The Trembling of a Leaf Part 17

"The tragedy of love is not death or separation. How long do you think it would have been before one or other of them ceased to care? Oh, it is dreadfully bitter to look at a woman whom you have loved with all your heart and soul, so that you felt you could not bear to let her out of your sight, and realise that you would not mind if you never saw her again. The tragedy of love is indifference."

But while he was speaking a very extraordinary thing happened. Though he had been addressing the skipper he had not been talking to him, he had been putting his thoughts into words for himself, and with his eyes fixed on the man in front of him he had not seen him. But now an image presented itself to them, an image not of the man he saw, but of another man. It was as though he were looking into one of those distorting mirrors that make you extraordinarily squat or outrageously elongate, but here exactly the opposite took place, and in the obese, ugly old man he caught the shadowy glimpse of a stripling. He gave him now a quick, searching scrutiny. Why had a haphazard stroll brought him just to this place? A sudden tremor of his heart made him slightly breathless. An absurd suspicion seized him. What had occurred to him was impossible, and yet it might be a fact.

"What is your name?" he asked abruptly.

The skipper's face puckered and he gave a cunning chuckle. He looked then malicious and horribly vulgar.

"It's such a d.a.m.ned long time since I heard it that I almost forget it myself. But for thirty years now in the islands they've always called me Red."

His huge form shook as he gave a low, almost silent laugh. It was obscene. Neilson shuddered. Red was hugely amused, and from his bloodshot eyes tears ran down his cheeks.

Neilson gave a gasp, for at that moment a woman came in. She was a native, a woman of somewhat commanding presence, stout without being corpulent, dark, for the natives grow darker with age, with very grey hair. She wore a black Mother Hubbard, and its thinness showed her heavy b.r.e.a.s.t.s. The moment had come.

She made an observation to Neilson about some household matter and he answered. He wondered if his voice sounded as unnatural to her as it did to himself. She gave the man who was sitting in the chair by the window an indifferent glance, and went out of the room. The moment had come and gone.

Neilson for a moment could not speak. He was strangely shaken. Then he said:

"I'd be very glad if you'd stay and have a bit of dinner with me. Pot luck."

"I don't think I will," said Red. "I must go after this fellow Gray.

I'll give him his stuff and then I'll get away. I want to be back in Apia to-morrow."

"I'll send a boy along with you to show you the way."

"That'll be fine."

Red heaved himself out of his chair, while the Swede called one of the boys who worked on the plantation. He told him where the skipper wanted to go, and the boy stepped along the bridge. Red prepared to follow him.

"Don't fall in," said Neilson.

"Not on your life."

Neilson watched him make his way across and when he had disappeared among the coconuts he looked still. Then he sank heavily in his chair.

Was that the man who had prevented him from being happy? Was that the man whom Sally had loved all these years and for whom she had waited so desperately? It was grotesque. A sudden fury seized him so that he had an instinct to spring up and smash everything around him. He had been cheated. They had seen each other at last and had not known it. He began to laugh, mirthlessly, and his laughter grew till it became hysterical.

The G.o.ds had played him a cruel trick. And he was old now.

At last Sally came in to tell him dinner was ready. He sat down in front of her and tried to eat. He wondered what she would say if he told her now that the fat old man sitting in the chair was the lover whom she remembered still with the pa.s.sionate abandonment of her youth. Years ago, when he hated her because she made him so unhappy, he would have been glad to tell her. He wanted to hurt her then as she hurt him, because his hatred was only love. But now he did not care. He shrugged his shoulders listlessly.

"What did that man want?" she asked presently.

He did not answer at once. She was old too, a fat old native woman. He wondered why he had ever loved her so madly. He had laid at her feet all the treasures of his soul, and she had cared nothing for them. Waste, what waste! And now, when he looked at her, he felt only contempt. His patience was at last exhausted. He answered her question.

"He's the captain of a schooner. He's come from Apia."

"Yes."

