The Sorrows of Satan Part 38
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And she laughed, a trifle bitterly.
"Except women!" echoed Mavis surprisedly--"Does he hate women? He must be a very good actor then,--for to me he was wonderfully kind and gentle."
Sibyl looked at her intently, and was silent for a minute. Then she said--
"Perhaps it is because he knows you are unlike the ordinary run of women and have nothing in common with their usual trumpery aims. Of course he is always courteous to our s.e.x,--but I think it is easy to see that his courtesy is often worn as a mere mask to cover a very different feeling."
"You have perceived that, then, Sibyl?" I said with a slight smile.
"I should be blind if I had not perceived it"--she replied; "I do not however blame him for his pet aversion,--I think it makes him all the more attractive and interesting."
"He is a great friend of yours?" inquired Mavis, looking at me as she put the question.
"The very greatest friend I have,"--I replied quickly--"I owe him more than I can ever repay,--indeed I have to thank him even for introducing me to my wife!"
I said the words unthinkingly and playfully, but as I uttered them, a sudden shock affected my nerves,--a shock of painful memory. Yes, it was true!--I owed to him, to Lucio, the misery, fear, degradation and shame of having such a woman as Sibyl was, united to me till death should us part. I felt myself turning sick and giddy,--and I sat down in one of the quaint oak chairs that helped to furnish Mavis Clare's study, allowing the two women to pa.s.s out of the open French window into the sunlit garden together, the dogs following at their heels. I watched them as they went,--my wife, tall and stately, attired in the newest and most fas.h.i.+onable mode,--Mavis, small and slight, with her soft white gown and floating waist-ribbon,--the one sensual, the other spiritual,--the one base and vicious in desire,--the other pure-souled and aspiring to n.o.blest ends,--the one, a physically magnificent animal,--the other merely sweet-faced and ideally fair like a sylph of the woodlands,--and looking, I clenched my hands as I thought with bitterness of spirit what a mistaken choice I had made. In the profound egotism which had always been part of my nature I now actually allowed myself to believe that I might, had I chosen, have wedded Mavis Clare,--never for one moment imagining that all my wealth would have been useless to me in such a quest, and that I might as well have proposed to pluck a star from the sky as to win a woman who was able to read my nature thoroughly, and who would never have come down to my money-level from her intellectual throne,--no, not though I had been a monarch of many nations. I stared at the large tranquil features of the Pallas Athene,--and the blank eyeb.a.l.l.s of the marble G.o.ddess appeared to regard me in turn with impa.s.sive scorn. I glanced round the room, and at the walls adorned with the wise sayings of poets and philosophers,--sayings that reminded me of truths which I knew, yet never accepted as practicable; and presently my eyes were attracted to a corner near the writing-desk which I had not noticed before, where there was a small dim lamp burning. Above this lamp an ivory crucifix gleamed white against draperies of dark purple velvet,--below it, on a silver bracket, was an hour-gla.s.s through which the sand was running in glistening grains, and round the entire little shrine was written in letters of gold "Now is the acceptable time!"--the word 'Now' being in larger characters than the rest. 'Now' was evidently Mavis's motto,--to lose no moment, but to work, to pray, to love, to hope, to thank G.o.d and be glad for life, all in the 'Now'--and neither to regret the past nor forebode the future, but simply do the best that could be done, and leave all else in child-like confidence to the Divine Will. I got up restlessly,--the sight of the crucifix curiously annoyed me;--and I followed the path my wife and Mavis had taken through the garden. I found them looking in at the cage of the 'Athenaeum' owls,--the owl-in-chief being as usual puffed out with his own importance, and swelling visibly with indignation and excess of feather. Sibyl turned as she saw me,--her face was bright and smiling.
"Miss Clare has very strong opinions of her own, Geoffrey," she said--"She is not as much captivated by Prince Rimanez as most people are,--in fact, she has just confided to me that she does not quite like him."
Mavis blushed, but her eyes met mine with fearless candour.
"It is wrong to say what one thinks, I know,--" she murmured in somewhat troubled accents--"And it is a dreadful fault of mine. Please forgive me Mr Tempest! You tell me the prince is your greatest friend,--and I a.s.sure you I was immensely impressed by his appearance when I first saw him, ... but afterwards, ... after I had studied him a little, the conviction was borne in upon me that he was not altogether what he seemed."
