Stories of Authors, British and American Part 16

He always had a quarrel on his hands. The more pugnacious a man is, the more militant he will find society. He inst.i.tuted libel suits against the most prominent editors in the country, among them Horace Greeley and Thurlow Weed. And what is more to the point,--he won his cases. But this did not make him any more popular with the press. When we remember that Billingsgate was an important part of the literary equipment of the critic of Cooper's time, we need not be surprised that Cooper's pugnacity evoked such sweet disinterestedness as Park Benjamin indulged in when he called Cooper "a superlative dolt, and a common mark of scorn and contempt of every well-informed American."

In addition to this denunciation of Cooper as a man, there have in recent years arisen severe criticisms on Cooper as a writer. "There are nineteen rules," writes Mark Twain, "governing literary art in the domain of romantic fiction--some say twenty-two. In _Deerslayer_ Cooper violated eighteen of them." And then Mark Twain gives us the detailed specifications. It is very cleverly put, this criticism of Mark Twain's. But the astounding fact remains that the one rule Cooper did not violate seems to secure him a place in the Pantheon of authors. Along with Poe, and Whitman, and Mark himself, Cooper is found in various editions on the shelves of the bookdealers and in the libraries of the book-lovers from the Thames to the Volga. If Cooper had observed only one or two more of the rules of literary art, where would he stand? One is reminded of the Dutchman who was told that this clock would run eight days without winding. "Ach, Himmel, what would she do if she was woundt?"

The one literary sin that Cooper does not commit is dulness. He is interesting. Of course there are some of Cooper's works that no one cares to read now. But he is to be judged by his best, not by his worst. Balzac is something of a novelist himself, and has a right to be heard. "If Cooper," says Balzac in a pa.s.sage quoted by every writer who touches upon Cooper, "had succeeded in the painting of character to the same extent that he did in the painting of the phenomena of nature, he would have uttered the last word of our art." This is no mean praise. Cooper is read because he is interesting. He shall continue to be read for another reason. He is wholesome and vigorous.

The air we breathe is the air of the pine forest and the salt sea.

Youth is forever attracted by the mystery and adventure of primitive life. As America becomes more and more densely settled the imagination will turn back to the early times when the bear and the deer, the settler and Indian were tracking the trail through the forest and along the sh.o.r.e. For this reason Cooper is likely to remain an abiding force in American literature.

XLIX

JOHN LOTHROP MOTLEY AND BISMARCK

John Lothrop Motley, the American historian, a writer who in his _The Rise of the Dutch Republic_ produced a history as fascinating as a romance and a work that was immediately in Europe translated into three different languages, was, after graduation from Harvard, a student at Goettingen. Here he studied German so well that in after years he was asked by the emperor of Austria whether he were not a German. Here too he became acquainted with Bismarck.

That they were great friends is evident from letters by Bismarck himself. "I never pa.s.s by old Logier's House, in the Friedrichstra.s.se--wrote Bismarck in 1863--without looking up at the windows that used to be ornamented by a pair of red slippers sustained on the wall by the feet of a gentleman sitting in the Yankee way, his head below and out of sight. I then gratify my memory with remembrance of 'good old colony times when we were roguish chaps.'" And here is another part of a letter which ill.u.s.trates that even dignitaries like to unbend and become like boys again. This letter was written by the minister of foreign affairs to the minister of the United States at the court of Vienna:

Berlin, May 23d, 1864.

Jack my Dear,-- ... what do you do that you never write a line to me? I am working from morn to night like a n.i.g.g.e.r, and you have nothing to do at all--you might as well tip me a line as well as looking at your feet tilted against the wall of G.o.d knows what a dreary color. I cannot entertain a regular correspondence; it happens to me that during five days I do not find a quarter of an hour for a walk; but you, lazy old chap, what keeps you from thinking of your old friends? When just going to bed in this moment my eye met with yours on your portrait, and I curtailed the sweet restorer, sleep, in order to remind you of Auld Lang Syne. Why do you never come to Berlin? It is not a quarter of an American's holiday from Vienna, and my wife and me should be so happy to see you once more in this sullen life. When can you come, and when will you? I swear that I will make out the time to look with you on old Logier's quarters, ... and at Gerolt's, where they once would not allow you to put your slender legs upon a chair. Let politics be hanged and come to see me. I promise that the Union Jack shall wave over our house, and conversation and the best old hock shall pour d.a.m.nation upon the rebels. Do not forget old friends, neither their wives, as mine wishes nearly as ardently as myself to see you, or at least to see as quickly as possible a word of your handwriting.

