An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2
You’re reading novel An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2 online at LightNovelFree.com. Please use the follow button to get notification about the latest chapter next time when you visit LightNovelFree.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy!
Sometimes we shall meet with those, who perhaps indifferently enough, but at the same time impertinently, will ask the Question, WHY ARE YOU NOT MERRY? WHY ARE YOU NOT GAY, PLEASANT, AND CHEARFUL? Then instead of answering, could I ask such a Person, WHY ARE YOU NOT HANDSOME? WHY HAVE YOU NOT BLACK EYES, AND A BETTER COMPLEXION? Nature abhors to be forced.
The two famous Philosophers of _Ephesus_ and _Abdera_, have their different Sects at this Day. Some weep, and others laugh at one and the same Thing.
I don't doubt but you have observed several Men laugh when they are angry; others, who are silent; some that are loud; yet I cannot suppose that it is the Pa.s.sion of ANGER, which is in itself different, or more or less in one than t'other, but that it is the HUMOUR of the Man that is predominant, and urges him to express it in that Manner. Demonstrations of PLEASURE, are as various: One Man has a HUMOUR of retiring from all Company, when any thing has happened to please him beyond Expectation; he hugs himself alone, and thinks it an Addition to the Pleasure to keep it a Secret, &c.
All which, I apprehend, is no more than saying; That there are different _Dispositions_ in different _Persons_.
In another Place, he seems to understand by _Humour_, not only the _Disposition,_ but the _Tone_ of the _Nerves_, of a Person, thus,
"Suppose MOROSE to be a Man naturally splenetic, and melancholy; is there any thing more offensive to one of such a DISPOSITION (where he uses the Word instead of _Humour_) than Noise and Clamour? Let any Man that has the Spleen (and there are enough in England) be Judge. We see common Examples of this HUMOUR in little every Day. 'Tis ten to one, but three Parts in four of the Company you dine with, are discomposed, and started at the cutting of a Cork, or scratching of a Plate with a Knife; it is a Proportion of the same HUMOUR, that makes such, or any other Noise, offensive to the Person that hears it; for there are others who will not be disturbed at all by it.
At this Rate every _Weakness_ of _Nerves_, or _Particularity_ of _Const.i.tution,_ is HUMOUR.
It is true, he justly points out in another Place the different Sentiments, which ought to be adapted to different _Characters_ in _Comedy_, according to their different _Dispositions_, or, as he phrases it, _Humours_: As for Instance, he very rightly observes, That a Character of a splenetic and peevish HUMOUR, Should have a satirical WIT. A jolly and sanguine HUMOUR should have a facetious WIT.
--But still this is no Description of what is well felt, and known, by the general Name of HUMOUR.
However, as what I have already quoted, may appear to be only his looser Explanations, it will be necessary to deliver his more closed and collected Sentiments upon this Subject. These he gives in the following Words, I should be unwilling to venture, even in a bare _Description_ of _Humour_, much more to make a _Definition_ of it; but now my Hand is in, I will tell you what serves me instead of either. I take it to be, _A singular and unavoidable Manner of doing or saying any thing, peculiar and natural to one Man only, by which his Speech and Actions are distinguished from those of other Men."
--This Description is very little applicable to HUMOUR, but tolerably well adapted to other Subjects.--Thus, a Person, who is happy in a particular _Grace_, which accompanies all his Actions, may be said to possess _a singular and unavoidable Manner of doing or saying any thing, peculiar and natural to him only, by which his Speech and Actions are distinguished from those of other Men_. And the same may be said of a Person of a peculiar _Vivacity_, _Heaviness_, or _Awkwardness_.--In short, this Description is suited to any _Particularity_ of a Person in general, instead of being adapted to the _Foibles_ and _whimsical Oddities_ of Persons, which alone const.i.tute HUMOUR.
These are the only Pieces upon WIT, and HUMOUR, which have fallen within my Knowledge; I have here fairly delivered them at length; and from the Respect which is due to such eminent Writers, have distinctly and deliberately examined the Merit of each.--As to my own _Performance_, which is now submitted to the Public, I have to wish, that it may gain a candid and strict Examination. It has been my Endeavour to give _Definitions_ of the Subjects, upon which I have treated; A _Plan_ the most difficult of all others to be executed by an Author; But such an one, as I apprehend, deserves to be more generally introduced, and established. If once it was expected by the Public, that _Authors_ should strictly _define_ their Subjects, it would instantly checque an Inundation of Scribbling. The _desultory_ Manner of Writing would be absolutely exploded; and _Accuracy_ and _Precision_ would be necessarily introduced upon every Subject.
