Villa Rubein, and Other Stories Part 40

I went to her room. In the morning she had seemed better, but now looked utterly exhausted. She had a letter in her hand.

"It's this," she said. "I don't seem to understand it. He wants me to do something--but I can't think, and my eyes feel funny. Read it to me, please."

The letter was from Zachary. I read it to her in a low voice, for Mrs.

Hopgood was in the room, her eyes always fixed on Pasiance above her knitting. When I'd finished, she made me read it again, and yet again.

At first she seemed pleased, almost excited, then came a weary, scornful look, and before I'd finished the third time she was asleep. It was a remarkable letter, that seemed to bring the man right before one's eyes.

I slipped it under her fingers on the bed-clothes, and went out. Fancy took me to the cliff where she had fallen. I found the point of rock where the cascade of ivy flows down the cliff; the ledge on which she had climbed was a little to my right--a mad place. It showed plainly what wild emotions must have been driving her! Behind was a half-cut cornfield with a fringe of poppies, and swarms of harvest insects creeping and flying; in the uncut corn a landrail kept up a continual charring. The sky was blue to the very horizon, and the sea wonderful, under that black wild cliff stained here and there with red. Over the dips and hollows of the fields great white clouds hung low down above the land. There are no bra.s.sy, east-coast skies here; but always sleepy, soft-shaped clouds, full of subtle stir and change. Pa.s.sages of Zachary's Pea.r.s.e's letter kept rising to my lips. After all he's the man that his native place, and life, and blood have made him. It is useless to expect idealists where the air is soft and things good to look on (the idealist grows where he must create beauty or comfort for himself); useless to expect a man of law and order, in one whose fathers have stared at the sea day and night for a thousand years--the sea, full of its promises of unknown things, never quite the same, a slave to its own impulses. Man is an imitative animal....

"Life's hard enough," he wrote, "without tying yourself down. Don't think too hardly of me! Shall I make you happier by taking you into danger? If I succeed you'll be a rich woman; but I shall fail if you're with me. To look at you makes me soft. At sea a man dreams of all the good things on land, he'll dream of the heather, and honey--you're like that; and he'll dream of the apple-trees, and the gra.s.s of the orchards--you're like that; sometimes he only lies on his back and wishes--and you're like that, most of all like that...."

When I was reading those words I remember a strange, soft, half-scornful look came over Pasiance's face; and once she said, "But that's all nonsense, isn't it...?"

Then followed a long pa.s.sage about what he would gain if he succeeded, about all that he was risking, the impossibility of failure, if he kept his wits about him. "It's only a matter of two months or so," he went on; "stay where you are, dear, or go to my Dad. He'll be glad to have you. There's my mother's room. There's no one to say 'No' to your fiddle there; you can play it by the sea; and on dark nights you'll have the stars dancing to you over the water as thick as bees. I've looked at them often, thinking of you...."

Pasiance had whispered to me, "Don't read that bit," and afterwards I left it out.... Then the sensuous side of him shows up: "When I've brought this off, there's the whole world before us. There are places I can take you to. There's one I know, not too warm and not too cold, where you can sit all day in the shade and watch the creepers, and the cocoa-palms, still as still; nothing to do or care about; all the fruits you can think of; no noise but the parrots and the streams, and a splash when a n.i.g.g.e.r dives into a water-hole. Pasiance, we'll go there! With an eighty-ton craft there's no sea we couldn't know. The world's a fine place for those who go out to take it; there's lots of unknown stuff'

in it yet. I'll fill your lap, my pretty, so full of treasures that you shan't know yourself. A man wasn't meant to sit at home...."

Throughout this letter--for all its real pa.s.sion--one could feel how the man was holding to his purpose--the rather sordid purpose of this venture. He's unconscious of it; for he is in love with her; but he must be furthering his own ends. He is vital--horribly vital! I wonder less now that she should have yielded.

