Jane Field Part 19
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Mrs. Maxwell had invited Mrs. Field and Lois to take tea with her the next afternoon, and had hinted there might be other company. "There's a good many I should like to ask," she had said, "but I ain't situated so I can jest now, an' it's a dreadful puzzle to know who to leave out without offendin' them. I'm goin' to have the minister an'
his wife anyhow, an' Lawyer Tuxbury an' his sister. I should ask Flora, but if she comes the children have got to, an' I can't have them anyhow; they're the worst-actin' young ones at the table I ever saw in my life. There's two or three men I'm goin' to ask. Now you an' Lois come real early, Esther."
Mrs. Field's ideas of early, when invited to spend the afternoon and take tea, were primitive. Directly after the dinner dishes were put away, about one o'clock, she spoke to Lois in the harsh, defiant tone she now used toward her. "You'd better go an' get ready," said she.
"She wanted us to come early."
A stubborn look came into Lois's face. "I ain't going," said she, in an undertone.
"What did you say?"
"I ain't going."
"Then you can stay to home, if you want to get your mother into trouble an' make folks think we're guilty of somethin'."
Mrs. Field went into her bedroom to get ready. Presently Lois went softly through on her way to her own. Jane Field stood before her little mirror, brushed her gray hair in smooth curves around her ears, and pinned her black woollen dress with a gold-rimmed brooch containing her dead sister's and her husband's hair.
Lois, before her own gla.s.s, twisted up her pretty hair carefully; she pulled a few curly locks loose on her temples, thinking half indignantly and shamefacedly how she should see that young man again.
Lois was bewildered and terrified, borne down by reflected guilt, almost as if it were her own. She had a wild dread of this going out to tea, meeting more strangers, and seeing her mother act out a further lie; but she could not help being a young girl, and arranging those little locks on her forehead for Francis Arms to see.
When she and her mother stepped out of the door, a strong wind came in their faces.
"Wait a minute," said Mrs. Field. She went back into the house and got Lois's sack. "Put this on," said she.
And Lois put it on.
The wind was from the east, and had the salt smell of the sea. All the white-flowering bushes in the yards and the fruit trees bowed toward the west. There was a storm of white petals. Lois, as she and her mother walked against the wind, kept putting her hand to her hair, to keep it in place.
Mrs. Maxwell's house was a large cottage with a steep Gothic roof jutting over a piazza on each side. The house was an old one, and originally very simple in its design; but there had been evidently at some time a flood-tide of prosperity in the fortunes of its owner, which had left marks in various improvements. There was a large ornate bay-window in front, which contrasted oddly with the severe white peak of wall above it; the piazzas had railings in elaborate scroll-work; and the windows were set with four large panes of gla.s.s, instead of the original twelve small ones. The front yard was inclosed by a fine iron fence. But the highest mark was shown by a little white marble statue in the midst of it. There was no other in the village outside of the cemetery. Mrs. Jane Maxwell's house was always described to inquiring strangers as the one with the statue in front of it.
Lois, as they went up the walk, looked wonderingly at this marble girl standing straight and white in the midst of a votive circle of box. The walk, too, was bordered with box, and there was a strange pungent odor from it.
Mrs. Field rang the door-bell, and she and Lois stood waiting. n.o.body came.
Mrs. Field rang again and again. "I'm goin' round to the other door,"
she announced finally. "Mebbe they don't use this one."
Lois followed her mother around to the other side of the house to the door opening on the south piazza. Mrs. Field rang again, and they waited: then she gave a harder pull. A voice sounded unexpectedly close to them from behind the blinds of a window:
"You jest walk right in," said the voice, which was at once flurried and ceremonious. "Open the door an' go right in, an' turn to the right, an' set down in the parlor. I'll be in in jest a minute. I ain't quite dressed."
Lois and her mother went in as they were directed, and sat down in two of the parlor chairs. The room looked very grand to Mrs. Field.
She stared at the red velvet furniture, the tapestry carpet, and the long lace curtains, and thought, with a hardening heart, how, at all events, she was not defrauding this other woman of a fine parlor. It was to her mind much more splendid than the sitting-room in the other house, with its dim old-fas.h.i.+oned state, and even than the great north parlor, whose furniture and paper had been imported from England at great cost nearly a hundred years ago.
Mrs. Maxwell did not appear for a half-hour. Now and then they heard a scurry of feet, the rattle of dishes, and the closing of a door.
They sat primly waiting. They had not removed their wraps. Lois looked very pale against the red back of her chair.
"Don't you feel well?" asked her mother.
"Yes, I feel well enough," replied Lois.
"You look sick enough," said her mother harshly.
Lois looked out of the window at the marble girl in the yard, and her mouth quivered.
Presently Mrs. Maxwell came, in her soft flurry of silk and old ribbons. She had on a black lace head-dress trimmed with purple flowers, and she wore her black kid gloves.
