The Fortunes of Oliver Horn Part 21

With a thrill of delight surging through him he rolled up his sleeves, tilted the bucket, filled the basin with ice-cold water which Hank had drawn for him, a courtesy only shown a stranger guest, and plunging in his hands and face, dashed the water over his head. Samanthy, meanwhile, in sunbonnet and straight-up-and-down calico dress, had come out with the towel--half a salt-sack, washed and rewashed to phenomenal softness (an ideal towel is a salt-sack to those who know). Then came the rubbing until his flesh was aglow, and the parting of the wet hair with the help of Hank's gla.s.s, and with a toss of a stray lock back from his forehead Oliver went in to breakfast.

It fills me with envy when I think of that first toilet of Oliver's! I too have had just such morning dips--one in Como, with the great cypresses standing black against the glow of an Italian dawn; another in the Lido at sunrise, my gondolier circling about me as I swam; still a third in Stamboul, with the long slants of light piercing the gloom of the stone dome above me--but oh, the smell of the pines and the great sweep of openness, with the mountains looking down and the sun laughing, and the sparkle and joyousness of it all! Ah, what a lucky dog was this Oliver!

And the days that followed! Each one a delight--each one happier than the one before. The sun seemed to soak into his blood; the strength of the great hemlocks with their giant uplifted arms seemed to have found its way to his muscles. He grew stronger, more supple. He could follow Hank all day now, tramping the brook or scaling the sides of Bald Face, its cheeks scarred with thunderbolts. And with this joyous life there came a light into his eyes, a tone in his voice, a spring and buoyancy in his step that brought him back to the days when he ran across Kennedy Square and had no care for the day nor thought for the morrow.

Before the week was out he had covered half a dozen canvases with pictures of the house as he saw it that first morning, bathed in the suns.h.i.+ne; of the brook; the sweep of the Notch, and two or three individual trees that he had fallen in love with--a ragged birch in particular--a tramp of a birch with its toes out of its shoes and its bark coat in tatters.

Before the second week had arrived he had sought the main stage-road and had begun work on a big hemlock that stood sentinel over a turn in the highway. There was a school-house in the distance and a log-bridge under which the brook plunged. Here he settled himself for serious work.

He was so engrossed that he had not noticed the school-children who had come up noiselessly from behind and were looking in wonder at his drawings. Presently a child, who in her eagerness had touched his shoulder, broke the stillness in apology.

"Say, Mister, there's a lady comes to school every day. She's a painter too, and drawed Sissy Mathers."

Oliver glanced at the speaker and the group about her; wished them all good-morning and squeezed a fresh tube on his palette. He was too much absorbed in his work for prolonged talk. The child, emboldened by his cheery greeting, began again, the others crowding closer. "She drawed the bridge too, and me and Jennie Waters was sitting on the rail--she's awful nice."

Oliver looked up, smiling.

"What's her name?"

"I don't know. Teacher calls her Miss Margaret, but there's more to it.

She comes every year."

Oliver bent over his easel, drew out a line brush from the sheaf in his hand, caught up a bit of yellow ochre from his palette and touched up the shadow of the birch. "All the women painters must be Margarets," he said to himself. Then he fell to wondering what had become of her since the school closed. He had always felt uncomfortable over the night when he had defended "the red-headed girl in blue gingham," as she was called by the students. She had placed him in the wrong by misunderstanding his reasons for serving her. The students had always looked upon him after that as a quarrelsome person, when he was only trying to protect a woman from insult. He could not find it in his heart to blame her, but he wished that it had not happened. As these thoughts filled his mind he became so absorbed that the children's good-by failed to reach his ear.

That day Hank had brought him his luncheon--two ears of hot corn in a tin bucket, four doughnuts and an apple--the corn in the bottom of the bucket and the doughnuts and apple on top. He could have walked home for his midday meal, for he was within sound of Samanthy's dinner-horn, but he liked it better this way.

Leaving his easel standing in the road, he had waved his hand in good-by to Hank, picked up the bucket and had crept under the shadow of the bridge to eat his luncheon. He had finished the corn, thrown the cobs to the fish, and was beginning on the doughnuts, when a step on the planking above him caused him to look up. A girl in a tam-o'-shanter cap was leaning over the rail. The sun was behind her, throwing her face into shadow--so blinding a light that Oliver only caught the nimbus of fluffy hair that framed the dark spot of her head.

Then came a voice that sent a thrill of surprise through him.

"Why, Mr. Horn! Who would have thought of meeting you here?"

Oliver was on his feet in an instant--a half-eaten doughnut in one hand, his slouch hat in the other. With this he was shading his eyes against the glare of the sun. He was still ignorant of who had spoken to him.

