The Ordeal of Richard Feverel Part 17
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"I don't know any," quoth Richard, indifferently. "Why are you out so early?"
In answer to this, Ralph suggested that the name of Mary might be considered a pretty name.
Richard agreed that it might be; the housekeeper at Raynham, half the women cooks, and all the housemaids enjoyed that name; the name of Mary was equivalent for women at home.
"Yes, I know," said Ralph. "We have lots of Marys. It's so common.
Oh! I don't like Mary best. What do you think of Lucy?"
Richard thought it just like another.
"Do you know," Ralph continued, throwing off the mask and plunging into the subject, "I'd do anything on earth for some names--one or two. It's not Mary, nor Lucy. Clarinda's pretty, but it's like a novel. Claribel, I like. Names beginning with 'Cl' I prefer. The 'Cl's' are always gentle and lovely girls you would die for! Don't you think so?"
Richard had never been acquainted with any of them to inspire that emotion. Indeed these urgent appeals to his fancy in feminine names at five o'clock in the morning slightly surprised him, though he was but half awake to the outer world. By degrees he perceived that Ralph was changed. Instead of the l.u.s.ty boisterous boy, his rival in manly sciences, who spoke straightforwardly and acted up to his speech, here was an abashed and blush-persecuted youth, who sued piteously for a friendly ear wherein to pour the one idea possessing him. Gradually, too, Richard apprehended that Ralph likewise was on the frontiers of the Realm of Mystery, perhaps further toward it than he himself was; and then, as by a sympathetic stroke, was revealed to him the wonderful beauty and depth of meaning in feminine names. The theme appeared novel and delicious, fitted to the season and the hour. But the hards.h.i.+p was, that Richard could choose none from the number; all were the same to him; he loved them all.
"Don't you really prefer the 'Cl's'?" said Ralph, persuasively.
"Not better than the names ending in 'a' and 'y,'" Richard replied, wis.h.i.+ng he could, for Ralph was evidently ahead of him.
"Come under these trees," said Ralph. And under the trees Ralph unbosomed. His name was down for the army: Eton was quitted for ever. In a few months he would have to join his regiment, and before he left he must say good-bye to his friends.... Would Richard tell him Mrs. Forey's address? he had heard she was somewhere by the sea.
Richard did not remember the address, but said he would willingly take charge of any letter and forward it.
Ralph dived his hand into his pocket. "Here it is. But don't let anybody see it."
"My aunt's name is not Clare," said Richard, perusing what was composed of the exterior formula. "You've addressed it to Clare herself."
That was plain to see.
"Emmeline Clementina Matilda Laura, Countess Blandish," Richard continued in a low tone, transferring the names, and playing on the musical strings they were to him. Then he said: "Names of ladies!
How they sweeten their names!"
He fixed his eyes on Ralph. If he discovered anything further he said nothing, but bade the good fellow good-bye, jumped into his boat, and pulled down the tide. The moment Ralph was hidden by an abutment of the banks, Richard perused the address. For the first time it struck him that his cousin Clare was a very charming creature: he remembered the look of her eyes, and especially the last reproachful glance she gave him at parting. What business had Ralph to write to her? Did she not belong to Richard Feverel? He read the words again and again: Clare Doria Forey. Why, Clare was the name he liked best--nay, he loved it. Doria, too--she shared his own name with him. Away went his heart, not at a canter now, at a gallop, as one who sights the quarry. He felt too weak to pull.
Clare Doria Forey---oh, perfect melody! Sliding with the tide, he heard it fluting in the bosom of the hills.
When nature has made us ripe for love, it seldom occurs that the Fates are behindhand in furnis.h.i.+ng a temple for the flame.
Above green-flas.h.i.+ng plunges of a weir, and shaken by the thunder below, lilies, golden and white, were swaying at anchor among the reeds. Meadow-sweet hung from the banks thick with weed and trailing bramble, and there also hung a daughter of earth. Her face was shaded by a broad straw hat with a flexible brim that left her lips and chin in the sun, and, sometimes nodding, sent forth a light of promising eyes. Across her shoulders, and behind, flowed large loose curls, brown in shadow, almost golden where the ray touched them.