Sei gut und komm oder schreibe.

Dein, V. BISMARCK.

In a letter to Oliver Wendell Holmes in 1878, Bismarck in answer to an inquiry tells how the two became friends.

"I met Motley at Goettingen in 1832, I am not sure if at the beginning of the Easter term or Michaelmas term. He kept company with German students, though more addicted to study than we members of the fighting clubs. Although not having mastered yet the German language he exercised a marked attraction by a conversation sparkling with wit, humor, and originality. In autumn of 1833, having both of us emigrated from Goettingen to Berlin for the prosecution of our studies, we became fellow lodgers in the house No. 161 Friedrichstra.s.se. There we lived in the closest intimacy, sharing meals and outdoor exercise.

Motley by that time had arrived at talking fluently: he occupied himself not only in translating Goethe's poem, _Faust_, but tried his hand even in composing German verses. Enthusiastic admirer of Shakspere, Byron, Goethe, he used to spice his conversation abundantly with quotations from these his favorite authors. A pertinacious arguer, so much so that sometimes he watched my awakening in order to continue a discussion on some topic of science, poetry, or practical life cut short by the chime of the small hours, he never lost his mild and amiable temper.... The most striking feature of his handsome and delicate appearance was uncommonly large and beautiful eyes. He never entered a drawing-room without exciting the curiosity and sympathy of the ladies."

While the sheets of Motley's history were pa.s.sing through the press in 1856, he paid a visit to Bismarck at Frankfort:

"When I called," says Motley, "Bismarck was at dinner, so I left my card, and said I would come back in half an hour. As soon as my card had been carried to him (as I learned afterwards) he sent a servant after me to the hotel, but I had gone another way. When I came back I was received with open arms. I can't express to you how cordially he received me. If I had been his brother, instead of an old friend, he could not have shown more warmth and affectionate delight in seeing me. I find I like him better even than I thought I did, and you know how high an opinion I always expressed of his talents and disposition. He is a man of very n.o.ble character, and of very great powers of mind. The prominent place which he now occupies as a statesman sought _him_. He did not seek it or any other office. The stand which he took in the a.s.sembly from conviction, on the occasion of the outbreak of 1848, marked him at once to all parties as one of the leading characters of Prussia....

"In the summer of 1851, he told me that the minister, Manteuffel, asked him one day abruptly, if he would accept the post of amba.s.sador at Frankfort, to which (although the proposition was as unexpected a one to him as if I should hear by the next mail that I had been chosen governor of Ma.s.sachusetts) he answered after a moment's deliberation, yes, without another word. The king, the same day, sent for him, and asked him if he would accept the place, to which he made the same brief answer, 'Ja.' His majesty expressed a little surprise that he made no inquiries or conditions, when Bismarck replied that anything which the king felt strong enough to propose to him, he felt strong enough to accept. I only write these details that you may have an idea of the man. Strict integrity and courage of character, a high sense of honor, a firm religious belief, united with remarkable talents, make up necessarily a combination which cannot be found any day in any court; and I have no doubt that he is destined to be prime minister, unless his obstinate truthfulness, which is apt to be a stumbling-block for politicians, stands in his way....

"Well, he accepted the post and wrote to his wife next day, who was preparing for a summer's residence in a small house they had taken on the sea-coast, that he could not come because he was already established in Frankfort as minister. The result, he said, was three days of tears on her part. He had previously been leading the life of a plain country squire with a moderate income, had never held any position in the government or in diplomacy, and had hardly ever been to court."

L

THE YOUTH OF GEORGE TICKNOR

George Ticknor was born in 1791. His father, he says, fitted him for college. He never went to a regular school. President Wheelock, Professor Woodward, and others connected with Dartmouth College, who were in the habit of making his father's house their home in the long winter vacations, took much notice of him; and the professor, after examining him in Cicero _Orations_ and the Greek Testament, gave him a certificate of admission before he was ten years old. "Of course," he adds, "I knew very little, and the whole thing was a form, perhaps a farce. There was no thought of my going to college then, and I did not go till I was fourteen, but I was twice examined at the college (where I went with my father and mother every summer) for advanced standing, and was finally admitted as a junior, and went to reside there from Commencement, August, 1805." He learned very little at college. "The instructors generally were not as good teachers as my father had been, and I knew it." He consequently took no great interest in study, although he liked reading Horace, and had mathematics enough to enjoy calculating the great eclipse of 1806, and making a projection of it which turned out nearly right. To supply the deficiency in cla.s.sical acquirements with which he left college, he was placed under Dr. John Gardiner, of Trinity Church, who was reputed a good scholar, having been bred in the mother country under Dr. Parr.

