Keith of the Border Part 24
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"And my voice?--could you distinguish me from her by my voice?"
"I might; yet probably not, unless my suspicions were aroused. What is it you are thinking about?"
She took a deep breath, standing now directly facing him in the light.
"Of playing Miss Maclaire to-night," she said quickly. "Of taking her place, and learning what it is of so much importance Hawley has to report. Don't you think it might be done?"
The sheer audacity of this unexpected proposal left him speechless. He arose to his feet, gripping the back of the chair, almost doubting if he could have heard aright, his eyes searching the girl's face which was glowing with excitement. Of course he could not permit of her exposure to such a risk; the scheme was impracticable, absurd. But was it? Did it not offer a fair chance of success? And was not the possible result worthy the risk a.s.sumed? He choked back the earlier words of protest unuttered, puzzled as to what he had best say. A quick-witted resourceful woman might accomplish all she proposed.
"It looks so simple," she broke in impulsively, moving nearer him.
"Don't you think I could do it? Would it be unwomanly?"
"The result, if accomplished, would abundantly justify the means, Hope,"
he acknowledged at last. "I was not hesitating on that account, but considering the risk you would incur."
"That would be so small--merely the short walk alone with him from the theatre to the hotel," she pleaded. "Once here it could make no difference if he did discover my ident.i.ty, for there would be plenty of men near at hand to come to my defence. Oh, please say yes."
"If I do, then we must make the illusion perfect, and take as few chances of discovery as possible. I must learn exactly how the other dresses, and when she leaves the theatre. Fortunately for the success of your plan the Trocadero permits no one but performers to come behind the scenes, so that Hawley will be compelled to wait for the lady outside the stage door. I had better go at once, and see to these details."
"Yes," she said, her eyes sparkling with antic.i.p.ation, "and I am so glad you are willing. I will be most discreet. You are not sorry I made the proposal?"
"Certainly not. At first it struck me as altogether wrong, but the more I think of it the stronger it appeals to me. It may reveal to us the whole conspiracy, and I cannot believe Hawley would venture upon any gross familiarity likely to cost him the good opinion of his ally.
There is too much at stake. Wait here, Hope, and I will be back the very moment I learn all that is necessary."
A glance at the office clock convinced Keith that, in all probability, Miss Maclaire had not, as yet, departed for the scene of her evening triumph. Still, it could not be long before she would, and he lit a cigar, sitting down in a corner partially concealed by the clerk's desk to wait her appearance. This required longer than antic.i.p.ated, and fearing lest he might have missed the departure entirely, he was about to question the busy Thomas, when he beheld Hawley enter hurriedly from the street and run up the stairs. He then had been the laggard. All the better, as he would now have no opportunity to unfold his tale to the lady, as it would be necessary for them to hurry to the theatre.
Whatever the nature of the revelation it would have to wait until the walk home. The excitement of the adventure was already creeping into Keith's blood, his pulse quickening.
The two returned almost immediately, conclusively proving that Miss Maclaire, fully dressed for the street, had been awaiting the arrival of her gallant with some impatience. Hawley was busily explaining his delay as they came down the stairs, and paid little attention to the seemingly deserted office. Indeed, Miss Christie monopolized all his thoughts.
With quick scrutiny the watcher noted the more conspicuous articles of apparel const.i.tuting her costume--the white mantilla thrown over her head, the neatly fitting blue dress, the light cape covering the shoulders--surely it would not be difficult to duplicate these, so as to pa.s.s muster under the dim light of the streets. Far enough in their rear to feel safe from observation he followed, noting with increased pleasure the rapidity with which they covered the required distance.
Clearly Miss Christie was already nervous lest she have not sufficient time remaining in which to properly dress for her act, and there would be no exchange of confidences on the outward journey. Hawley left her, as Keith antic.i.p.ated, at the stage entrance, the lady hastening within.
Her escort strolled leisurely back to the front of the house, and finally, purchasing a ticket, entered, the performance already having begun.
Keith knew perfectly the arrangement of the theatre--the seats in front; tables all through the centre; a gallery filled with benches; a noisy orchestra beneath the stage; a crowded audience of men, with only here and there a scattered representative of the gentler s.e.x; busy waiters dodging in and out among the tables, and down the aisles, filling orders for liquids from the nearby saloon. The air would be pungent with the odor of drink, thick with the fumes of tobacco, and noisy with voices, except as some special favorite on the stage won temporary attention.