This is the _Method_ pursued in Subjects of _Philosophy_; Without clear and precise _Definitions_ such n.o.ble Advances could never have been made in those Sciences; And it is by the a.s.sistance of _these_ only, that Subjects of _Polite Literature_, can ever be enlightened and embellished with just Ornaments. If _Definitions_ had been constantly exacted from Authors there would not have appeared _one hundreth_ Part of the present Books, and yet every Subject had been better ascertained.--Nor will this Method, as some may imagine, be enc.u.mbered with Stiffness; On the contrary, in _ill.u.s.trating_ the Truth of _Definitions_ there is a full Scope of the utmost Genius, Imagination, and Spirit of a Writer; and a Work upon this _Plan_ is adorned with the highest Charms appearing with _Propriety_, _Clearness_, and _Conviction_, as well as Beauty.
It is true, that the Difficulties, which attend an able Execution of this _Method_, are not open to a careless Eye; And it is some Mortification to an _Author_ upon this _Plan_, that his greatest _Merit_ is likely to lie concealed; A _Definition,_ or _Distinction,_ which after much Attention and Time he has happily delivered with _Brevity_ and _Clearness_, appearing hereby quite obvious, to others, and what they cannot imagine could require Pains to discover.
As to the _Examples_, by which I have ill.u.s.trated the _Definition_ of _Wit_, they are _common_ and _trite_; but are the best, which I could find upon deliberate Enquiry. Many Modern instances of _Wit_, which left very lively Impressions upon me, when I heard them, appearing upon Re-examination to be quite strained and defective. These, which I have given, as they are thus _trite_, are not designed in themselves for any Entertainment to the Reader; but being various, and distant from each other, they very properly serve to explain the Truth, and Extent of the _Definition_.
The Character of an HUMOURIST, I expect, will be strange to most of my Readers; and if no Gentleman is acquainted with a _Person_ of this _Cast_, it must pa.s.s for a _Monster_ of my own Creation;--As to the Character of Sir _John Falstaff_, it is chiefly extracted from _Shakespear_, in his 1st Part of King _Henry_ the _IVth_; But so far as _Sir John_ in _Shakspear's_ Description, sinks into a _Cheat_ or a _Scoundrel_, upon any Occasion, he is different from that _Falstaff_, who is designed in the following _Essay_, and is entirely an amiable Character.
It is obvious, that the Appearance, which _Falstaff_ makes, in the unfinished Play of _The Merry Wives of Windsor_, is in general greatly below his true Character. His Imprisonment and Death in the latter Part of King _Henry_ the _IVth_, seem also to have been written by _Shakespear_ in Compliance with the _Austerity_ of the Times; and in order to avoid the Imputation of encouraging _Idleness_ and mirthful _Riot_ by too amiable and happy an Example.
The Criticism, which I have made, upon _Horace_'s Narrative of his _Adventure_ with an _Impertinent Fellow_, I offer with Respect; And beg leave to observe that the chief Part which I object to, is the _Propriety_ of his introducing himself in so _ridiculous a Plight_; --Dum sudor ad imos Manaret Talos; And Demitto Auriculas, ut iniquae mentis Acellus c.u.m gravius dorso subiit onus.
And other Representations of the same sort, seem to place _Horace_ in a very mean and ludicrous Light; which it is probable he never apprehended in the full Course of exposing his Companion;--Besides, the Conduct of his Adversary is in several Places, excessively, and, as it may be construed, _designedly_, insolent and contemptuous; and as no Merit or Importance belongs to this Person, there appears no Reason why _Horace_ should endure such Treatment; or, if the other was too _powerful_ for him, it is not an _Adventure_ of _Honour_; or what _Horace_ should chuse to expose to the World in this manner, with all the Particulars of his own despicable Distress.
However, the _Mirth_ which results from this Narrative, as it now stands, is perhaps rather the stronger at first, by the full _Ridicule_ which lies against _Horace_, and his Adversary;--But, upon Reflection, there arises a Disgust, at the Impropriety of _Horace's_ exposing his own _Meanness_, as well as at the nauseous _Impudence_ of his Companion.
As to _uncommon_ Words, if any such appear in this _Introduction_, or in the following _Essay_, I hope they want neither _Propriety_, _Clearness_, nor _Strength_;--And if the _Length_of this Piece to an _Essay_ so _short_ shall happen at first to _disturb_ any _Critic_, I beg leave to inform him, that all, which can be fairly collected from it, is only, that it may have cost _me_ the more Trouble;--But upon mentioning the _Length_ of this Piece, what behoves me the most, is, to return my Thanks to two _Gentlemen_, who suffered me to read to them the whole, as it was gradually written; And by whose _judicious_ and _friendly Instructions_ in the Course of it, my own _Imagination_ was often prevented from running into _Riots_.