What visions hasn't he dangled before her. There was physical attraction, too--I haven't forgotten the look I saw on her face at Black Mill. But when all's said and done, she married him, because she's Pasiance Voisey, who does things and wants "to get back." And she lies there dying; not he nor any other man will ever take her away. It's pitiful to think of him tingling with pa.s.sion, writing that letter to this doomed girl in that dark hole of a saloon. "I've wanted money," he wrote, "ever since I was a little chap sitting in the fields among the cows.... I want it for you now, and I mean to have it. I've studied the thing two years; I know what I know....

"The moment this is in the post I leave for London. There are a hundred things to look after still; I can't trust myself within reach of you again till the anchor's weighed. When I re-christened her the Pied Witch, I thought of you--you witch to me...."

There followed a solemn entreaty to her to be on the path leading to the cove at seven o'clock on Wednesday evening (that is, to-morrow) when he would come ash.o.r.e and bid her good-bye. It was signed, "Your loving husband, Zachary Pea.r.s.e...."

I lay at the edge of that cornfield a long time; it was very peaceful.

The church bells had begun to ring. The long shadows came stealing out from the sheaves; woodpigeons rose one by one, and flapped off to roost; the western sky was streaked with red, and all the downs and combe bathed in the last sunlight. Perfect harvest weather; but oppressively still, the stillness of suspense....

Life at the farm goes on as usual. We have morning and evening prayers.

John Ford reads them fiercely, as though he were on the eve of a revolt against his G.o.d. Morning and evening he visits her, comes out wheezing heavily, and goes to his own room; I believe, to pray. Since this morning I haven't dared meet him. He is a strong old man--but this will break him up....

VII

"KINGSWEAR, Sat.u.r.day, 13th August.

.... It's over--I leave here to-morrow, and go abroad.

A quiet afternoon--not a breath up in the churchyard! I was there quite half an hour before they came. Some red cows had strayed into the adjoining orchard, and were rubbing their heads against the railing.

While I stood there an old woman came and drove them away; afterwards, she stooped and picked up the apples that had fallen before their time.

"The apples are ripe and ready to fall, Oh! heigh-ho! and ready to fall; There came an old woman and gathered them all, Oh! heigh-ho! and gathered them all."

.... They brought Pasiance very simply--no hideous funeral trappings, thank G.o.d--the farm hands carried her, and there was no one there but John Ford, the Hopgoods, myself, and that young doctor. They read the service over her grave. I can hear John Ford's "Amen!" now. When it was over he walked away bareheaded in the sun, without a word. I went up there again this evening, and wandered amongst the tombstones. "Richard Voisey," "John, the son of Richard and Constance Voisey," "Margery Voisey," so many generations of them in that corner; then "Richard Voisey and Agnes his wife," and next to it that new mound on which a sparrow was strutting and the shadows of the apple-trees already hovering.

I will tell you the little left to tell....

On Wednesday afternoon she asked for me again.

"It's only till seven," she whispered. "He's certain to come then. But if I--were to die first--then tell him--I'm sorry for him. They keep saying: 'Don't talk--don't talk!' Isn't it stupid? As if I should have any other chance! There'll be no more talking after to-night! Make everybody come, please--I want to see them all. When you're dying you're freer than any other time--n.o.body wants you to do things, n.o.body cares what you say.... He promised me I should do what I liked if I married him--I never believed that really--but now I can do what I like; and say all the things I want to." She lay back silent; she could not after all speak the inmost thoughts that are in each of us, so sacred that they melt away at the approach of words.

I shall remember her like that--with the gleam of a smile in her half-closed eyes, her red lips parted--such a quaint look of mockery, pleasure, regret, on her little round, upturned face; the room white, and fresh with flowers, the breeze guttering the apple-leaves against the window. In the night they had unhooked the violin and taken it away; she had not missed it.... When Dan came, I gave up my place to him. He took her hand gently in his great paw, without speaking.