"I'm real sorry I had to keep you waitin' so long, Esther," said she; "but we were kinder late about dinner. Do take off your things. Flora she'll be down in a few minutes; she's jest gone upstairs to change her dress an' comb her hair. It's a beautiful day, ain't it?"
The three settled themselves in the parlor. Lois sat beside the window, her hands folded meekly in her lap; her mother and Mrs.
Maxwell knitted.
"Don't you do any fancy-work, Lois?" asked Mrs. Maxwell.
"No, she don't do much," replied her mother for her.
"Don't she? I'd like to know! Now Flora, she does considerable. She's makin' a real handsome tidy now. She'll show you how, Lois, if you'd like to make one. It's real easy an' it don't cost a great deal--but then cost ain't much object to you." Mrs. Maxwell laughed an unpleasant sn.i.g.g.e.r. Then she resumed: "Some tidies would look real handsome on some of them great bare chairs over to your house; there ain't one there so far as I know. Thomas he wouldn't never have a new thing in the house; he was terrible set and notional about it and he was terrible tight with his money. I don't care if I do say it; everybody knows it; an' I don't see why it's any worse to say things that's true about the dead than the livin'. With some folks it's all 'Oh, don't say nothin'; he's dead. Cover it all up; he's buried an'
bury it too, an' set all the roses an' pinks a-growin' over it.' I tell you sometimes nettles will sprout, an' when they do, it don't make it any better to call 'em pinks. Thomas Maxwell was terrible tight. I ain't forgot how he talked because we bought this parlor furniture and put big lights in the windows, an' had that iron fence.
Then my poor husband had gone into business with your husband, an'
they seemed to be making money. Why shouldn't he have bought a few things we'd always done without, I'd like to know? You remember what a time the old man made when we bought these things, Esther, I suppose?"
"I can't say as I do," returned Mrs. Field.
"Why, seems to me it's funny you don't. You sure?"
Mrs. Field nodded.
"Well, it's queer you don't. He made an awful time over it; but the worst of it was over that image out in the yard. I b'lieve he always thought my poor husband and yours failed up because we bought that image. There was one thing about it, your husband wa'n't never extravagant, though, was he? Thomas Maxwell couldn't say his son wasted his money, whatever else he said. Your husband was always prudent, wa'n't he, Esther?"
"Yes, I always thought Edward Maxwell was prudent," returned Mrs.
Field.
Lois, staring soberly and miserably out of the window, saw just then a stout girlish figure, leant to one side with the weight of a valise, pa.s.s hurriedly out of the yard. She wondered if it was Flora Maxwell, and watched the pink flowers in her hat and the blue folds of her dress out of sight down the street.
"I guess your husband took after his father a little; I guess he was a little savin'," said Mrs. Maxwell. "I know Edward looked kind of scared when he came over one night an' saw that image just after we'd got it set up, an' he asked how much it cost. It did cost considerable. We didn't ever tell anybody just how much; but I didn't care; I'd always wanted one; an' I made up my mind I'd rather have that if I had to go without some other things. An' my husband wanted it too; he was one of the Maxwells, you know, an' I think they all had a taste for such things if they wa'n't too tight to get 'em. As for me, I had to do without all my young days, an' I have to now except for the few things we got together along then when my poor husband seemed to be prospering; but I've always been crazy over images, an' I've always thought one in a front yard was about the most ornamental thing anybody could have. I've told Flora a good many times that I believed if I'd had advantages when I was young, I should have made images. Don't you think that one's handsome, Esther?"
"Real handsome," said Mrs. Field.
"Some folks have found fault with it because it didn't have more clothes on, but it ain't as if it was in a cemetery. Of course it would have to be dressed different if it was. An' it ain't anything but marble, when you come right down to it. I think there's such a thing as bein' too particular, for my part, don't you?"
"Yes, I do," replied Mrs. Field, looking out at the marble figure.
"Well, I do. Mis' Jay said, after my husband died, that she should think I'd like to put up that image for a kind of monument for him. I didn't feel as if I could put up anything more than stones; but I did think a little of it, and I knew if I did, I should have to have some wings made on it, and a cape or a shawl over the neck and arms; but out here it's different. I look out at it a good many times, an' I'm thankful it ain't got any more on, clothes do get so out of fas.h.i.+on.
You know how they look in photographs sometimes. I s'pose that's the reason that the men who make these images don't put any more on.
There! I must show you my photograph alb.u.m, Esther."
Mrs. Maxwell took a heavy alb.u.m with gilt clasps from the centre-table, and drew a chair close to Mrs. Field.
"Now you get a chair, an' come on the other side, Lois," said she, "an' I can show 'em to both of you."
Lois obeyed, and Mrs. Maxwell turned over the alb.u.m leaves and explained the pictures.
Jane Field Part 19
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Jane Field Part 19 summary
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