The Works of Frederick Schiller Part 42

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"It was indeed a rash conclusion," said I, "if they had no better ground for it than that they saw nothing themselves."

"You see, my dear friend, I am modest enough not to wish to look behind this curtain, and the wisest course will doubtless be to abstain from all curiosity. But while I draw this impa.s.sable circle around me, and confine myself within the bounds of present existence, this small point of time, which I was in danger of neglecting in useless researches, becomes the more important to me. What you call the chief end and aim of my existence concerns me no longer. I cannot escape my destiny; I cannot promote its consummation; but I know, and firmly believe, that I am here to accomplish some end, and that I do accomplish it. But the means which nature has chosen to fulfil my destiny are so much the more sacred to me; to me it is everything; my morality, my happiness. All the rest I shall never learn. I am like a messenger who carries a sealed letter to its place of destination. What the letter contains is indifferent to him; his business is only to earn his fee for carrying it."

"Alas!" said I, "how poor a thing you would leave me!"

"But in what a labyrinth have we lost ourselves!" exclaimed the prince, looking with a smile at the table on which the rouleaus lay. "After all perhaps not far from the mark," continued he; "you will now no doubt understand my reasons for this new mode of life. I could not so suddenly tear myself away from my fancied wealth, could not so readily separate the props of my morality and happiness from the pleasing dream with which everything within me was so closely bound up. I longed for the frivolity which seems to render the existence of most of those about me endurable to themselves. Everything which precluded reflection was welcome to me. Shall I confess it to you? I wished to lower myself, in order to destroy this source of my griefs, by deadening the power of reflection."

Here we were interrupted by a visit. In my next I shall have to communicate to you a piece of news, which, from the tenor of a conversation like the one of to-day, you would scarcely have antic.i.p.ated.

LETTER V.

BARON VON F------ TO COUNT VON O------.

As the time of our departure from Venice is now approaching with rapid steps, this week was to be devoted to seeing everything worthy of notice in pictures and public edifices; a task which, when one intends making a long stay in a place, is always delayed till the last moment.

The "Marriage at Cana," by Paul Veronese, which is to be seen in a Benedictine convent in the Island of St. George, was in particular mentioned to us in high terms. Do not expect me to give you a description of this extraordinary work of art, which, on the whole, made a very surprising, but not equally pleasing, impression on me.

We should have required as many hours as we had minutes to study a composition of one hundred and twenty figures, upon a ground thirty feet broad. What human eye is capable of grasping so complicated a whole, or at once to enjoy all the beauty which the artist has everywhere lavished, upon it! It is, however, to be lamented, that a work of so much merit, which if exhibited in some public place, would command the admiration of every one, should be destined merely to ornament the refectory of a few monks. The church of the monastery is no less worthy of admiration, being one of the finest in the whole city. Towards evening we went in a gondola to the Guidecca, in order to spend the pleasant hours of evening in its charming garden. Our party, which was not very numerous, soon dispersed in various directions; and Civitella, who had been waiting all day for an opportunity of speaking to me privately, took me aside into an arbor.

"You are a friend to the prince," he began, "from whom he is accustomed to keep no secrets, as I know from very good authority. As I entered his hotel to-day I met a man coming out whose occupation is well known to me, and when I entered the room the prince's brow was clouded."

I wished to interrupt him,--"You cannot deny it," continued he; "I knew the man, I looked at him well. And is it possible that the prince should have a friend in Venice--a friend who owes his life to him, and yet be reduced on an emergency to make use of such creatures?"

"Tell me frankly, Baron! Is the prince in difficulties? It is in vain you strive to conceal it from me. What! you refuse to tell me! I can easily learn from one who would sell any secret for gold."

"My good Marquis!"

"Pardon me! I must appear intrusive in order not to be ungrateful.

To the prince I am indebted for life, and what is still more, for a reasonable use of it. Shall I stand idly by and see him take steps which, besides being inconvenient to him, are beneath his dignity?

