Linda Condon Part 21

The man, seriously addressing the serious uncomprehending interest of ten, proceeded with a description of violins--but she had heard them through all her life--and a parting that left only a white glove for remembrance. Then he had repeated that line, in Italian, which, not long back, her husband had recalled. The old gesture toward the stars, the need to escape fatality--how she had suffered from that!

Yet it was a service of the body, a faith spiritual because, here, it was never to be won, never to be realized in warm embrace. It had no recognition in flesh, and it was the reward of no prayer or humility or righteousness. Only beauty knew and possessed it. His image grew dim like the blurring of his voice by pain and the shadow of death. Linda's thoughts and longing turned again to Dodge; it seemed to her that he no more than took up the recital where the other was silent.

Pleydon--was it at Markue's party or later?--talking about "Homer's children" had meant the creations of great artists, in sound or color or words or form, through that supreme love unrealized in other life. The statue of Simon Downige, towering before her against the sky and above the sea, held in immutable bronze his conviction. The meager bundle and crude stick rested by shoes clogged with mud; Simon's body was crushed with weariness; but under the sweat-plastered brow his gaze pierced indomitable and undismayed to the vision of a place of truth.

She was choked by a sharp rush of joy at Dodge's accomplishment, an entire understanding of the beauty he had vainly explained, the deathless communication of old splendid courage, an unshaken divine need, to succeeding men and hope. This had been hers. She had always felt her presence in his success; but, until now, it had belonged exclusively to him. Dodge had, in his love, absorbed her, and that resulted in the statues the world applauded. She, Linda thought, had been an element easily dismissed. It had hurt her pride almost beyond endurance, the pride that took the form of an inner necessity for the survival of her grace--all she had.

She had even asked him, in a pa.s.sing resentment, why he had never directly modeled her, kept, with his recording genius, the shape of her features. She had gone to him in a blinder vanity for the purpose of stamping her partic.i.p.ation in his triumph on the stupid insensibility of their world. How incredible! But at last she could see that he had preserved her spirit, her secret self, from destruction. He had cheated death of her fineness. The delicate perfection of her youth would never perish, never be dulled by old age or corrupted in death. It had inspired and entered into Pleydon's being, and he had lifted it on the pedestal rising between the sea and sky.

She was in the Luxembourg, in that statue of Cotton Mather, the somber flame, about which he had written with a comment on the changing subjects of his creations. From the moment when he sat beside her on the divan in that room stifling with incense, with the naked glimmer of women's shoulders, she had been the source of his power. She had been his power. Linda smiled quietly, in retrospect, at her years of uncertainty, the feeling of waste, that had robbed her of peace. How complete her mystification had been! And, all the while, she had had the thrill of delight, of premonition, born in her through the forgotten hour with the man who had died.

The sun, moving in celestial s.p.a.ce, s.h.i.+fted the shadow about the base of Simon Downige's monument. The afternoon was advancing. She rose and turned, looking out over the sea to the horizon as brightly sharp as a curved sword. The life of Cottarsport, below her, proceeded in detached figures, an occasional unhurried pa.s.sage. The boats in the harbor were slumberous. It was time to go. She gazed again, for a last view, at the bronze seated figure; and a word of Pleydon's, but rather it was Greek, wove its significance in the placid texture of her thoughts. Its exact shape evaded her, a difficult word to recall--_Katharsis_, the purging of the heart. About her was the beating of the white wings of a Victory sweeping her--a faded slender woman in immaculate gloves and a small matchless hat--into a region without despair.

THE END