Lucy Maud Montgomery Short Stories, 1905 to 1906 Part 38

"I know you despise the profession of an actress," the girl went on with heightened colour. "I am sorry you think so about it because it is the only one open to me. I must go ... I must."

"Yes, you must," said Cyrus cruelly. "It's in your blood ... your bad blood, girl."

"My blood isn't bad," cried Joscelyn proudly. "My mother was a sweet, true, good woman. You are unjust, Grandfather. But I don't want you to be angry with me. I love you both and I am very grateful indeed for all your kindness to me. I wish that you could understand what...."

"We understand enough," interrupted Cyrus harshly. "This is all I have to say. Go to your play-acting aunt if you want to. Your grandmother and me won't hinder you. But you'll come back here no more. We'll have nothing further to do with you. You can choose your own way and walk in it."

With this dictum Joscelyn went from Spring Valley. She clung to Deborah and wept at parting, but Cyrus did not even say goodbye to her. On the morning of her departure he went away on business and did not return until evening.

Joscelyn went on the stage. Her aunt's influence and her mother's fame helped her much. She missed the hard experiences that come to the una.s.sisted beginner. But her own genius must have won in any case. She had all her mother's gifts, deepened by her inheritance of Morgan intensity and sincerity ... much, too, of the Morgan firmness of will.

When Joscelyn Morgan was twenty-two she was famous over two continents.

When Cyrus Morgan returned home on the evening after his granddaughter's departure he told his wife that she was never to mention the girl's name in his hearing again. Deborah obeyed. She thought her husband was right, albeit she might in her own heart deplore the necessity of such a decree. Joscelyn had disgraced them; could that be forgiven?

Nevertheless both the old people missed her terribly. The house seemed to have lost its soul with that vivid, ripely tinted young life. They got their married daughter's oldest girl, Pauline, to come and stay with them. Pauline was a quiet, docile maiden, industrious and commonplace--just such a girl as they had vainly striven to make of Joscelyn, to whom Pauline had always been held up as a model. Yet neither Cyrus nor Deborah took to her, and they let her go unregretfully when they found that she wished to return home.

"She hasn't any of Josie's gimp," was old Cyrus's unspoken fault.

Deborah spoke, but all she said was, "Polly's a good girl, Father, only she hasn't any snap."

Joscelyn wrote to Deborah occasionally, telling her freely of her plans and doings. If it hurt the girl that no notice was ever taken of her letters she still wrote them. Deborah read the letters grimly and then left them in Cyrus's way. Cyrus would not read them at first; later on he read them stealthily when Deborah was out of the house.

When Joscelyn began to succeed she sent to the old farmhouse papers and magazines containing her photographs and criticisms of her plays and acting. Deborah cut them out and kept them in her upper bureau drawer with Joscelyn's letters. Once she overlooked one and Cyrus found it when he was kindling the fire. He got the scissors and cut it out carefully. A month later Deborah discovered it between the leaves of the family Bible.

But Joscelyn's name was never mentioned between them, and when other people asked them concerning her their replies were cold and ungracious. In a way they had relented towards her, but their shame of her remained. They could never forget that she was an actress.

Once, six years after Joscelyn had left Spring Valley, Cyrus, who was reading a paper by the table, got up with an angry exclamation and stuffed it into the stove, thumping the lid on over it with grim malignity.

"That fool dunno what he's talking about," was all he would say.

Deborah had her share of curiosity. The paper was the _National Gazette_ and she knew that their next-door neighbour, James Pennan, took it. She went over that evening and borrowed it, saying that their own had been burned before she had had time to read the serial in it.

With one exception she read all its columns carefully without finding anything to explain her husband's anger. Then she doubtfully plunged into the exception ... a column of "Stage Notes." Halfway down she came upon an adverse criticism of Joscelyn Morgan and her new play. It was malicious and vituperative. Deborah Morgan's old eyes sparkled dangerously as she read it.

"I guess somebody is pretty jealous of Josie," she muttered. "I don't wonder Pa was riled up. But I guess she can hold her own. She's a Morgan."

No long time after this Cyrus took a notion he'd like a trip to the city. He'd like to see the Horse Fair and look up Cousin Hiram Morgan's folks.

"Hiram and me used to be great chums, Mother. And we're getting kind of mossy, I guess, never stirring out of Spring Valley. Let's go and dissipate for a week--what say?"