"I prepared at home what he prescribed, and the rest of my time occupied myself according to my tastes. I read with him parts of Livy, the _Annals_ of Tacitus, the whole of Juvenal and Persius, the _Satires_ of Horace, and portions of other Latin cla.s.sics which I do not remember. I wrote Latin prose and verse. In Greek I read some books of the _Odyssey_, I don't remember how many; the _Alcestis_; and two or three other plays of Euripides; the _Prometheus Vinctus_ of aeschylus; portions of Herodotus, and parts of Thucydides,--of which last I only remember how I was tormented by the account of the plague at Athens. This was the work of between two and three years."

After a year's experience in law, he decides to give up his profession and goes to Europe in order to study at Goettingen. On reaching Liverpool his first introduction is to Roscoe, and then on his way to London he stops at Hatton to visit Dr. Parr, who astonished him not a little by observing, "Sir, I would not think I had done my duty if I went to bed any night without praying for the success of Napoleon Bonaparte."

In London Mr. Ticknor formed a friends.h.i.+p with Lord Byron; two men more unlike in every respect can hardly be conceived of, and it is amusing to think of Byron impressing his visitor as being "simple and unaffected," or of his speaking "of his early follies with sincerity," and of his own works "with modesty." It is amusing, too, to hear that as Lady Byron is going out for a drive, "Lord Byron's manner to her was affectionate; he followed her to the door, and shook hands with her, as if he were not to see her for a month." The following curious anecdote shows that Byron was no less unpatriotic in his views than Dr. Parr himself. Mr. Ticknor is calling upon him, and Byron is praising Scott as the first man of his time, and saying of Gifford that no one could have a better disposition, when,--

"Sir James Bland Burgess, who had something to do in negotiating Jay's Treaty, came suddenly into the room, and said abruptly, 'My lord, my lord, a great battle has been fought in the Low Countries, and Bonaparte is entirely defeated.' 'But is it true?' said Lord Byron, 'is it true?' 'Yes, my lord, it is certainly true; and an aid-de-camp arrived in town last night, he has been in Downing Street this morning, and I have just seen him as he was going to Lady Wellington's. He says he thinks Bonaparte is in full retreat towards Paris.' After a moment's pause, Lord Byron replied, 'I am sorry for it;' and then, after another slight pause, he added, 'I didn't know but I might live to see Lord Castlereagh's head on a pole. But I suppose I sha'n't now.' And this was the first impression produced on his imperious nature by the news of the battle of Waterloo."

But Byron is not Mr. Ticknor's only London friend, for we read of a breakfast with Sir Humphry Davy, a "genuine bookseller's dinner" with Murray, and a visit to the author of _Gertrude of Wyoming_.

Goettingen, however, is the object of his journey, and at Goettingen he remains for the next year and a half. If he does not learn to scorn the delights of society, he has at least the resolution to live the laborious days of the earnest student. He studies five languages, and works twelve hours in the twenty-four. Greek, German, theology, and natural history seem chiefly to claim his attention, but he is also busy with French, Italian, and Latin, and manages at the same time to keep up his English reading. He is much amused with the German professors, and describes them with no little humor. There is Michaelis, who asks one of his scholars for some silver shoe-buckles, in lieu of a fee. There is Schultze, who "looks as if he had fasted six months on Greek prosody and the Pindaric meters." There is Blumenbach, who has a sharp discussion at a dinner-table, and next day sends down three huge quartos all marked to show his authorities and justify his statements.

Here is another interesting anecdote given in Ticknor's _Memoirs_:

"When I was in Goettingen, in 1816, I saw Wolf, the most distinguished Greek scholar of the time. He could also lecture extemporaneously in Latin. He was curious about this country, and questioned me about our scholars and the amount of our scholars.h.i.+p. I told him what I could,--amongst other things, of a fas.h.i.+onable, das.h.i.+ng preacher of New York having told me that he took great pleasure in reading the choruses of aeschylus, and that he read them without a dictionary! I was walking with Wolf at the time, and, on hearing this, he stopped, squared round, and said, 'He told you that, did he?' 'Yes,' I answered. 'Very well; the next time you hear him say it, do you tell him he lies, and that I say so.'"

During a six weeks' vacation there is a pleasant tour through Germany, and at Weimar Mr. Ticknor makes the acquaintance of Goethe, who talked about Byron, and "his great knowledge of human nature."

