Paul Kelver Part 45

"An idea occurred to me. If the sub-editor of a paper doesn't know whom to send to a theatre, it must mean that the post of dramatic critic on that paper is for some reason or another vacant.

"'Oh, that's all right,' I told him. 'I shall be in time enough.'

"He appeared neither pleased nor displeased. 'Have you arranged with the Guv'nor?' he asked me.

"'I'm just waiting to see him again for a few minutes,' I returned.

'It'll be all right. Have you got the ticket?'

"'Haven't seen it,' he replied.

"'About a column?' I suggested.

"'Three-quarters,' he preferred, and went.

"The moment he was gone, I slipped downstairs and met a printer's boy coming up.

"'What's the name of your sub?' I asked him. 'Tall man with a black moustache, looks tired.'

"'Oh, you mean Penton,' explained the boy.

"'That's the name,' I answered; 'couldn't think of it.'

"I walked straight into the editor; he was still irritable. 'What is it?

What is it now?' he snapped out.

"'I only want the ticket for the Royalty Theatre,' I answered. 'Penton says you've got it.'

"'I don't know where it is,' he growled.

"I found it after some little search upon his desk.

"'Who's going?' he asked.

"'I am,' I said. And I went.

"They have never discovered to this day that I appointed myself. Penton thinks I am some relation of the proprietress, and in consequence everybody treats me with marked respect. Mrs. Wallace herself, the proprietress, thinks I am the discovery of Penton, in whose judgment she has great faith; and with her I get on admirably. The paper I don't think is doing too well, and the salary is small, but sufficient.

Journalism suits my temperament, and I dare say I shall keep to it."

"You've been somewhat of a rolling stone hitherto," I commented.

He laughed. "From the stone's point of view," he answered, "I never could see the advantage of being smothered in moss. I should always prefer remaining the stone, unhidden, able to move and see about me. But now, to speak of other matters, what are your plans for the immediate future? Your opera, thanks to the gentlemen, the G.o.ds have dubbed 'Goggles,' will, I fancy, run through the winter. Are you getting any salary?"

"Thirty s.h.i.+llings a week," I explained to him, "with full salary for matinees."

"Say two pounds," he replied. "With my three we could set up an establishment of our own. I have an idea that is original. Shall we work it out together?"

I a.s.sured him with fervour that nothing would please me better.

"There are four delightful rooms in Queen's Square," he continued. "They are charmingly furnished: a fine sitting-room in the front, with two bedrooms and a kitchen behind. Their last tenant was a Polish Revolutionary, who, three months ago, poor fellow, was foolish enough to venture back to Russia, and who is now living rent free. The landlord of the house is an original old fellow, Deleglise the engraver. He occupies the rest of the house himself. He has told me I can have the rooms for anything I like to offer, and I should suggest thirty s.h.i.+llings a week, though under ordinary circ.u.mstances they would be worth three or four pounds. But he will only let us have them on the understanding that we 'do for' ourselves. He is quite an oddity. He hates petticoats, especially elderly petticoats. He has one servant, an old Frenchwoman, who, I believe, was housekeeper to his mother, and he and she do the housework together, most of their time quarrelling over it. Nothing else of the genus domestic female will he allow inside the door; not even an occasional charwoman would be permitted to us. On the other hand, it is a beautiful old Georgian house, with Adams mantelpieces, a stone staircase, and oak-panelled rooms; and our portion would be the entire second floor: no pianos and no landlady. He is a widower with one child, a girl of about fourteen or maybe a little older. Now, what do you say?

I am a very fair cook; will you be house-and-parlour-maid?"

I needed no pressing. A week later we were installed there, and for nearly two years we lived there. At the risk of offending an adorable but somewhat touchy s.e.x, convinced that man, left to himself, is capable of little more than putting himself to bed, and that only in a rough-and-ready fas.h.i.+on, truth compels me to record the fact that without female a.s.sistance or supervision of any kind we pa.s.sed through those two years, and yet exist to tell the tale. Dan had not idly boasted. Better plain cooking I never want to taste; so good a cup of coffee, omelette, or devilled kidney I rarely have tasted. Had he always confined his efforts within the boundaries of his abilities, there would be little to record beyond continuous and monotonous success.

