Irish Wonders Part 10
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Firearms are not often used in these encounters between the police and the populace, for such battles always take place in daylight, and although, when an eviction promises to be of more than usual danger, the police carry rifles, strict orders are given not to use them save in dire extremity, and a policeman will be beaten almost to death without resorting to the use of his gun. On ordinary day-duty the police carry only a short club or revolver, hidden under the coat; but at night, the country constables are armed with rifle and bayonet, and patrol the roads in pairs, one walking on each side and as close as possible to the hedge or wall.
But in spite of the extraordinary difficulties and unceasing dangers of his work the constable does his duty with scrupulous exactness, and instances of treachery to the government among the Irish constabulary are extremely rare. Indeed, service in the constabulary is much sought for, and there are always more applicants than vacancies. The physical standard is so high that the police are the picked men of the country, while the average grade of intelligence among them is better than among the peasantry from whose ranks they have come.
Ready as they are to go cheerfully on any service, however laborious or perilous, there is one task which the constabulary of the west coast hold in mortal detestation, and that is, an expedition into the mountains to seize illicit stills and arrest distillers of poteen. Such an enterprise means days and nights of toilsome climbing, watching, waiting, and spying; often without result, and generally with a strong probability that when the spot where the still has been is surrounded, the police thinking they have the law breakers in a trap, the latter take the alarm, escape by some unknown path, leaving nothing but "the pot and the smell" as reminiscences of their presence and employment. The disappointing nature of the duty is thus one good reason for the dislike felt for it by the constables, but another is found in the unusual degree of peril attending it, for in the mountains of Donegal, Mayo, Galway, Clare, and Kerry, the distillers generally own firearms, know how to use them, and feel no more compunction for shooting a policeman than for killing a dog. The extremely rugged character of the Mayo mountains, in particular, offers many opportunities for the outlaws to practise their craft in safety and secrecy, for, the whole neighborhood being on the lookout for the enemy, there are always friends to give the alarm. To hide the still in the ground or in a convenient cave is the work of very few minutes, after which the distillers are quite at leisure and turn their attention to shooting at the police, a job attended with so little risk to themselves and so much discomfort to the constables that the latter frequently give up the chase on very slight provocation.
Near Lake Derryclare, in the Connemara district of Galway, and almost under the shadow of the Twelve Pins, there stands by the wayside a small rude monument of uncut stones, a mere heap, surmounted by a rough wooden cross. Such stone heaps as this are common on the west coast, and originate in the custom of making a family memorial, each member of the family, or, in some cases, each friend attending the funeral, contributing a stone to the rude monument. In some neighborhoods, every relative and friend casts a stone on the common pile whenever he pa.s.ses the spot, so the heap is constantly growing. This particular monument in Connemara does not differ in any important respect from many others, but before it, in the summer of 1886, there knelt, all day long, an old peasant woman. Every morning she came from a hut in the glen near by and spent every hour of daylight in prayer before the wooden cross. It seemed to matter little to her whether it rained or the sun shone; in suns.h.i.+ne, the hood of her tattered cloak was thrown back and her white hair exposed, while the rain compelled her to draw the hood forward, but rain or s.h.i.+ne she was always there, her lips silently moving as the beads slipped through her withered fingers, nor could any question divert her attention from her devotions.
She never looked up, never took the slightest notice of remarks addressed to her, nor was she ever heard to speak aloud. Once a week provisions were sent to her house from the nearest police station; they were left within, and those who brought them went their way, for she gave them no word of thanks, no look of grat.i.tude; nor, for many years, had the constables sent with the allowance made her by the government ventured to compel her to speak to them.
