Told in a French Garden Part 6

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It was hard to find the place where she was buried. But at last I succeeded.

It was in a humble churchyard. The grave was noticeable because it was well kept, and utterly devoid of the tawdry ornamentation inseparable from such places in Italy. It was marked by a monument distinctly unique in a European country. It was a huge unpolished boulder, over which creeping green vines were growing.

On its rough surface a cross was cut, and underneath were the words:

"Yesterday This Day's Madness did prepare, To-morrow's Silence, Triumph or Despair."

Below that I read with stupefaction,

"Margaret Dillon and child,"

and the dates

"January, 1843"

"July 25, 1882."

In spite of the doubts and fancies this put into my mind, I no sooner stood beside the spot where the earth had claimed her, than all my old interest in her returned. I lingered about the place, full of romantic fancies, decorating her tomb with flowers, as I had once decorated her triumphs, absorbed in a dreamy adoration of her memory, and singing her praise in verse.

It was then that I learned the true story of her disappearance, guessed at that of her death, as I did at the ident.i.ty of the young Dominican priest, who sometimes came to her grave, and who finally told me such of the facts as I know. I can best tell the story by picturing two nights in the life of Margaret Dillon, the two following her last appearance on the stage.

The play had been "Much Ado."

Never had she acted with finer humor, or greater gaiety. Yet all the evening she had felt a strange sadness.

When it was all over, and friends had trooped round to the stage to praise her, and trooped away, laughing and happy, she felt a strange, sad, unused reluctance to see them go.

Then she sat down to her dressing table, hurriedly removed her make-up, and allowed herself to be stripped of her stage finery. Her fine spirits seemed to strip off with her character. She s.h.i.+vered occasionally with nervousness, or superst.i.tion, and she was strangely silent.

All day she had, for some inexplicable reason, been thinking of her girlhood, of what her life might have been if, at a critical moment, she had chosen a woman's ordinary lot instead of work,--or if, at a later day, she had yielded to, instead of resisted, a great temptation. All day, as on many days lately, she had wondered if she regretted it, or if, the days of her great triumph having pa.s.sed,--as pa.s.s they must,--she should regret it later if she did not yet.

It was probably because,--early in the season as it was--she was tired, and the October night oppressed her with the heat of Indian Summer.

Silently she had allowed herself to be undressed, and redressed in great haste. But before she left the theatre she bade every one "good night" with more than her usual kindliness, not because she did not expect to see them all on Monday,--it was a Sat.u.r.day night,--but because, in her inexplicably sad humour, she felt an irresistible desire to be at peace with the world, and a still deeper desire to feel herself beloved by those about her.

Then she entered her carriage and drove hurriedly home to the tiny apartment where she lived quite alone.

On the supper table lay a note.

She s.h.i.+vered as she took it up. It was a handwriting she had been accustomed to see once a year only, in one simple word of greeting, always the same word, which every year in eighteen had come to her on New Year's wherever she was.

But this was October.

She sat perfectly still for some minutes, and then resolutely opened the letter, and read:

"Madge:--I am so afraid that my voice coming to you, not only across so many years, but from another world, may shock you, that I am strongly tempted not to keep my word to you, yet, judging you by myself, I feel that perhaps this will be less painful than the thought that I had pa.s.sed forgetful of you, or changed toward you. You were a mere girl when we mutually promised, that though it was Fate that our paths should not be the same, and honorable that we should keep apart, we would not pa.s.s out of life, whatever came, without a farewell word,--a second saying 'good-bye.'"

"It is my fate to say it. It is now G.o.d's will. Before it was yours. It is eighteen years since you chose my honor to your happiness and mine. To-day you are a famous woman. That is the consolation I have found in your decision. I sometimes wonder if Fame will always make up to you for the rest. A woman's way is peculiar--and right, I suppose. I have never changed. My son has been a second consolation, and that, too, in spite of the fact that, had he never been born, your decision might have been so different. He is a young man now, strangely like what I was, when as a child, you first knew me, and he has always been my confidant. In those first days of my banishment from you I kept from crying my agony from the housetops by whispering it to him.

His uncomprehending ears were my sole confessional. His mother cared little for his companions.h.i.+p, and her invalidism threw him continually into my care. I do not know when he began to understand, but from the hour he could speak he whispered your name in his prayers. But it was only lately that, of himself, he discovered your ident.i.ty. The love I felt for you in my early days has grown with me. It has survived in my heart when all other pa.s.sions, all prides, all ambitions, long ago died. I leave you, I hope, a good memory of me--a man who loved you more than he loved himself, who for eighteen years has loved you silently, yet never ceased to grieve for you. But I fear that I have bequeathed to my son, with the name and estate of his father, my hopeless love for you. If, by chance, what I fear be true,--if, when bereft of me, he seeks you out, as be sure he will,--deal gently with him for his father's sake.

