Annals of a Quiet Neighbourhood Part 15
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"Now, do not misunderstand me, Mr Stoddart. That might not hurt you, but it would distress me. Pleasure, obtained by wrong, is poison and horror.
But it is not the pleasure that hurts, it is the wrong that is in it that hurts; the pleasure hurts only as it leads to more wrong. I almost think myself, that if you could make everybody happy, half the evil would vanish from the earth."
"But you believe in G.o.d?"
"I hope in G.o.d I do."
"How can you then think that He would not destroy evil at such a cheap and pleasant rate."
"Because He wants to destroy ALL the evil, not the half of it; and destroy it so that it shall not grow again; which it would be sure to do very soon if it had no antidote but happiness. As soon as men got used to happiness, they would begin to sin again, and so lose it all. But care is distrust. I wonder now if ever there was a man who did his duty, and TOOK NO THOUGHT. I wish I could get the testimony of such a man. Has anybody actually tried the plan?"
But here I saw that I was not taking Mr Stoddart with me (as the old phrase was). The reason I supposed to be, that he had never been troubled with much care. But there remained the question, whether he trusted in G.o.d or the Bank?
I went back to the original question.
"But I should be very sorry you should think, that to give pleasure was my object in saying poetic things in the pulpit. If I do so, it is because true things come to me in their natural garments of poetic forms. What you call the POETIC is only the outer beauty that belongs to all inner or spiritual beauty--just as a lovely face--mind, I say LOVELY, not PRETTY, not HANDSOME--is the outward and visible presence of a lovely mind. Therefore, saying I cannot dissociate beauty from use, I am free to say as many poetic things--though, mind, I don't claim them: you attribute them to me--as shall be of the highest use, namely, to embody and reveal the true. But a machine has material use for its end.
The most grotesque machine I ever saw that DID something, I felt to be in its own kind beautiful; as G.o.d called many fierce and grotesque things good when He made the world--good for their good end. But your machine does nothing more than raise the metaphysical doubt and question, whether it can with propriety be called a perpetual motion or not?"
To this Mr Stoddart making no reply, I take the opportunity of the break in our conversation to say to my readers, that I know there was no satisfactory following out of an argument on either side in the pa.s.sage of words I have just given. Even the closest reasoner finds it next to impossible to attend to all the suggestions in his own mind, not one of which he is willing to lose, to attend at the same time to everything his antagonist says or suggests, that he may do him justice, and to keep an even course towards his goal--each having the opposite goal in view.
In fact, an argument, however simply conducted and honourable, must just resemble a game at football; the unfortunate question being the ball, and the numerous and sometimes conflicting thoughts which arise in each mind forming the two parties whose energies are spent in a succession of kicks. In fact, I don't like argument, and I don't care for the victory.
If I had my way, I would never argue at all. I would spend my energy in setting forth what I believe--as like itself as I could represent it, and so leave it to work its own way, which, if it be the right way, it must work in the right mind,--for Wisdom is justified of her children; while no one who loves the truth can be other than anxious, that if he has spoken the evil thing it may return to him void: that is a defeat he may well pray for. To succeed in the wrong is the most dreadful punishment to a man who, in the main, is honest. But I beg to a.s.sure my reader I could write a long treatise on the matter between Mr Stoddart and myself; therefore, if he is not yet interested in such questions, let him be thankful to me for considering such a treatise out of place here. I will only say in brief, that I believe with all my heart that the true is the beautiful, and that nothing evil can be other than ugly.
If it seems not so, it is in virtue of some good mingled with the evil, and not in the smallest degree in virtue of the evil.
I thought it was time for me to take my leave. But I could not bear to run away with the last word, as it were: so I said,
"You put plenty of poetry yourself into that voluntary you played last Sunday. I am so much obliged to you for it!"
"Oh! that fugue. You liked it, did you?"
"More than I can tell you."
"I am very glad."
"Do you know those two lines of Milton in which he describes such a performance on the organ?"
"No. Can you repeat them?"
"'His volant touch, Instinct through all proportions, low and high, Fled and pursued transverse the resonant fugue.'"
"That is wonderfully fine. Thank you. That is better than my fugue by a good deal. You have cancelled the obligation."
"Do you think doing a good turn again is cancelling an obligation? I don't think an obligation can ever be RETURNED in the sense of being got rid of. But I am being hypercritical."
"Not at all.--Shall I tell you what I was thinking of while playing that fugue?"
"I should like much to hear."
"I had been thinking, while you were preaching, of the many fancies men had wors.h.i.+pped for the truth; now following this, now following that; ever believing they were on the point of laying hold upon her, and going down to the grave empty-handed as they came."