But stirred into dangerous ambition at the call of an occasional tea or supper party, lured out of his depths by the example of old Deleglise, our landlord--a man who for twenty years had made cooking his hobby--Dan would at intervals venture upon experiment. Pastry, it became evident, was a thing he should never have touched: his hand was heavy and his temperament too serious. There was a thing called lemon sponge, necessitating much beating of eggs. In the cookery-book--a remarkably fat volume, luscious with ill.u.s.trations of highly-coloured food--it appeared an airy and graceful structure of dazzling whiteness. Served as Dan sent it to table, it suggested rather in form and colour a miniature earthquake. Spongy it undoubtedly was. One forced it apart with the a.s.sistance of one's spoon and fork; it yielded with a gentle tearing sound. Another favourite dainty of his was manna-cake. Concerning it I would merely remark that if it in any way resembled anything the Children of Israel were compelled to eat, then there is explanation for that fretfulness and discontent for which they have been, perhaps, unjustly blamed--some excuse even for their backward-flung desires in the direction of the Egyptian fleshpots. Moses himself may have been blessed with exceptional digestion. It was substantial, one must say that for it. One slice of it--solid, firm, crusty on the outside, towards the centre marshy--satisfied most people to a sense of repletion. For supper parties Dan would essay trifles--by no means open to the criticism of being light as air--souffle's that guests, in spite of my admonis.h.i.+ng kicks, would persist in alluding to as pudding; and in winter-time, pancakes. Later, as regards these latter, he acquired some skill; but at first the difficulty was the tossing. I think myself a safer plan would have been to turn them by the aid of a knife and fork; it is less showy, but more sure. At least, you avoid all danger of catching the half-baked thing upon your head instead of in the pan, of dropping it into the fire, or among the cinders. But "Thorough" was always Dan's motto; and after all, small particles of coal or a few hairs can always be detected by the careful feeder, and removed.

A more even-tempered man than Dan for twenty-three hours out of every twenty-four surely never breathed. It was a revelation to me to discover that for the other he could be uncertain, irritable, even ungrateful.

At first, in a spirit of pure good nature, I would offer him counsel and advice; explain to him why, as it seemed to me, the custard was pimply, the mayonnaise sauce suggestive of hair oil. What was my return? Sneers, insult and abuse, followed, if I did not clear out quickly, by spoilt tomatoes, cold coffee grounds--anything that happened to be handy.

Pained, saddened, I would withdraw, he would kick the door to after me.

His greatest enemy appeared to be the oven. The oven it was that set itself to thwart his best wrought schemes. Always it was the oven's fault that the snowy bun appeared to have been made of red sandstone, the macaroni cheese of Cambrian clay. One might have sympathised with him more had his language been more restrained. As it was, the virulence of his reproaches almost inclined one to take the part of the oven.

Concerning our house-maid, I can speak in terms of unqualified praise.

There are, alas, fussy house-maids--who has not known and suffered them?--who overdo the thing, have no repose, no instinct telling them when to ease up and let the place alone. I have always held the perpetual stirring up of dust a scientific error; left to itself, it is harmless, may even be regarded as a delicate domestic bloom, bestowing a touch of homeliness upon objects that without it gleam cold and unsympathetic. Let sleeping dogs lie. Why be continually waking up the stuff, filling the air with all manner of unhealthy germs? Nature in her infinite wisdom has ordained that upon table, floor, or picture frame it shall sink and settle. There it remains, quiet and inoffensive; there it will continue to remain so long as n.o.body interferes with it: why worry it? So also with crumbs, odd bits of string, particles of egg-sh.e.l.l, stumps of matches, ends of cigarettes: what fitter place for such than under the nearest mat? To sweep them up is tiresome work. They cling to the carpet, you get cross with them, curse them for their obstinacy, and feel ashamed of yourself for your childishness. For every one you do persuade into the dust-pan, two jump out again. You lose your temper, feel bitter towards the man that dropped them. Your whole character becomes deteriorated. Under the mat they are always willing to go.