Deborah agreed readily, albeit of late years she had been much averse to going far from home and had never at any time been very fond of Cousin Hiram's wife. Cyrus was as pleased as a child over their trip.

On the second day of their sojourn in the city he slipped away when Deborah had gone shopping with Mrs. Hiram and hurried through the streets to the Green Square Theatre with a hang-dog look. He bought a ticket apologetically and sneaked in to his seat. It was a matinee performance, and Joscelyn Morgan was starring in her famous new play.

Cyrus waited for the curtain to rise, feeling as if every one of his Spring Valley neighbours must know where he was and revile him for it.

If Deborah were ever to find out ... but Deborah must never find out!

For the first time in their married life the old man deliberately plotted to deceive his old wife. He must see his girl Josie just once; it was a terrible thing that she was an actress, but she was a successful one, n.o.body could deny that, except fools who yapped in the _National Gazette_.

The curtain went up and Cyrus rubbed his eyes. He had certainly braced his nerves to behold some mystery of iniquity; instead he saw an old kitchen so like his own at home that it bewildered him; and there, sitting by the cheery wood stove, in homespun gown, with primly braided hair, was Joscelyn--his girl Josie, as he had seen her a thousand times by his own ingle-side. The building rang with applause; one old man pulled out a red bandanna and wiped tears of joy and pride from his eyes. She hadn't changed--Josie hadn't changed. Play-acting hadn't spoiled her--couldn't spoil her. Wasn't she Paul's daughter!

And all this applause was for her--for Josie.

Joscelyn's new play was a homely, pleasant production with rollicking comedy and heart-moving pathos skilfully commingled. Joscelyn pervaded it all with a convincing simplicity that was really the triumph of art. Cyrus Morgan listened and exulted in her; at every burst of applause his eyes gleamed with pride. He wanted to go on the stage and box the ears of the villain who plotted against her; he wanted to shake hands with the good woman who stood by her; he wanted to pay off the mortgage and make Josie happy. He wiped tears from his eyes in the third act when Josie was turned out of doors and, when the fourth left her a happy, blus.h.i.+ng bride, hand in hand with her farmer lover, he could have wept again for joy.

Cyrus Morgan went out into the daylight feeling as if he had awakened from a dream. At the outer door he came upon Mrs. Hiram and Deborah.

Deborah's face was stained with tears, and she caught at his hand.

"Oh, Pa, wasn't it splendid--wasn't our girl Josie splendid! I'm so proud of her. Oh, I was bound to hear her. I was afraid you'd be mad, so I didn't let on and when I saw you in the seat down there I couldn't believe my eyes. Oh, I've just been crying the whole time.

Wasn't it splendid! Wasn't our girl Josie splendid?"

The crowd around looked at the old pair with amused, indulgent curiosity, but they were quite oblivious to their surroundings, even to Mrs. Hiram's anxiety to decoy them away. Cyrus Morgan cleared his throat and said, "It was great, Mother, great. She took the s.h.i.+ne off the other play-actors all right. I knew that _National Gazette_ man didn't know what he was talking about. Mother, let us go and see Josie right off. She's stopping with her aunt at the Maberly Hotel--I saw it in the paper this morning. I'm going to tell her she was right and we were wrong. Josie's beat them all, and I'm going to tell her so!"

When Jack and Jill Took a Hand

_Jack's Side of It_

Jill says I have to begin this story because it was me--I mean it was I--who made all the trouble in the first place. That is so like Jill.

She is such a good hand at forgetting. Why, it was she who suggested the plot to me. I should never have thought of it myself--not that Jill is any smarter than I am, either, but girls are such creatures for planning up mischief and leading other folks into it and then laying the blame on them when things go wrong. How could I tell d.i.c.k would act so like a mule? I thought grown-up folks had more sense.

Aunt Tommy was down on me for weeks, while she thought Jill a regular heroine. But there! Girls don't know anything about being fair, and I am determined I will never have anything more to do with them and their love affairs as long as I live. Jill says I will change my mind when I grow up, but I won't.

Still, Jill is a pretty good sort of girl. I have to scold her sometimes, but if any other chap tried to I would punch his head for him.

I suppose it _is_ time I explained who d.i.c.k and Aunt Tommy are. d.i.c.k is our minister. He hasn't been it very long. He only came a year ago.

