The Ordeal of Richard Feverel Part 23

"O Richard!"

Out in the world there, on the skirts of the woodland, a sheep-boy pipes to meditative eye on a penny-whistle.

Love's musical instrument is as old, and as poor: it has but two stops; and yet, you see, the cunning musician does thus much with it!

Other speech they have little; light foam playing upon waves of feeling, and of feeling compact, that bursts only when the sweeping volume is too wild, and is no more than their sigh of tenderness spoken.

Perhaps love played his tune so well because their natures had unblunted edges, and were keen for bliss, confiding in it as natural food. To gentlemen and ladies he fine-draws upon the viol, ravis.h.i.+ngly; or blows into the mellow ba.s.soon; or rouses the heroic ardours of the trumpet; or, it may be, commands the whole Orchestra for them. And they are pleased. He is still the cunning musician.

They languish, and taste ecstasy: but it is, however sonorous, an earthly concert. For them the spheres move not to two notes. They have lost, or forfeited and never known, the first supersensual spring of the ripe senses into pa.s.sion; when they carry the soul with them, and have the privileges of spirits to walk disembodied, boundlessly to feel. Or one has it, and the other is a dead body.

Ambrosia let them eat, and drink the nectar: here sit a couple to whom Love's simple bread and water is a finer feast.

Pipe, happy sheep-boy, Love! Irradiated angels, unfold your wings and lift your voices!

They have outflown philosophy. Their instinct has shot beyond the ken of science. They were made for their Eden.

"And this divine gift was in store for me!"

So runs the internal outcry of each, clasping each: it is their recurring refrain to the harmonies. How it illumined the years gone by and suffused the living Future!

"You for me: I for you!"

"We are born for each other!"

They believe that the angels have been busy about them from their cradles. The celestial hosts have worthily striven to bring them together. And, O Victory! O wonder! after toil and pain, and difficulties exceeding, the celestial hosts have succeeded!

"Here we two sit who are written above as one!"

Pipe, happy Love! pipe on to these dear innocents!

The tide of colour has ebbed from the upper sky. In the West the sea of sunken fire draws back; and the stars leap forth, and tremble, and retire before the advancing moon, who slips the silver train of cloud from her shoulders, and, with her foot upon the pine-tops, surveys heaven.

"Lucy, did you never dream of meeting me?"

"O Richard! yes; for I remembered you."

"Lucy! and did you pray that we might meet?"

"I did!"

Young as when she looked upon the lovers in Paradise, the fair Immortal journeys onward. Fronting her, it is not night but veiled day. Full half the sky is flushed. Not darkness, not day, but the nuptials of the two.

"My own! my own for ever! You are pledged to me? Whisper!"

He hears the delicious music.

"And you are mine?"

A soft beam travels to the fern-covert under the pine-wood where they sit, and for answer he has her eyes: turned to him an instant, timidly fluttering over the depths of his, and then downcast; for through her eyes her soul is naked to him.

"Lucy! my bride! my life!"

The night-jar spins his dark monotony on the branch of the pine. The soft beam travels round them, and listens to their hearts. Their lips are locked.

Pipe no more, Love, for a time! Pipe as you will you cannot express their first kiss; nothing of its sweetness, and of the sacredness of it nothing. St. Cecilia up aloft, before the silver organ-pipes of Paradise, pressing fingers upon all the notes of which Love is but one, from her you may hear it.

So Love is silent. Out in the world there, on the skirts of the woodland, the self-satisfied sheep-boy delivers a last complacent squint down the length of his penny-whistle, and, with a flourish correspondingly awry, he also marches into silence, hailed by supper. The woods are still. There is heard but the night-jar spinning on the pine-branch, circled by moonlight.

CHAPTER XX

CELEBRATES THE TIME-HONOURED TREATMENT OF A DRAGON BY THE HERO

Enchanted Islands have not yet rooted out their old brood of dragons. Wherever there is romance, these monsters come by inimical attraction. Because the heavens are certainly propitious to true lovers, the beasts of the abysses are banded to destroy them, stimulated by innumerable sad victories; and every love-tale is an Epic War of the upper and lower powers. I wish good fairies were a little more active. They seem to be cajoled into security by the happiness of their favourites; whereas the wicked are always alert, and circ.u.mspect. They let the little ones shut their eyes to fancy they are not seen, and then commence.