"There was an old compact between us, dear. I mention it now only in the hope that you may not have forgotten--indeed, in the certainty that you have not. I know you so well.

Remember it, I beg of you, only to ignore it. It was made, you know, when one of us expected to watch the pa.s.sing of the other. This is different. If this reminds you of it, it reminds you only to warn you that Time cancels all such compacts. It is my voice that a.s.sures you of it.

"FELIX R."

Underneath, written in letters, like, yet so unlike, were the words, "My father died this morning. F. R." and an uncertain mark as though he had begun to add "Jr." to the signature, and realized that there was no need.

The letter fell from her hands.

For a long time she sat silent.

Dead! She had never felt that he could die while she lived. A knowledge that he was living,--loving her, adoring her hopelessly--was necessary to her life. She felt that she could not go on without it.

For eighteen years she had compared all other men, all other emotions to him and his love, to find them all wanting.

And he had died.

She looked at the date of the letter. He would be resting in that tomb she remembered so well, before she could reach the place; that spot before which they had often talked of Death, which had no terrors for either of them.

She rose. She pushed away her untouched supper, hurriedly drank a gla.s.s of wine, and, crossing the hall to her bedroom, opened a tiny box that stood locked upon her dressing table. She took from it a picture--a miniature. It was of a young man not over twenty-five. The face was strong and full of virile suggestion, even in a picture. The eyes were brown, the lips under the short mustache were firm, and the thick, short, brown hair fell forward a bit over the left temple. It was a handsome manly face.

The picture was dated eighteen years before. It hardly seemed possible that eighteen years earlier this woman could have been old enough to stir the pa.s.sionate love of such a man. Her face was still young, her form still slender; her abundant hair shaded deep gray eyes where the spirit of youth still shone. But she belonged, by temperament and profession, to that race of women who guard their youth marvellously.

There were no tears in her eyes as she sat long into the morning, and, with his pictured face before her, reflected until she had decided.

He had kept his word to her. His "good bye" had been loyally said. She would keep hers in turn, and guard his first night's solitude in the tomb with her watchful prayers. She calculated well the time. If she travelled all day Sunday, she would be there sometime before midnight.

If she travelled back at once, she could be in town again in season to play Monday; not in the best of conditions, to be sure, for so hard a role as "Juliet," but she would have fulfilled a duty that would never come to her again.

It was near midnight, on Sunday.

The light of the big round harvest moon fell through the warm air, which scarcely moved above the graves of the almost forgotten dead in the country churchyard. The low headstones cast long shadows over the long gra.s.s that merely trembled as the noiseless wind moved over it.

A tall woman in a riding dress stood beside the rough s.e.xton at the door of the only large tomb in the enclosure.

He had grown into a bent old man since she last saw him, but he had recognized her, and had not hesitated to obey her.

As he unlocked and pushed back the great door which moved easily and noiselessly, he placed his lantern on the steps, and telling her that, according to a family custom, there were lights inside, he turned away, and left her, to keep his watch near by.

No need to tell her the family customs. She knew them but too well.

For a few moments she remained seated on the step where she had rested to await the opening of the door, on the threshold of the tomb of the one man among all the men she had met who had stirred in her heart a great love. How she had loved him! How she had feared that her love would wear his out! How she had suffered when she decided that love was something more than self-gratification, that even though for her he should put aside the woman he had heedlessly married years before, there could never be any happiness in such a union for either of them.

How many times in her own heart she had owned that the woman would not have had the courage shown by the girl, for the girl did not realize all she was putting aside. Yet the consciousness of his love, in which she never ceased to believe, had kept her brave and young.

She rose and slowly entered the vault.

The odor of flowers, the odor of death was about it.

She lifted the lantern from the ground, and, with it raised above her head, approached the open coffin that rested on the catafalque in the centre of the tomb and mounted the two steps. She was conscious of no fear, of no dread at the idea of once more, after eighteen years, looking into the face of the man she had loved, who had carried a great love for her into another world. But as she looked, her eyes widened with fright. She bent lower over him. No cry burst from her lips, but the hand holding the lantern lowered slowly, and she tumbled down the two steps, and staggered back against the wall, where, behind lettered slides, the dead Richmonds for six generations slept their long sleep together. Her breast heaved up and down, as if life, like a caged thing, were striving to escape. Yet no sound came from her colorless lips, no tears were in her widened eyes.

Told in a French Garden Part 6

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Told in a French Garden Part 6 summary

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