Compromise is true statesmans.h.i.+p. There will come a day when you will be glad of an excuse for not doing something else that you ought to be doing. Then you can take up the mats and feel quite industrious, contemplating the amount of work that really must be done--some time or another.

To differentiate between the essential and the non-essential, that is where woman fails. In the name of common sense, what is the use of was.h.i.+ng a cup that half an hour later is going to be made dirty again?

If the cat be willing and able to so clean a plate that not one speck of grease remain upon it, why deprive her of pleasure to inflict toil upon yourself? If a bed looks made and feels made, then for all practical purposes it is made; why upset it merely to put it straight again? It would surprise most women the amount of labour that can be avoided in a house.

For needlework, I confess, I never acquired skill. Dan had learnt to handle a thimble, but my own second finger was ever reluctant to come forward when wanted. It had to be found, all other fingers removed out of its way. Then, feebly, nervously, it would push, slip, get itself p.r.i.c.ked badly with the head of the needle, and, thoroughly frightened, remain incapable of further action. More practical I found it to push the needle through by help of the door or table.

The opera, as Dan had predicted, ran far into the following year. When it was done with, another--in which "Goggles" appeared as one of the princ.i.p.als--took its place, and was even more successful. After the experience of Nelson Square, my present salary of thirty-five s.h.i.+llings, occasionally forty s.h.i.+llings, a week seemed to me princely. There floated before my eyes the possibility of my becoming a great opera singer. On six hundred pounds a week, I felt I could be content. But the O'Kelly set himself to dispel this dream.

"Ye'd be making a mistake, me boy," explained the O'Kelly. "Ye'd be just wasting ye're time. I wouldn't tell ye so if I weren't convinced of it."

"I know it is not powerful," I admitted.

"Ye might almost call it thin," added the O'Kelly.

"It might be good enough for comic opera," I argued. "People appear to succeed in comic opera without much voice.

"Sure, there ye're right," agreed the O'Kelly, with a sigh. "An' of course if ye had an exceptionally fine presence and were strikingly handsome--"

"One can do a good deal with make-up," I suggested.

The O'Kelly shook his head. "It's never quite the same thing. It would depend upon your acting."

I dreamt of becoming a second Kean, of taking Macready's place. It need not interfere with my literary ambition. I could combine the two: fill Drury Lane in the evening, turn out epoch-making novels in the morning, write my own plays.

Every day I studied in the reading-room of the British Museum. Wearying of success in Art, I might eventually go into Parliament: a Prime Minister with a thorough knowledge of history: why not? With Ollendorf for guide, I continued French and German. It might be the diplomatic service that would appeal to me in my old age. An amba.s.sadors.h.i.+p! It would be a pleasant termination to a brilliant career.

There was excuse for my optimistic mood about this period. All things were going well with me. A story of mine had been accepted. I forget for the moment the name of the journal: it is dead now. Most of the papers in which my early efforts appeared are dead. My contributions might be likened to their swan songs. Proofs had been sent me, which I had corrected and returned. But proofs are not facts. This had happened to me once before, and I had been lifted to the skies only to fall the more heavily. The paper had collapsed before my story had appeared. (Ah, why had they delayed? It might have saved them!) This time I remembered the proverb, and kept my own counsel, slipping out early each morning on the day of publication to buy the paper, to scan eagerly its columns. For weeks I suffered hope deferred. But at last, one bright winter's day in January, walking down the Harrow Road, I found myself standing still, suddenly stunned, before a bill outside a small news-vendor's shop. It was the first time I had seen my real name in print: "The Witch of Moel Sarbod: a legend of Mona, by Paul Kelver." (For this I had even risked discovery by the Lady 'Ortensia.) My legs trembling under me, I entered the shop. A ruffianly-looking man in dirty s.h.i.+rt-sleeves, who appeared astonished that any one should want a copy, found one at length on the floor underneath the counter. With it in my pocket, I retraced my footsteps as in a dream. On a seat in Paddington Green I sat down and read it. The hundred best books! I have waded through them all; they have never charmed me as charmed me that one short story in that now forgotten journal. Need I add it was a sad and sentimental composition.

