Whortley--a singularly vivid vision. It was moonlight and a hillside, the little town lay lit and warm below, and the scene was set to music, a lugubriously sentimental air. For some reason this music had the quality of a barrel organ--though he knew that properly it came from a band--and it a.s.sociated with itself a mystical formula of words, drawing words:--

"Sweet dreamland fa--ces, pa.s.sing to and fro, Bring back to mem'ry days of long ago--oh!"

This air not only reproduced the picture with graphic vividness, but it trailed after it an enormous cloud of irrational emotion, emotion that had but a moment before seemed gone for ever from his being.

He recalled it all! He had come down that hillside and Ethel had been with him....

Had he really felt like that about her?

"Pah!" he said suddenly, and reverted to his books.

But the tune and the memory had won their footing, they were with him through his meagre lunch of milk and scones--he had resolved at the outset he would not go back to her for the midday meal--and on his way to Vigours' they insisted on attention. It may be that lunching on scone and milk does in itself make for milder ways of thinking. A sense of extraordinary contradiction, of infinite perplexity, came to him.

"But then," he asked, "how the devil did we get to _this_?"

Which is indeed one of the fundamental questions of matrimony.

The morning tumults had given place to an almost scientific calm. Very soon he was grappling manfully with the question. There was no disputing it, they had quarrelled. Not once but several times lately they had quarrelled. It was real quarrelling;--they had stood up against one another, striking, watching to strike, seeking to wound. He tried to recall just how things had gone--what he had said and what she had replied. He could not do it. He had forgotten phrases and connexions. It stood in his memory not as a sequence of events but as a collection of disconnected static sayings; each saying blunt, permanent, inconsecutive like a graven inscription. And of the scene there came only one picture--Ethel with a burning face and her eyes s.h.i.+ning with tears.

The traffic of a cross street engaged him for a s.p.a.ce. He emerged on the further side full of the vivid contrast of their changed relations. He made a last effort to indict her, to show that for the transition she was entirely to blame. She had quarrelled with him, she had quarrelled deliberately because she was jealous. She was jealous of Miss Heydinger because she was stupid. But now these accusations faded like smoke as he put them forth. But the picture of two little figures back there in the moonlit past did not fade. It was in the narrows of Kensington High Street that he abandoned her arraignment. It was beyond the Town Hall that he made the new step. Was it, after all, just possible that in some degree he himself rather was the chief person to blame?

It was instantly as if he had been aware of that all the time.

Once he had made that step, he moved swiftly. Not a hundred paces before the struggle was over, and he had plunged headlong into the blue abyss of remorse. And all these things that had been so dramatic and forcible, all the vivid brutal things he had said, stood no longer graven inscriptions but in letters of accusing flame. He tried to imagine he had not said them, that his memory played him a trick; tried to suppose he had said something similar perhaps, but much less forcible. He attempted with almost equal futility to minimise his own wounds. His endeavour served only to measure the magnitude of his fall.

He had recovered everything now, he saw it all. He recalled Ethel, sunlit in the avenue, Ethel, white in the moonlight before they parted outside the Frobisher house, Ethel as she would come out of Lagune's house greeting him for their nightly walk, Ethel new wedded, as she came to him through the folding doors radiant in the splendour his emotions threw about her. And at last, Ethel angry, dishevelled and tear-stained in that ill-lit, untidy little room. All to the cadence of a hurdy-gurdy tune! From that to this! How had it been possible to get from such an opalescent dawning to such a dismal day? What was it had gone? He and she were the same two persons who walked so brightly in his awakened memory; he and she who had lived so bitterly through the last few weeks of misery!

His mood sank for a s.p.a.ce to the quality of groaning. He implicated her now at most as his partner in their failure--"What a mess we have made of things!" was his new motif. "What a mess!"

He knew love now for what it was, knew it for something more ancient and more imperative than reason. He knew now that he loved her, and his recent rage, his hostility, his condemnation of her seemed to him the reign of some exterior influence in his mind. He thought incredulously of the long decline in tenderness that had followed the first days of their delight in each other, the diminution of endearment, the first yielding to irritability, the evenings he had spent doggedly working, resisting all his sense of her presence. "One cannot always be love-making," he had said, and so they were slipping apart. Then in countless little things he had not been patient, he had not been fair. He had wounded her by harshness, by unsympathetic criticism, above all by his absurd secrecy about Miss Heydinger's letters. Why on earth had he kept those letters from her? as though there was something to hide! What was there to hide? What possible antagonism could there be? Yet it was by such little things that their love was now like some once valued possession that had been in brutal hands, it was scratched and chipped and tarnished, it was on its way to being altogether destroyed. Her manner had changed towards him, a gulf was opening that he might never be able to close again.

"No, it _shall_ not be!" he said, "it shall not be!"

But how to get back to the old footing? how to efface the things he had said, the things that had been done?

Could they get back?

For a moment he faced a new possibility. Suppose they could not get back! Suppose the mischief was done! Suppose that when he slammed the door behind him it locked, and was locked against him for ever!

"But we _must_!" said Lewisham, "we must!"

He perceived clearly that this was no business of reasoned apologies. He must begin again, he must get back to emotion, he must thrust back the overwhelming pressure of everyday stresses and necessities that was crus.h.i.+ng all the warmth and colour from their lives. But how? How?

He must make love to her again. But how to begin--how to mark the change? There had been making-up before, sullen concessions and treaties. But this was different. He tried to imagine something he might say, some appeal that he might make. Everything he thought of was cold and hard, or pitiful and undignified, or theatrical and foolish. Suppose the door _was_ closed! If already it was too late!

In every direction he was confronted by the bristling memories of harsh things. He had a glimpse of how he must have changed in her eyes, and things became intolerable for him. For now he was a.s.sured he loved her still with all his heart.