Shall I feel it in my power to a.s.sist him, and hesitate for a moment to step forward?"

"The prince," replied I, "is not in difficulties. Some remittances which we expected via Trent have not yet arrived, most likely either by accident, or because not feeling certain whether he had not already left Venice, they waited for a communication from him. This has now been done, and until their arrival"

Civitella shook his head. "Do not mistake my motive," said he; "in this there can be no question as to diminis.h.i.+ng the extent of my obligations towards the prince, which all my uncle's wealth would be insufficient to cancel. My object is simply to spare him a few unpleasant moments. My uncle possesses a large fortune which I can command as freely as though it were my own. A fortunate circ.u.mstance occurs, which enables me to avail myself of the only means by which I can possibly be of the slightest use to your master. I know," continued he, "how much delicacy the prince possesses, but the feeling is mutual, and it would be n.o.ble on his part to afford me this slight gratification, were it only to make me appear to feel less heavily the load of obligation under which I labor."

He continued to urge his request, until I had pledged my word to a.s.sist him to the utmost of my ability. I knew the prince's character, and had but small hopes of success. The marquis promised to agree to any conditions the prince might impose, but added, that it would deeply wound him to be regarded in the light of a stranger.

In the heat of our conversation we had strayed far away from the rest of the company, and were returning, when Z-------- came to meet us.

"I am in search of the prince," he cried; "is he not with you?"

"We were just going to him," was our reply. "We thought to find him with the rest of the party."

"The company is all together, but he is nowhere to be found. I cannot imagine how we lost sight of him."

It now occurred to Civitella that he might have gone to look at the adjoining church, which had a short time before attracted his attention.

We immediately went to look for him there. As we approached, we found Biondello waiting in the porch. On coming nearer, we saw the prince emerge hastily from a side door; his countenance was flushed, and he looked anxiously round for Biondello, whom he called. He seemed to be giving him very particular instructions for the execution of some commission, while his eyes continued constantly fixed on the church door, which had remained open. Biondello hastened into the church. The prince, without perceiving us, pa.s.sed through the crowd, and went back to his party, which he reached before us.

We resolved to sup in an open pavilion of the garden, where the marquis had, without our knowledge, arranged a little concert, which was quite first-rate. There was a young singer in particular, whose delicious voice and charming figure excited general admiration. Nothing, however, seemed to make an impression on the prince; he spoke little, and gave confused answers to our questions; his eyes were anxiously fixed in the direction whence he expected Biondello; and he seemed much agitated.

Civitella asked him what he thought of the church; he was unable to give any description of it. Some beautiful pictures, which rendered the church remarkable, were spoken of; the prince had not noticed them. We perceived that our questions annoyed him, and therefore discontinued them. Hour after hour rolled on and still Biondello returned not. The prince could no longer conceal his impatience; he rose from the table, and paced alone, with rapid strides, up and down a retired walk. n.o.body could imagine what had happened to him. I did not venture to ask him the reason of so remarkable a change in his demeanor; I have for some time past resigned my former place in his confidence. It was, therefore, with the utmost impatience that I awaited the return of Biondello to explain this riddle to me.

It was past ten o'clock when he made his appearance. The tidings he brought did not make the prince more communicative. He returned in an ill-humor to the company, the gondola was ordered, and we returned.

home.

During the remainder of that evening I could find no opportunity of speaking to Biondello, and was, therefore, obliged to retire to my pillow with my curiosity unsatisfied. The prince had dismissed us early, but a thousand reflections flitted across my brain, and kept me awake. For a long time I could hear him pacing up and down his room; at length sleep overcame me. Late at midnight I was awakened by a voice, and I felt a hand pa.s.sed across my face; I opened my eyes, and saw the prince standing at my bedside, with a lamp in his hand. He told me he was unable to sleep, and begged me to keep him company through the night. I was going to dress myself, but he told me to stay where I was, and seated himself at my bedside.