Her story was told by a Sergeant of Police, and formed a painful ill.u.s.tration of the poteen trade in the mountains. In the year 1850, while the country was still suffering from the effects of the "starving time,"
she lived with her husband, Michael O'Malley, and four sons, on a little farm near Lake Derryclare. Year after year had the crops failed, but the little family held together, faring, or rather starving, alike. In the year mentioned, although the country in general was beginning to recover from the famine, this part of Connemara was still stricken, and the crop seemed likely again to fail. Starvation stared the hapless family in the face. The boys were well grown lads, accustomed to the hard life of peasants, and willing to work if any could be found. All four left home, the eldest going to Galway, the other three to the sea-sh.o.r.e, where they found temporary employment in the fisheries. While so engaged, they learned the secrets of the illicit distiller, and having, in course of time, managed to procure a small still, they returned home with it, and as the cabin was in a secluded quarter of a little frequented district, they persuaded the old man to engage in the enterprise with them. The risk of detection appeared so small, especially when compared with the profits, that against the prayers and entreaties of the woman, the still was set up in a retired spot near by and the manufacture of the poteen begun in as large quant.i.ties as their limited resources would allow. A number of years pa.s.sed, and, as their product found a ready sale in the neighborhood, the O'Malleys prospered as they had never done before, the boys married, and families grew around them.
The eldest brother, John O'Malley, having gone to Galway, succeeded, by what he considered a great stroke of good fortune, in obtaining a place on the constabulary. The family at home knew nothing of him, nor had he communicated with them, for directly after his enlistment he was sent to the County Wexford on the opposite side of the island, and completely lost sight of his old home. Proving intelligent and capable, he was promoted, made a sergeant, and ordered to the County Galway. Immediately upon his arrival at his new post, a small village in Connemara, intelligence was brought of illicit distilling near the Twelve Pins, and O'Malley was ordered to proceed with a strong party of police to seize the still, and, if possible, arrest the criminals. The names of the offenders were not given, but the location of the glen where operations were carried on was described with such exactness that O'Malley, who knew every foot of ground in the vicinity, laid such plans as to render escape by the distillers a practical impossibility. Before dark one evening a party of twelve mounted constables armed with rifles started from Maume, at the head of Lough Corrib, travelled all night, and by morning Sergeant O'Malley had so posted his men round the glen that the arrest of the distillers was apparently a certainty. In the early dawn, before objects could be distinctly seen, several men were observed going into the glen, and, at a given signal, the police closed in on the little shanty where the still was in operation. A desperate fight ensued, and Sergeant O'Malley was shot dead by one of his brothers without knowing whose hand pointed the weapon.
Two of the O'Malleys were killed by the police bullets, and a constable was mortally wounded. Michael and his remaining son were taken alive, afterwards tried for murder, when for the first time they learned that the dead Sergeant was their relative. Both were hanged, the singular circ.u.mstances of the crime for which they suffered attracting wide attention.
Mrs. O'Malley thus beheld herself, at a single blow, deprived of husband and four sons. For a time she was wildly demented, but the violence pa.s.sed away, and as her clouded brain became calm, it was occupied by one idea, to the exclusion of all others,--prayer for the repose of her dead. The body of the Sergeant was buried near Maume, but O'Malley and his three sons were buried together under the cairn in a long disused churchyard through which the road pa.s.sed, a churchyard like thousands more in Ireland, where the grave-stones are hidden by the nettles and weeds.
Thither, with a love stronger than death, goes the poor old woman every day, and, untiring in her devotion, spends her life reciting the prayers for the dead.
[Ill.u.s.tration: "Thither goes the poor old women every day"]
THE LEPRECHAWN.
[Ill.u.s.tration: Initial: "The Leprechawn"]
Every mythology has its good and evil spirits which are objects of adoration and subjects of terror, and often both cla.s.ses are wors.h.i.+pped from opposite motives; the good, that the wors.h.i.+pper may receive benefit; the evil, that he may escape harm. Sometimes good deities are so benevolent that they are neglected, superst.i.tious fear directing all devotion towards the evil spirits to propitiate them and avert the calamities they are ever ready to bring upon the human race; sometimes the malevolent deities have so little power that the prayer of the pious is offered up to the good spirits that they may pour out still further favors, for man is a wors.h.i.+pping being, and will prostrate himself with equal fervor before the altar whether the deity be good or bad.
Midway, however, between the good and evil beings of all mythologies there is often one whose qualities are mixed; not wholly good nor entirely evil, but balanced between the two, sometimes doing a generous action, then descending to a petty meanness, but never rising to n.o.bility of character nor sinking to the depths of depravity; good from whim, and mischievous from caprice.
Such a being is the Leprechawn of Ireland, a relic of the pagan mythology of that country. By birth the Leprechawn is of low descent, his father being an evil spirit and his mother a degenerate fairy; by nature he is a mischief-maker, the Puck of the Emerald Isle. He is of diminutive size, about three feet high, and is dressed in a little red jacket or roundabout, with red breeches buckled at the knee, gray or black stockings, and a hat, c.o.c.ked in the style of a century ago, over a little, old, withered face. Round his neck is an Elizabethan ruff, and frills of lace are at his wrists. On the wild west coast, where the Atlantic winds bring almost constant rains, he dispenses with ruff and frills and wears a frieze overcoat over his pretty red suit, so that, unless on the lookout for the c.o.c.ked hat, "ye might pa.s.s a Leprechawn on the road and never know it's himself that's in it at all."
In Clare and Galway, the favorite amus.e.m.e.nt of the Leprechawn is riding a sheep or goat, or even a dog, when the other animals are not available, and if the sheep look weary in the morning or the dog is muddy and worn out with fatigue, the peasant understands that the local Leprechawn has been going on some errand that lay at a greater distance than he cared to travel on foot. Aside from riding the sheep and dogs almost to death, the Leprechawn is credited with much small mischief about the house. Sometimes he will make the pot boil over and put out the fire, then again he will make it impossible for the pot to boil at all. He will steal the bacon-flitch, or empty the potato-kish, or fling the baby down on the floor, or occasionally will throw the few poor articles of furniture about the room with a strength and vigor altogether disproportioned to his diminutive size. But his mischievous pranks seldom go further than to drink up all the milk or despoil the proprietor's bottle of its poteen, sometimes, in sportiveness, filling the bottle with water, or, when very angry, leading the fire up to the thatch, and then startling the in-mates of the cabin with his laugh as they rise, frightened, to put out the flames.
To offset these troublesome attributes, the Leprechawn is very domestic, and sometimes attaches himself to a family, always of the "rale owld shtock," accompanying its representatives from the castle to the cabin and never deserting them unless driven away by some act of insolence or negligence, "for, though he likes good atin', he wants phat he gets to come wid an open hand, an' 'ud laver take the half av a pratee that's freely given than the whole av a quail that's begrudged him." But what he eats must be specially intended for him, an instance being cited by a Clare peasant of a Leprechawn that deserted an Irish family, because, on one occasion, the dog having left a portion of his food, it was set by for the Leprechawn. "Jakers, 't was as mad as a little wasp he was, an' all that night they heard him workin' away in the cellar as busy as a nailer, an' a sound like a catheract av wather goin' widout saycin'. In the mornin' they wint to see phat he'd been at, but he was gone, an' whin they come to thry for the wine, bad loock to the dhrop he'd left, but all was gone from ivery cask an' bottle, and they were filled wid say-wather, beways av rayvinge o' phat they done him."
In different country districts the Leprechawn has different names. In the northern counties he is the Logheryman; in Tipperary, he is the Lurigadawne; in Kerry, the Luricawne; in Monaghan, the Cluricawne. The dress also varies. The Logheryman wears the uniform of some British infantry regiments, a red coat and white breeches, but instead of a cap, he wears a broad-brimmed, high, pointed hat, and after doing some trick more than usually mischievous, his favorite position is to poise himself on the extreme point of his hat, standing at the top of a wall or on a house, feet in the air, then laugh heartily and disappear. The Lurigadawne wears an antique slashed jacket of red, with peaks all round and a jockey cap, also sporting a sword, which he uses as a magic wand. The Luricawne is a fat, pursy little fellow whose jolly round face rivals in redness the cut-a-way jacket he wears, that always has seven rows of seven b.u.t.tons in each row, though what use they are has never been determined, since his jacket is never b.u.t.toned, nor, indeed, can it be, but falls away from a s.h.i.+rt invariably white as the snow. When in full dress he wears a helmet several sizes too large for him, but, in general, prudently discards this article of headgear as having a tendency to render him conspicuous in a country where helmets are obsolete, and wraps his head in a handkerchief that he ties over his ears.
The Cluricawne of Monaghan is a little dandy, being gorgeously arrayed in a swallow-tailed evening coat of red with green vest, white breeches, black stockings, and shoes that "fur the s.h.i.+ne av 'em 'ud shame a lookin'-gla.s.s." His hat is a long cone without a brim, and is usually set jauntily on one side of his curly head. When greatly provoked, he will sometimes take vengeance by suddenly ducking and poking the sharp point of his hat into the eye of the offender. Such conduct is, however, exceptional, as he commonly contents himself with soundly abusing those at whom he has taken offence, the objects of his anger hearing his voice but seeing nothing of his person.
One of the most marked peculiarities of the Leprechawn family is their intense hatred of schools and schoolmasters, arising, perhaps, from the ridicule of them by teachers, who affect to disbelieve in the existence of the Leprechawn and thus insult him, for "it's very well beknownst, that onless ye belave in him an' thrate him well, he'll lave an' come back no more." He does not even like to remain in the neighborhood where a national school has been established, and as such schools are now numerous in Ireland, the Leprechawns are becoming scarce. "Wan gineration of taichers is enough for thim, bekase the families where the little fellys live forgit to set thim out the bit an' sup, an' so they lave." The few that remain must have a hard time keeping soul and body together for nowhere do they now receive any attention at meal-times, nor is the anxiety to see one by any means so great as in the childhood of men still living. Then, to catch a Leprechawn was certain fortune to him who had the wit to hold the mischief-maker a captive until demands for wealth were complied with.
"Mind ye," said a Kerry peasant, "the onliest time ye can ketch the little vagabone is whin he's settin' down, an' he niver sets down axceptin' whin his brogues want mendin'. He runs about so much he wears thim out, an'
whin he feels his feet on the ground, down he sets undher a hidge or behind a wall, or in the gra.s.s, an' takes thim aff an' mends thim. Thin comes you by, as quiet as a cat an' sees him there, that ye can aisily, be his red coat, an' you shlippin' up on him, catches him in yer arrums.
"'Give up yer goold,' says you.
"'Begob, I've no goold,' says he.
"'Then outs wid yer magic purse,' says you.
"But it's like pullin' a hat full av taith to get aither purse or goold av him. He's got goold be the ton, an' can tell ye where ye can put yer finger on it, but he wont, till ye make him, an' that ye must do be no aisey manes. Some cuts aff his wind be chokin' him, an' some bates him, but don't for the life o' ye take yer eyes aff him, fur if ye do, he's aff like a flash an' the same man niver sees him agin, an' that's how it was wid Michael O'Dougherty.
"He was afther lookin' for wan nigh a year, fur he wanted to get married an' hadn't anny money, so he thought the aisiest was to ketch a Luricawne.
So he was lookin' an' watchin' an' the fellys makin' fun av him all the time. Wan night he was comin' back afore day from a wake he'd been at, an'
on the way home he laid undher the hidge an' shlept awhile, thin riz an'
walked on. So as he was walkin', he seen a Luricawne in the gra.s.s be the road a-mendin' his brogues. So he shlipped up an' got him fast enough, an'
thin made him tell him where was his goold. The Luricawne tuk him to nigh the place in the break o' the hills an' was goin' fur to show him, when all at wanst Mike heard the most outprobrious scraich over the head av him that 'ud make the hairs av ye shtand up like a mad cat's tail.
"'The saints defind me,' says he, 'phat's that?' an' he looked up from the Luricawne that he was carryin' in his arrums. That minnit the little attomy wint out av his sight, fur he looked away from it an' it was gone, but he heard it laugh when it wint an' he niver got the goold but died poor, as me father knows, an' he a boy when it happened."
Although the Leprechawns are skilful in evading curious eyes, and, when taken, are shrewd in escaping from their captors, their tricks are sometimes all in vain, and after resorting to every device in their power, they are occasionally compelled to yield up their hidden stores, one instance of which was narrated by a Galway peasant.
"It was Paddy Donnelly av Connemara. He was always hard at work as far as anny wan seen, an' bad luck to the day he'd miss, barrin' Sundays. When all 'ud go to the fair, sorra a fut he'd shtir to go near it, no more did a dhrop av dhrink cra.s.s his lips. When they'd ax him why he didn't take divarshun, he'd laugh an' tell thim his field was divarshun enough fur him, an' by an' by he got rich, so they knewn that when they were at the fair or wakes or shports, it was lookin' fur a Leprechawn he was an' not workin', an' he got wan too, fur how else cud he get rich at all."
And so it must have been, in spite of the denials of Paddy Donnelly, though, to do him justice, he stoutly affirmed that his small property was acquired by industry, economy, and temperance. But according to the opinions of his neighbors, "bad scran to him 't was as greedy as a pig he was, fur he knewn where the goold was, an' wanted it all fur himself, an'
so lied about it like the Leprechawns, that's known to be the biggest liars in the world."
The Leprechawn is an old bachelor elf who successfully resists all efforts of scheming fairy mammas to marry him to young and beautiful fairies, persisting in single blessedness even in exile from his kind, being driven off as a punishment for his heterodoxy on matrimonial subjects. This is one explanation of the fact that Leprechawns are always seen alone, though other authorities make the Leprechawn solitary by preference, he having learned the hollowness of fairy friends.h.i.+p and the deceitfulness of fairy femininity, and left the society of his kind in disgust at its lack of sincerity.
It must be admitted that the latter explanation seems the more reasonable, since whenever the Leprechawn has been captured and forced to engage in conversation with his captor he displayed conversational powers that showed an ability to please, and as woman kind, even among fairy circles, are, according to an Irish proverb, "aisily caught be an oily tongue," the presumption is against the expulsion of the Leprechawn and in favor of his voluntary retirement.
[Ill.u.s.tration: Returning the next morning with the spade]
However this may be, one thing is certain to the minds of all wise women and fairy-men, that he is the "thrickiest little divil that iver wore a brogue," whereof abundant proof is given. There was Tim O'Donovan, of Kerry, who captured a Leprechawn and forced him to disclose the spot where the "pot o' goold" was concealed. Tim was going to make the little rogue dig up the money for him, but, on the Leprechawn advancing the plea that he had no spade, released him, marking the spot by driving a stick into the ground and placing his hat on it. Returning the next morning with a spade, the spot pointed out by the "little ottomy av a desaver" being in the centre of a large bog, he found, to his unutterable disgust, that the Leprechawn was too smart for him, for in every direction innumerable sticks rose out of the bog, each bearing aloft an old "caubeen" so closely resembling his own that poor Tim, after long search, was forced to admit himself baffled and give up the gold that, on the evening before, had been fairly within his grasp, if "he'd only had the brains in his shkull to make the Leprechawn dig it for him, shpade or no shpade."
Even when caught, therefore, the captor must outwit the captive, and the wily little rascal, having a thousand devices, generally gets away without giving up a penny, and sometimes succeeds in bringing the eager fortune-hunter to grief, a notable instance of which was the case of Dennis...o...b..yan, of Tipperary, as narrated by an old woman of Crusheen.