These appointments and meetings, involving a start from the dinner-table at the hour of contemplative digestion and prime claret; the hour when the wise youth Adrian delighted to talk at his ease--to recline in dreamy consciousness that a work of good was going on inside him; these abstractions from his studies, excesses of gaiety, and glumness, heavings of the chest, and other odd signs, but mainly the disgusting behaviour of his pupil at the dinner-table, taught Adrian to understand, though the young gentleman was clever in excuses, that he had somehow learnt there was another half to the divided Apple of Creation, and had embarked upon the great voyage of discovery of the difference between the two halves. With his usual coolness Adrian debated whether he might be in the observatory or the practical stage of the voyage. For himself, as a man and a philosopher, Adrian had no objection to its being either; and he had only to consider which was temporarily most threatening to the ridiculous System he had to support. Richard's absence annoyed him. The youth was vivacious, and his enthusiasm good fun; and besides, when he left table, Adrian had to sit alone with Hippias and the Eighteenth Century, from both of whom he had extracted all the amus.e.m.e.nt that could be got, and he saw his digestion menaced by the society of two ruined stomachs, who bored him just when he loved himself most. Poor Hippias was now so reduced that he had profoundly to calculate whether a particular dish, or an extra gla.s.s of wine, would have a bitter effect on him and be felt through the remainder of his years. He was in the habit of uttering his calculations half aloud, wherein the prophetic doubts of experience, and the succulent insinuations of appet.i.te, contended hotly. It was horrible to hear him, so let us pardon Adrian for tempting him to a decision in favour of the moment.

"Happy to take wine with you," Adrian would say, and Hippias would regard the decanter with a pained forehead, and put up the doctor.

"Drink, nephew Hippy, and think of the doctor to-morrow!" the Eighteenth Century cheerily ruffles her cap at him, and recommends her own practice.

"It's this literary work!" interjects Hippias, handling his gla.s.s of remorse. "I don't know what else it can be. You have no idea how anxious I feel. I have frightful dreams. I'm perpetually anxious."

"No wonder," says Adrian, who enjoys the childish simplicity to which an absorbed study of his sensational existence has brought poor Hippias. "No wonder. Ten years of Fairy Mythology! Could any one hope to sleep in peace after that? As to your digestion, no one has a digestion who is in the doctor's hands. They prescribe from dogmas, and don't count on the system. They have cut down from two bottles to two gla.s.ses. It's absurd. You can't sleep, because your system is crying out for what it's accustomed to."

Hippias sips his Madeira with a n.i.g.g.ardly confidence, but a.s.sures Adrian that he really should not like to venture on a bottle now: it would be rank madness to venture on a bottle now, he thinks. Last night only, after partaking, under protest, of that rich French dish, or was it the duck?--Adrian advised him to throw the blame on that vulgar bird.--Say the duck, then. Last night, he was no sooner stretched in bed, than he seemed to be of an enormous size: all his limbs--his nose, his mouth, his toes--were elephantine! An elephant was a pigmy to him. And his hugeousness seemed to increase the instant he shut his eyes. He turned on this side; he turned on that.

He lay on his back; he tried putting his face to the pillow; and he continued to swell. He wondered the room could hold him--he thought he must burst it--and absolutely lit a candle, and went to the looking-gla.s.s to see whether he was bearable.

By this time Adrian and Richard were laughing uncontrollably. He had, however, a genial auditor in the Eighteenth Century, who declared it to be a new disease, not known in her day, and deserving investigation. She was happy to compare sensations with him, but hers were not of the complex order, and a potion soon righted her.

In fact, her system appeared to be a debatable ground for aliment and medicine, on which the battle was fought, and, when over, she was none the worse, as she joyfully told Hippias. Never looked ploughman on prince, or village belle on Court Beauty, with half the envy poor Nineteenth-century Hippias expended in his gaze on the Eighteenth. He was too serious to note much the laughter of the young men.

This "Tragedy of a Cooking-Apparatus," as Adrian designated the malady of Hippias, was repeated regularly every evening. It was natural for any youth to escape as quick as he could from such a table of stomachs.

Adrian bore with his conduct considerately, until a letter from the baronet, describing the house and maternal System of a Mrs. Caroline Grandison, and the rough grain of hopefulness in her youngest daughter, spurred him to think of his duties, and see what was going on. He gave Richard half-an-hour's start, and then put on his hat to follow his own keen scent, leaving Hippias and the Eighteenth Century to piquet.

In the lane near Belthorpe he met a maid of the farm not unknown to him, one Molly Davenport by name, a buxom la.s.s, who, on seeing him, invoked her Good Gracious, the generic maid's familiar, and was instructed by reminiscences vivid, if ancient, to giggle.

"Are you looking for your young gentleman?" Molly presently asked.

Adrian glanced about the lane like a cool brigand, to see if the coast was clear, and replied to her, "I am, miss. I want you to tell me about him."

"Dear!" said the buxom la.s.s, "was you coming for me to-night to know?"

Adrian rebuked her: for her bad grammar, apparently.

"'Cause I can't stop out long to-night," Molly explained, taking the rebuke to refer altogether to her bad grammar.