"He brought me news from home. My eldest brother is very ill and I must go back."

"Will you be gone long?"

He shrugged his shoulders.

V

_The Pool_

When I was introduced to Lawson by Chaplin, the owner of the Hotel Metropole at Apia, I paid no particular attention to him. We were sitting in the lounge over an early c.o.c.ktail and I was listening with amus.e.m.e.nt to the gossip of the island.

Chaplin entertained me. He was by profession a mining engineer and perhaps it was characteristic of him that he had settled in a place where his professional attainments were of no possible value. It was, however, generally reported that he was an extremely clever mining engineer. He was a small man, neither fat nor thin, with black hair, scanty on the crown, turning grey, and a small, untidy moustache; his face, partly from the sun and partly from liquor, was very red. He was but a figurehead, for the hotel, though so grandly named but a frame building of two storeys, was managed by his wife, a tall, gaunt Australian of five and forty, with an imposing presence and a determined air. The little man, excitable and often tipsy, was terrified of her, and the stranger soon heard of domestic quarrels in which she used her fist and her foot in order to keep him in subjection. She had been known after a night of drunkenness to confine him for twenty-four hours to his own room, and then he could be seen, afraid to leave his prison, talking somewhat pathetically from his verandah to people in the street below.

He was a character, and his reminiscences of a varied life, whether true or not, made him worth listening to, so that when Lawson strolled in I was inclined to resent the interruption. Although not midday, it was clear that he had had enough to drink, and it was without enthusiasm that I yielded to his persistence and accepted his offer of another c.o.c.ktail. I knew already that Chaplin's head was weak. The next round which in common politeness I should be forced to order would be enough to make him lively, and then Mrs Chaplin would give me black looks.

Nor was there anything attractive in Lawson's appearance. He was a little thin man, with a long, sallow face and a narrow, weak chin, a prominent nose, large and bony, and great s.h.a.ggy black eyebrows. They gave him a peculiar look. His eyes, very large and very dark, were magnificent. He was jolly, but his jollity did not seem to me sincere; it was on the surface, a mask which he wore to deceive the world, and I suspected that it concealed a mean nature. He was plainly anxious to be thought a "good sport" and he was hail-fellow-well-met; but, I do not know why, I felt that he was cunning and s.h.i.+fty. He talked a great deal in a raucous voice, and he and Chaplin capped one another's stories of beanos which had become legendary, stories of "wet" nights at the English Club, of shooting expeditions where an incredible amount of whisky had been consumed, and of jaunts to Sydney of which their pride was that they could remember nothing from the time they landed till the time they sailed. A pair of drunken swine. But even in their intoxication, for by now after four c.o.c.ktails each, neither was sober, there was a great difference between Chaplin, rough and vulgar, and Lawson: Lawson might be drunk, but he was certainly a gentleman.

At last he got out of his chair, a little unsteadily.

"Well, I'll be getting along home," he said. "See you before dinner."

"Missus all right?" said Chaplin.

"Yes."

He went out. There was a peculiar note in the monosyllable of his answer which made me look up.

"Good chap," said Chaplin flatly, as Lawson went out of the door into the suns.h.i.+ne. "One of the best. Pity he drinks."

This from Chaplin was an observation not without humour.

"And when he's drunk he wants to fight people."

"Is he often drunk?"

"Dead drunk, three or four days a week. It's the island done it, and Ethel."

"Who's Ethel?"

"Ethel's his wife. Married a half-caste. Old Brevald's daughter. Took her away from here. Only thing to do. But she couldn't stand it, and now they're back again. He'll hang himself one of these days, if he don't drink himself to death before. Good chap. Nasty when he's drunk."

Chaplin belched loudly.

"I'll go and put my head under the shower. I oughtn't to have had that last c.o.c.ktail. It's always the last one that does you in."

He looked uncertainly at the staircase as he made up his mind to go to the cubby hole in which was the shower, and then with unnatural seriousness got up.