She was simply dressed, befitting decency and the season. On a closer inspection you might see that her lips were stained. This blooming young person was regaling on dewberries. They grew between the bank and the water. Apparently she found the fruit abundant, for her hand was making pretty progress to her mouth. Fastidious youth, which revolts at woman plumping her exquisite proportions on bread-and-b.u.t.ter, and would (we must suppose) joyfully have her scraggy to have her poetical, can hardly object to dewberries.
Indeed the act of eating them is dainty and induces musing. The dewberry is a sister to the lotus, and an innocent sister. You eat: mouth, eye, and hand are occupied, and the undrugged mind free to roam. And so it was with the damsel who knelt there. The little skylark went up above her, all song, to the smooth southern cloud lying along the blue: from a dewy copse dark over her nodding hat the blackbird fluted, calling to her with thrice mellow note: the kingfisher flashed emerald out of green osiers: a bow-winged heron travelled aloft, seeking solitude: a boat slipped toward her, containing a dreamy youth; and still she plucked the fruit, and ate, and mused, as if no fairy prince were invading her territories, and as if she wished not for one, or knew not her wishes. Surrounded by the green shaven meadows, the pastoral summer buzz, the weir-fall's thundering white, amid the breath and beauty of wild flowers, she was a bit of lovely human life in a fair setting; a terrible attraction. The Magnetic Youth leaned round to note his proximity to the weir-piles, and beheld the sweet vision. Stiller and stiller grew nature, as at the meeting of two electric clouds. Her posture was so graceful, that though he was making straight for the weir, he dared not dip a scull. Just then one enticing dewberry caught her eyes. He was floating by unheeded, and saw that her hand stretched low, and could not gather what it sought. A stroke from his right brought him beside her. The damsel glanced up dismayed, and her whole shape trembled over the brink. Richard sprang from his boat into the water. Pressing a hand beneath her foot, which she had thrust against the crumbling wet sides of the bank to save herself, he enabled her to recover her balance, and gain safe earth, whither he followed her.
CHAPTER XV
FERDINAND AND MIRANDA
He had landed on an island of the still-vexed Bermoothes. The world lay wrecked behind him: Raynham hung in mists, remote, a phantom to the vivid reality of this white hand which had drawn him thither away thousands of leagues in an eye-twinkle. Hark, how Ariel sang overhead! What splendour in the heavens! What marvels of beauty about his enchanted brows! And, O you wonder! Fair Flame! by whose light the glories of being are now first seen.... Radiant Miranda!
Prince Ferdinand is at your feet.
Or is it Adam, his rib taken from his side in sleep, and thus transformed, to make him behold his Paradise, and lose it?...
The youth looked on her with as glowing an eye. It was the First Woman to him.
And she--mankind was all Caliban to her, saving this one princely youth.
So to each other said their changing eyes in the moment they stood together; he pale, and she blus.h.i.+ng.
She was indeed sweetly fair, and would have been held fair among rival damsels. On a magic sh.o.r.e, and to a youth educated by a System, strung like an arrow drawn to the head, he, it might be guessed, could fly fast and far with her. The soft rose in her cheeks, the clearness of her eyes, bore witness to the body's virtue; and health and happy blood were in her bearing. Had she stood before Sir Austin among rival damsels, that Scientific Humanist, for the consummation of his System, would have thrown her the handkerchief for his son. The wide summer-hat, nodding over her forehead to her brows, seemed to flow with the flowing heavy curls, and those fire-threaded mellow curls, only half-curls, waves of hair call them, rippling at the ends, went like a sunny red-veined torrent down her back almost to her waist: a glorious vision to the youth, who embraced it as a flower of beauty, and read not a feature. There were curious features of colour in her face for him to have read. Her brows, thick and brownish against a soft skin showing the action of the blood, met in the bend of a bow, extending to the temples long and level: you saw that she was fas.h.i.+oned to peruse the sights of earth, and by the pliability of her brows that the wonderful creature used her faculty, and was not going to be a statue to the gazer. Under the dark thick brows an arch of lashes shot out, giving a wealth of darkness to the full frank blue eyes, a mystery of meaning--more than brain was ever meant to fathom: richer, henceforth, than all mortal wisdom to Prince Ferdinand. For when nature turns artist, and produces contrasts of colour on a fair face, where is the Sage, or what the Oracle, shall match the depth of its lightest look?