The Trocadero possessed but one redeeming feature--no doorway connected stage and auditorium, and the management brooked no interference with his artists. It had required some nerve to originally enforce this rule, together with a smart fight or two, but at this period it was acknowledged and respected. No sooner had Hawley vanished than Keith found occasion to enter into casual conversation with the door-keeper, asking a number of questions, and leaving impressed upon the mind of that astute individual the idea that he was dealing with a "gent"
enamored of one of the stage beauties. A coin slipped quietly into the man's hand served to deepen this impression, and unlocked discreet lips otherwise sworn to secrecy. Out of much general information a little of real value was thus extracted--Miss Maclaire's act began at 9:45 and was over promptly at 10:10. It required about twenty minutes more for her to change again into street clothes, and she usually left the theatre immediately after, which would be about 10:30. Yes, there was a vestibule outside the stage door, and on bad nights, those waiting for the ladies could slip in there. But on such a night as this they generally hung around outside. No, there was no watchman, but the manager was frequently prowling around. He'd be busy, however, at 10:30, getting the stage ready for the "Flying Hermanns." Abundantly satisfied and resisting the door-keeper's professional suggestion that he'd better buy a ticket and take a look at the show, Keith slipped away, and hastened back to the hotel. The more he investigated the more feasible appeared the girl's plan, and he was now fully committed to it.
Chapter XXVIII. The Stage Door of the Trocadero
Hope discovered very little difficulty in duplicating the outer garments Keith reported Miss Maclaire as wearing. The colors, indeed, were not exactly the same, yet this difference was not sufficient to be noticeable at night by the eyes of a man who had no reason to suspect deceit. The girl was in a flutter of nervous excitement as she hastened about the room, donning her few requirements of masquerade, yet Keith noted with appreciation that she became perceptibly cooler as the moment of departure approached. With cheeks aflame and eyes sparkling, yet speaking with a voice revealing no falter, she pressed his arm and declared herself prepared for the ordeal. The face under the shadow of the mantilla was so arch and piquant, Keith could not disguise his admiration.
"Am I Christie Maclaire?" she asked laughingly.
"Sufficiently so to fool our friend," he returned, "but I am ready to swear that lady never looked so charming."
"A compliment, and spoken as though you really meant it."
"Have I not been honest enough with you in the past, to be credited with honesty now?" he protested, a little hurt by the bantering tone.
"Of course you have; I merely talk lightly to keep my courage up. You can have no idea how afraid I am."
"Then you are truly an actress, for you appear the picture of enjoyment.
But we must go, or Hawley will be there before us, and thus spoil all our plans."
They pa.s.sed out through the office together, seeing no one familiar to either, Hope keeping her face partially concealed. The east side of the street was less frequented than the other, having fewer saloons along its way, and they chose its darkness. As they advanced, the long habit of frontier life caused Keith to glance behind before they had progressed a block, and he was thus made aware that they were being followed. Conversing lightly, and without a word to alarm the girl, he yet managed to observe every movement of the dimly outlined figure which advanced with them, timing every motion to theirs. Long before they crossed the street to the Trocadero he was convinced there was no mistake--the fellow, whoever he might be, was trailing them. Keith smiled grimly to himself, resolving that, as soon as he had left the lady, he would teach the spy a lesson not soon to be forgotten.
They barely entered the outer circle of the Trocadero lights, noting a group of men thronging about the doors, and hearing the sound of the band within, and then turned swiftly down the narrow dark alley-way leading toward the stage entrance. Keith, having been there before, advanced confidently, but Hope, her heart beating wildly, clung to his arm, scarcely venturing a word in reply to his whispered a.s.surances.
Fortunately they encountered no one, and Keith, feeling cautiously in the dark, easily succeeded in locating the opening to the vestibule.
Listening intently he became convinced that no one occupied the little shed. He had intended to remain with the girl until the time came for her to emerge, but the remembrance of that figure d.o.g.g.i.ng them all the way from the hotel now caused a change of plan. He held her hand closely clasped in his.
"Now, Hope, I am going to leave you," he whispered, "and your own wit will have to carry you through. I know you will play your part all right, and it will be mine to wait for Christie, and give her some explanation of why Hawley failed to meet her as he promised. It will never do for her to suspect, until you time to learn all possible. You are not afraid?"
"Yes, I am," clinging to him, "but--but I am going through it just the same."
"The truest kind of courage, my girl. Now slip inside, but hold the door ajar. Hawley will certainly be here within ten minutes, and you must join him at once, or else the other might appear. You can judge as to its being him even in this darkness. Good-bye."
