In the Days of My Youth Part 20

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"'I turned away without replying, and, having placed the lamp to my satisfaction, began rapidly sketching in my subject. My instructions were simple. I was to give the head only; to produce as rapid an effect with as little labor as possible; to alter nothing; to add nothing; and, above all, to be ready to leave the house before daybreak. So I set steadily to work, and my conductor, establis.h.i.+ng himself in an easy-chair by the fire, watched my progress for some time, and then, as the night advanced, fell profoundly asleep. Thus, hour after hour went by, and, absorbed in my work, I painted on, unconscious of fatigue-- might almost say with something of a morbid pleasure in the task before me. The silence within; the raving of the wind and rain without; the solemn mystery of death, and the still more solemn mystery of crime which, as I followed out train after train of wild conjectures, grew to still deeper conviction, had each and all their own gloomy fascination.

Was it not possible, I asked myself, by mere force of will to penetrate the secret? Was it not possible to study that dead face till the springs of thought so lately stilled within the stricken brain should vibrate once more, if only for an instant, as wire vibrates to wire, and sound to sound! Could I not, by long studying of the pa.s.sive mouth, compel some sympathetic revelation of the last word that it uttered, though that revelation took no outward form, and were communicable to the apprehension only? Pondering thus, I lost myself in a labyrinth of fantastic reveries, till the hand and the brain worked independently of each other--the one swiftly reproducing upon canvas the outer lineaments of the dead; the other laboring to retrace foregone facts of which no palpable evidence remained. Thus my work progressed; thus the night waned; thus the sleeper by the fireside stirred from time to time, or moaned at intervals in his dreams.

"At length, when many hours had gone by, and I began to be conscious of the first languor of sleeplessness, I heard, or fancied I heard, a light sound in the corridor without. I held my breath, and listened. As I listened, it ceased--was renewed--drew nearer--paused outside the door.

Involuntarily, I rose and looked round for some means of defence, in case of need. Was I brought here to perpetuate the record of a crime, and was I, when my task was done, to be silenced in a dungeon, or a grave? This thought flashed upon me almost before I was conscious of the horror it involved. At the same moment, I saw the handle of the door turned slowly and cautiously--then held back--and then, after a brief pause, the door itself gradually opening."

Here the student paused as if overcome by the recollection of that moment, and pa.s.sed his hand nervously across his brow. I took the liberty of pus.h.i.+ng our bottle of Chablis towards him, for which he thanked me with a nod and a smile, and filled his gla.s.s to the brim.

"Well?" cried two or three voices eagerly; my own being one of them.

"The door opened--what then?"

"And a lady entered," he continued. "A lady dressed in black from head to foot, with a small lamp in her hand. Seeing me, she laid her finger significantly on her lip, closed the door as cautiously as she had opened it, and, with the faltering, uncertain steps of one just risen from a sick-bed, came over to where I had been sitting, and leaned for support against my chair. She was very pale, very calm, very young and beautiful, with just that look of pa.s.sive despair in her face that one sees in Guido's portrait of Beatrice Cenci. Standing thus, I observed that she kept her eyes turned from the corpse, and her attention concentrated on the portrait. So several minutes pa.s.sed, and neither of us spoke nor stirred. Then, slowly, shudderingly, she turned, grasped me by the arm, pointed to the dead form stretched upon the table, and less with her breath than by the motion of her lips, shaped out the one word:--'_Murdered_!'

"Stunned by this confirmation of my doubts, I could only clasp my hands in mute horror, and stare helplessly from the lady to the corpse, from the corpse to the sleeper. Wildly, feverishly, with all her calmness turned to eager haste, she then bent over the body, tore open the rich doublet, turned back the s.h.i.+rt, and, without uttering one syllable, pointed to a tiny puncture just above the region of the heart--a spot so small, so insignificant, such a mere speck upon the marble, that but for the pale violet discoloration which spread round it like a halo, I could scarcely have believed it to be the cause of death. The wound had evidently bled inwardly, and, being inflicted with some singularly slender weapon, had closed again so completely as to leave an aperture no larger than might have been caused by the p.r.i.c.k of a needle. While I was yet examining it, the fire fell together, and my conductor stirred uneasily in his sleep. To cover the body hastily with the cloth and resume my seat, was, with me, the instinctive work of a moment; but he was quiet again the next instant, and breathing heavily. With trembling hands, my visitor next re-closed the s.h.i.+rt and doublet, replaced the outer covering, and bending down till her lips almost touched my ear, whispered:--

"'You have seen it. If called upon to do so, will you swear it?'

"I promised.

"'You will not let yourself be intimidated by threats? nor bribed by gold? nor lured by promises?

"'Never, so help me Heaven!'

"She looked into my eyes, as if she would read my very soul; then, before I knew what she was about to do, seized my hand, and pressed it to her lip.

"'I believe you,' she said. 'I believe, and I thank you. Not a word to him that you have seen me'--here she pointed to the sleeper by the fire.

'He is faithful; but not to my interests alone. I dare tell you no more--at all events, not now. Heaven bless and reward you. In this portrait you give me the only treasure--the only consolation of my future life!'

"So saying, she took a ring from her finger, pressed it, without another word, into my unwilling hand; and, with the same pa.s.sive dreary look that her face had worn on first entering took up her lamp again, and glided from the room.