However, I am far from imagining, that I have always been reduced within just Bounds; And now feel a sufficient Share of _Concern_ and _Anxiety_, for the _Fate_ of this Work;--Yet, I humbly apprehend, that _this_ must freely be allowed me, that I have not been a _Plagiary_; But have constantly delivered my own _original_ Sentiments, without _purloining_ or _disfiguring_ the Thoughts of others; An _Honesty_, which, I hope, is laudable in an _Author_; And as I have not _stolen_, neither have I _concealed_, the _Merit_ of other Writers.
It will also be found, as I humbly apprehend, that I have never _shunned_ the Subject: I mention this particularly, because it is the Practice of many eminent Writers, after much _curvetting_ and _prauncing_, suddenly to wheel, and retire, when they are expected to make their most full Attack.--These Gentlemen, it is true, very happily avoid _Danger_, and advance and retreat in _excellent Order_: But, with their Leave, I must observe that they never do any _Execution_; For Subjects, which have not been surveyed, and laid open, are like _fortified Places_; and it is the Business of a _Writer_, as well as of a _Soldier_, to make an Attack;--This has been the Conduct I have held in the following _Essay_; and however I may be _shattered_ upon any Occasion, I hope it will appear (if I may be allowed the Expression) that I have fairly _charged_ the Subjects.
Having offered these Circ.u.mstances in my Favour, I must frankly acknowledge, that I am not able to plead any _Hurry_ or _Precipitancy_ in the publis.h.i.+ng of this Work, in Excuse of its Errors; Though I clearly understand, that by making this Discovery, I absolutely deprive myself of the most _genteel_ and _fas.h.i.+onable Screen_ now used by Authors;--But I imagined, that it became me to spare no Labour or Attention upon a Work, which I should presume to offer to the World; Happening to esteem this _Care_ and _Concern_, a _Respect_ due to the _Public_, and the proper Species of _Humility_ and _Modesty_ in an _Author_.
An ESSAY on Wit, Humour, Raillery, & c.
WIT is the l.u.s.tRE resulting from the quick ELUCIDATION of one Subject, by a _just_ and unexpected ARRANGEMENT of it with another Subject.
This _Definition_ of WIT will more clearly appear by a short Explanation.
It is the Province of WIT to _elucidate_, or _enlighten_ a Subject, not by reasoning upon that Subject, but by a just and unexpected Introduction of another _similar_, or _opposite_ Subject; whereby, upon their _Arrangement_ together, the _original_ Subject may be _set off_, and more clearly _enlighten'd_, by their obvious Comparison.
It may be proper, for the sake of Distinction, to call the Subject, which is the Basis and Ground-work, the _original_ Subject; and that which is introduced, in order to _elucidate_ it, the _auxiliary_ Subject.
That there be always an apparent Chain or Connexion, or else an obvious Agreement or Contrast, between the two Subjects, is absolutely requir'd, in order that the _Auxiliary_ one may be _justly_ introduced; otherwise, instead of WIT, there will only appear a rambling _Vivacity_, in wild, unprovoked Sallies.
And yet _every just_ or _natural_ Introduction of an _auxiliary_ Subject will not produce WIT, unless a new _l.u.s.tre_ is reflected from thence upon the _original_ Subject.
It is further to be observed, that the Introduction of the _auxiliary_ Subject ought not only to be _just_, but also _unexpected_, which are entirely consistent together; For as every Subject bears various Relations and Oppositions to other Subjects, it is evident that each of these Relations and Oppositions upon being exhibited, will be _unexpected_ to the Persons, who did not perceive them before; and yet they are _just_ by Supposition.
It is upon such _unexpected_ Introductions of _auxiliary_ Subjects, that we are struck with a _Surprize_; from whence the high _Brilliancy_ and _Sparkling_ of WIT, result.
Whereas _Auxiliary_ Subjects, introduced upon such Occasions, as they have been frequently exhibited before, are apt to fall dull, and heavy upon the Fancy; and unless they possess great natural Spirit, will excite no sprightly Sensation.
It is also necessary to observe, that, in WIT, the Subjects concern'd must be _ordinary_ and _level_; By which are intended, not such as are _common_, but such as have no _extraordinarily exalted_, or _enlarged_, Qualities; and are not _unsizeable_ in the particular Circ.u.mstances in which they are compared to each other;--otherwise it is easy to perceive, that the Result of their _Arrangement_ will not be so properly WIT, as either the SUBLIME, or BURLESQUE.
