A Thousand and One Afternoons in Chicago Part 12

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The music leaps into a gaudy balloon and sails away in marvelous zigzags, way over the heads of the hobgoblins on the stage and the music critics off the stage. Miss Garden beckons with her s.h.i.+llalah. Mr. Prokofieff arrives panting at her side. He bows, kisses the back of her hand and stands at attention. Also the medieval face of Mr. Anisfeld drifts gently through the gloom and joins the two.

The first act of "The Oranges" is over. Two critics exchanging opinions glower at Mr. Prokofieff. One says: "What a shame! What a shame! n.o.body will understand it." The other agrees. But perhaps they only mean that music critics will fail to understand it and that untutored ones like ourselves will find in the hurdy-gurdy rhythms and contortions of Mr.

Prokofieff and Mr. Anisfeld a strange delight. As if some one had given us a musical lollypop to suck and rub in our hair.

I have an interview with Mr. Prokofieff to add. The interview came first and doesn't sit well at the end of these notes. Because Mr. Prokofieff, sighing a bit nervously in expectation of the world's premier, said: "I am a cla.s.sicist. I derive from the cla.s.sical composers."

This may be true, but the critics will question it. Instead of quoting Mr.

Prokofieff at this time, it may be more apropos merely to say that I would rather see and listen to his opera than to the entire repertoire of the company put together. This is not criticism, but a prejudice in favor of fantastic lolly-pops.

NOTES FOR A TRAGEDY

Jan Pedlowski came home yesterday and found that his wife had run away.

There was supper on the table. And under the soup plate was a letter addressed to Jan. It read, in Polish:

"I am sick and tired. You keep on nagging me all the time and I can't stand it any more. You will be better off without me.

"Paula."

Jan ate his supper and then put his hat and coat on and went over to see the sergeant at the West Chicago Avenue police station. The sergeant appeared to be busy, so Jan waited. Then he stepped forward and said:

"My wife has run away. I want to catch her."

The sergeant was lacking in sympathy. He told Jan to go home and wait and that the missus would probably come back. And that if she didn't he could get a divorce.

"I don't want a divorce," said Jan. "I want to catch her."

But Jan went home. It was no use running around looking for her and losing sleep. And, besides, he had to be in court tomorrow. The landlord had left a notice that the Pedlowskis must get out of their flat because they didn't pay their rent.

Before coming home Jan had arranged with the foreman at the plating works for two hours off, to be taken out of his pay. He could come to work at seven and work until half-past nine, then go to court and be back, maybe, by half-past eleven.

So Jan went to bed. He put the letter his wife had left in his coat pocket, because he had a vague idea it might be evidence. He might show it to somebody and maybe it would help.

It was snowing when Jan left the plating works in the morning to come to court. He arrived at the City Hall and wandered around, confused by the crowd of people pouring in and out of the elevators. But it was growing late and he only had two hours off. So Jan made inquiries. Where was the court where he should go?

"Judge Barasa on the eighth floor," said the starter. Jan went there.

A lot of people were in the court room. Jan sat down among them and looked like them--blank, uninterested, as if waiting for a train in the railroad station.

One thing worried Jan. The two hours off. If they didn't call him he'd be late and the foreman would be mad. He might lose his job, and jobs were hard to get. It took five weeks to get this one. It would take longer now.

But they called Jan Pedlowski and he came forward to where the judge sat.

At first Jan had felt confused and frightened. He had worried about coming to court and standing before the judge. Now it seemed all right. Everybody was nice and businesslike. A lawyer said:

"There's almost two months' rent due now. Eighteen dollars for the November rent and $27.50 for December."

"Can you pay the rent?" the judge asked of Jan.

Jan looked and blinked and tried to think of something to say. He could only think of "My wife Paula ran away last night. Here, she wrote this letter left me on the table when I come home last night."

"I see," said the judge. "But what about the rent? If I give you until January 10, do you think you can pay it?"

"I don't know," said Jan, rubbing his eyes. "I got job now, but they going to layoff after new year. If I have job I pay it all. I can pay $10 now."

"Have you got it with you," asked the judge.

"Yes," said Jan. "I was going to buy Christmas present for Paula, but she ran away."

Jan handed over the $10 and listened to the judge explain that he would be allowed to stay where he was until January 10 and have till then to pay his rent. When this was over he walked out, putting his hat on too soon, so that the bailiff cried: "Hats off in the courtroom." Jan grabbed his hat and grew red.

Now he had almost a full hour and a half before going to the factory. It had taken less time than he thought. Jan started to walk. It was cold and the streets were slippery. He walked along with his hands in the frayed pockets of his overcoat and his breath congealing over his walrus mustache.

His eyes were set and his face serious. Jan's thoughts were simple.

Rent--Paula--jobs. Christmas, perhaps, too. But he walked along like anybody else in the loop.

Jan wandered as far as Quincy and La Salle streets. Here he stopped and looked around. It was beginning to snow heavier now. He stood still like a man waiting. And having nothing to do he took the letter his wife had left under the soup plate and read it again.

When Jan had folded the letter up and started to walk once more his eyes suddenly lighted up. He turned and started to run and as he ran he cried: "Paula, Paula!" Some of the crowd moving on paused and looked at a stocky man with a heavy mustache running across the street and shouting a woman's name.

The cabs were thick at the moment and it was hard running across. But Jan kept on, his overcoat flapping behind him and his short legs jumping up and down as he moved. A young woman with a cheap fur around her neck had stopped. There were others who paused to watch Jan. But this young woman was one of the few who didn't smile.

She waited as if puzzled for a moment and then started to lose herself in the crowd. She walked swiftly ahead, her eyes anxiously on the corner. And in the meantime Jan came galumphing toward the curbing still crying: "Paula, Paula!" At the curbing, however, Jan came to a full stop. His toe had caught the cement and he shot forward, landing on his hands and chin.

A crowd gathered around Jan and some one helped him to his feet. His chin was bleeding and his hands were sc.r.a.ped from hitting the cold pavement. He made no sign, however, of injury, but stood blinking in the direction the young woman with the cheap fur had gone.

A policeman arrived and inquired sympathetically what was wrong. Jan brushed himself mechanically as the policeman spoke. Then he answered: "Nothing, I fell down." The policeman went away and Jan turned back to catch a Milwaukee Avenue street car.

He stood on the corner waiting and fingering his bruised chin. He seemed to be getting impatient as the car failed to appear. Finally he thrust his hand inside his pocket and drew out the letter again. He held it without reading for an instant and then tore it up.

When the car came Jan was still tearing up the letter, his thick fingers trying vainly to divide it into tinier bits.

CORAL, AMBER AND JADE

There are no gold and scarlet lanterns bobbing like fat little oriental Pierrots over this street. No firecracker colors daub its sad walls. Walk the whole length and not a dragon or a thumbnail balcony or a pigtail will you see.

A Thousand and One Afternoons in Chicago Part 12

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A Thousand and One Afternoons in Chicago Part 12 summary

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