"How the next hour, or half hour, went by, I know not--except that I sat before the canvas like one dreaming. Now and then I added a few touches; but mechanically, and, as it were, in a trance of wonder and dismay. I had, however, made such good progress before being interrupted, that when my companion woke and told me it would soon be day and I must make haste to be gone, the portrait was even more finished than I had myself hoped to make it in the time. So I packed up my colors and palette again, and, while I was doing so, observed that he not only drew the cloth once more over the features of the dead, but concealed the likeness behind the altar in the oratory, and even restored the chairs to their old positions against the wall. This done, he extinguished the solar lamp; put it out of sight; desired me once more to follow him; and led the way back along the same labyrinth of staircases and corridors by which he brought me. It was gray dawn as he hurried me into the coach.

The blinds were already down--the door was instantly closed--again we seemed to be going through an infinite number of streets--again we stopped, and I found myself at the corner of the Via Margutta.

"'Alight, Signore,' said the stranger, speaking for the first time since we started. 'Alight--you are but a few yards from your own door. Here are a hundred scudi; and all that you have now to do, is to forget your night's work, as if it had never been.'

"With this he closed the carriage-door, the horses dashed on again, and, before I had time even to see if any arms were blazoned on the panels, the whole equipage had disappeared.

"And here, strange to say, the adventure ended. I never was called upon for evidence. I never saw anything more of the stranger, or the lady. I never heard of any sudden death, or accident, or disappearance having taken place about that time; and I never even obtained any clue to the neighborhood of the house in which these things took place. Often and often afterwards, when I was strolling by night along the streets of Rome, I lingered before some old palazzo, and fancied that I recognised the gloomy outline that caught my eye in that hurried transit from the carriage to the house. Often and often I paused and started, thinking that I had found at last the very side-door by which I entered. But these were mere guesses after all. Perhaps that house stood in some remote quarter of the city where my footsteps never went again--perhaps in some neighboring street or piazza, where I pa.s.sed it every day! At all events, the whole thing vanished like a dream, and, but for the ring and the hundred scudi, a dream I should by this time believe it to have been. The scudi, I am sorry to say, were spent within a month--the ring I have never parted from, and here it is."

Hereupon the student took from his finger a superb ruby set between two brilliants of inferior size, and allowed it to pa.s.s from hand to hand, all round the table. Exclamations of surprise and admiration, accompanied by all sorts of conjectures and comments, broke from every lip.

"The dead man was the lady's lover," said one. "That is why she wanted his portrait."

"Of course, and her husband had murdered him," said another.

"Who, then, was the man in black?" asked a third.

"A servant, to be sure. She said, if you remember, that he was faithful; but not devoted to her interests alone. That meant that he would obey to the extent of procuring for her the portrait of her lover; but that he did not choose to betray his master, even though his master was a murderer."

"But if so, where was the master?" said the first speaker. "Is it likely that he would have neglected to conceal the body during all these hours?"

"Certainly. Nothing more likely, if he were a man of the world, and knew how to play his game out boldly to the end. Have we not been told that it was the last night of the Carnival, and what better could he do, to avert suspicion, than show himself at as many b.a.l.l.s as he could visit in the course of the evening? But really, this ring is magnificent!"

"Superb. The ruby alone must be worth a thousand francs."

"To say nothing of the diamonds, and the setting," observed the next to whom it was handed.

At length, after having gone nearly the round of the table, the ring came to a little dark, sagacious-looking man, just one seat beyond Dalrymple's, who peered at it suspiciously on every side, breathed upon it, rubbed it bright again upon his coat-sleeve, and, finally, held the stones up sideways between his eyes and the light.

"Bah!" said he, sending it on with a contemptuous fillip of the forefinger and thumb. "Gla.s.s and paste, _mon ami_. Not worth five francs of anybody's money."

Muller, who had been eyeing him all the time with an odd smile lurking about the corners of his mouth, emptied his last drop of Chablis, turned the gla.s.s over on the table, bottom upwards, and said very coolly:--

"Well, I'm sorry for that; because I gave seven francs for it myself this morning, in the Palais Royal."

"You!"

"Seven francs!"

"Bought in the Palais Royal!"

"What does he mean?"

"Mean?" echoed the student, in reply to this chorus of exclamations. "I mean that I bought it this morning, and gave seven francs for it. It is not every morning of my life, let me tell you, that I have seven francs to throw away on my personal appearance."

"But then the ring that the lady took from her finger?"

"And the murder?"

"And the servant in black?"

"And the hundred scudi?"

"One great invention from beginning to end, Messieurs les Chicards, and being got up expressly for your amus.e.m.e.nt, I hope you liked it.

_Garcon?_--another _grog au vin_, and sweeter than the last!"

It would be difficult to say whether the Chicards were most disappointed or delighted at this _denoument_--disappointed at its want of fact, or delighted with the story-weaving power of Herr Franz Muller. They expressed themselves, at all events, with a tumultuous burst of applause, in the midst of which we rose and left the room. When we once more came out into the open air, the stars had disappeared and the air was heavy with the damps of approaching daybreak. Fortunately, we caught an empty _fiacre_ in the next street and, as we were nearer the Rue du Faubourg Montmartre than the Chaussee d' Antin, Dalrymple set me down first.

"Adieu, Damon," he said, laughingly, as we shook hands through the window. "If we don't meet before, come and dine with me next Sunday at seven o'clock--and don't dream of dreadful murders, if you can help it!"

I did not dream of dreadful murders. I dreamt, instead, of Madame de Marignan, and never woke the next morning till eleven o'clock, just two hours later than the time at which I should have presented myself at Dr. Cheron's.

CHAPTER XV.

WHAT IT IS TO BE A CAVALIERE SERVENTE.

In the Days of My Youth Part 20

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In the Days of My Youth Part 20 summary

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