The Hermit of Far End Part 3

"Good-morning, uncle mine!" Sara bent to kiss him as the door closed quietly behind the retreating servants.

Patrick Lovell screwed his monocle into his eye and regarded her dispa.s.sionately.

"You look somewhat ruffled," he observed, "both literally and figuratively."

She laughed, putting up a careless hand to brush back the heavy tress of dark hair that had fallen forward over her forehead.

"I've had an adventure," she answered, and proceeded to recount her experience with Black Brady. When she reached the point where the man had fired off his gun, Patrick interrupted explosively.

"The infernal scoundrel! That fellow will dangle at the end of a rope one of these days--and deserve it, too. He's a murderous ruffian--a menace to the countryside."

"He only fired into the air--to frighten me," explained Sara.

Her uncle looked at her curiously.

"And did he succeed?" he asked.

She bestowed a little grin of understanding upon him.

"He did," she averred gravely. Then, as Patrick's bushy eyebrows came together in a bristling frown, she added: "But he remained in ignorance of the fact."

The frown was replaced by a twinkle.

"That's all right, then," came the contented answer.

"All the same, I really _was_ frightened," she persisted.

"It gave me quite a nasty turn, as the servants say. I don't think"--meditatively--"that I enjoy being shot at. Am I a funk, my uncle?"

"No, my niece"--with some amus.e.m.e.nt. "On the contrary, I should define the highest type of courage as self-control in the presence of danger--not necessarily absence of fear. The latter is really no more credit to you than eating your dinner when you're hungry."

"Mine, then, I perceive to be the highest type of courage," chuckled Sara. "It's a comforting reflection."

It was, when propounded by Patrick Lovell, to whom physical fear was an unknown quant.i.ty. Had he lived in the days of the Terror, he would a.s.suredly have taken his way to the guillotine with the same gay, debonair courage which enabled the n.o.bles of France to throw down their cards and go to the scaffold with a smiling promise to the other players that they would continue their interrupted game in the next world.

And when Sara had come to live with Patrick, a dozen years ago, he had rigorously inculcated in her youthful mind a contempt for every form of cowardice, moral and physical.

It had not been all plain sailing, for Sara was a highly strung child, with the vivid imagination that is the primary cause of so much that is carelessly designated cowardice. But Patrick had been very wise in his methods. He had never rebuked her for lack of courage; he had simply taken it for granted that she would keep her grip of herself.

Sara's thoughts slid back to an incident which had occurred during their early days together. She had been very much alarmed by the appearance of a huge mastiff who was permitted the run of the house, and her uncle, noticing her shrinking avoidance of the rather formidable looking beast, had composedly bidden her take him to the stables and chain him up. For an instant the child had hesitated. Then, something in the man's quiet confidence that she would obey had made its claim on her childish pride, and, although white to the lips, she had walked straight up to the great creature, hooked her small fingers into his collar, and marched him off to his kennel.

Courage under physical pain she had learned from seeing Patrick contend with his own infirmity. He suffered intensely at times, but neither groan nor word of complaint was ever allowed to escape his set lips.

Only Sara would see, after what he described as "one of my d.a.m.n bad days, m'dear," new lines added to the deepening network that had so aged his appearance lately.

At these times she herself endured agonies of reflex suffering and apprehension, since her attachment to Patrick Lovell was the moving factor of her existence. Other girls had parents, brothers and sisters, and still more distant relatives upon whom their capacity for loving might severally expend itself. Sara had none of these, and the whole devotion of her intensely ardent nature lavished itself upon the man whom she called uncle.

Their mutual att.i.tude was something more than the accepted relations.h.i.+p implied. They were friends--these two--intimate friends, comrades on an equal footing, respecting each other's reserves and staunchly loyal to one another. Perhaps this was accounted for in a measure by the very fact that they were united by no actual bond of blood. That Sara was Patrick's niece by adoption was all the explanation of her presence at Barrow Court that he had ever vouchsafed to the world in general, and it practically amounted to the sum total of Sara's own knowledge of the matter.

Hers had been a life of few relations.h.i.+ps. She had no recollection of any one who had ever stood towards her in the position of a father, and though she realized that the one-time existence of such a personage must be a.s.sumed, she had never felt much curiosity concerning him.

The horizon of her earliest childhood had held but one figure, that of an adored mother, and "home" had been represented by a couple of meager rooms at the top of a big warren of a place known as Wallater's Buildings, tenanted princ.i.p.ally by families of the artisan cla.s.s.

Thus debarred by circ.u.mstances from the companions.h.i.+p of other children, Sara's whole affections had centred round her mother, and she had never forgotten the sheer, desolating anguish of that moment when the dreadful, unresponsive silence of the sheeted figure, lying in the shabby little bedroom they had shared together, brought home to her the significance of death.

She had not cried, as most children of eight would have done, but she had suffered in a kind of frozen silence, incapable of any outward expression of grief.

"Unfeelin', I call it!" declared the woman who lived on the same floor as the Tennants, and who had attended at the doctor's behest, to a friend and neighbour who was occupied in boiling a kettle over a gas-ring. "Must be a cold-'earted child as can see 'er own mother lyin'

dead without so much as a tear." She sniffed. "'Aven't you got that cup o' tea ready yet? I can allus drink a cup o' tea after a layin'-out."

Sara had watched the two women drinking their tea with brooding eyes, her small breast heaving with the intensity of her resentment. Without being in any way able to define her emotions, she felt that there was something horrible in their frank enjoyment of the steaming liquid, gulped down to the cheerful accompaniment of a running stream of intimate gossip, while all the time that quiet figure lay on the narrow bed--motionless, silent, wrapped in the strange and immense aloofness of the dead.

Presently one of the women poured out a third cup of tea and pushed it towards the child, slopping in the thin, bluish-looking milk with a generous hand.

"'Ave a cup, child. It's as good a drop o' tea as ever I tasted."

For a moment Sara stared at her speechlessly; then, with a sudden pa.s.sionate gesture, she swept the cup on to the floor.

The clash of breaking china seemed to ring through the chamber of death, the women's voices rose shrilly in reproof, and Sara, fleeing into the adjoining room, cast herself face downwards upon the floor, horror-stricken. It was not the raucous anger of the women which she heeded; that pa.s.sed her by. But she had outraged some fine, instinctive sense by reverence that lay deep within her own small soul.

Still she did not cry. Only, as she lay on the ground with her face hidden, she kept repeating in a tense whisper--

"You know I didn't mean it, G.o.d! You know I didn't mean it!"

It was then that Patrick Lovell had appeared, coming in response to she knew not what summons, and had taken her away with him. And the tendrils of her affection, wrenched from their accustomed hold, had twined themselves about this grey-haired, blue-eyed man, set so apart by every _soigne_ detail of his person from the shabby, slip-shod world which Sara had known, but who yet stood beside the bed on which her mother lay, with a wrung mouth beneath his clipped moustache and a mist of tears dimming his keen eyes.

Sara had loved him for those tears.

CHAPTER II

THE Pa.s.sING OF PATRICK LOVELL

Autumn had given place to winter, and a bitter northeast wind was tearing through the pines, shrieking, as it fled, like the cry of a lost soul. The eerie sound of it served in some indefinable way to emphasise the cosy warmth and security of the room where Sara and her uncle were sitting, their chairs drawn close up to the log fire which burned on the wide, old-fas.h.i.+oned hearth.

Sara was engrossed in a book, her head bent low above its pages, unconscious of the keen blue eyes that had been regarding her reflectively for some minutes.

With the pa.s.sage of the last two months, Patrick's face seemed to have grown more waxen, worn a little finer, and now, as he sat quietly watching the slender figure on the opposite side of the hearth, it wore a curious, inscrutable expression, as though he were mentally balancing the pros and cons of some knotty point.

At last he apparently came to a decision, for he laid aside the newspaper he had been reading a few moments before, muttering half audibly:

"Must take your fences as you come to 'em."

Sara looked up abstractedly.

"Did you say anything?" she asked doubtfully.

Patrick gave his shoulders a grim shake.