To all this is to be added, that either _Gallantry, Raillery_, _Humour_, _Satire_, _Ridicule_, _Sarcasms_, or other Subjects, are generally blended with WIT; It has been for want of this Discovery, and of a proper Separation of these Subjects, that the Attempts which have hitherto been made to _define_ WIT, have been all involv'd and overwhelm'd in Perplexity; For the different Mixtures of these foreign Ingredients with WIT, have discover'd such various and opposite _Colours_ and _Substances_, as were impossible to be comprehended in one certain steady _Definition_;--Whereas _pure_ WIT alone, constantly appears in _one uniform_ Manner; which is, _In the _quick Elucidation_ of one Subject, by _unexpectedly_ exhibiting its _Agreement_ or _Contrast_ with another Subject_.
It is proper in this Place, to distinguish between WIT, SIMILES, and METAPHORS. SIMILES, though they _ill.u.s.trate_ one Subject, by _arranging_ it with another Subject, are yet different from WIT, as they want its _sudden_ and _quick Elucidation_.
Again; In WIT, the _Elucidation_ is thrown only upon _one_ Point of a Subject; or if more Points be _elucidated_, they are so many different Strokes of WIT;--Whereas every SIMILE touches the Subject it _ill.u.s.trates_ in _several Points_.
It is from hence, that the _Elucidation_, as before mention'd, arising from a SIMILE, is _slower_ than from WIT; But then is is generally more _accurate_ and _compleat_;--In short, WIT, from its _Quickness_, exhibits more _Brilliancy_, But SIMILES possess greater _Perfection_.
A METAPHOR, is the _Arrayment_ of one Subject, with the _Dress_, or _Colour_, or any _Attributes_, of another Subject.
In WIT, the two Subjects are suddenly confronted with each other, and upon their joint View, the _original_ one is _elucidated_ by the obvious _Agreement_ or _Contrast_ of the _auxiliary_ Subject.
But METAPHOR goes further, and not content with _arranging_ the two Subjects together, and exhibiting from thence their _Agreement_ or _Contrast_, it actually s.n.a.t.c.hes the Properties of the _auxiliary_ one, and fits them at once upon the _original_ Subject.
It is evident from hence, that there may be WIT without any METAPHOR; But in every just METAPHOR there is WIT; The _Agreement_ of the two Subjects being in a METAPHOR more strictly and sensibly presented.
There is also this Difference between WIT and METAPHOR, that in WIT the _original_ Subject is _enlighten'd_, without altering its _Dress_; whereas in METAPHOR the _original_ Subject is cloathed in a _new Dress_, and struts forwards at once with a different _Air_, and with strange _unexpected Ornaments_.
It is from hence, that by METAPHOR a more masculine Air and Vigour is given to a Subject, than by WIT; But it too often happens, that the METAPHOR is carried so far, as instead of _elucidating_, to obscure and disfigure, the _original_ Subject.
To exhibit some Examples of WIT.
1.
_Henry_ the IVth of _France_, intimating to the _Spanish_ Amba.s.sador the Rapidity, with which he was able to over-run _Italy_, told him, that _if once he mounted on Horseback, he should breakfast at_ Milan, _and dine at_ Naples; To which the Amba.s.sador added, _Since your Majesty travels at this rate, you may be at Vespers in_ Sicily.
The Introduction of the _Vespers_ at SICILY is here _natural_, and easy; as it seems only to be carrying on his Majesty's Journey at the same rate, and to compleat the Progress of the Day; But it ushers at once into View the _Destruction_ of the _French_ upon a _similar_ Occasion, when they formerly over-ran SICILY, and were all ma.s.sacred there at the ringing of the Bell for _Vespers_;--The sudden Introduction and _Arrangement_ of this Catastrophe, with the Expedition then threaten'd, sets the Issue of such a Conquest in a new _Light_; And very happily exhibits and _elucidates_ the Result of such vain and restless Adventures.
An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2
You're reading novel An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2 online at LightNovelFree.com. You can use the follow function to bookmark your favorite novel ( Only for registered users ). If you find any errors ( broken links, can't load photos, etc.. ), Please let us know so we can fix it as soon as possible. And when you start a conversation or debate about a certain topic with other people, please do not offend them just because you don't like their opinions.
An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2 summary
You're reading An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 2. This novel has been translated by Updating. Author: Corbyn Morris already has 853 views.
It's great if you read and follow any novel on our website. We promise you that we'll bring you the latest, hottest novel everyday and FREE.
LightNovelFree.com is a most smartest website for reading novel online, it can automatic resize images to fit your pc screen, even on your mobile. Experience now by using your smartphone and access to LightNovelFree.com
- Related chapter:
- An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 1
- An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744) Part 3