"That is exactly what he says of himself,"--I answered, laughing a little--"He has a mystery I believe,--and he has promised to clear it up for me some day. But I'm sorry you don't like him, Miss Clare,--for he likes you."
"Perhaps when I meet him again my ideas may be different"--said Mavis gently--"at present, ... well,--do not let us talk of it any more,--indeed I feel I have been very rude to express any opinion at all concerning one for whom you and Lady Sibyl have so great a regard. But somehow I seemed impelled, almost against my will, to say what I did just now."
Her soft eyes looked pained and puzzled, and to relieve her and change the subject, I asked if she was writing anything new.
"Oh yes,"--she replied--"It would never do for me to be idle. The public are very kind to me,--and no sooner have they read one thing of mine than they clamour for another, so I am kept very busy."
"And what of the critics?" I asked, with a good deal of curiosity.
She laughed.
"I never pay the least attention to them," she answered, "except when they are hasty and misguided enough to write lies about me,--then I very naturally take the liberty to contradict those lies, either through my own statement or that of my lawyers. Apart from refusing to allow the public to be led into a false notion of my work and aims, I have no grudge whatever against the critics. They are generally very poor hard-working men, and have a frightful struggle to live. I have often, privately, done some of them a good turn without their knowledge. A publisher of mine sent me an MS. the other day by one of my deadliest enemies on the press, and stated that my opinion would decide its rejection or acceptance,--I read it through, and though it was not very brilliant work, it was good enough, so I praised it as warmly as I could, and urged its publication, with the stipulation that the author should never be told I had had the casting vote. It has just come out I see,--and I'm sure I hope it will succeed." Here she paused to gather a few deep damask roses, which she handed to Sibyl. "Yes,--critics are very badly, even cruelly paid,"--she went on musingly--"It is not to be expected that they should write eulogies of the successful author, while they continue unsuccessful,--such work could not be anything but gall and wormwood to them. I know the poor little wife of one of them,--and settled her dressmaker's bill for her because she was afraid to show it to her husband. The very week afterwards he slashed away at my last book in the most approved style in the paper on which he is employed, and got, I suppose, about a guinea for his trouble. Of course he didn't know about his little wife and her dunning dressmaker; and he never will know, because I have bound her over to secrecy."
"But why do you do such things?" asked Sibyl astonished; "I would have let his wife get into the County Court for her bill, if I had been you!"
"Would you?" and Mavis smiled gravely--"Well, I could not. You know Who it was that said 'Bless them that curse you, and do good to them that hate you'? Besides, the poor little woman was frightened to death at her own expenditure. It is pitiful, you know, to see the helpless agonies of people who _will_ live beyond their incomes,--they suffer much more than the beggars in the street who make frequently more than a pound a day by merely whining and snivelling. The critics are much more in evil case than the beggars--few of them make even a pound a day, and of course they regard as their natural enemies the authors who make thirty to fifty pounds a week. I a.s.sure you I am very sorry for critics all round,--they are the least-regarded and worst-rewarded of all the literary community. And I never bother myself at all about what they say of me, except as I before observed, when in their haste they tell lies,--then of course it becomes necessary for me to state the truth in simple self-defence as well as by way of duty to my public. But as a rule I hand over all my press-notices to Tricksy there,"--indicating the minute Yorks.h.i.+re terrier who followed closely at the edge of her white gown,--"and he tears them to indistinguishable shreds in about three minutes!"
She laughed merrily, and Sibyl smiled, watching her with the same wonder and admiration that had been expressed in her looks more or less since the beginning of our interview with this light-hearted possessor of literary fame. We were now walking towards the gate, preparatory to taking our departure.
"May I come and talk to you sometimes?" my wife said suddenly, in her prettiest and most pleading voice--"It would be such a privilege!"
"You can come whenever you like in the afternoons,"--replied Mavis readily--"The mornings belong to a G.o.ddess more dominant even than Beauty;--Work!"
"You never work at night?" I asked.
"Indeed no! I never turn the ordinances of Nature upside down, as I am sure I should get the worst of it if I made such an attempt. The night is for sleep--and I use it thankfully for that blessed purpose."
"Some authors can only write at night though," I said.
"Then you may be sure they only produce blurred pictures and indistinct characterization," said Mavis--"Some I know there are, who invite inspiration through gin or opium, as well as through the midnight influences, but I do not believe in such methods. Morning, and a freshly rested brain are required for literary labour,--that is, if one wants to write a book that will last for more than one 'season.'"