"Something has happened to me to-day," he began, "the impression of which will never be effaced from my soul. I left you, as you know, to see the church, respecting which Civitella had raised my curiosity, and which had already attracted my attention. As neither you nor he were at hand, I walked the short distance alone, and ordered Biondello to wait for me at the door. The church was quite empty; a dim and solemn light surrounded me as I entered from the blazing sultry day without. I stood alone in the s.p.a.cious building, throughout which there reigned the stillness of the grave. I placed myself in the centre of the church, and gave myself up to the feelings which the sight was calculated to produce; by degrees the grand proportions of this majestic building expanded to my gaze, and I stood wrapt in deep and pleasing contemplation. Above me the evening bell was tolling; its tones died softly away in the aisles, and found an echo in my heart. Some altar-pieces at a distance attracted my attention. I approached to look at them; unconsciously I had wandered through one side of the church, and was now standing at the opposite end. Here a few steps, raised round a pillar, led into a little chapel, containing several small altars, with statues of saints in the niches above them. On entering the chapel on the right I heard a whispering, as though some one near was speaking in a low voice. I turned towards the spot whence the sound proceeded, and saw before me a female form. No! I cannot describe to you the beauty of this form. My first feeling was one of awe, which, however, soon gave place to ravis.h.i.+ng surprise."

"But this figure, your highness? Are you certain that it was something living, something real, and not perhaps a picture, or an illusion of your fancy?"

"Hear me further. It was a lady. Surely, till that moment, I have never seen her s.e.x in its full perfection! All around was sombre; the setting sun shone through a single window into the chapel, and its rays rested upon her figure. With inexpressible grace, half kneeling, half lying, she was stretched before an altar; one of the most striking, most lovely, and picturesque objects in all nature. Her dress was of black moreen, fitting tightly to her slender waist and beautifully-formed arms, the skirts spreading around her like a Spanish robe; her long light-colored hair was divided into two broad plaits, which, apparently from their own weight, had escaped from under her veil, and flowed in charming disorder down her back. One of her hands grasped the crucifix, and her head rested gracefully upon the other. But, where shall I find words to describe to you the angelic beauty of her countenance, in which the charms of a seraph seemed displayed. The setting sun shone full upon her face, and its golden beams seemed to surround it as with a glory. Can you recall to your mind the Madonna of our Florentine painter? She was here personified, even to those few deviations from the studied costume which so powerfully, so irresistibly attracted me in the picture."

With regard to the Madonna, of whom the prince spoke, the case is this: Shortly after your departure he made the acquaintance of a Florentine painter, who had been summoned to Venice to paint an altar-piece for some church, the name of which I do not recollect. He had brought with him three paintings, which had been intended for the gallery in the Cornari palace. They consisted of a Madonna, a Heloise, and a Venus, very lightly apparelled. All three were of great beauty; and, although the subjects were quite different, they were so intrinsically equal that it seemed almost impossible to determine which to prefer. The prince alone did not hesitate for a moment. As soon as the pictures were placed before him the Madonna absorbed his whole attention; in the two others he admired the painter's genius; but in this he forgot the artist and his art, his whole soul being absorbed in the contemplation of the work. He was quite moved, and could scarcely tear himself away from it.

We could easily see by the artist's countenance that in his heart he coincided with the prince's judgment; he obstinately refused to separate the pictures, and demanded fifteen hundred zechins for the three. The prince offered him half that sum for the Madonna alone, but in vain.

The artist insisted on his first demand, and who knows what might have been the result if a ready purchaser had not stepped forward.

Two hours afterwards all three pictures were sold, and we never saw them again. It was this Madonna which now recurred to the prince's mind.

"I stood," continued he, "gazing at her in silent admiration. She did not observe me; my arrival did not disturb her, so completely was she absorbed in her devotion. She prayed to her Deity, and I prayed to her --yes, I adored her! All the pictures of saints, all the altars and the burning tapers around me had failed to remind me of what now for the first time burst upon me, that I was in a sacred place. Shall I confess it to you? In that moment I believed firmly in Him whose image was clasped in her beautiful hand. I read in her eyes that he answered her prayers. Thanks be to her charming devotion, it had revealed him to me.