I shall never forget how surprised Jill and I were that first Sunday we went to church and saw him. We had always thought that ministers had to be old. All the ministers we knew were. Mr. Grinnell, the one before d.i.c.k came, must have been as old as Methuselah. But d.i.c.k was young--and good-looking. Jill said she thought it a positive sin for a minister to be so good-looking, it didn't seem Christian; but that was just because all the ministers we knew happened to be homely so that it didn't appear natural.

d.i.c.k was tall and pale and looked as if he had heaps of brains. He had thick curly brown hair and big dark blue eyes--Jill said his eyes were like an archangel's, but how could she tell? She never saw an archangel. I liked his nose. It was so straight and finished-looking.

Mr. Grinnell had the worst-looking nose you ever saw. Jill and I used to make poetry about it in church to keep from falling asleep when he preached such awful long sermons.

d.i.c.k preached great sermons. They were so nice and short. It was such fun to hear him thump the pulpit when he got excited; and when he got more excited still he would lean over the pulpit, his face all white, and talk so low and solemn that it would just send the most gorgeous thrills through you.

d.i.c.k came to Owlwood--that's our place; I hate these explanations--quite a lot, even before Aunt Tommy came. He and Father were chums; they had been in college together and Father said d.i.c.k was the best football player he ever knew. Jill and I soon got acquainted with him and this was another uncanny thing. We had never thought it possible to get acquainted with a minister. Jill said she didn't think it proper for a real live minister to be so chummy. But then Jill was a little jealous because d.i.c.k and I, being both men; were better friends than he and she could be. He taught me to skate that winter and fence with canes and do long division. I could never understand long division before d.i.c.k came, although I was away on in fractions.

Jill has just been in and says I ought to explain that d.i.c.k's name wasn't d.i.c.k. I do wish Jill would mind her own business. Of course it wasn't. His real name was the Reverend Stephen Richmond, but Jill and I always called him d.i.c.k behind his back; it seemed so jolly and venturesome, somehow, to speak of a minister like that. Only we had to be careful not to let Father and Mother hear us. Mother wouldn't even let Father call d.i.c.k "Stephen"; she said it would set a bad example of familiarity to the children. Mother is an old darling. She won't believe we're half as bad as we are.

Well, early in May comes Aunt Tommy. I must explain who Aunt Tommy is or Jill will be at me again. She is Father's youngest sister and her real name is Bertha Gordon, but Father has always called her Tommy and she likes it.

Jill and I had never seen Aunt Tommy before, but we took to her from the start because she was so pretty and because she talked to us just as if we were grown up. She called Jill Elizabeth, and Jill would adore a Hottentot who called her Elizabeth.

Aunt Tommy is the prettiest girl I ever saw. If Jill is half as good-looking when she gets to be twenty--she's only ten now, same age as I am, we're twins--I shall be proud of her for a sister.

Aunt Tommy is all white and dimpled. She has curly red hair and big jolly brown eyes and scrumptious freckles. I do like freckles in a girl, although Jill goes wild if she thinks she has one on her nose.

When we talked of writing this story Jill said I wasn't to say that Aunt Tommy had freckles because it wouldn't sound romantic. But I don't care. She has freckles and I think they are all right.

We went to church with Aunt Tommy the first Sunday after she came, one on each side of her. Aunt Tommy is the only girl in the world I'd walk hand in hand with before people. She looked fine that day. She had on a gorgeous dress, all frills and ruffles, and a big white floppy hat.

I was proud of her for an aunt, I can tell you, and I was anxious for d.i.c.k to see her. When he came up to speak to me and Jill after church came out I said, "Aunt Tommy, this is Mr. Richmond," just like the grown-up people say. Aunt Tommy and d.i.c.k shook hands and d.i.c.k got as red as anything. It was funny to see him.

The very next evening he came down to Owlwood. We hadn't expected him until Tuesday, for he never came Monday night before. That is Father's night for going to a lodge meeting. Mother was away this time too. I met d.i.c.k on the porch and took him into the parlour, thinking what a bully talk we could have all alone together, without Jill bothering around. But in a minute Aunt Tommy came in and she and d.i.c.k began to talk, and I just couldn't get a word in edgewise. I got so disgusted I started out, but I don't believe they ever noticed I was gone. I liked Aunt Tommy very well, but I didn't think she had any business to monopolize d.i.c.k like that when he and I were such old chums.