A Thousand and One Afternoons in Chicago Part 23

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His voice had the sound of a man casually relating incidents of his past.

But his eyes continued to s.h.i.+ne eagerly. And between sentences there were curious pauses. The pauses asked something.

"A most curious thing occurred the other evening," he smiled. "I had to pay for my oysters by writing a rhyme for the waiter." An anecdote by a dilettante, a gracefully turned plea worthy of M'sieur Bruinrmell. "You know, it grows more and more difficult to obtain employment. My wardrobe is practically gone." He glanced with apparent amus.e.m.e.nt at his weary-willie makeup. His hand moved tremblingly to his neck. "My collar is soiled," he murmured, apologizing with eyes that managed to smile, "and the other evening I lost my stick."

Then the hunger and the hopelessness of the man broke through the sh.e.l.l of his manner. He needed a job, a job, a job! Something to do to get him food and shelter. His fingers tried to place the cracked nose-gla.s.ses back in position.

"I would--pardon me for mentioning this--I would much rather sit with a man like you and discuss the phases of life and literature of interest to both of us. But I would write almost anything. I have written a great deal. And I have managed money. There was a time--" A look of pain came into his eyes. This was being vulgar and not in line with the tradition that his enunciation boasted.

"I have known a great many people. I don't desire to bore you with talk of celebrities and all that. But I a.s.sure you, I have been somebody. Oh, nothing important or perhaps very worth while. I dislike this sort of thing, you know." Another smile twisted his lips. "But, when one is down to the last--er--to the last farthing, so to speak, one swallows a bit of his pride. That's more than an aphorism with me. To go on, I have handled great sums of money. I have traveled all over the world, I have eaten and spoken with men of genius all my life. My youth was a very interesting one and--and perhaps we could go somewhere for dinner and--and I could tell you things of writing men of the past that--that might appeal to you.

Marvelous fellows. There was O. Henry and London and Davis and Phillips and Stevie Crane. I dislike imposing myself on you this way, but--if I didn't think you would be interested in a discussion with a man who--who admires the beautiful things of life and who has lived a rather varied existence I would not--"

The cracked nose-gla.s.ses were back in place and he had stopped short.

Despair and hunger now were talking out of his eyes. They had come too close to his words. They must never come into his words. That would be the one defeat that would drive too deeply into him. Of the past, of the easygoing, charmingly garrulous past, all that was left to this nomad of letters was its manner. He could still sit in his rags as if he were lounging in the salon of an ocean liner, still gesture with his nose-gla.s.ses as if he were fixing the attention of a Richard Harding Davis across a bottle of Chateau Yquem.

So he remained silent. Let his eyes and the twitching of his face betray him. His words never would. His words would always be the well-groomed, carefully modulated, nicely considerate words of a gentleman. He resumed:

"So you have nothing. Ah, that's rather--rather disturbing. Just a moment--please. I don't mean to impose on you. Won't you sit down--so I will feel more at ease? Thank you, sir. Perhaps there is something in the way of a--of another kind of job. Anything about a theater, a newspaper office, a magazine, a circus, an hotel. I know them all. And if you could only keep an eye open for me. Thank you, sir. I am glad to see that men of letters are still considerate of their fellow craftsmen. Ah, you would have liked Jack London. Did you know him? You know, we live in an age of jazz. Yes, sir, the tempo is fast. Life has lost its andante. Materialism has triumphed. There is no longer room for the spirit to expand. Machines are in the way. Noises invade the sanct.i.ty of meditative hours."

It was cold outside the cigar store. The man from yesterday stepped into the street. He stood smiling for a moment and for the moment in the courteous friendliness of his rheumy eyes, in the mannerly tilt of his head there was the picture of a sophisticated gentleman of the world nodding an adieu outside his favorite chophouse. Then he turned. The mannerly tilt vanished. There was to be seen a man--fifty, sixty or seventy, it was hard to tell how old--shuffling tiredly down the street, his body huddled together and his shoulders s.h.i.+vering.

THUMBNAIL LOTHARIOS

Here's the low down, gentlemen. The Miserere of the manicurist. Peewee, the t.i.tian-haired Aphrodite of the Thousand Nails has been inveigled into submitting her lipstick memoirs to the public eye.

Peewee is the melting little lady with the vermilion mouth and the cooing eyes who manicures in a Rialto hotel barber shop. She is the one whose touch is like the cool caress of a snowflake, whose face is as void of guile as the face of the Blessed Damosel.

There are others, scissor-Salomes and nail-file Dryads. Mr. Flo Ziegfeld has nothing on George, the head barber, when it comes to an eye for color and a sense for curve. But they are busy at the moment. The hair-tonic Dons and the mud-pack Romeos are giving the girls a heavy play. Peewee alone is at leisure. Therefore let us gallop quickly to the memoirs.

"H'm," says Peewee, "I'll tell you about men. Of course what I say doesn't include all men. There may be exceptions to the rule. I say may be. I hope there are. I'd hate to think there weren't. I'd get sad."