Prince Ferdinand was also fair. In his slim boating-attire his figure looked heroic. His hair, rising from the parting to the right of his forehead, in what his admiring Lady Blandish called his plume, fell away slanting silkily to the temples across the nearly imperceptible upward curve of his brows there--felt more than seen, so slight it was--and gave to his profile a bold beauty, to which his bashful, breathless air was a flattering charm. An arrow drawn to the head, capable of flying fast and far with her! He leaned a little forward, drinking her in with all his eyes, and young Love has a thousand. Then truly the System triumphed, just ere it was to fall; and could Sir Austin have been content to draw the arrow to the head, and let it fly, when it would fly, he might have pointed to his son again, and said to the world, "Match him!" Such keen bliss as the youth had in the sight of her, an innocent youth alone has powers of soul in him to experience.
"O Women!" says THE PILGRIM'S SCRIP, in one of its solitary outbursts, "Women, who like, and will have for hero, a rake! how soon are you not to learn that you have taken bankrupts to your bosoms, and that the putrescent gold that attracted you is the slime of the Lake of Sin!"
If these two were Ferdinand and Miranda, Sir Austin was not Prospero, and was not present, or their fates might have been different.
So they stood a moment, changing eyes, and then Miranda spoke, and they came down to earth, feeling no less in heaven.
She spoke to thank him for his aid. She used quite common simple words; and used them, no doubt, to express a common simple meaning: but to him she was uttering magic, casting spells, and the effect they had on him was manifested in the incoherence of his replies, which were too foolish to be chronicled.
The couple were again mute. Suddenly Miranda, with an exclamation of anguish, and innumerable lights and shadows playing over her lovely face, clapped her hands, crying aloud, "My book! my book!" and ran to the bank.
Prince Ferdinand was at her side. "What have you lost?" he said.
"My book!" she answered, her delicious curls swinging across her shoulders to the stream. Then turning to him, "Oh, no, no! let me entreat you not to," she said; "I do not so very much mind losing it."
And in her eagerness to restrain him she unconsciously laid her gentle hand upon his arm, and took the force of motion out of him.
"Indeed, I do not really care for the silly book," she continued, withdrawing her hand quickly, and reddening. "Pray, do not!"
The young gentleman had kicked off his shoes. No sooner was the spell of contact broken than he jumped in. The water was still troubled and discoloured by his introductory adventure, and, though he ducked his head with the spirit of a dabchick, the book was missing. A sc.r.a.p of paper floating from the bramble just above the water, and looking as if fire had caught its edges and it had flown from one adverse element to the other, was all he could lay hold of; and he returned to land disconsolately, to hear Miranda's murmured mixing of thanks and pretty expostulations.
"Let me try again," he said.
"No, indeed!" she replied, and used the awful threat: "I will run away if you do," which effectually restrained him.
Her eye fell on the fire-stained sc.r.a.p of paper, and brightened, as she cried, "There, there! you have what I want. It is that. I do not care for the book. No, please! You are not to look at it. Give it me."
Before her playfully imperative injunction was fairly spoken, Richard had glanced at the doc.u.ment and discovered a Griffin between two Wheatsheaves: his crest in silver: and below--O wonderment immense! his own handwriting!
He handed it to her. She took it, and put it in her bosom.
Who would have thought, that, where all else perished, Odes, Idyls, Lines, Stanzas, this one Sonnet to the stars should be miraculously reserved for such a starry fate--pa.s.sing beat.i.tude!
As they walked silently across the meadow, Richard strove to remember the hour and the mood of mind in which he had composed the notable production. The stars were invoked, as seeing and foreseeing all, to tell him where then his love reclined, and so forth; Hesper was complacent enough to do so, and described her in a couplet--
The Ordeal of Richard Feverel Part 17
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