"I beg your pardon, I--WHY, Miss Grant!" The words burst from his lips as if they had been fired from a gun. "You here!"

"Yes, I live only twenty miles away, and I come here every year. Where are you staying?"

"At Pollard's."

"Why, that's the next clearing from mine. I'm at old Mrs. Taft's. Oh, please don't leave your luncheon."

Oliver had bounded up the bank to a place beside her.

"How good it is to find you here. I am so glad." He WAS glad; he meant every word of it. "Mrs. Mulligan said you lived up in the woods, but I had no idea it was in these mountains. Have you had your luncheon?"

"No, not yet," and Margaret held up a basket. "Look!" and she raised the lid. "Elderberry pie, two pieces of cake--"

"Good! and I have three doughnuts and an apple. I swallowed every grain of my hot corn like a greedy Jack Horner, or you should have half of it. Come down under the bridge, it's so cool there," and he caught her hand to help her down the bank.

She followed him willingly. She had seen him greet Fred, and Jack Bedford, and even the gentle Professor with just such outbursts of affection, and she knew there was nothing especially personal to her in it all. It was only his way of saying he was glad to see her.

Oliver laid the basket and tin can on a flat stone that the spring freshets had scoured clean; spread his brown corduroy jacket on the pebbly beach beside it, and with a laugh and the mock gesture of a courtier, conducted her to the head of his improvised table. Margaret laughed and returned the bow, stepping backward with the sweep of a great lady, and settled herself beside him. In a moment she was on her knees bending over the brook, her hands in the water, the tam-o'-shanter beside her. She must wash her hands, she said--"there was a whole lot of chrome yellow on her fingers"--and she held them up with a laugh for Oliver's inspection. Oliver watched her while she dried and bathed her shapely hands, smoothed the hair from her temples and tightened the coil at the back of her head which held all this flood of gold in check, then he threw himself down beside her, waiting until she should serve the feast.

As he told her of his trip up the valley and the effect it made upon him, and how he had never dreamed of anything so beautiful, and how good the Pollards were; and what he had painted and what he expected to paint; talking all the time with his thumb circling about as if it was a bit of charcoal and the air it swept through but a sheet of Whatman's best, her critical eye roamed over his figure and costume. She had caught in her first swift, comprehensive glance from over the bridge-rail, the loose jacket and broad-brimmed planter's hat, around which, with his love of color, Oliver had twisted a spray of nasturtium blossoms and leaves culled from the garden-patch that morning; but now that he was closer, she saw the color in his cheeks and noticed, with a suppressed smile, the slight mustache curling at the ends, a new feature since the school had closed. She followed too the curves of the broad chest and the muscles outlined through his s.h.i.+rt. She had never thought him so strong and graceful, nor so handsome. (The smile came to the surface now--an approving, admiring smile.) It was the mountain-climbing, no doubt, she said to herself, and the open-air life that had wrought the change.

With a laugh and toss of her head she unpacked her own basket and laid her contribution to the feast on the flat rock--the pie on a green dock-leaf, which she reached over and pulled from the water's edge, and the cake on the pink napkin--the only sign of city luxury in her outlay. Oliver's eye meanwhile wandered over her figure and costume--a costume he had never seen before on any living woman, certainly not any woman around Kennedy Square. The cloth skirt came to her ankles, which were covered with yarn stockings, and her feet were encased in shoes that gave him the s.h.i.+vers, the soles being as thick as his own and the leather as tough. (Sue Clayton would have died with laughter had she seen those shoes.) Her blouse was of gray flannel, belted to the waist by a cotton saddle-girth--white and red--and as broad as her hand. The tam-o'-shanter was coa.r.s.e and rough, evidently home-made, and not at all like McFudd's, which was as soft as the back of a kitten and without a seam.

Then his eyes sought her face. He noticed how brown she was--and how ruddy and healthy. How red the lips--red as mountain-berries, and back of them big white teeth--white as peeled almonds. He caught the line of the shoulders and the round of the full arm and tapering wrist, and the small, well-shaped hand. "Queer clothes," he said to himself--"but the girl inside is all right."

Sitting under the shadow of the old bridge on the main highway, each weighed and balanced the other, even as they talked aloud of the Academy School, and the pupils, and the dear old Professor whom they both loved. They discussed the prospect of its doors being opened the next winter. They talked of Mrs. Mulligan, and the old Italian who sold peanuts, and whose head Margaret had painted; and of Jack Bedford and Fred Stone--the dearest fellow in the world--and last year's pictures--especially Church's "Niagara," the sensation of the year, and Whittredge's "Mountain Brook," and every other subject their two busy brains could rake and sc.r.a.pe up except--and this subject, strange to say, was the only one really engrossing their two minds--the overturning of Mr. Judson's body on the art-school floor, and the upsetting of Miss Grant's mind for days thereafter. Once Oliver had unintentionally neared the danger-line by mentioning the lithographer's name, but Margaret had suddenly become interested in the movements of a chipmunk that had crept down for the crumbs of their luncheon, and with a woman's wit had raised her finger to her lips to command silence lest he should be frightened off.