"And empty-hearted, too?" I asked; but he went on without heeding me.
"And I saw a vision of mult.i.tudes following, following where nothing was to be seen, with arms outstretched in all directions, some clasping vacancy to their bosoms, some reaching on tiptoe over the heads of their neighbours, and some with hanging heads, and hands clasped behind their backs, retiring hopeless from the chase."
"Strange!" I said; "for I felt so full of hope while you played, that I never doubted it was hope you meant to express."
"So I do not doubt I did; for the mult.i.tude was full of hope, vain hope, to lay hold upon the truth. And you, being full of the main expression, and in sympathy with it, did not heed the undertones of disappointment, or the sighs of those who turned their backs on the chase. Just so it is in life."
"I am no musician," I returned, "to give you a musical counter to your picture. But I see a grave man tilling the ground in peace, and the form of Truth standing behind him, and folding her wings closer and closer over and around him as he works on at his day's labour."
"Very pretty," said Mr Stoddart, and said no more.
"Suppose," I went on, "that a person knows that he has not laid hold on the truth, is that sufficient ground for his making any further a.s.sertion than that he has not found it?"
"No. But if he has tried hard and has not found ANYTHING that he can say is true, he cannot help thinking that most likely there is no such thing."
"Suppose," I said, "that n.o.body has found the truth, is that sufficient ground for saying that n.o.body ever will find it? or that there is no such thing as truth to be found? Are the ages so nearly done that no chance yet remains? Surely if G.o.d has made us to desire the truth, He has got some truth to cast into the gulf of that desire. Shall G.o.d create hunger and no food? But possibly a man may be looking the wrong way for it. You may be using the microscope, when you ought to open both eyes and lift up your head. Or a man may be finding some truth which is feeding his soul, when he does not think he is finding any. You know the Fairy Queen. Think how long the Redcross Knight travelled with the Lady Truth--Una, you know--without learning to believe in her; and how much longer still without ever seeing her face. For my part, may G.o.d give me strength to follow till I die. Only I will venture to say this, that it is not by any agony of the intellect that I expect to discover her."
Mr Stoddart sat drumming silently with his fingers, a half-smile on his face, and his eyes raised at an angle of forty-five degrees. I felt that the enthusiasm with which I had spoken was thrown away upon him. But I was not going to be ashamed therefore. I would put some faith in his best nature.
"But does not," he said, gently lowering his eyes upon mine after a moment's pause--"does not your choice of a profession imply that you have not to give chase to a fleeting phantom? Do you not profess to have, and hold, and therefore teach the truth?"
"I profess only to have caught glimpses of her white garments,--those, I mean, of the abstract truth of which you speak. But I have seen that which is eternally beyond her: the ideal in the real, the living truth, not the truth that I can THINK, but the truth that thinks itself, that thinks me, that G.o.d has thought, yea, that G.o.d is, the truth BEING true to itself and to G.o.d and to man--Christ Jesus, my Lord, who knows, and feels, and does the truth. I have seen Him, and I am both content and unsatisfied. For in Him are hid all the treasures of wisdom and knowledge. Thomas a Kempis says: 'Cui aeternum Verb.u.m loquitur, ille a multis opinionibus expeditur.'" (He to whom the eternal Word speaks, is set free from a press of opinions.)
I rose, and held out my hand to Mr Stoddart. He rose likewise, and took it kindly, conducted me to the room below, and ringing the bell, committed me to the care of the butler.
As I approached the gate, I met Jane Rogers coming back from the village. I stopped and spoke to her. Her eyes were very red.
"Nothing amiss at home, Jane?" I said.
"No, sir, thank you," answered Jane, and burst out crying.
"What is the matter, then? Is your----"
"Nothing's the matter with n.o.body, sir."
"Something is the matter with you."
"Yes, sir. But I'm quite well."
"I don't want to pry into your affairs; but if you think I can be of any use to you, mind you come to me."
"Thank you kindly, sir," said Jane; and, dropping a courtesy, walked on with her basket.
I went to her parents' cottage. As I came near the mill, the young miller was standing in the door with his eyes fixed on the ground, while the mill went on hopping behind him. But when he caught sight of me, he turned, and went in, as if he had not seen me.
"Has he been behaving ill to Jane?" thought I. As he evidently wished to avoid me, I pa.s.sed the mill without looking in at the door, as I was in the habit of doing, and went on to the cottage, where I lifted the latch, and walked in. Both the old people were there, and both looked troubled, though they welcomed me none the less kindly.
"I met Jane," I said, "and she looked unhappy; so I came on to hear what was the matter."
Annals of a Quiet Neighbourhood Part 15
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Annals of a Quiet Neighbourhood Part 15 summary
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