Once upon a time there lived a mighty King; one--but with the names I will not bore you; they are somewhat unp.r.o.nounceable. Their selection had cost me many hours of study in the British Museum reading-rooms, surrounded by lexicons of the Welsh language, gazetteers, translations from the early Celtic poets--with footnotes. He loved and was beloved by a beautiful Princess, whose name, being translated, was Purity. One day the King, hunting, lost his way, and being weary, lay down and fell asleep. And by chance the spot whereon he lay was near to a place which by infinite pains, with the aid of a magnifying gla.s.s, I had discovered upon the map, and which means in English the Cave of the Waters, where dwelt a wicked Sorceress, who, while he slept, cast her spells upon him, so that he awoke to forget his kingly honour and the good of all his people, his only desire being towards the Witch of Moel Sarbod.

Now, there lived in this Kingdom by the sea a great Magician; and Purity, who loved the King far better than herself, bethought her of him, and of all she had heard concerning his power and wisdom; and went to him and besought his aid that she might save the King. There was but one way to accomplish this: with bare feet Purity must climb the rocky path leading to the Witch's dwelling, go boldly up to her, not fearing her sharp claws nor her strong teeth, and kiss her upon the mouth. In this way the spirit of Purity would pa.s.s into the Witch's soul, and she would become a woman. But the form and spirit of the Witch would pa.s.s into Purity, transforming her, and in the Cave of the Waters she must forever abide. Thus Purity gave herself that the King might live. With bleeding feet she climbed the rocky path, clasped the Witch's form within her arms, kissed her on the mouth. And the Witch became a woman and reigned with the King over his people, wisely and helpfully. But Purity became a hideous witch, and to this day abides on Moel Sarbod, where is the Cave of the Waters. And they who climb the mountain's side still hear above the roaring of the cataract the sobbing of Purity, the King's betrothed. But many liken it rather to a joyous song of love triumphant.

No writer worth his salt was ever satisfied with anything he ever wrote, so I have been told, and so I try to believe. Evidently I am not worth my salt. Candid friends, and others, to whom in my salad days I used to show my work, asking for a frank opinion, meaning, of course, though never would they understand me, their unadulterated praise, would a.s.sure me for my good, that this, my first to whom the G.o.ds gave life, was but a feeble, ill-shaped child: its attempted early English a cross between "The Pilgrim's Progress" and "Old Moore's Almanac;" its scenery--which had cost me weeks of research--an apparent attempt to sum up in the language of a local guide book the leading characteristics of the Garden of Eden combined with Dante's Inferno; its pathos of the penny-plain and two-penny-coloured order. Maybe they were right. Much have I written since that at the time appeared to me good, that I have read later with regret, with burning cheek, with frowning brow. But of this, my first-born, the harbinger of all my hopes, I am no judge. Touching the yellowing, badly-printed pages, I feel again the deep thrill of joy with which I first unfolded them and read. Again I am a youngster, and life opens out before me--inmeasurable, no goal too high. This child of my brain, my work: it shall spread my name throughout the world. It shall be a household world in lands that I shall never see. Friends whose voices I shall never hear will speak of me. I shall die, but it shall live, yield fresh seed, bear fruit I know not of. Generations yet unborn shall read it and remember me. My thoughts, my words, my spirit: in it I shall live again; it shall keep my memory green.

The long, long thoughts of boyhood! We elders smile at them. The little world spins round; the little voices of an hour sink hushed. The crawling generations come and go. The solar system drops from s.p.a.ce. The eternal mechanism reforms and shapes itself anew. Time, turning, ploughs another furrow. So, growing sleepy, we murmur with a yawn. Is it that we see clearer, or that our eyes are growing dim? Let the young men see their visions, dream their dreams, hug to themselves their hopes of enduring fame; so shall they serve the world better.

I brushed the tears from my eyes and looked up. Half-a-dozen urchins, male and female, were gaping at me open-mouthed. They scattered shouting, whether compliment or insult I know not: probably the latter.