The longing to clasp her in his arms, to speak the language of his heart, was almost overwhelming, yet the memory of that figure slinking along behind them, and the brief time before Hawley's probable appearance, for he would leave the theatre at the conclusion of Miss Maclaire's act, restrained all demonstration. This was a moment for action, not for words of love; no delay should hazard the success of their undertaking. He heard the slight creak of the door as the girl slipped within the concealment of the vestibule, and then he glided away through the darkness with the stealthy silence of an Indian. There was no one in the alley-way, which was narrow and easily explored, but the glow from the front windows plainly revealed the shadow of a man near the entrance, and Keith slipped up toward him, hugging the side of the building for concealment, prepared to resort to harsh measures. As he reached out, gripping the astonished loiterer by the collar, the two stared at one another in surprise, and the gripping hand as instantly released its hold.
"You, Fairbain! What the devil does this mean? What are you spying on us for?"
Clearly taken aback, yet not greatly disturbed, his eyes showing pugnacious and his jaw set, the Doctor rubbed his throat where Keith's knuckles had left a red welt.
"d.a.m.n you, I think I'm the one to ask for an explanation," he growled.
"She said she was not going with you, and now you are around here together at this hour. I had a right to know whether I was being played with like that."
"But, man, that was not Miss Maclaire I was with; it was Hope Waite.
Come back here under the tent flap while I explain."
Fearful of the coming of Hawley he fairly dragged the portly figure of the bewildered Doctor with him, striving, by quickly spoken words, to make him comprehend the situation. Knowing previously something of the issues involved, it was not difficult to make Fairbain grasp the meaning of this present movement, yet his sympathies were at once enlisted upon the side of Miss Christie. He'd be d.a.m.ned if he would have any part in such a scheme--if she had a right to the money he'd help her get it--it was a cowardly trick, and he'd fight if necessary, to keep her from becoming a victim. His voice rose, his arms brandis.h.i.+ng violently, his sentences snapping like rifle shots. Keith angered, and fearful of a discovery which would leave Hope exposed, realized the futility of discussion and turned to physical force. Grasping the gesticulating man with both hands, he flung him backward and dragged him into the empty tent, kneeling on him as he throttled him to the earth.
"Now, Doctor, you listen to me," he said sternly, "I'm through arguing.
I hate to treat you like this, for you are my friend, but I'll not stand for interference here. Do you get that, you old fool? Lie still until I get through! I respect your feelings toward Miss Maclaire. She is a good girl, and I hope to heaven you get her if you want her. But you never will if you permit this affair to go on. Yes, I know what I am talking about. In all that Hope and I do we are serving you and Christie,--our only fight is with 'Black Bart' Hawley. Stop being a bullet-headed old fool, Fairbain, and understand this thing. Lie still, I tell you, and hear me out! Hawley is a liar, a thief, and a swindler. There is a swindle in this thing somewhere, and he hopes to pull out a big sum of money from it. He is merely using Christie to pull his own chestnuts out of the fire. She is innocent; we realize that, but this fellow is going to ruin the girl unless we succeed in exposing him. He's not only involving her in his criminal conspiracy, but he's making love to her; he's teaching her to love him. That's part of his scheme, no doubt, for then she will be so much easier handled. I tell you, Fairbain, your only chance to ever win the interest of Christie Maclaire is to help us down this fellow Hawley. Yes, you can sit up; I reckon you're beginning to see clearer, ain't you?"
Keith drew aside the flap of the tent to glance without, the light falling on Fairbain's face as he struggled to a sitting posture. He had had a new thought driven into him, yet failed to entirely grasp its significance.
"But, Jack," he asked, still half angry, "how about the girl? Hasn't she any right to this money?"
"I don't know," honestly, "we don't any of us know, but whatever she has the right to she is going to get. You can bet on that, old man. We're bucking Hawley not Christie Maclaire--get that into your head. He hasn't any right, that's certain, for he murdered and stole to get the papers--be quiet! Here the fellow comes now!"
They peered out together through the convenient tent flap, Fairbain scarcely less interested than the other, already dimly comprehending that his truly dangerous rival was the gambler, and that he could best serve the lady by helping to prove to her the real character of that individual. He was still blindly groping in the haze, yet out of Keith's sharp, stinging words there had come to him a guiding light. The latter gripped his arm in restraint.
"Easy, old man, easy--let him pa.s.s."
Hawley turned into the alley whistling, evidently well pleased with the situation and antic.i.p.ating other delights awaiting his coming. The glow of the Trocadero's lights served, an instant, to reveal his face, shaded by the broad brim of his hat, and then he vanished into the dark. Keith leaning far out, yet keeping well within the shadows, heard the faint creak of the vestibule door and the soft murmur of distant voices.
Keith of the Border Part 24
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Keith of the Border Part 24 summary
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