"How small my hand looks there," she said, "too small." Dan put it softly back on the bedclothes and wiped his forehead. Pasiance cried in a sharp whisper: "Is it so hot in here? I didn't know." Dan bent down, put his lips to her fingers and left the room.

The afternoon was long, the longest I've ever spent. Sometimes she seemed to sleep, sometimes whispered to herself about her mother, her grandfather, the garden, or her cats--all sorts of inconsequent, trivial, even ludicrous memories seemed to throng her mind--never once, I think, did she speak of Zachary, but, now and then, she asked the time.... Each hour she grew visibly weaker. John Ford sat by her without moving, his heavy breathing was often the only sound; sometimes she rubbed her fingers on his hand, without speaking. It was a summary of their lives together. Once he prayed aloud for her in a hoa.r.s.e voice; then her pitiful, impatient eyes signed to me.

"Quick," she whispered, "I want him; it's all so--cold."

I went out and ran down the path towards the cove.

Leaning on a gate stood Zachary, an hour before his time; dressed in the same old blue clothes and leather-peaked cap as on the day when I saw him first. He knew nothing of what had happened. But at a quarter of the truth, I'm sure he divined the whole, though he would not admit it to himself. He kept saying, "It can't be. She'll be well in a few days--a sprain! D' you think the sea-voyage.... Is she strong enough to be moved now at once?"

It was painful to see his face, so twisted by the struggle between his instinct and his vitality. The sweat poured down his forehead. He turned round as we walked up the path, and pointed out to sea. There was his steamer. "I could get her on board in no time. Impossible! What is it, then? Spine? Good G.o.d! The doctors.... Sometimes they'll do wonders!" It was pitiful to see his efforts to blind himself to the reality.

"It can't be, she's too young. We're walking very slow." I told him she was dying.

For a second I thought he was going to run away. Then he jerked up his head, and rushed on towards the house. At the foot of the staircase he gripped me by the shoulder.

"It's not true!" he said; "she'll get better now I'm here. I'll stay.

Let everything go. I'll stay."

"Now's the time," I said, "to show you loved her. Pull yourself together, man!" He shook all over.

"Yes!" was all he answered. We went into her room. It seemed impossible she was going to die; the colour was bright in her cheeks, her lips trembling and pouted as if she had just been kissed, her eyes gleaming, her hair so dark and crisp, her face so young....

Half an hour later I stole to the open door of her room. She was still and white as the sheets of her bed. John Ford stood at the foot; and, bowed to the level of the pillows, his head on his clenched fists, sat Zachary. It was utterly quiet. The guttering of the leaves had ceased.

When things have come to a crisis, how little one feels--no fear, no pity, no sorrow, rather the sense, as when a play is over, of anxiety to get away!

Suddenly Zachary rose, brushed past me without seeing, and ran downstairs.

Some hours later I went out on the path leading to the cove. It was pitch-black; the riding light of the Pied Witch was still there, looking no bigger than a firefly. Then from in front I heard sobbing--a man's sobs; no sound is quite so dreadful. Zachary Pea.r.s.e got up out of the bank not ten paces off.

I had no heart to go after him, and sat down in the hedge. There was something subtly akin to her in the fresh darkness of the young night; the soft bank, the scent of honeysuckle, the touch of the ferns and brambles. Death comes to all of us, and when it's over it's over; but this blind business--of those left behind!

A little later the s.h.i.+p whistled twice; her starboard light gleamed faintly--and that was all....

VIII

"TORQUAY, 30th October.

.... Do you remember the letters I wrote you from Moor Farm nearly three years ago? To-day I rode over there. I stopped at Brixham on the way for lunch, and walked down to the quay. There had been a shower--but the sun was out again, s.h.i.+ning on the sea, the brown-red sails, and the rampart of slate roofs.

A trawler was lying there, which had evidently been in a collision. The spiky-bearded, thin-lipped fellow in torn blue jersey and sea-boots who was superintending the repairs, said to me a little proudly: