The Little Colonel: Maid of Honor Part 8

"Opening the bundles was so much fun,--like a continual surprise-party, Betty said, or a hundred Christmases rolled into one. Between times when Eugenia wasn't exclaiming over how lovely everything was, she was telling us how the house was furnished, and what a splendid fellow Stuart is, and how wild she is for us to know him. I had never heard a bride talk before, and she was so _happy_ that somehow it made you feel that getting married was the most beautiful thing in the world.

"One of the first things she did when she opened her suit-case was to take out a picture of Stuart. It was a miniature on ivory in a locket of Venetian gold, because it was in Venice he had proposed to her. After she had shown it to us, she put it in the centre of her dressing-table, with the white flowers all around it, as if it had been some sort of shrine. There was a look in her eyes that made me think of the picture in Betty's room of a nun laying lilies on an altar.

"It is after luncheon now, and she has gone to her room to rest awhile.

So have the other girls. But I couldn't sleep. The days are slipping by too fast for me to waste any time that way."

The house was quiet when Mary closed her journal. Joyce was still asleep on the bed, and through the open door she could see Betty, tilted back in a big chair, nodding over a magazine. She concluded it would be a good time to dash off a letter to Holland, but with a foresight which prompted her to be ready for any occasion, she decided to dress first for the evening. Tiptoeing around the room, she brushed her hair in the new way Mom Beck had taught her, and, taking out her prettiest white dress, proceeded to array herself in honor of the best man's coming.

Then she rummaged in the tray of her trunk till she found her pink coral necklace and fan-chain, and, with a sigh of satisfaction that she was ready for any emergency, seated herself at her letter-writing.

She had written only a page, however, when the clock on the stairs chimed four. The deep tones echoing through the hall sent Lloyd bouncing up from her couch, her hair falling over her shoulders and her long kimono tripping her at every step, as she ran into Joyce's room.

"What are we going to do?" she cried in dismay. "I ovahslept myself, and now it's foah o'clock, and Phil's train due in nine minutes. The carriage is at the doah and none of us dressed to go to meet him. I wrote that the entiah bridal party would be there."

Joyce sprang up in a dazed sort of way, and began putting on her slippers. The bridesmaids had talked so much about the grand welcome the best man was to receive on his entrance to the Valley that, half-awake as she was, she could not realize that it was too late to carry out their plans.

"Oh, it's no use trying to get ready now," said Lloyd, in a disappointed tone. "We couldn't dress and get to the station in time to save ou'

lives." Then her glance fell on Mary, sitting at her desk in all her brave array of pink ribbons and corals.

"Why, Mary can go!" she cried, in a relieved tone. "I had forgotten that she knows Phil as well as we do. Run on, that's a deah! Don't stop for a hat! You won't need it in the carriage. Tell him that you're the maid of honah on this occasion!"

It was all over so quickly, the rapid drive down the avenue, the quick dash up to the station as the train came puffing past, that Mary had little time to rehea.r.s.e the part she had been bidden to play. She was so afraid that Phil would not recognize her that she wondered if she ought not to begin by introducing herself. She pictured the scene in her mind as they rolled along, unconscious that she was smiling and bowing into empty air, as she rehea.r.s.ed the speech with which she intended to impress him. She would be as dignified and gracious as the Princess herself; not at all like the hoydenish child of eleven who had waved her sunbonnet at him in parting three years before.

The sight of the train as it slowed up sent a queer inward quiver of expectancy through her, and her cheeks were flushed with eagerness as she leaned forward watching for him. With a nervous gesture, she put her hand up to her hair-ribbons to make sure that her bows were in place, and then clutched the coral necklace. Then Betty's sermon flashed across her mind, and the thought that she had done just like the self-conscious girl at school brought a distressed pucker between her eyebrows. But the next instant she forgot all about it. She forgot the princess-like way in which she was to step from the carriage, the dignity with which she was to offer Phil her hand, and the words wherewith she was to welcome him. She had caught sight of a wide-brimmed gray hat over the heads of the crowd, and a face, bronzed and handsome, almost as dear in its familiar outlines as Jack's or Holland's. Her carefully rehea.r.s.ed actions flew to the winds, as, regardless of the strangers all about, she sprang from the carriage and ran along bareheaded in the sun. And Phil, glancing around him for the bridal party that was to meet him, was surprised beyond measure when this little apparition from the Arizona Wigwam caught him by the hand.

"Bless my soul, it's the little Vicar!" he exclaimed. "Why, it's like getting back home to see _you_! And how you've grown, and how really civilized you are!"

So he _had_ remembered her. He was glad to see her. With her face glowing and her feet fairly dancing, she led him to the carriage, pouring out a flood of information as they went, about The Locusts and the wedding and the people they pa.s.sed, and how lovely everything was in the Valley, till he said, with a twinkle in his eyes: "You're the same enthusiastic little soul that you used to be, aren't you? I hope you'll speak as good a word for me at The Locusts as you did at Lee's ranch. I am taking it as a good omen that you were sent to conduct me into this happy land. You made a success of it that other time; somehow I'm sure you will this time."

All the way to the house Mary sat and beamed on him as she talked, thinking how much older he looked, and yet how friendly and brotherly he still was. She introduced him to Mrs. Sherman with a proud, grandmotherly air of proprietors.h.i.+p, and took a personal pride in every complimentary thing said about him afterward, as if she were responsible for his good behavior, and was pleased with the way he was "showing off."

Rob came over as usual in the evening. Phil was not there at first. He and Eugenia were strolling about the grounds. Mary, sitting in a hammock on the porch, was impatient for them to come in, for she wanted to see what impression he would make on Rob, whom she had been thinking lately was the nicest man she ever met. She wanted to see them together to contrast the two, for they seemed wonderfully alike in size and general appearance. In actions, too, Mary thought, remembering how they both had teased her.

She had not seen Rob since their unhappy encounter early that morning, when she had been so overcome with mortification; and if Betty had not been on the porch also, she would have found it hard to stay and face him. But she wanted to show Betty that she had taken her little sermon to heart. Then, besides, the affair did not look so big, after all that had happened during this exciting day.

As they waited, Joyce joined them, and presently they heard Lloyd coming through the hall. She was singing a verse from Ingelow's "Songs of Seven:"

"'There is no dew left on the daisies and clover.

There is no rain left in the heaven.

I've said my seven times over and over-- Seven times one are seven.'"

Then she began again, "'There is no dew left on the daisies and clover--'" Rob turned to Mary. "I wonder why," he said, meaningly.

The red flashed up into Mary's face and she made no audible answer, but Joyce, turning suddenly, saw to her horror that Mary had made a saucy face at him and thrust out her tongue like a naughty child.

"Why, Mary Ware!" she began, in a shocked tone, but Betty interrupted with a laugh. "Let her alone, Joyce; he richly deserved it. He was teasing her."

"Betty was right," thought Mary afterward. "It _was_ better to make fun of his teasing than to run off and cry because he happened to mention the subject. If I had done that, he never would have said to Betty afterward that I was the jolliest little thing that ever came over the pike. How much better this day has ended than it began."

CHAPTER VIII.

AT THE BEECHES

The invitation came by telephone while the family was at breakfast next morning. Would the house-party at The Locusts join the house-party at The Beeches in giving a series of tableaux at their lawn fete that night? If so, would the house-party at The Locusts proceed immediately to The Beeches to spend the morning in the rehearsing of tableaux, the selection of costumes, the manufacture of paper roses, and the pleasure of each other's honorable company in the partaking of a picnic-lunch under the trees?

There was an enthusiastic acceptance from all except Eugenia, who, tired from her long journey and with many important things to attend to, begged to be left behind for a quiet day with her cousin Elizabeth.

Mary, tormented by a fear that maybe she was not included in the invitation, since she was a child, and all the guests at The Beeches were grown, could scarcely finish her breakfast in her excitement. But long before the girls were ready to start, her fears were set at rest by the arrival of Elise Walton in her pony-cart. She wanted Mary to drive to one of the neighbors with her, to borrow a bonnet and shawl over fifty years old, which were to figure in one of the tableaux.

Elise had not been attracted by Mary's appearance the day she met her in the restaurant and was not sure that she would care for her. It was only her hospitable desire to be nice to a guest in the Valley that made her comply so willingly to her mother's request to show her some especial attention. Mary, spoiled by the companions.h.i.+p of the older girls for the society of those her own age, was afraid that Elise would be a repet.i.tion of Girlie Dinsmore; but before they had gone half a mile together they were finding each other so vastly entertaining that by the time they reached The Beeches they felt like old friends.

It was Mary's first sight of the place, except the glimpse she had caught through the trees the morning they pa.s.sed on their way to Rollington. As the pony-cart rattled up the wide carriage drive which swept around in front of the house, she felt as if she were riding straight into a beautiful old Southern story of ante-bellum days. Back into the times when people had leisure to make hospitality their chief business in life, and could afford for every day to be a holiday. When there were always guests under the spreading rooftree of the great house, and laughter and plenty in the servants' quarters. The sound of a banjo and a negro melody somewhere in the background heightened the effect of that illusion.

The wide front porch seemed full of people. Allison and Kitty looked up with a word of greeting as the two girls came up, one carrying the bonnet and the other the shawl, but n.o.body seemed to think it necessary to introduce Elise's little friend to the other guests. It would have been an embarra.s.sing ordeal for her, for there were so many strangers.

Mary recognized the two young lieutenants.

With the help of a pretty brunette in white, whom Elise whispered was Miss Bonham from Lexington, they were rigging up some kind of a coat of mail for Lieutenant Logan to wear in one of the tableaux. Ra.n.a.ld, with a huge sheet of cardboard and the library shears, was manufacturing a pair of giant scissors, half as long as himself, which a blonde in blue was waiting to cover with tin foil. She was singing c.o.o.n songs while she waited, to the accompaniment of a mandolin, and in such a gay, rollicking way, that every one was keeping time either with hand or foot.

"That is Miss Bernice Howe," answered Elise, in response to Mary's whispered question. "She lives here in the Valley. And that's Malcolm MacIntyre, my cousin, who is sitting beside her. That's his brother Keith helping Aunt Allison with the programme cards."

Mary stared at the two young men, vaguely disappointed. They were the two little knights of Kentucky, but they were grown up, like all the other heroes and heroines she had looked forward to meeting. She told herself that she might have expected it, for she knew that Malcolm was Joyce's age; but she had a.s.sociated them so long with the handsome little fellows in the photograph Lloyd had, clad in the knightly costumes of King Arthur's time, that it was hard to recognize them now, in these up-to-date, American college boys, who had long ago discarded their knightly disguises.

"And that," said Elise, as another young man came out of the house with a sheet of music in his hand for Miss Howe, "is Mister Alex Shelby. He lives in Louisville, but he comes out to the Valley all the time to see Bernice. I'll tell you about them while we drive over to Mrs. Bisbee's.

"It's this way," she began a few moments later, as they rattled down the road; "Bernice asked Allison if Mister Shelby couldn't be in one of the tableaux. Allison said yes, that they had intended to ask him before she spoke of it; that they had decided to ask him to be the boatman in the tableau of 'Elaine, the Lily Maid of Astolat.' But when Bernice found that Lloyd had already been asked to be Elaine, she was furious. She said she was just as good as engaged to him, or something of the sort, I don't know exactly what. And she knew, if Lloyd had a chance to monopolize him in that beautiful tableau, what it would lead to. It wouldn't be the first time that Lloyd had quietly stepped in and taken possession of her particular friends. She made such a fuss about it, that Allison finally said she'd change, and make Malcolm take the part of boatman, and give Alex the part they had intended for Malcolm, even if they didn't fit as well."

"The hateful thing!" sputtered Mary, indignantly. "I don't see how she can insinuate such mean things about any one as sweet and beautiful as Lloyd is."

"I don't either," agreed Elise, "but Allison says it is true that everybody who has ever started out as a special friend of Bernice, men I mean, have ended by thinking the most of Lloyd. But everybody knows that it is simply because she is more attractive than Bernice. As Ra.n.a.ld says Lloyd isn't a girl to fish for attention, and that Bernice would have more if she didn't show the fellows that she was after them with a hook.

Don't you tell Lloyd I told you all this," warned Elise.

"Oh, I wouldn't think of doing such a thing!" cried Mary. "It would hurt her dreadfully to know that anybody talked so mean about her. I wouldn't be the one to repeat it, for worlds!"

Left to hold the pony while Elise went in at Mrs. Bisbee's, Mary sat thinking of the snake she had discovered in her Eden. It was a rude shock to find that every one did not admire and love the "Queen of Hearts," who to her was without fault or flaw. All the rest of that day and evening, she could not look in Bernice Howe's direction, without a savage desire to scratch her. Once, when she heard her address Lloyd as "dearie," she could hardly keep from crying out, "Oh, you sly, two-faced creature!"

Lloyd and her guests arrived on the scene while Mary was away in the pony-cart on another borrowing expedition. All of the tableaux, except two, were simple in setting, requiring only the costumes that could be furnished by the chests of the neighborhood attics. But those two kept everybody busy all morning long. One was the reproduction of a famous painting called June, in which seven garlanded maidens in Greek costumes posed in a bewitching rose bower. Quant.i.ties of roses were needed for the background, great ma.s.ses of them that would not fade and droop; and since previous experience had proved that artificial flowers may be used with fine stage effect in the glare of red foot-lights the whole place was bursting into tissue-paper bloom. The girls cut and folded the myriad petals needed, the boys wired them, and a couple of little pickaninnies sent out to gather foliage, piled armfuls of young oak-leaves on the porch to twine into long conventional garlands, like the ones in the painting.

Agnes Waring had come over to help with the Greek costumes, and since the long folds of cheesecloth could be held in place by girdles, basting threads, and pins, the gowns were rapidly finished.

Down by the tea-house the colored coachman sawed and pounded and planed under Malcolm's occasional direction. He was building a barge like the one described in Tennyson's poem of the Lily Maid of Astolat. From time to time, Lloyd, who was to personate Elaine, was called to stretch herself out on the black bier in the centre, to see if it was long enough or high enough or wide enough, before the final nails were driven into place.

Malcolm, with a pole in his hand, posed as the old dumb servitor who was to row her up the river. It all looked unpromising enough in the broad daylight; the boat with its high stiff prow made of dry goods boxes and covered with black calico, and Lloyd stretched out on the bier in a modern s.h.i.+rtwaist suit with side-combs in her hair. She giggled as she meekly crossed her hands on her breast, with a piece of newspaper folded in one to represent the letter, and a bunch of lilac leaves in the other, which later was to clasp the lily. From under the long eyelashes lying on her cheeks, she smiled mischievously at Malcolm, who was vainly trying to put a decrepit bend into his athletic young back, as he bent over the pole in the att.i.tude of an old, old man.

"Yes, it does look silly now," admitted Miss Allison in answer to his protest that he felt like a fool. "But wait till you get on the long white beard and wig I have for you, and the black robe. You'll look like Methuselah. And Lloyd will be covered with a cloth of gold, and her hair will be rippling down all over her shoulders like gold, too. And we've a real lily for the occasion, a long stalk of them. Oh, this tableau is to be the gem of the collection."

"But half the people here won't understand it," said Malcolm.