She accompanied us to the gate and stood under the porch, her big dog beside her, and the roses waving high over her head.
"At any rate work agrees with you,"--said Sibyl fixing upon her a long, intent, almost envious gaze--"You look perfectly happy."
"I _am_ perfectly happy,"--she answered, smiling--"I have nothing in all the world to wish for, except that I may die as peacefully as I have lived."
"May that day be far distant!" I said earnestly.
She raised her soft meditative eyes to mine.
"Thank you!" she responded gently--"But I do not mind when it comes, so long as it finds me ready."
She waved her hand to us as we left her and turned the corner of the lane,--and for some minutes we walked on slowly in absolute silence.
Then at last Sibyl spoke--
"I quite understand the hatred there is in some quarters for Mavis Clare,"--she said--"I am afraid I begin to hate her myself!"
I stopped and stared at her, astonished and confounded.
"You begin to hate her----you?--and why?"
"Are you so blind that you cannot perceive why?" she retorted, the little malign smile I knew so well playing round her lips--"Because she is happy! Because she has no scandals in her life, and because she dares to be content! One longs to make her miserable! But how to do it? She believes in a G.o.d,--she thinks all He ordains is right and good. With such a firm faith as that, she would be happy in a garret earning but a few pence a day. I see now perfectly how she has won her public,--it is by the absolute conviction she has herself of the theories of life she tries to instil. What can be done against her? Nothing! But I understand why the critics would like to 'quash' her,--if I were a critic, fond of whiskey-and-soda, and music-hall women, I should like to quash her myself for being so different to the rest of her s.e.x!"
"What an incomprehensible woman you are, Sibyl!" I exclaimed with real irritation,--"You admire Miss Clare's books,--you have always admired them,--you have asked her to become your friend,--and almost in the same breath you aver you would like to 'quash' her or to make her miserable!
I confess I cannot understand you!"
"Of course you cannot!" she responded tranquilly, her eyes resting upon me with a curious expression, as we paused for an instant under the deep shade of a chestnut tree before entering our own grounds--"I never supposed you could, and unlike the ordinary _femme incomprise_, I have never blamed you for your want of comprehension. It has taken me some time to understand myself, and even now I am not quite sure that I have gauged the depths or shallownesses of my own nature correctly. But on this matter of Mavis Clare, can you not imagine that badness may hate goodness? That the confirmed drunkard may hate the sober citizen? That the outcast may hate the innocent maiden? And that it is possible that I,--reading life as I do, and finding it loathsome in many of its aspects,--distrusting men and women utterly,--and being dest.i.tute of any faith in G.o.d,--may hate,--yes _hate_,"--and she clenched her hand on a tuft of drooping leaves and scattered the green fragments at her feet--"a woman who finds life beautiful, and G.o.d existent,--who takes no part in our social shams and slanders,--and who in place of my self-torturing spirit of a.n.a.lysis, has secured an enviable fame and the honour of thousands, allied to a serene content? Why it would be something worth living for, to make such a woman wretched for once in her life!--but, as she is const.i.tuted, it is impossible to do it."
She turned from me and walked slowly onward,--I following in a pained silence.
"If you do not mean to be her friend, you should tell her so,"--I said presently--"You heard what she said about pretended protestations of regard?"
"I heard,"--she replied morosely--"She is a clever woman, Geoffrey, and you may trust her to find me out without any explanation!"
As she said this, I raised my eyes and looked full at her,--her exceeding beauty was becoming almost an agony to my sight, and in a sudden fool's paroxysm of despair I exclaimed--
"O Sibyl, Sibyl! Why were you made as you are!"
"Ah, why indeed!" she rejoined, with a faint mocking smile--"And why, being made as I am, was I born an Earl's daughter? If I had been a drab of the street, I should have been in my proper place,--and novels would have been written about me, and plays,--and I might have become such a heroine as should cause all good men to weep for joy because of my generosity in encouraging their vices! But as an Earl's daughter, respectably married to a millionaire, am a mistake of nature. Yet nature does make mistakes sometimes Geoffrey, and when she does they are generally irremediable!"
We had now reached our own grounds, and I walked, in miserable mood, beside her across the lawn towards the house.
"Sibyl,"--I said at last--"I had hoped you and Mavis Clare might be friends."
The Sorrows of Satan Part 38
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The Sorrows of Satan Part 38 summary
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