Steady, gentlemen. Peewee's doll face has lost guilelessness. Peewee's face has taken on a derisive and ominous air.

"I'll give you the low down," says she with a sniff. "Men? They're all alike. I don't care who they are or what their wives and pastors think of them or what their mothers think of them. I got them pegged regardless.

Young and old, and some of them so old they've gone back to the milk diet, they all make the same play when they come in here.

"And they're all cheap. Yes, sir, some are cheaper than others, of course.

There's the patent-leather hair lounge-lizard. I hand him the fur-lined medal for cheapness. But I got a lot of other medals and I give them all away, too.

"Well, sir, they come in here and you take hold of their hand and start in doing honest work and, blooey! they're off. They're strangers in town. And lonesome! My G.o.d, how lonesome they are! And they don't know no place to go. That's the way they begin. And they give your hand a squeeze and roll a soft-boiled eye at you.

"Say, it gets kind of tiring, you can imagine. Particularly after you've been through what I have and know their middle names, which are all alike, they all answering to the name of cheap sport. Sometimes I give them the baby stare and pretend I don't know what's on their so-called minds. And sometimes when my nerves are a little ragged I freeze them. Then sometimes I take them up. I let them put it over.

"You'd be surprised. Liars! They're all rich. The young ones are all bond salesmen with wealthy fathers and going to inherit soon. The middle-aged ones are great manufacturers. The old ones are retired financiers. You should ought to hear the lads when they're hitting on all six."

Peewee wagged a wise old head and her vermilion mouth registered scorn at 105 degrees Fahrenheit. A very cold light, however, kindled in her beautiful eyes.

"Yes, yes, I've taken them up," she went on. "I've let them stake me to the swell time. Say, ten dollars to one that these manicured millionaires don't mean any more than the Governor's pardon does to Carl Wanderer. Not a bit. I don't want to get personal, but, take it from me, they're all after one thing. And they're a pack of selfish, mushy-headed tin horns with fishhook pockets, the kind you can't pull anything out of.

"Well, to get back. About the first minute you get the big, come-on squeeze. Then next the big talk about being strangers in your town. Then next they open with the big, hearty invitations. Will you be their little guide? And ain't you the most beautiful thing they ever set eyes on! And say, if they'd only met you before they wouldn't be living around hotels now, lonesome bachelors without a friend. I forgot to tell you, they're all single. No, never married. Even some of the most humpbacked married men you ever saw, who come in here dragging leg irons and looking a picture of the Common People, they're single, too. I've seen them slip wedding rings off their fingers to make their racket stand up.

"Then after they've got along and think they've got you biting they begin to get fresh. They tell you you shouldn't ought to work in a barber shop, a girl as beautiful as you. The surroundings ain't what they should be.

And they'd like to fix you up. Yes, they begin handing out their castles in Rome or Spain or whatever it is. Cheap! Say, they are so cheap they wouldn't go on the 5- and 10-cent store counter.

"Sometimes you can shame them into making good in a small way. But it's too much work. Oh, yes, they give tips. Fifty cents is the usual tip.

Sometimes they make it $2.00. They think they're buying you, though, for that.

"As I was saying, the patent-leather hair boys are the worst. They're the ones who call themselves loop hounds. They know everybody by their first name and sometimes they've got all of $6.50 in their pocket at one time.

And if you're out some evening with a friend--a regular fella, they pop in the next day and say, 'h.e.l.lo, Peewee, who was that street sweeper I see you palling with last night? Oh, he wasn't! Well, I had him pegged either as a street sweeper or a plumber!"

"That's their speed. And they come again and again. They never give up.

They've got visions of making a conquest some day--on $1.50. And when a new girl comes into the shop--boy, don't the buzzards buzz! I came here six months ago and they started it on me. But I wasn't born yesterday. I'd been a manicure in Indianapolis. And they're just the same in Indianapolis as they are in Chicago. And they're just the same in Podunk.

"Now, I'm not going to mention any names. But take your city directory and begin with Ab Abner and go right on through to Zeke Zimbo and don't skip any. And you'll get a clear idea about the particular gentlemen I'm talking about."

Peewee sighed and shook her head.

"Are you busy?" inquired the head manicurist.

"Not at all," said Peewee, "not at all."

Peewee's biographer asked a final question. To which she responded as follows:

"Well, I'll get married. Maybe. When I find the exception I was telling you about--the gentleman who isn't a stranger in town and in need of a little guide. There must be one of them somewhere. Unless they was all killed in the war."

THE SOUL OF SING LEE

The years have made a cartoon out of Sing Lee. A withered yellow face with motionless black eyes. Thin fingers that move with lifeless precision.

Slippered feet that shuffle as if Sing Lee were yawning.

A smell of starch, wet linen and steam mingles with an aromatic mustiness.

The day's work is done. Sing Lee sits in his chair behind the counter.

A Thousand and One Afternoons in Chicago Part 23

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A Thousand and One Afternoons in Chicago Part 23 summary

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