I wandered with her through all the paradise of prayer.

"She rose, and I recollected myself. I stepped aside confused; but the noise I made in moving discovered me. I thought that the unexpected presence of a man might alarm, that my boldness would offend her; but neither of these feelings were expressed in the look with which she regarded me. Peace, benign peace, was portrayed in her countenance, and a cheerful smile played upon her lips. She was descending from her heaven; and I was the first happy mortal who met her benevolent look.

Her mind was still wrapt in her concluding prayer; she had not yet come in contact with earth.

"I now heard something stir in the opposite corner of the chapel. It was an elderly lady, who rose from a cus.h.i.+on close behind me. Till now I had not observed her. She had been distant only a few steps from me.

and must have seen my every motion. This confused me. I cast my eyes to the earth, and both the ladies pa.s.sed by me."

On this last point I thought myself able to console the prince.

"Strange," continued he, after a long silence, "that there should be something which one has never known--never missed; and that yet on a sudden one should seem to live and breathe for that alone. Can one single moment so completely metamorphose a human being? It would now be as impossible for me to indulge in the wishes or enjoy the pleasures of yesterday as it would be to return to the toys of my childhood, and all this since I have seen this object which lives and rules in the inmost recesses of my soul. It seems to say that I can love nothing else, and that nothing else in this world can produce an impression on me."

"But consider, gracious prince," said I, "the excitable mood you were in when this apparition surprised you, and how all the circ.u.mstances conspired to inflame your imagination. Quitting the dazzling light of day and the busy throng of men, you were suddenly surrounded by twilight and repose. You confess that you had quite given yourself up to those solemn emotions which the majesty of the place was calculated to awaken; the contemplation of fine works of art had rendered you more susceptible to the impressions of beauty in any form. You supposed yourself alone-- when you saw a maiden who, I will readily allow, may have been very beautiful, and whose charms were heightened by a favorable illumination of the setting sun, a graceful att.i.tude, and an expression of fervent devotion--what is more natural than that your vivid fancy should look upon such a form as something supernaturally perfect?"

"Can the imagination give what it never received?" replied he. "In the whole range of my fancy there is nothing which I can compare with that image. It is impressed on my mind distinctly and vividly as in the moment when I beheld it. I can think of nothing but that picture; but you might offer me whole worlds for it in vain."

"My gracious prince, this is love."

"Must the sensation which makes me happy necessarily have a name?

Love! Do not degrade my feeling by giving it a name which is so often misapplied by the weak-minded. Who ever felt before what I do now?

Such a being never before existed; how then can the name be admitted before the emotion which it is meant to express? Mine is a novel and peculiar feeling, connected only with this being, and capable of being applied to her alone. Love! From love I am secure!"

"You sent away Biondello, no doubt, to follow in the steps of these strangers, and to make inquiries concerning them. What news did he bring you?"

"Biondello discovered nothing; or, at least, as good as nothing. An aged, respectably dressed man, who looked more like a citizen than a servant, came to conduct them to their gondola. A number of poor people placed themselves in a row, and quitted her, apparently well satisfied.

Biondello said he saw one of her hands, which was ornamented with several precious stones. She spoke a few words, which Biondello could not comprehend, to her companion; he says it was Greek. As she had some distance to walk to the ca.n.a.l, the people began to throng together, attracted by the strangeness of her appearance. n.o.body knew her--but beauty seems born to rule. All made way for her in a respectful manner.

She let fall a black veil, that covered half of her person, over her face, and hastened into the gondola. Along the whole Giudecca Biondello managed to keep the boat in view, but the crowd prevented his following it further."

The Works of Frederick Schiller Part 42

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The Works of Frederick Schiller Part 42 summary

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