"It's well beknownst that the Leprechawn has a purse that's got the charmed s.h.i.+llin'. Only wan s.h.i.+llin', but the wondher av the purse is this: No matther how often ye take out a s.h.i.+llin' from it, the purse is niver empty at all, but whin ye put yer finger in agin, ye always find wan there, fur the purse fills up when ye take wan from it, so ye may shtand all day countin' out the s.h.i.+llin's an' they comin', that's a thrick av the good peoples an' be magic.
"Now Dinnis was a young blaggard that was always afther peepin' about undher the hidge fur to ketch a Leprechawn, though they do say that thim that doesn't sarch afther thim sees thim oftener than thim that does, but Dinnis made his mind up that if there was wan in the counthry, he'd have him, fur he hated work worse than sin, an' did be settin' in a shebeen day in an' out till you'd think he'd grow on the sate. So wan day he was comin' home, an' he seen something red over in the corner o' the field, an' in he goes, as quiet as a mouse, an' up on the Leprechawn an' grips him be the collar an' down's him on the ground.
"'Arrah, now, ye ugly little vagabone,' says he, 'I've got ye at last. Now give up yer goold, or by jakers I'll choke the life out av yer pin-squazin' carkidge, ye owld cobbler, ye,' says he, shakin' him fit to make his head dhrop aff.
"The Leprechawn begged, and scritched, an' cried, an' said he wasn't a rale Leprechawn that was in it, but a young wan that hadn't anny goold, but Dinnis wouldn't let go av him, an' at last the Leprechawn said he'd take him to the pot ov goold that was hid be the say, in a glen in Clare.
Dinnis didn't want to go so far, bein' afeared the Leprechawn 'ud get away, an' he thought the divilish baste was afther lyin' to him, bekase he knewn there was goold closter than that, an' so he was chokin' him that his eyes stood out till ye cud knock 'em aff wid a shtick, an' the Leprechawn axed him would he lave go if he'd give him the magic purse.
Dinnis thought he'd betther do it, fur he was mortially afeared the oudacious little villin 'ud do him some thrick an' get away, so he tuk the purse, afther lookin' at it to make sure it was red s.h.i.+lk, an' had the s.h.i.+llin' in it, but the minnit he tuk his two eyes aff the Leprechawn, away wint the rogue wid a laugh that Dinnis didn't like at all.
"But he was feelin' very comfortable be razon av gettin' the purse, an'
says to himself, 'Begorra, 'tis mesilf that'll ate the full av me waistband fur wan time, an' dhrink till a stame-ingine can't squaze wan dhrop more down me neck,' says he, and aff he goes like a quarther-horse fur Miss Clooney's sheebeen, that's where he used fur to go. In he goes, an' there was Paddy Grogan, an' Tim O'Donovan, an' Mike Conathey, an'
Bryan Flaherty, an' a shtring more av 'em settin' on the table, an' he pulls up a sate an' down he sets, a-callin' to Miss Clooney to bring her best.
"'Where's yer money?' says she to him, fur he didn't use to have none barrin' a tuppence or so.
"'Do you have no fear,' says he, 'fur the money,' says he, 'ye pinny-schrapin' owld shkeleton,' this was beways av a shot at her, fur it was the size av a load o' hay she was, an' weighed a ton. 'Do you bring yer best,' says he. 'I'm a gintleman av forchune, bad loock to the job o'
work I'll do till the life laves me. Come, jintlemin, dhrink at my axpinse.' An' so they did an' more than wanst, an' afther four or five guns apace, Dinnis ordhered dinner fur thim all, but Miss Clooney towld him sorra the bit or sup more 'ud cra.s.s the lips av him till he paid fur that he had. So out he pulls the magic purse fur to pay, an' to show it thim an' towld thim phat it was an' where he got it.
Irish Wonders Part 10
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Irish Wonders Part 10 summary
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