And now in the November of 1816, there comes an intimation that Harvard College wishes to recall Mr. Ticknor to his old home, and give him the professors.h.i.+p of French and Spanish literature. It was a matter of difficulty for him to make a final decision, and a year pa.s.ses before he determined to accept the charge, and a year and a half more before he enters upon its duties.

Meanwhile he leaves Goettingen, visits Paris, Geneva, and Rome, and then goes on to Spain.... When in Spain, Mr. Ticknor is busy learning Spanish and collecting Spanish books, and here he lays the groundwork for that special literary distinction for which he is now so widely known.--Adapted from the _Athenaeum_ and _Quarterly Review_.

LI

FITZ-GREENE HALLECK

Fitz-Greene Halleck died at a ripe old age in 1867. On the evening of February 2d, 1869, Bryant delivered an address on the life and writings of Halleck. The address was given before the New York Historical Society and was printed the next day in the _New York Evening Post_. Here is an interesting extract from the address:

"When I look back upon Halleck's literary life I cannot help thinking that if his death had happened forty years earlier, his life would have been regarded as a bright morning prematurely overcast. Yet Halleck's literary career may be said to have ended then. All that will hand down his name to future years had already been produced. Who shall say to what cause his subsequent literary inaction was owing? It was not the decline of his powers; his brilliant conversation showed that it was not. Was it, then, indifference to fame? Was it because he had put an humble estimate on what he had written, and therefore resolved to write no more? Was it because he feared lest what he might write would be unworthy of the reputation he had been so fortunate to acquire?

"I have my own way of accounting for his literary silence in the latter half of his life. One of the resemblances which he bore to Horace consisted in the length of time for which he kept his poems by him that he might give them the last and happiest touches. He had a tenacious verbal memory, and having composed his poems without committing them to paper, he revised them in the same manner, murmuring them to himself in his solitary moments, recovering the enthusiasm with which they were first received, and in this state heightening the beauty of the thought or of the expression. I remember that once in crossing Was.h.i.+ngton Park I saw Halleck before me and quickened my pace to overtake him. As I drew near I heard him crooning to himself what seemed to be lines of verse, and as he threw back his hands in walking I perceived that they quivered with the feeling of the pa.s.sage he was reciting. I instantly checked my pace and fell back, out of reverence for the mood of inspiration which seemed to be upon him, and fearful lest I should intercept the birth of a poem destined to be the delight of thousands of readers.

"In this way I suppose Halleck to have attained the gracefulness of his diction, and the airy melody of his numbers. In this way I believe he wrought up his verses to that transparent clearness of expression which causes the thought to be seen through them without any interposing dimness, so that the thought and the phrase seem one, and the thought enters the mind like a beam of light. I suppose that Halleck's time being taken up by the tasks of his vocation, he naturally lost by degrees the habit of composing in this manner, and that he found it so necessary to the perfection of what he wrote that he adopted no other in its place.

"Whatever was the reason that Halleck ceased so early to write, let us congratulate ourselves that he wrote at all. Great authors often overlay and almost smother their own fame by the voluminousness of their writings. So great is their mult.i.tude, and so rich is the literature of our language, that for frequent readings we are obliged to content ourselves with mere selections from the works of best and most beloved of our poets, even those who have not written much. It is only a few of their works that dwell and live in the general mind.

Gray, for example, wrote little, and of that little one short poem, his _Elegy_, can be fairly said to survive in the public admiration, and that poem I have sometimes heard called the most popular in our language."

LII

THE AUTHOR OF THANATOPSIS

Thanatopsis may be said to be the most remarkable poem written by an American youth. "The unfailing wonder of it is," writes an American critic in a magazine article, "that a boy of seventeen could have written it; not merely that he could have made verse of such structural beauty and dignity, but that the thoughts of which it is compacted could have been a boy's thoughts. The poem seems to have been written while he was at his father's house in c.u.mmington, in the summer of 1811, before he had definitely begun the study of law. Fond as he had been of showing his earlier effusions to his father and others, the consciousness of having done something different and greater must have come upon him at this time, for it was only by accident, six years after the writing of _Thanatopsis_, that his father chanced to find it and the poem now called _An Inscription Upon the Entrance to a Wood_, among some papers in a desk the boy had used while at home. Dr. Bryant read them with amazement and delight, hurried at once to the house of a neighbor, a lady of whose sympathy he felt sure, thrust them into her hands, and, with the tears running down his cheeks, said, 'Read them; they are Cullen's.'