They painted no more that afternoon. When the shadows began to fall in the valley they started up the road, picking up Oliver's easel and trap--both had stood unmolested and would have done so all summer with perfect safety--and Oliver walked with Margaret as far as the bars that led into Taft's pasture. There they bade each other good-night, Margaret promising to be ready in the morning with her big easel and a fresh canvas, which Oliver was to carry, when they would both go sketching together and make a long blessed summer day of it.

That night Oliver's upraised, restless hands felt the s.h.i.+ngles over his head more than once before he could get to sleep. He had not thought he could be any happier--but he was. Margaret's unexpected appearance had restored to him that something which the old life at home had always yielded. He was never really happy without the companions.h.i.+p of a woman, and this he had not had since leaving Kennedy Square. Those he had met on rare occasions in New York were either too conventional or selfconscious, or they seemed to be offended at his familiar Southern ways. This one was so sensible and companionable, and so appreciative and sympathetic. He felt he could say anything to her and she would know what he meant. Perhaps, too, by and by she would understand just why he had upset a man who had been rude to her.

Margaret lay awake, too--not long--not more than five minutes, perhaps.

Long enough, however, to wish she was not so sunburnt, and that she had brought her other dress and a pair of gloves and a hat instead of this rough mountain-suit. Long enough, too, to recall Oliver's standing beside her on the bridge with his big hat sweeping the ground, the color mounting to his cheeks, and that joyous look in his eyes.

"Was he really glad to see me," she said to herself, as she dropped off into dreamland, "or is it his way with all the women he meets? I wonder, too, if he protects them all?"

And so ended a day that always rang out in Oliver's memory with a note of its own.

These dreams under the s.h.i.+ngles! What would life be without them?

CHAPTER XIV

UNDER A BARK SLANT

The weeks that followed were rare ones for Margaret and Oliver.

They painted all day and every day.

The little school-children posed for them, and so did the prim school-mistress, a girl of eighteen in spectacles with hair cut short in the neck. And old Jonathan Gordon, the fisherman, posed, too, with a string of trout in one hand and a long pole cut from a sapling in the other. And once our two young comrades painted the mill-dam and the mill--Oliver doing the first and Margaret the last; and Baker, the miller, caught them at it, and insisted in all sincerity that some of the money which the pictures brought must come to him, if the report were true that painters did get money for pictures. "It's my mill, ain't it?--and I ain't give no permission to take no part of it away.

Hev I?"

They climbed the ravines, Margaret carrying the luncheon and Oliver the sketch-traps; they built fires of birch-bark and roasted potatoes, or made tea in the little earthen pot that Mrs. Taft loaned her. Or they waited for the stage in the early morning, and went half a dozen miles down the valley to paint some waterfall Oliver had seen the day he drove up with Marvin, or a particular glimpse of Moose Hillock from the covered bridge, or various shady nooks and sunlit vistas that remained fastened in Oliver's mind, and the memory of which made him unhappy until Margaret could enjoy them, too.

The fact that he and a woman whom he had known but a little while were roaming the woods together, quite as a brother and sister might have done, never occurred to him. If it had it would have made no difference, nor could he have understood why any barrier should have been put up between them. He had been taking care of girls in that same way all his life. Every woman was a sister to him so far as his reverent protection over her went. The traditions of Kennedy Square had taught him this.

As the joyous weeks flew by, even the slight reserve which had marked their earlier intercourse began to wear off. It was "Oliver" and "Margaret" now, and even "Ollie" and "Madge" when they forgot themselves and each other in their work.

To Margaret this free and happy life together seemed natural enough.

She had decided on the day of their first meeting that Oliver's interest in her was due wholly to his love of companions.h.i.+p, and not because of any special liking he might feel for her. Had she not seen him quite as cordial and as friendly to the men he knew? Satisfied on this point, Oliver began to take the place of a brother, or cousin, or some friend of her youth who loved another woman, perhaps, and was, therefore, safe against all contingencies, while she gave herself up to the enjoyment of that rare luxury--the rarest that comes to a woman--daily a.s.sociation with a man who could be big and strong and sympathetic, and yet ask nothing in return for what she gave him but her companions.h.i.+p and confidence.